National Gallery Athens Amgueddfa gan Parmenidis Longuepee Mari Team

Mae National Gallery Athens Amgueddfa gan Parmenidis Longuepee Mari Team yn enillydd uchel ei barch o'r 2022 Gwobr Aur A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Mewnol.

AurMewnol· 2022

National Gallery Athens Amgueddfa

gan Parmenidis Longuepee Mari Team

Cleient: National Gallery of Greece

Enillydd Gwobr Aur A' Design Award yn y Categori Mewnol

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Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #129529

Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am National Gallery Athens Amgueddfa

Yn adeilad modern y 60au yr Oriel Genedlaethol yn Athen, mae'r ystafelloedd arddangos wedi'u cynllunio fel rhodfa mewn gofod agored. Mae'r tu mewn wedi'i gynllunio fel dilyniant o ardaloedd trosiannol â leinin pren ar gyfer gwybodaeth, ac o ystafelloedd arddangos gwyn gyda nenfydau crog wedi'u cynllunio'n arbennig ar gyfer pob swyddogaeth arddangos. Gan reoli cyfeiriadau'r edrychiad, dyfnder y golygfa yn yr ystafelloedd a thuag at y ddinas, y goleuadau cyffredinol mewn perthynas â'r golau allanol, a darostwng y deunyddiau a'r manylion technegol i amlygu'r gweithiau celf, mae'r gofod yn rhoi effaith o ddewis rhydd.

Y Gydnabyddiaeth

Am y Gwobr Aur A' Design Award

Mae National Gallery Athens Amgueddfa yn enillydd Gwobr Aur A' Design Award, cydnabyddiaeth aruthrol o fawreddog a roddir i ddyluniadau o'r radd flaenaf, rhyfeddol a rhagorol. Mae enillwyr Aur yn greadigaethau hynod arloesol, gweledigaethol a disglair o ysblennydd sydd yn adlewyrchu athrylith, doethineb a medrusrwydd eu dylunwyr. Disgwylir i National Gallery Athens Amgueddfa fod yn ddyfais hynod glodfawr, arloesol a chofadwy sydd yn cyflwyno gwerth digynsail. Mae'r dyluniad buddugol hwn o Wobr Aur A' Design Award yn brosiect ysblennydd a pharchus sydd yn elwa yn fawr ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae National Gallery Athens Amgueddfa yn creu teimladau dwys o ddyhead, yn cynhyrfu angerdd, yn annog creadigrwydd ac yn ein cyfareddu.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city.
Dimensiynau a Phecynnu: Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
Tagiau: museography, interior space, gaze, minimalism
Technoleg Cynhyrchu: The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
Her Dylunio: The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
Ymchwil: Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
Ysbrydoliaeth: The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
Hyd y Prosiect: The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
Llif Gweithrediad: The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
Aelodau'r Tîm: architect: George Parmenidis
architect: Christine Longuepee
architect: Ifigenia Mari
Cydnabyddiaeth Delweddau: All photos own to the team.