Fujifilm Clay Studio2 Dyluniad Mewnol Swyddfa by Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 Dyluniad Mewnol Swyddfa by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 Gwobr Efydd A' Design Award in Mewnol Competition Category.

EfyddMewnol· 2022

Fujifilm Clay Studio2 Dyluniad Mewnol Swyddfa

by Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

Gwobr Efydd A' Design Award Winner in Mewnol Category

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The Design

About Fujifilm Clay Studio2 Dyluniad Mewnol Swyddfa

Mae Clay Studio 2 yn ddyluniad mewnol swyddfa a gynlluniwyd ar gyfer gwaith dylunio cynnyrch a dylunio gweledol yn Tokyo. Mae'r gofod o 300 metr sgwâr wedi'i gynllunio fel lleoliad tawel ar gyfer canolbwyntio, yn wahanol i swyddfeydd sy'n canolbwyntio'n bennaf ar gyfathrebu. Gadewir concrid, paent a bwrdd sment pren heb eu prosesu, felly mae'r ystafell yn ymddangos fel pe bai wedi'i gwneud dim ond o drawstiau a phileri. Mae tirlunio gerddi a golygfeydd naturiol yn ffurfio'r cefndir ac yn dwyn newid tymhorol i'r gofod. Mae desgiau'n wynebu tuag allan, ac mae bwrdd saith metr o hyd yn caniatáu cyfarfodydd byr wrth gadw pellter rhwng pobl.

The Recognition

About the Gwobr Efydd A' Design Award

Mae Fujifilm Clay Studio2 Dyluniad Mewnol Swyddfa yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i Fujifilm Clay Studio2 Dyluniad Mewnol Swyddfa fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae Fujifilm Clay Studio2 Dyluniad Mewnol Swyddfa yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensions & Packaging: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Production Technology: concrete, painting, wood cement board
Design Challenge: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Research: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiration: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Project Duration: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Operation Flow: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Team Members: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita