We Transforming Arddangosfa Economi Gylchol by Daisuke Nagatomo and Minnie Jan is a highly esteemed winner of the very prestigious 2023 Gwobr Arian A' Design Award in Mewnol Competition Category.
ArianMewnol· 2023
We Transforming Arddangosfa Economi Gylchol
by Daisuke Nagatomo and Minnie Jan
Client: MisoSoupDesign
Gwobr Arian A' Design Award Winner in Mewnol Category
Verified Award Winner
Verify Award Status for #147257The Design
About We Transforming Arddangosfa Economi Gylchol
Mae We Transforming yn ddyluniad arddangosfa am yr economi gylchol. Mae'r cynllun yn arwain ymwelwyr o orffennol economi linol, trwy bresennol sy'n trawsnewid, i ddyfodol cynaliadwy. Rhennir y cynnwys yn saith parth thematig: bwyd, cylch bywyd cynnyrch, modelau busnes newydd, ffabrig, pensaernïaeth, seilwaith a ffordd o fyw gynaliadwy. Mae'r brif strwythur yn defnyddio system silffoedd fodiwlaidd, sy'n golygu bod bron 90 y cant o'r arddangosfa yn ailgylchadwy. Rhoddir ail fywyd i'r holl ddeunyddiau arddangos a ffabrigau ar ôl y digwyddiad. Cyfanswm yr arwynebedd yw 1123 metr sgwâr.
The Recognition
About the Gwobr Arian A' Design Award
Mae We Transforming Arddangosfa Economi Gylchol yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i We Transforming Arddangosfa Economi Gylchol fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae We Transforming Arddangosfa Economi Gylchol yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Sharing the same sky and the same ocean, Taiwan is also moving towards the future in tandem with the world. This exhibition design is a journey of perpetual transformation, from a linear economy past, thru a transforming present, to a sustainable future defined by visitors.
- Dimensions & Packaging
- Total Area: 1123 m2
Venue dimension: 48m x 23.4m - Tags
- Circular Economy, Exhibition Design, Taiwan, Design Expo
- Production Technology
- Main structure is composed by Infinity Shelf system, which makes this exhibition design as nearly 90 percent recyclable. All the display material and fabrics are to have their second life after this exhibition.
- Design Challenge
- This exhibition challenges design and build method of temporary exhibition, which commonly produce large amount of demolished trash after the exhibition. Therefore, the material and construction methods are chosen carefully to have second life after the end of the exhibition.
- Research
- This exhibition design challenges the circular design by reducing the waste after the exhibition, utilizing recycled materials, and creating social impact by education general public with sustainable lifestyle.
- Inspiration
- The design of exhibition is inspired by the concept of circular, which refers to no-waste, utilization of existing resources, and application of innovative solution.
- Project Duration
- The project started in May 2022 in Taipei, Taiwan, and finished in September in Kaohsiung, Taiwan.
- Operation Flow
- The visitor goes through the entrance of dark space with stripe LED lights and reaches to the blue wall space with white wavy ceiling area. Afterwards, the main exhibition content starts to describe the issues of world sustainability. The main contents are divided into 7 themes zones, Food, Product life cycle, New business model, Fabric, Architecture, Infrastructure, and Sustainable Lifestyle.
- Team Members
- Curatorial Group:
REnato lab | Aining Ouyang
MisoSoupDesign | Minnie Jan
MisoSoupDesign | Daisuke Nagatomo
Design Team:
Sugar Hu, Jenny Yeh, Lily Lee
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