Mae New Year Darluniad gan Jui-Ping Lee yn enillydd uchel ei barch o'r 2024 Gwobr Haearn A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Celf Ddigidol.

HaearnCelf Ddigidol· 2024

New Year Darluniad

gan Jui-Ping Lee

Enillydd Gwobr Haearn A' Design Award yn y Categori Celf Ddigidol

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Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #158137

Ymweld â'r Wefan Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am New Year Darluniad

Mewn cwrt tawel, yng nghanol chwyrlio ysgafn eira'r gaeaf a lliwiau bywiog dail yr hydref, mae ffigur grasol wedi'i addurno mewn Kimono cain. Mae'r olygfa yn dwyn i gof hanfod Wabisabi, gan ymgorffori harddwch unigedd a thawelwch. Mae patrymau cain yn addurno'r ffabrig, yn bennaf Binwydd, sy'n symboleiddo difrifoldeb; a'r Seigaiha rhythmig yn cynrychioli llonyddwch y môr. Wrth chwyddo i mewn, datgelir manylion mwy cymhleth, mae plât carreg yn dwyn ffugenw'r arlunydd yn gorwedd i'r chwith; ac ar y Kimono, patrymau llygod yn cynrychioli'r flwyddyn newydd 2020, blwyddyn y llygod.

Y Gydnabyddiaeth

Am y Gwobr Haearn A' Design Award

Mae New Year Darluniad yn enillydd Gwobr Haearn A' Design Award, cydnabyddiaeth fawreddog a roddir i ddyluniadau da sydd yn bodloni'r gofynion proffesiynol a diwydiannol a ddisgwylir gan greadigaethau wedi'u dylunio'n dda. Mae enillwyr Haearn yn dangos medrusrwydd mawr, arbenigedd uchel, dealltwriaeth arbenigol a gallu creadigol eu crewyr. Disgwylir i New Year Darluniad fod yn greadigaeth uchel ei bri, a edmygir ac a anwylir, sydd yn ymarferol ac yn arloesol. Mae'r dyluniad buddugol hwn o Wobr Haearn A' Design Award yn integreiddio arferion gorau'r diwydiant ac mae ganddo nodweddion technegol cymwys wedi'u cysylltu â gwybodaeth ymarferol a dawn. Parchir New Year Darluniad am ei drylwyredd ac fe'i dyluniwyd i ddarparu gwelliannau ansawdd bywyd sydd yn helpu i wneud y byd yn lle gwell.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Dimensiynau a Phecynnu: Original dimensions at 5600*3150 px, with 935 canvas layers
Tagiau: Illustration, Kimono, Furisode, Kouyou, Karesansui
Technoleg Cynhyrchu: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Her Dylunio: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Ymchwil: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Ysbrydoliaeth: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Hyd y Prosiect: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Llif Gweithrediad: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.