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Arrival Celf Osodiadol, Gosodiad Golau by Daisuke Nagatomo and Minnie Jan

Arrival Celf Osodiadol, Gosodiad Golau by Daisuke Nagatomo and Minnie Jan is a highly esteemed winner of the very prestigious 2026 Gwobr Efydd A' Design Award in Prosiectau Goleuo Competition Category.


EfyddProsiectau Goleuo· 2026

Arrival Celf Osodiadol, Gosodiad Golau

by Daisuke Nagatomo and Minnie Jan

Client: MisoSoupDesign

Gwobr Efydd A' Design Award Winner in Prosiectau Goleuo Category

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Verified Award Winner

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The Design

About Arrival Celf Osodiadol, Gosodiad Golau

Mae Arrival yn osodiad golau dros dro a adeiladwyd o ddau gynhwysydd llongau wedi'u hailgylchu sydd wedi'u pentyrru'n fertigol. Mae'r cynwysyddion yn ffurfio tramwyfa gul y gellir cerdded drwyddi gydag arwynebau dur crwm a ysbrydolwyd gan flaen llong yn dod i mewn i harbwr. Mae drychau ar y ddau ben yn adlewyrchu'r ddinas, y môr a'r ymwelwyr, gan bylu'r ffin rhwng gofod go iawn ac adlewyrchiad. Mae goleuadau LED integredig a system niwl yn dod â'r dramwyfa'n fyw yn ystod oriau'r hwyr. Mae Arrival yn dangos sut y gall deunyddiau diwydiannol wedi ymddeol ddod yn waith celf cyhoeddus ymgolïol.

The Recognition

About the Gwobr Efydd A' Design Award

Mae Arrival Celf Osodiadol, Gosodiad Golau yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i Arrival Celf Osodiadol, Gosodiad Golau fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae Arrival Celf Osodiadol, Gosodiad Golau yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
Dimensions & Packaging
The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
Tags
nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
Production Technology
The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
Design Challenge
The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
Research
ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
Inspiration
The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
Project Duration
Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation)
Operation Flow
Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
Team Members
Jenny Yeh, Sugar Hu
Image Credits
Kaohsiung Art Museum

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