Porous Manifold Ystafell De Japaneaidd by Ryumei Fujiki and Yukiko Sato

Porous Manifold Ystafell De Japaneaidd by Ryumei Fujiki and Yukiko Sato is a highly esteemed winner of the very prestigious 2019 Gwobr Arian A' Design Award in Celfyddyd Gain Competition Category.

ArianCelfyddyd Gain· 2019

Porous Manifold Ystafell De Japaneaidd

by Ryumei Fujiki and Yukiko Sato

Client: F.A.D.S + Fujiki Studio, KOU::ARC

Gwobr Arian A' Design Award Winner in Celfyddyd Gain Category

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The Design

About Porous Manifold Ystafell De Japaneaidd

Ystafell de Japaneaidd dros dro yw hon sy'n cael ei harddangos yn Echigo-tsumari Art Triennale 2018 ac mae ganddi strwythur nythu gyda gofod dau-tatami wedi'i ymgorffori mewn sgwâr deg troedfedd. Yn yr arddangosfa hon, gofynnwyd i benseiri ymateb i'r thema o sut i oresgyn y cysyniad o ofod homogenaidd a oedd yn tra-arglwyddiaethu yn yr 20fed ganrif. Dyluniwyd y sgerbwd gan ddefnyddio'r patrwm ar hap o'r enw Voronoi Division i ystumio gofod homogenaidd. A chynigiwyd bod y bensaernïaeth gyda nifer fawr o dyllau yr hyn y gellid ei agor a'i gau yn ôl yr angen i gyfathrebu â'r tu allan fel peth byw.

The Recognition

About the Gwobr Arian A' Design Award

Mae Porous Manifold Ystafell De Japaneaidd yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Porous Manifold Ystafell De Japaneaidd fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Porous Manifold Ystafell De Japaneaidd yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Dimensions & Packaging: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Tags: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Production Technology: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Design Challenge: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Research: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Inspiration: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Project Duration: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Operation Flow: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patents: F.A.D.S + Fujiki Studio, KOU::ARC
Team Members: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Image Credits: Masahiro Hoshida, Fujiki Studio, KOU::ARC