Mae Sense Move Gwisg Ddawns gan Zhulin Shi yn enillydd uchel ei barch o'r 2020 Gwobr Arian A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Ffasiwn.

ArianFfasiwn· 2020

Sense Move Gwisg Ddawns

gan Zhulin Shi

Cleient: Last Lab Inc.

Enillydd Gwobr Arian A' Design Award yn y Categori Ffasiwn

37,486

Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #90799

Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am Sense Move Gwisg Ddawns

Mae Sense Move yn wisg sy'n allyrru golau a ddyluniwyd ar gyfer dawnswyr. Mae'r wisg yn plygu'n siapiau geometrig sy'n dilyn symudiad y corff, gan ffurfio cerflun cinetig ar y llwyfan. Mae effeithiau golau yn mynegi emosiynau newidiol. Mae pylu araf yn awgrymu anadlu, ac mae fflach yn awgrymu cyffro. Mae maneg synhwyro wedi'i chynnwys yn rhan o'r wisg. Pan fydd aelod o'r gynulleidfa yn cyffwrdd llaw'r dawnsiwr, mae'r golau'n newid mewn ymateb i'r cyffyrddiad. Nod y dyluniad yw cryfhau'r cysylltiad emosiynol rhwng perfformwyr a gwylwyr.

Y Gydnabyddiaeth

Am y Gwobr Arian A' Design Award

Mae Sense Move Gwisg Ddawns yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Sense Move Gwisg Ddawns fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Sense Move Gwisg Ddawns yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
Dimensiynau a Phecynnu: Width 70mm x Depth 30mm x Height 150mm
Tagiau: wearable technology, led lighting costume, kinetic sculpture
Technoleg Cynhyrchu: In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
Her Dylunio: The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
Ymchwil: I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance.
Ysbrydoliaeth: With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
Hyd y Prosiect: The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
Llif Gweithrediad: The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
Cydnabyddiaeth Delweddau: Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou