The Japanese Forest Ffotograffiaeth by Masaru Eguchi

Arian Ffotograffiaeth · 2020

The Japanese Forest Ffotograffiaeth

by Masaru Eguchi

Gwobr Arian A' Design Award 2020 in Ffotograffiaeth
CLIENT: Sunpono
Estimated Number of Design Views: 51,313
Verification code E4FFA9F59F · Verify this award

Visit Site View at A' Design Award Press Release

Colors

About The Japanese Forest Ffotograffiaeth

Cymerir Coedwig Japan o safbwynt crefyddol Japan. Un o grefyddau hynafol Japan yw Animeiddiad. Mae animeiddiad yn gred bod gan greaduriaid nad ydyn nhw'n ddynol, bywyd llonydd (mwynau, arteffactau, ac ati) a phethau anweledig fwriad hefyd. Mae ffotograffiaeth yn debyg i hyn. Mae Masaru Eguchi yn saethu rhywbeth sy'n gwneud teimlad yn y pwnc. Mae coed, glaswellt a mwynau yn teimlo ewyllys bywyd. Ac mae hyd yn oed arteffactau fel argaeau a adawodd ym myd natur am amser hir yn teimlo'r ewyllys. Yn union fel y gwelwch y natur ddigyffwrdd, bydd y dyfodol yn gweld y golygfeydd presennol.

About the Gwobr Arian A' Design Award

Mae The Japanese Forest Ffotograffiaeth yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i The Japanese Forest Ffotograffiaeth fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae The Japanese Forest Ffotograffiaeth yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.

Press Kit

Unique Properties: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Dimensions & Packaging: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Tags: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Production Technology: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Design Challenge: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Research: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Inspiration: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Project Duration: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Operation Flow: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Patents: Copyright: Masaru Eguchi
Image Credits: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.