Crown of the Sea General Gosodiad Celf Gyhoeddus gan Yu Liang Chen

Mae Crown of the Sea General Gosodiad Celf Gyhoeddus gan Yu Liang Chen yn enillydd uchel ei barch o'r 2020 Gwobr Efydd A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Celfyddyd Gain.

EfyddCelfyddyd Gain· 2020

Crown of the Sea General Gosodiad Celf Gyhoeddus

gan Yu Liang Chen

Cleient: NewLocal Art Studio

Enillydd Gwobr Efydd A' Design Award yn y Categori Celfyddyd Gain

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Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #97588

Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am Crown of the Sea General Gosodiad Celf Gyhoeddus

Mae Coron Cadfridog y Môr yn osodiad celf gyhoeddus wedi'i leoli yn Nhrefgordd Kouhu, Sir Yunlin, Taiwan. Mae'r gosodiad yn 10 metr o hyd, 3 metr o led a 4 metr o uchder. Mae ffrâm dur gwrthstaen a morter sment yn ffurfio'r siâp, tra bod teils gwydrog sgleiniog, cerameg wedi'i dorri'n ddarnau, cerrig mân a gwydr drych yn gorchuddio'r wyneb. Mae meinciau y tu mewn i'r strwythur yn cynnig cysgod a gorffwys, ac mae gro gwyn o amgylch y sylfaen yn gwahodd plant i chwarae. Cyfunir patrymau o ddiwylliannau brodorol, Han a Siapaneaidd. Mae'r goron yn annog parch tuag at adnoddau morol.

Y Gydnabyddiaeth

Am y Gwobr Efydd A' Design Award

Mae Crown of the Sea General Gosodiad Celf Gyhoeddus yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i Crown of the Sea General Gosodiad Celf Gyhoeddus fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae Crown of the Sea General Gosodiad Celf Gyhoeddus yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: Located in Kouhu Township, Yunlin County, it not only takes on the elements from patterns of various ethnic groups, but is also equipped with practical functions, including benches for resting in the interior of the installation which provide sun-ray-shielding function, and white gravels paved around for children to play with which enhances the chances to interact with people and then to pay attention to issues of environmental protection and the ocean.
Dimensiynau a Phecynnu: The installation measures 10 meters long, 3 meters wide, and 4 meters tall. We apply the common construction method of Taiwanese modern temple roof, which comes in dragons and phoenixes, and also take the features of materials into consideration. Besides, artisans who are expert on making the exterior of temples such as legendary figures, statue of deities, auspicious animals are invited to work together.
Tagiau: Installation art, Gazebo, Multi-cultural groups, Marine Resources, Environmental protection issue
Technoleg Cynhyrchu: We took stainless steel bar and net as the frame, cement mortar as the molding material. The surfaces were applied with glossy glaze tiles, fragmented ceramics and close-lightly pebbles, and pottery plates as well as pot lids were embedded in as design to increase fun. Then mirror-pane glass formed the exterior, strengthening the perception toward the combination of tradition and modern.
Her Dylunio: Trying to combine modern art design and traditional craft, the design team especially invited molding masters and fragmented ceramic artisans constructing temples in southern Taiwan. Because of that, the design team spent a great amount of time communicating construction methods and related details, including design proportion, fragmented ceramic coloring, format, construction procedures, etc., which challenged the past designing and constructing experience of the designers and artisans.
Ymchwil: The figure was set in the elements from mythologies. The crown came from Giant Groupers, which is a part of Taiwanese aquaculture. Indigenous, Han, and Japanese signs are introduced. The theme color is shades of red, which is a symbol of luck and happiness in Taiwan; black, white, and golden frame reveals a sense of exquisiteness from Japanese culture; the Mountain Patterns, which belongs to indigenous tribes in Taiwan, taking blue, green, and orange to represent atmosphere, sea, and land.
Ysbrydoliaeth: In order to remind people of the importance of respect while using marine resources, the idea of the Sea General came from the traditional folk religion, the Sea Goddess, Mazu. It symbolizes that to save the environment damaged by human beings, the Sea General sacrifice its own life and leave behind the crown to remind people of the meaning of cherishing the planet, correlating with the issue of marine resources preservation and climate change.
Hyd y Prosiect: The project finished in November, 2019 in Yunlin County, Taiwan.
Llif Gweithrediad: Crown of the Sea General looks like a character coming out from fantasy novels, deepens the visual perception to reach the goal of warning people that our future environment might face the fightback of nature. As for the colors, the design team chose to use prevailing decoration elements from traditional Taiwanese temples and deity statues and particularly commissioned professional Koji Pottery workmen to produce low temperature glaze kilning fragmented ceramic and tiles.
Aelodau'r Tîm: Yu-Liang Chen
Cydnabyddiaeth Delweddau: Cheng-Mao Liu