Past at Last Bæredygtig Mode af Tihana Miksa er en højt anset vinder af den meget prestigefyldte 2021 A' Design Award i Sølv i konkurrencekategorien Mode-, Beklædnings- og Tøjdesign.
SølvMode· 2021
Past at Last Bæredygtig Mode
af Tihana Miksa
Klient: Tihana Mikša
Vinder af A' Design Award i Sølv i kategorien Mode
Verificeret Prisvinder
Verificer Prisstatus for #113802Designet
Om Past at Last Bæredygtig Mode
Vægten ligger på righoldige, legende teksturer og ujævn farvning i beklædningskompositionerne. Som følge heraf er selve beklædningsgenstandene symmetriske, enkle og lukkede former uden krævende indgreb i strukturen. Disse objekter undersøger det visuelle aspekt, taktilitet, materialitet, levende bevægelse og tekstilernes arkitektonik. Farverne har lav intensitet og er akromatiske, undtagen røde nuancer der pulserer inden for dette blege spektrum.
Anerkendelsen
Om A' Design Award i Sølv
Past at Last Bæredygtig Mode er vinder af A' Design Award i Sølv, en usædvanligt prestigefyldt anerkendelse, der tildeles designs i topklasse, som er pragtfulde og imponerende. Sølvvinderne er enormt geniale og overordentlig kreative værker, der illustrerer deres designeres fremragende ekspertise, talent og skarpsindighed. Past at Last Bæredygtig Mode forventes at være et vidunderligt udstillingsværk, der er bemærkelsesværdigt professionelt og dybt innovativt. Dette design, der har vundet A' Design Award i Sølv, er en højst bemærkelsesværdig, beundret opfindelse, som gavner og flytter grænserne for kunst, videnskab, design og teknologi. Past at Last Bæredygtig Mode er en skabelse, som mange misunder, og som vækker begær, bringer positive følelser og antænder forundring og undren.
Bag Designet
Pressemappe
Credits, teammedlemmer og tekniske detaljer leveret af designeren.
- Unikke Egenskaber
- The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum. - Tags
- basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
- Produktionsteknologi
- The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
- Designudfordring
- Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques. - Inspiration
- The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing. - Projektvarighed
- 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
- Billedkreditering
- Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.
Sponsoreret
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