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The Land of Rocks Udstillingsstand af Weixian He and Baoyang Wei

The Land of Rocks Udstillingsstand af Weixian He and Baoyang Wei er en højt anset vinder af den meget prestigefyldte 2023 A' Design Award i Sølv i konkurrencekategorien Messearkitektur, Interiør og Udstillingsdesign.


SølvMesse· 2023

The Land of Rocks Udstillingsstand

af Weixian He and Baoyang Wei

Klient: Wise Space Aesthetics

Vinder af A' Design Award i Sølv i kategorien Messe

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Designet

Om The Land of Rocks Udstillingsstand

The Land of Rocks er et midlertidigt udstillingsrum skabt for et brand inden for sintret sten på Guangzhou Design Week i 2020. Standen dækker 180 kvadratmeter. Et halvt lukket og halvt åbent layout leder de besøgende ad en varieret rute, mens udskårne åbninger i de arrangerede vægge gør det muligt at se stenmønstrene både udefra og indefra. En buet struktur ved navn Rock Flower står i midten af scenen. Designet gør forholdet mellem sintret sten, beboelse og byen synligt og let at opleve.

Anerkendelsen

Om A' Design Award i Sølv

The Land of Rocks Udstillingsstand er vinder af A' Design Award i Sølv, en usædvanligt prestigefyldt anerkendelse, der tildeles designs i topklasse, som er pragtfulde og imponerende. Sølvvinderne er enormt geniale og overordentlig kreative værker, der illustrerer deres designeres fremragende ekspertise, talent og skarpsindighed. The Land of Rocks Udstillingsstand forventes at være et vidunderligt udstillingsværk, der er bemærkelsesværdigt professionelt og dybt innovativt. Dette design, der har vundet A' Design Award i Sølv, er en højst bemærkelsesværdig, beundret opfindelse, som gavner og flytter grænserne for kunst, videnskab, design og teknologi. The Land of Rocks Udstillingsstand er en skabelse, som mange misunder, og som vækker begær, bringer positive følelser og antænder forundring og undren.

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Pressemappe

Credits, teammedlemmer og tekniske detaljer leveret af designeren.

Unikke Egenskaber
"Custom, high-end, professional brand essence" given to show the space inside and outside.The main products combined with the brand culture are displayed in front of the public through a variety of aesthetic forms to create a visual, sensory and experiential immersive experience place.The purpose is not only to express exhibitionality and artistry, but also to attract the attention of designers and professionals and create conditions for brand communication and brand appreciation.
Dimensioner & Emballage
180sqm
Tags
Brand exhibition, temporary exhibition, ceramic tile, sintered stone, Guangzhou
Produktionsteknologi
Arrangement and encircle do not cause closure or isolation. On the contrary, through special arrangement and cut crevices, one can see the beautiful and varied posture of the stone patterns from the outside to the inside. Or watching people from the inside out as they move and stare curiously at them.
Designudfordring
The huge theme of the relationship between sintered stone, habitation and city is challenging to express through a limited space in a limited time period. We have a primary and secondary layout of a spatial structure, giving full consideration to the design aesthetic feeling and functionality, semi-enclosed and semi-open structure to create a dynamic visiting line. Visitors can control the rhythm of moving and static, fast and slow, so that visitors have a sense of immersion.
Forskning
From the point of view of the brand, while fully displaying the advantages of the product, we need to express the deeper cultural connotation, that is, to make the relationship between sintered stone, habitation and city visible, palpable and experiential, which is the focus of our design. This relationship is not straightforward, but requires people to place themselves in the space, heart feeling. So when we design, we need to consider how to make the visitors have a more delicate touch point - Architecture should become more open in the city, both formally and emotionally.
Inspiration
What is the relationship between sintered stone, habitation and city? One lives in the city, moving between different buildings and staying sometimes. This exhibition space is like the epitome of urban architecture. The sintered stone and its application products are integrated into the space, and the building will no longer be a "shelter" without emotion. Endowed with the soul of nature, the architecture has more flexibility and is infinitely close to people's hearts.
Projektvarighed
The project was constructed and completed in Guangzhou in December 2020, and was exhibited at Pavilion 2C06, Hall 2, Guangzhou Design Week from December 3 to December 6, 2020.
Driftsflow
To meet the requirements of semi-open interaction, the entrance presents the characteristics of rigid and flexible sintered stone in two ways. Symmetric and asymmetric docking - Together. The flexibility and suppleness of sintered stone as the first impression to attract the attention of visitors. The "Rock flower" structure stands in the center of the stage as the protagonist, with graceful curves extending upward. When you sit on the bench and look up, the clouds glow implicitly, like a dream.
Teammedlemmer
Chief Designer: Weixian He
Designer: Baoyang Wei
Designer: Fengming Tang
Billedkreditering
Image #1, 2, 3, 4, 5: Photographer Zhuoquan Wu
Video shooting and editing: Zhuoquan Wu

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