Transition Udstillingsdesign af Shuhei Matsuyama

Transition Udstillingsdesign af Shuhei Matsuyama er en højt anset vinder af den meget prestigefyldte 2026 A' Design Award i Sølv i konkurrencekategorien Messearkitektur, Interiør og Udstillingsdesign.

SølvMesse· 2026

Transition Udstillingsdesign

af Shuhei Matsuyama

Klient: enigma Inc.

Vinder af A' Design Award i Sølv i kategorien Messe

17,595

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Farver

Designet

Om Transition Udstillingsdesign

Transition er en blomsterudstilling, der præsenterer ikebana, den japanske kunst at arrangere blomster, i en moderne ramme. Det åbne layout har ingen bagvæg, så besøgende bevæger sig frit og betragter hvert arrangement fra mange vinkler i stedet for kun forfra. Naturligt sollys og responsiv belysning ændrer sig i løbet af dagen, så rummet og de levende blomster forandrer sig kontinuerligt. Modulære podier er 3D-printet i genanvendelig resin og kan skilles ad og genbruges. Det plane, barrierefrie gulv holder udstillingen åben for alle besøgende.

Anerkendelsen

Om A' Design Award i Sølv

Transition Udstillingsdesign er vinder af A' Design Award i Sølv, en usædvanligt prestigefyldt anerkendelse, der tildeles designs i topklasse, som er pragtfulde og imponerende. Sølvvinderne er enormt geniale og overordentlig kreative værker, der illustrerer deres designeres fremragende ekspertise, talent og skarpsindighed. Transition Udstillingsdesign forventes at være et vidunderligt udstillingsværk, der er bemærkelsesværdigt professionelt og dybt innovativt. Dette design, der har vundet A' Design Award i Sølv, er en højst bemærkelsesværdig, beundret opfindelse, som gavner og flytter grænserne for kunst, videnskab, design og teknologi. Transition Udstillingsdesign er en skabelse, som mange misunder, og som vækker begær, bringer positive følelser og antænder forundring og undren.

Bag Designet

Pressemappe

Credits, teammedlemmer og tekniske detaljer leveret af designeren.

Unikke Egenskaber: An immersive flower exhibition engaging all five senses, tracing 1,400 years of ikebana and the kado philosophy of the life of flowers. Fresh floral works, shifting sunlight, and responsive lighting continuously transform both space and experience. A wall-less, open configuration overturns traditional frontal ikebana viewing, inviting active participation and enabling unrepeatable, time-based engagement with floral art.
Dimensioner & Emballage: Exhibition area: approx. 300 sqm.
Monitor fixtures: 1965 mm Width x 470 mm Depth x 1195 mm Height.
Large stage: 3000 mm Width x 4200 mm Depth x 300 mm Height.
130-size modular lighting pedestals in 3 types: A: 400 mm Width x 400 mm Depth, B: 500 mm Width x 500 mm Depth, C: 800 mm Width x 800 mm Depth.
All components are designed for disassembly, reuse, and full barrier-free accessibility.
Tags: Ikebana, Exhibition Design, Floral Art, Japanese Culture, Immersive Experience, Sustainable Design, Inclusive Design, Expo 2025, Contemporary Art, Spatial Design
Produktionsteknologi: The exhibition structure was realized using recyclable resin-based 3D-printed pedestals, minimizing waste and enabling modular reuse for future installations. The lighting design incorporated responsive LED systems to simulate natural transitions. Spatial modeling and daylight simulation were conducted using Unreal Engine to test sun paths and visual conditions, allowing for precise environmental calibration. Materials include wood, recycled steel, and living floral elements.
Designudfordring: Traditional ikebana shows erected one-off timber walls and fixtures, then scrapped them. We challenged that legacy, adopting a reusable system that slashes physical build. Pedestals are 3-D-printed from recyclable resin, designed for quick disassembly, transport, and redeployment, cutting material use and waste. With level floors and wide clearances, the fully barrier-free layout marries sustainability to inclusive design.
Forskning: In this show we discarded the rear wall once mandatory for classical ikebana and used self-standing fixtures, letting visitors wander freely. Single-use timber walls became reusable, 3-D-printed units of recycled resin, proving ikebana can travel to sites once impossible. Surveys showed 90 % of attendees were first-time ikebana viewers, revealing new audiences. Energized by this success, we are already planning the next “new-generation” flower exhibition.
Inspiration: Ikebana is a centuries-old tradition that unites time-based and spatial art. To honor this duality, we removed the rear wall once deemed essential, shaping a fluid gallery where changing daylight, responsive lighting, and living flowers mingle in shifting layers. Visitors roam freely, viewing each arrangement from many angles while bespoke Unreal-Engine simulations refined sun paths and sightless, letting space and work animate each other.
Projektvarighed: The project started on April 13, 2025, and concluded on April 20, 2025. It was exhibited at the “Gallery EAST” of Expo 2025 Osaka, Kansai.
Driftsflow: Visitors freely move through the open, wall-less gallery, exploring ikebana arrangements from multiple angles. Natural and dynamic lighting interact with fresh flowers, creating constantly shifting scenes. This spatial and sensory engagement encourages personal interpretation, breaking from the static, front-facing norms of classical ikebana.
Patenter: Copyrights belong to Ikenobo Society of Floral Art, 2025.
Teammedlemmer: Creative Director / Art Director / Planner: Shuhei Matsuyama
Technical Director / Engineer: Koki Kaminoura
Project Director: Kenji Suina
Spatial Design Director: Kazuhiro Itagaki
Designer (130): Daina Kato
Engineer (130): Kenta Iguchi
Promotion Director: Satomi Tamai
Research Director: Tsubasa Kuri
Researcher: Tomoya Shimojo
Promotion Planner: Mako Fujimoto
Billedkreditering: Image #1-#5: Photographer Kamiya Ryo、Transition: The Origin of Ikebana、 2025.
Video Credits: Videographer Mizuno Kai、 Transition: The Origin of Ikebana、 2025.