The Japanese Forest Fotografering by Masaru Eguchi is a highly esteemed winner of the very prestigious 2020 A' Design Award i Sølv in Fotografi og Fotomanipulationsdesign Competition Category.
SølvFotografi· 2020
The Japanese Forest Fotografering
Client: Sunpono
A' Design Award i Sølv Winner in Fotografi Category
Verified Award Winner
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About The Japanese Forest Fotografering
Den japanske skov er taget fra et japansk religiøst perspektiv. En af de japanske gamle religioner er Animisme. Animisme er en tro på, at ikke-menneskelige væsener, stilleben (mineraler, artefakter osv.) Og usynlige ting også har en hensigt. Fotografering ligner dette. Masaru Eguchi skyder noget der får en følelse af emnet. Træer, græs og mineraler føler livets vilje. Og selv artefakter som dæmninger, der har efterladt naturen i lang tid, føler viljen. Ligesom du ser den uberørte natur, vil fremtiden se det nuværende landskab.
The Recognition
About the A' Design Award i Sølv
The Japanese Forest Fotografering er vinder af A' Design Award i Sølv, en usædvanligt prestigefyldt anerkendelse, der tildeles designs i topklasse, som er pragtfulde og imponerende. Sølvvinderne er enormt geniale og overordentlig kreative værker, der illustrerer deres designeres fremragende ekspertise, talent og skarpsindighed. The Japanese Forest Fotografering forventes at være et vidunderligt udstillingsværk, der er bemærkelsesværdigt professionelt og dybt innovativt. Dette design, der har vundet A' Design Award i Sølv, er en højst bemærkelsesværdig, beundret opfindelse, som gavner og flytter grænserne for kunst, videnskab, design og teknologi. The Japanese Forest Fotografering er en skabelse, som mange misunder, og som vækker begær, bringer positive følelser og antænder forundring og undren.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people. - Dimensions & Packaging
- The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
- Tags
- Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
- Production Technology
- The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
- Design Challenge
- The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
- Research
- Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
- Inspiration
- One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
- Project Duration
- The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
- Operation Flow
- This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
- Patents
- Copyright: Masaru Eguchi
- Image Credits
- Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.
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