Interviews med Manuela Hardy

My design background is rooted in a combination of formal education and hands-on experience. I graduated with a diploma degree in architecture and design from fiuni school of architecture & design, where I focused on residential architecture and creative processes. This foundation helped me develop strong technical skills in design software, user research, and visual communication.

I’ve always been drawn to creative expression and problem-solving, and design sits right at the intersection of those two passions. From a young age, I was fascinated by how everyday objects and visuals could evoke emotions and convey messages. Over time, that curiosity evolved into a drive to create my own solutions—ones that are both visually appealing and meaningful to the people who interact with them.

Becoming a designer felt like a natural step because it allows me to combine art, functionality, and strategy in a single pursuit. I’m motivated by the challenge of translating complex ideas into intuitive visuals or user experiences, and I’m constantly inspired by the impact thoughtful design can have on how people perceive a product, a brand, or even an entire community. Above all, the thrill of bringing an idea to life—from concept sketches to final implementation—keeps me excited about pushing my creative boundaries and growing as a designer.

I definitely chose to become a designer—it wasn’t something I felt obligated or forced to pursue. From an early age, I had an inclination toward creativity, whether that involved drawing, painting, or experimenting with different mediums. Over time, as I discovered the world of design, it became clear that this field would let me merge my love for visual expression with a practical, problem-solving mindset. The more I learned about various design disciplines, the more I realized that this was not just a hobby but a genuine career path I wanted to follow.

My primary focus is on designing residential houses and cabins, which I absolutely love doing. There’s something incredibly rewarding about shaping people’s personal spaces—seeing how thoughtful layouts, natural materials, and well-placed details can create a true sense of comfort and belonging. I’ve always been drawn to the coziness and warmth of small-scale, nature-inspired dwellings, whether that’s a small cabin in the woods or a modern family home filled with light.

Looking ahead, I’d love to continue refining and expanding my expertise in this area. I’m particularly interested in sustainable building practices and exploring innovative ways to integrate each structure with its surrounding environment. Designing spaces that harmonize with nature—while still meeting the practical needs of the people who live in them—is my passion, and I can’t wait to keep pushing the boundaries of what’s possible in residential and cabin design.

The most important advice I can give young designers is to focus on the work that truly speaks to your heart—because when you love what you do, your passion shines through in every project. Whether you’re fascinated by architecture, product design, graphics, or any other creative field, nurturing that genuine enthusiasm is what sustains you through the late nights, tight deadlines, and occasional setbacks.

Surround yourself with projects that challenge and inspire you, and never stop exploring new techniques or perspectives. Always stay open to learning—from mentors, colleagues, and even from your own mistakes. Keep in mind that design is a journey of continual growth, fueled by curiosity and a commitment to making meaningful, impactful work. When you stay true to what you love, your unique style and dedication will help you stand out and make a lasting mark in the design world.

A good designer meets expectations and delivers solid work. A great designer goes a step further—adding depth, innovation, and genuine empathy for the end user. They’re constantly pushing boundaries, refining their craft, and finding unique ways to communicate and solve problems. It’s this combination of passion, originality, and user-focused thinking that truly sets a great designer apart.

A good design is clear, functional, and emotionally resonant—it serves its purpose while engaging users on a deeper level. I look for simplicity, impact, and how seamlessly it integrates with its environment or user flow. Ultimately, a really good design solves the right problem in a way that feels intuitive, meaningful, and delightful.

Good design improves how we live and feel—it solves problems efficiently while enriching our daily experiences. Investing in beautiful, thoughtful design enhances well-being and creates spaces that inspire and uplift. It’s more than aesthetics; it’s about crafting environments that truly support and delight us.

I’d love to design a “design village” built primarily with wood—an immersive, interactive space where everyone can visit, stay, and explore. Think of it like an amusement park for design lovers: a sustainable haven that merges craftsmanship, innovation, and community. It would celebrate creativity in every corner and provide a welcoming environment for people of all ages and backgrounds to connect and be inspired.

The dream project I’m still waiting to bring to life is my “design village”—an immersive, nature-focused community that showcases innovation, craftsmanship, and sustainability. It would be a welcoming destination where visitors can experience beautiful wood-built structures, learn about design, and connect with others who share a passion for creativity and well-being.

My secret recipe is putting the people who will live there front and center—truly understanding their needs and aspirations. From there, I focus on tactility, ensuring each space feels inviting to the touch, and view every project holistically, blending functionality, aesthetics, and context into a seamless experience.

I’m inspired by a wide range of design masters—visionaries like Daniel Libeskind, Peter Zumthor, and Frank Gehry have profoundly influenced my thinking. Their bold forms, attention to detail, and unique use of materials remind me that architecture and design can spark wonder while staying grounded in human needs. I also draw from many other pioneers, constantly seeking fresh perspectives and new ways to innovate.

love Peter Zumthor’s project in Sauda (Allmannajuvet)—it brilliantly shows a simple structure that subtly holds a more intricate form inside. It’s a beautiful balance of restraint and complexity. Frank Gehry’s bold, fluid approach also pushes me to think outside the box, while smaller, accessible designs remind me that thoughtful details can live in everyday objects and spaces, not just grand landmarks.

I’d say my greatest designs are Trekronaa and the Gateway to Lofoten. Trekronaa is already quite well-known and embodies my core values—natural materials, human-centric spaces, and a seamless blend into its environment. The Gateway to Lofoten is still unbuilt, but it holds so much potential. It captures the essence of the rugged landscape in a way that invites people to immerse themselves in nature, and I’m eager to see it finally come to life.

Stay curious. Keep learning new techniques, explore different styles, and challenge yourself with diverse projects. I made a point of seeking mentors, collaborating with other creatives, and constantly questioning how each design could serve people better. Over time, these habits sharpened my skills and deepened my understanding of design’s true impact.

If I hadn’t become a designer, I might have tried my hand at being a rockstar—or, more realistically, I’d be teaching in a creative school or acting. In any case, I’d still be immersed in something that feeds my passion for creative expression.

For me, design is about creating “space in space” where people’s lives and needs remain front and center. It’s a process of shaping environments—both physical and emotional—that elevate everyday experiences and truly serve those who inhabit them.

Honestly, my biggest supporter has been myself. It may sound strange, but you have to believe in your own vision and capabilities to make it in this field. That self-belief—paired with hard work—helped me push forward and reach new heights. Also my husband is a big believer I have to add that.

Staying curious and trying again (and again) helped me grow. By constantly iterating on ideas and tackling new projects, I learned valuable lessons each time. That mix of curiosity, persistence, and productivity sharpened my skills and pushed me to keep innovating.

I faced my share of obstacles, but I don’t share all of them. You’ll meet challenging people and situations—stay positive, focused, and remember to pick your battles wisely. That resilience and perspective will help you navigate the design world and keep growing.

Designers should let their visuals do the talking. High-quality images, clear diagrams, and concise explanations can showcase both the concept and craftsmanship. A well-organized, compelling presentation ensures the audience truly appreciates and understands the design’s essence.

I’m about to kick off several exciting projects in the coming weeks—primarily detached houses that continue my focus on human-centered, nature-inspired design. You can expect inviting spaces that blend seamlessly with their surroundings, crafted with thoughtful materials and a holistic approach. Stay tuned!

My ultimate goal is to create truly beautiful spaces that enrich people’s lives, while also sharing my knowledge and inspiring others. I believe in passing down skills and fostering a new generation of designers who value creativity, innovation, and human-centered design.

People often expect creativity, attention to detail, and innovative solutions. They also look for a thoughtful approach that balances aesthetics, functionality, and the human experience—ultimately trusting me to deliver designs that resonate on both practical and emotional levels.

Design can shape environments that are safer, more sustainable, and more inclusive.

I’m currently juggling a handful of exciting new projects, but I’m also bursting with fresh ideas beyond just design—like writing new books. It’s an invigorating time filled with creativity on multiple fronts, and I can’t wait to see these ideas come to life.

Trekronaa stands out as one of my most satisfying projects. It perfectly reflects my passion for creating warm, welcoming spaces with a close connection to nature. Seeing how people interact with and enjoy this environment affirms that thoughtful design can truly enhance everyday life.

I’d love to see the industry place a greater emphasis on designing better residential areas with thoughtfully planned small houses and sustainable principles. By prioritizing people’s well-being and environmental considerations, designers can create living spaces that truly support and uplift communities.

I think the design field is moving toward more adaptable, creative solutions—ones that reflect how our needs keep evolving. We may need to embrace a “less is more” mindset, focusing on sustainable and minimalist approaches that still spark inspiration and fulfill our shifting lifestyles.

It varies widely, depending on the project’s complexity and the client’s decision-making process. Some projects wrap up in a few months, while others can span several years before reaching completion. Building a house usually takes about 1 year, but the part before that can vary even more.

I always begin by understanding the client’s vision, needs, and constraints. This involves initial conversations, site analysis, and plenty of research. From there, I start sketching ideas and gathering inspiration to guide the overall concept before refining it into detailed designs.

“Stay curious, put people first, and craft beauty in every space you create.”

It’s a two-way street—designers often spark new trends, but they also respond to evolving user needs and cultural shifts. Ultimately, it’s a cycle of influence and adaptation that keeps design fresh and relevant.

Technology plays an ever-growing role in my process, offering new tools for visualization, collaboration, and precision. Over the years, as I’ve learned more, I’ve integrated advanced software and techniques that help me explore ideas more deeply and present them more effectively.

I primarily rely on Archicad for my architectural drawings, F Storm for lighting and photorealistic rendering, and Adobe InDesign and Photoshop for presentations and visual refinements. These tools help me transform concepts into comprehensive designs and compelling visuals.

Color, materials, and ambiance are crucial—they set the mood and define a project’s overall character. I often blend Scandinavian and Japanese modern influences, favoring simple forms, natural tones, and honest materials that bring warmth and authenticity to each space.

I wish people would ask about the deeper intent behind each design—how it integrates with its environment, meets user needs, and creates a meaningful experience. It’s these thoughtful questions that spark the most rewarding conversations.

I immediately feel inspired and curious—wondering how it was made, the thought process behind it, and what lessons I can draw from its innovation.

I have a colleague I work with. We share a mutual understanding, challenge each other’s ideas, and refine our concepts together. Yes, I wholeheartedly believe in co-design—collaboration boosts creativity and results in richer, more thoughtful outcomes.

People who deeply shaped my design perspective were mentors, colleagues, and clients who challenged my assumptions and pushed me to think in new ways. Their insights and feedback helped refine my approach and inspired continuous growth.

I don’t read many books, but I find immense inspiration in the pictures and visuals I encounter daily. Whether it’s through photography, design magazines, architecture portfolios, or simply observing the world around me, these images fuel my creativity and influence my design aesthetic. Visual storytelling helps me understand different styles, materials, and spatial arrangements, allowing me to incorporate diverse elements into my own projects. This constant exposure to various visuals keeps my ideas fresh and my approach dynamic.

I developed my skills as a master designer by consistently experimenting and refining my techniques through repeated attempts. Staying productive allowed me to tackle a variety of projects, each presenting unique challenges that broadened my expertise. Additionally, engaging in conversations with clients, mentors, and fellow designers provided invaluable insights and feedback. These interactions helped me understand different perspectives and continuously improve my work. This blend of persistent practice, dedication to productivity, and meaningful dialogue has been essential in shaping me into the designer I am today.

I would love to meet Frank Gehry. His innovative approach and creative vision have always inspired me, and I’d enjoy discussing his experiences and insights in design.

While I’m grateful for the awards and recognition I’ve received, I don’t consider myself famous. For me, the true reward lies in seeing my designs positively impact people’s lives and create beautiful, functional spaces. Fame can bring its own set of challenges, but my primary focus remains on my passion for design and continuously improving my work. Staying grounded and dedicated to what I love is what truly matters to me.

My favorite colors are warm green tones and rich reds like rust or pink, as they add warmth and vibrancy to my designs. I love Japan for its cultural richness, but my favorite place is my home in Norway, which inspires me with its natural beauty. I enjoy both summer and spring seasons for their energy and renewal. My favorite thing is anything that serves a purpose, combining functionality with beauty. Lastly, I admire Apple for its sleek and user-focused design.

One of my favorite memories as a designer is watching the idea for the Gateway to Lofoten come to life. On a lighter note, I often think back to my childhood when I loved creating and playing with multipurpose cardboard interiors. Those early adventures with cardboard sparked my creativity and showed me the endless possibilities of design, turning simple materials into imaginative spaces.

A great day for me is when my colleague and I successfully meet our project deadlines.

No, it wasn’t obvious when I was a child that I would become a great designer. I was pretty shy, but I always found ways to express my creativity through drawing and building with whatever materials I had. Those early creative moments laid the foundation for my passion and career in design.

I prefer not to predict what the world will look like a thousand years from now, as so much can change. However, I hope that humanity continues to grow in kindness and understanding. No matter what happens, maintaining compassion and respect for one another is essential for a positive future.

I encourage everyone to believe in themselves and embrace their creative potential. I truly believe that we are here to create, support one another, and steward nature with respect. In my designs, I strive to reflect these values by crafting spaces that are beautiful, functional, and harmonious with the environment. Thank you for your support, and always remember to stay inspired, kind, and connected to the world around you.

I`ve always enjoyed crafting, since I was a kid. When my parents could`nt afford the toys I wished for, I sometimes made similar toys myself. I loved to sketch inparticular plans. That`s how I knew I someday wanted to be an architect & deisgner.

Currently I am a freelancer and mostly do designwork in my sparetime, not as something I need to depend on. It makes my work even more enjoyable.

I like to think of it as something beautiful that is beyond what needed. At the same time it is very needed and important. I believe that beautiful surroundings do an important impact on people.

Furniture and housing.

I love most of the designs of Arne Jacobsen. I love the organic forms that fit into most interiors.

Logodesign.

I like sustainable use, aluminium and Wood.

Around spring. That is the time it gets much lighter in Scandinavia. I also feel creative when I am with people who have the same interests.

The visuality is important to me. It comes over function.

All kinds. I do a lot of thinking and my feelings affect the design.

I feel proud, happy and thankful.

The visual aspects and also the functionality and that it is original.

To be able to see Things and possibilities before they are realized.

It Depends on the size of the project and also on how inspired I feel. It could take from a week to a year or more.

At the moment I am busy being a mother for my 3 kids that are still pretty Young. But in the future I would love to design both furniture (maybe also other products) and architecture.

I mostly work by myself.

Not at the moment.

They could email me.

The journey of designing Trekronaa Tiny Cottage began with my childhood love for creating and playing with multipurpose cardboard interiors. As a shy child, I found solace in transforming simple materials into imaginative spaces, which sparked my enduring passion for design. This early creativity laid the foundation for my approach to Trekronaa.Drawing inspiration from pine cones, I envisioned a structure that mirrors their intricate patterns and natural form. Pine cones symbolize resilience and growth, qualities I wanted to embody in the cottage. Integrating Trekronaa among pine trees was essential to create a harmonious relationship between the built environment and nature. I aimed for the cottage to feel like an extension of the forest, blending seamlessly with its surroundings.The design process involved extensive research and experimentation with natural materials, primarily wood, to maintain authenticity and sustainability. I focused on creating a space that is both functional and inviting, with tactile elements that encourage a connection to the environment. The final structure features organic shapes and textures inspired by pine cones, allowing the cottage to capture light and shadow in captivating ways throughout the day.By honoring my childhood-inspired vision, Trekronaa Tiny Cottage stands as a testament to the beauty of simplicity and the importance of creating spaces that resonate with both the inhabitants and the natural world around them.

Designing the Trekronaa Tiny Cottage within 15 square meters involved maximizing vertical space and using smart furniture solutions. I incorporated a large bunk bed to take advantage of the room’s height, with an extra bed tucked underneath to provide additional sleeping space. By using fewer materials and choosing vinyl flooring alongside oak veneer for the walls and ceiling, I created a cohesive and holistic environment. The bathroom continues this continuity with vinyl walls matching the floors. Organic shapes and smaller furniture pieces help the space feel seamless and more spacious, while carefully selected appliances ensure functionality without clutter. These design principles and spatial solutions allowed me to incorporate all essential functions without compromising the cottage’s aesthetic appeal.

Technically, the steel frame provides the necessary strength and durability to support the building, ensuring it remains stable in various weather conditions. The three-legged foundation adds flexibility, allowing the cottage to gently move with the natural shifts and movements of the environment. This flexibility not only maintains structural integrity but also enhances the sensory experience for those inside.Many people find the subtle movement fascinating, as it fosters a deeper connection with the surrounding nature. The floating effect makes the cottage feel integrated and harmonious with the forest, offering a unique and immersive living experience. By combining robust engineering with thoughtful design, the Trekronaa Tiny Cottage achieves both technical excellence and a captivating aesthetic that resonates with its natural setting.

In designing the Trekronaa Tiny Cottage, I balanced the practical challenges of incorporating utilities through the ramp by making the ramp thick enough to discreetly hide all necessary systems. This ensured that the utilities remained out of sight, preserving the seamless connection to nature that defines the project. Additionally, the robust ramp design not only concealed the utilities but also gave the cottage a bolder and more stable appearance.

Our carpenter found it difficult to construct the underpart of the cabin, but his commitment to the design ensured we built it exactly as planned. Additionally, the underpart was thoughtfully designed to house essential technical devices, seamlessly integrating functionality without compromising the cottage’s aesthetic.

To create an immersive natural experience in the Trekronaa Tiny Cottage, I focused on using a minimal variety of materials to maintain harmony with the environment. I chose Accoya for the cladding of the walls, base, and roof because its durability and natural appearance provide a cohesive and unified aesthetic. This consistency helps the cottage blend seamlessly into the forest setting. Additionally, the spatial arrangements were designed to maximize views for stargazing and bird watching, featuring large windows and an open layout that invites nature inside.

Winning the Bronze A' Design Award was a meaningful recognition of my commitment to sustainable architecture and the use of local materials. The Trekronaa Tiny Cottage perfectly reflects my philosophy by emphasizing a sustainable size, which minimizes environmental impact while providing all necessary functions. Its design allows the cottage to be easily removed from its natural setting without leaving a trace, ensuring that the surrounding landscape remains pristine.

The Trekronaa Tiny Cottage blends hotel-like comfort with forest immersion through several key design elements. High-quality natural materials like oak veneer and Accoya cladding create a warm, inviting atmosphere while connecting to nature. Large strategically placed windows flood the space with natural light and offer stunning forest views, fostering openness and tranquility.The well-designed layout features a spacious bunk bed and multifunctional furniture, making the compact 15 square meters feel both luxurious and practical. Vinyl flooring in the bathroom ensures durability and easy maintenance without sacrificing aesthetics. Organic shapes and minimalist furnishings enhance the seamless integration with the forest environment, while soft ambient lighting mimics natural light cycles for a cozy ambiance.The steel frame and three-legged foundation give the cottage a floating appearance and provide a stable yet flexible structure that harmonizes with the forest's natural movements. These elements together ensure the cottage offers both the comfort and functionality of a hotel and an immersive, serene forest retreat.

Throughout the journey of the Trekronaa Tiny Cottage, I encountered several unexpected discoveries that have shaped my approach to future projects. One significant challenge was planning the oblique windows, which required some extra planning.Additionally, the under part of the cottage evolved into a new facade design for me. This unexpected development allowed me to explore how structural elements can enhance the overall aesthetic, creating a more cohesive and dynamic exterior. These insights have reinforced the importance of embracing challenges as opportunities for innovation, inspiring me to integrate unique architectural features and adaptable designs in my upcoming projects.

I envision Trekronaa contributing to the broader dialogue by demonstrating that sustainable, nature-integrated architecture is both practical and beautiful. This design encourages architects and homeowners to adopt eco-friendly, minimalist living solutions that respect and enhance the natural environment.