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Mohamad Sadeq habibzadeh Harris

IranSmykker

Interviews med Mohamad Sadeq habibzadeh Harris

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Designlegende Interview

50 spørgsmål

I have a bachelor’s degree in mining, and during my time at university, I was introduced to the fascinating world of stones and gems.

Could you please tell us a bit about your design background and education?

I have a bachelor’s degree in mining, and during my time at university, I was introduced to the fascinating world of stones and gems. This sparked my interest in jewelry design, leading me to explore how I could blend my technical knowledge with my artistic passion.

What motivates you to design in general, why did you become a designer?

What motivates me to design is the desire to contribute to making the world a more beautiful place. I believe that design has the power to leave a lasting impact, as the creations we make can outlive us, continuing to inspire and bring beauty long after we’re gone.

Did you choose to become a designer, or you were forced to become one?

Did you choose to become a designer, or you were forced to become one?

My designs chose me. The concepts and ideas I work with call out to me, and I feel a natural urge to bring them to life. It’s not something I was forced into, but rather a path that unfolded as I connected with the creative process.

What do you design, what type of designs do you wish to design more of?

I design jewelry, primarily brooches and necklaces, often inspired by nature and personal experiences. I would love to design more pieces that blend symbolic elements with natural materials, creating timeless works that tell deeper stories.

What should young designers do to become a design legend like you?

To become a design legend, young designers should pay close attention to the world around them. There are countless stories in their surroundings, and the key is to find the ones that resonate with them, allowing their passion to fuel their creativity.

What distinguishes between a good designer and a great designer?

A good designer creates work that resonates with themselves, while a great designer designs in a way that connects not only with their own emotions but also with the community. Their work sparks a broader emotional connection and impact.

What makes a good design a really good design, how do you evaluate good design?

A really good design goes beyond aesthetics; it tells a story and evokes emotions while serving its purpose. I evaluate good design by its ability to connect with people, its functionality, and how well it communicates the intended message or concept.

What is the value of good design? Why should everyone invest in good design?

The value of good design lies in its ability to create meaningful connections, enhance experiences, and solve problems effectively. Investing in good design elevates both functionality and aesthetics, making products more impactful, long-lasting, and memorable. It adds value not just in the short term, but over time.

What would you design and who would you design for if you had the time?

If I had the time, I would design something special for my mother. I’ve always had a deep desire to create a piece that reflects my love and appreciation for her, something truly personal and meaningful.

What is the dream project you haven't yet had time to realize?

My dream project is to create a collection that tells a story of transformation and connection, using sustainable materials to represent growth and change. It's a project that blends my love for nature with my desire to make a lasting, positive impact on the world.

What is your secret recipe of success in design, what is your secret ingredient?

My secret ingredient is a deep connection to the stories behind each design. I believe that when you design with genuine emotion and purpose, it creates something far more impactful than just an aesthetically pleasing object. Authenticity and passion are key to success.

Who are some other design masters and legends you get inspired from?

I draw inspiration from designers like Coco Chanel for her timeless elegance, Jean-Paul Gaultier for his bold creativity, and Alexander McQueen for his emotional storytelling through fashion. Their ability to blend artistry with innovation deeply influences my own approach to design.

What are your favorite designs by other designers, why do you like them?

My favorite designer is Melanie Georgacopoulos. I admire her ability to merge contemporary design with traditional craftsmanship, creating unique and meaningful pieces. Her work has a refined elegance and a distinct, innovative style that inspires me.

What is your greatest design, which aspects of that design makes you think it is great?

My greatest design is the Blue Rose Brooch. Its beauty lies in how I captured the delicate essence of a rose while incorporating intricate details and a symbolic meaning. The balance between elegance and strength in the design is what makes it stand out for me.

How could people improve themselves to be better designers, what did you do?

To improve as a designer, it's essential to stay curious and continuously learn. I focused on understanding different materials, experimenting with new techniques, and drawing inspiration from both my personal experiences and the world around me. Constant practice and reflection on my work have been key to my growth.

If you hadn't become a designer, what would you have done?

If I hadn’t become a designer, I would have pursued a career that still involved creativity and creation, something that allows me to express and build new ideas, as that sense of making and bringing things to life is essential to me.

How do you define design, what is design for you?

For me, design is the process of creating something meaningful that not only serves a purpose but also evokes emotions. It's about problem-solving with creativity, blending form, function, and emotional connection to make the world more beautiful and functional.

Who helped you to reach these heights, who was your biggest supporter?

Without a doubt, my biggest supporter has been my wife. Her encouragement, belief in my work, and constant support have been invaluable in helping me reach where I am today.

What helped you to become a great designer?

What helped me become a great designer is my continuous learning, deep connection to the stories behind each piece, and the support from those who believed in my vision. Staying true to my artistic instincts and pushing boundaries has been crucial in developing my design identity.

What were the obstacles you faced before becoming a design master?

Before becoming a design master, I faced several obstacles, including finding my unique voice in a crowded field and learning to balance creativity with practicality. Overcoming self-doubt and the challenge of translating emotions into tangible designs also played a significant role in shaping my journey.

How do you think designers should present their work?

Designers should present their work with clarity and context. They should highlight the inspiration, the process, and the key elements of the design, showing how it fits into a larger concept. Visual presentations, such as high-quality images or prototypes, help convey the details, while storytelling adds depth and emotional connection to the work.

What's your next design project, what should we expect from you in future?

My next project will explore the theme of transformation, using dynamic forms to represent change and growth. I aim to create designs that balance elegance with intricate details, blending organic shapes with modern techniques. Expect pieces that evoke both emotional depth and visual intrigue, much like my previous works.

What's your ultimate goal as a designer?

My ultimate goal as a designer is to create pieces that resonate emotionally with people while maintaining artistic integrity. I aim to blend beauty with meaning, turning personal experiences and inspirations into timeless designs that connect deeply with their wearers.

What people expect from an esteemed designer such as yourself?

People expect originality, quality, and emotional depth from an esteemed designer. They look for pieces that are not only visually stunning but also meaningful, with a story or concept behind them. Precision, innovation, and a commitment to craftsmanship are key aspects they anticipate in every design.

How does design help create a better society?

Design can shape a better society by fostering creativity, innovation, and inclusivity. It can address social issues, enhance user experiences, and inspire positive change. Thoughtful design has the power to elevate daily life, promote sustainability, and encourage a deeper connection between individuals and their environment.

What are you currently working on that you are especially excited about?

I'm currently working on a new collection that explores the balance between fragility and strength. The designs incorporate delicate details alongside bold, structural elements, symbolizing resilience in the face of challenges. I'm excited to bring this contrast to life and see how it resonates with others.

Which design projects gave you the most satisfaction, why?

The projects that gave me the most satisfaction are those where I could blend personal emotions and meaningful concepts with intricate design. For instance, the "Hope Garden" brooch and my thorn-inspired necklace were deeply satisfying because they conveyed powerful stories of resilience and love, while also pushing my creative boundaries.

What would you like to see changed in design industry in the coming years?

I'd like to see more emphasis on sustainability and ethical practices in the design industry. As designers, we have the power to influence not only aesthetics but also environmental and social responsibility. A greater focus on using sustainable materials and supporting fair labor practices could bring positive change to the entire industry.

Where do you think the design field is headed next?

The design field is likely to head toward a deeper integration of technology and sustainability. With advancements in 3D printing, AI, and digital fabrication, designs will become more personalized and innovative. At the same time, there will be a stronger focus on eco-friendly materials and ethical practices, ensuring that design contributes positively to the environment and society.

How long does it take you to finalize a design project?

The time it takes to finalize a design project depends on the complexity of the concept, but I often start by mentally building the design before moving to paper, sketches, and digital tools. Once I have a clear vision, the process becomes smoother, but it can still take several weeks to perfect every detail.

When you have a new design project, where do you start?

When starting a new design project, I begin by exploring the concept in my mind, letting it take shape before sketching it on paper. I then refine it further through digital software, experimenting with details and proportions. Inspiration can come from personal experiences, nature, or abstract ideas, but it always begins with a vision I want to bring to life.

What is your life motto as a designer?

My life motto as a designer is "See differently, create uniquely." I believe that to design something truly special, you must look beyond the ordinary, embrace unique perspectives, and challenge the conventional. Every design should reflect a new way of thinking and a bold, original expression.

Do you think design sets the trends or trends set the designs?

My life motto as a designer is "See differently, create uniquely." I believe that to design something truly special, you must look beyond the ordinary, embrace unique perspectives, and challenge the conventional. Every design should reflect a new way of thinking and a bold, original expression.

What is the role of technology when you design?

Technology plays a significant role in my design process, especially when it comes to refining and bringing ideas to life. Digital tools allow me to experiment with shapes, textures, and proportions in ways that traditional methods cannot. They also help streamline the process, enabling precise details and faster prototyping, which enhances creativity and innovation in my work.

What kind of design software and equipment do you use in your work?

I use a combination of design software to bring my ideas to life. Typically, I work with Adobe Illustrator and Photoshop for detailed sketches and visualizations. For 3D modeling, I rely on Rhino and Blender. In terms of equipment, I use a high-quality drawing tablet and a powerful computer to handle the software and design files. These tools allow me to experiment and perfect every aspect of my work.

What is the role of the color, materials and ambient in design?

Color, materials, and ambiance are essential in setting the mood and communicating the message of a design. Color evokes emotions, while materials add texture, depth, and sensory experience to the piece. The right ambiance, whether through lighting, setting, or presentation, enhances the design’s impact and allows the viewer to fully appreciate its details and intent. Together, these elements work in harmony to create a cohesive and meaningful design.

What do you wish people to ask about your design?

I wish people would ask about the story behind my designs—what inspired them, the emotions they convey, and how they reflect personal experiences or concepts. Understanding the meaning and the process behind each piece adds depth to the design and creates a stronger connection between the work and the wearer.

When you see a new great design or product what comes into your mind?

When I see a new great design or product, I immediately think about the thought process behind it—how the designer balanced creativity, functionality, and aesthetics. I also wonder about the materials and techniques used, and how they contribute to the overall experience. It's inspiring to see how innovative ideas come together in a way that feels both fresh and purposeful.

Who is your ideal design partner? Do you believe in co-design?

My ideal design partner would be someone who brings a fresh perspective, challenges my thinking, and encourages new ideas. I believe in co-design because collaborating with others allows for the fusion of different styles and concepts, enriching the creative process. Different viewpoints often lead to unexpected and exciting results, pushing boundaries and expanding the possibilities of design.

Which people you interacted had the most influence on your design?

The people who have had the most influence on my design are those who bring diverse perspectives and ideas. My wife, who is my biggest supporter, has always inspired me with her insights. Mentors, like Melanie Georgacopoulos, have also shaped my design philosophy, encouraging me to blend elegance with meaning. Additionally, interactions with fellow designers and creatives challenge my thinking, leading to new paths in my work.

Which books you read had the most effect on your design?

Books that explore both design theory and personal creativity have had the most effect on my work. I’ve found books like "The Design of Everyday Things" by Don Norman and "Creative Confidence" by Tom Kelley and David Kelley particularly impactful. They emphasize the importance of user-centered design and the power of creativity in solving problems, which has influenced how I approach my own designs. Reading about different design philosophies and practices has helped me refine my style and expand my creative boundaries.

How did you develop your skills as a master designer?

I developed my skills through a combination of formal education, hands-on practice, and continuous exploration. Constantly challenging myself with new design concepts and techniques has been essential. I’ve learned from both my successes and mistakes, always striving to improve. Interacting with mentors, attending design events, and absorbing feedback has also been crucial in refining my skills and expanding my creative vision.

Irrelative of time and space, who you would want to meet, talk and discuss with?

Jean Schlumberger would be an incredible person to meet. His innovative approach to jewelry design, blending art with nature in such a unique way, is truly inspiring. I’d love to discuss his creative process, his inspirations, and how he navigated the world of high jewelry with his distinctive style.

How do you feel about all the awards and recognition you had, is it hard to be famous?

Winning awards and receiving recognition is definitely rewarding, but it also brings a heavy responsibility. While it’s gratifying to see my work appreciated, it also motivates me to maintain a high standard and continue evolving. The pressure to innovate and stay true to my vision can be challenging, but it also pushes me to grow.

What is your favorite color, place, food, season, thing and brand?

Those are wonderful favorites! Navy blue has such a rich, elegant feel, and autumn brings a special charm with its colors and atmosphere. Kebab is always a delicious choice, and A. Lange & Söhne is renowned for its precision and craftsmanship, aligning well with my design philosophy.

Please tell us a little memoir, a funny thing you had experienced as a designer?

One funny experience I had was during a photoshoot for a brooch. After the shoot was done, we realized that the brooch had somehow stayed on the model's clothing and was taken home with her. We had to contact her to get it back, which was a bit of a humorous and unexpected situation! It reminded me how small details can lead to amusing outcomes.

What makes your day great as a designer, how do you motivate yourself?

A great day for me as a designer starts with the flow of creativity—when ideas come together effortlessly and I can see my vision taking shape. The satisfaction of solving a design challenge or refining a detail always feels rewarding. I motivate myself by focusing on the emotional impact of my designs and reminding myself that each project is a new opportunity to grow and experiment. The support from my wife and the excitement of bringing a concept to life also keeps me energized and driven.

When you were a little child, was it obvious that you would become a great designer?

When I was a child, it wasn’t obvious that I would become a designer, but I always had a passion for creating. At 19, I designed a bronze necklace for my girlfriend. That was one of the moments when I realized how much I enjoyed the process of designing and crafting something meaningful for someone special. It was the beginning of my journey as a designer.

What do you think about future; what do you see will happen in thousand years from now?

In a thousand years, I imagine design will evolve alongside technological advancements, with the possibility of creating fully personalized and sustainable creations. The boundary between art, technology, and human experience might blur, with designs not just reflecting beauty but also integrating seamlessly into daily life and enhancing our well-being. I believe the principles of innovation, creativity, and connection will remain timeless, even if the tools and materials we use change drastically. Design will continue to shape and reflect humanity’s values and aspirations, transcending time.

Please tell us anything you wish your fans to know about you, your design and anything else?

I would want my fans to know that my designs are a reflection of my inner thoughts and emotions. I believe in listening to my inner voice, which guides me through every creative decision. Each piece I create has a personal story or meaning behind it, and I aim to bring that emotional depth into every design. I hope my work resonates with others and inspires them to embrace their own unique creative paths. My designs are not just about aesthetics—they are about connecting on a deeper level and sharing a part of my journey with the world.

Designerinterview

40 spørgsmål

My love for art started in childhood, inspired by the beauty of nature. Over time, I realized jewelry design allows me to tell stories through my work.

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

My love for art started in childhood, inspired by the beauty of nature. Over time, I realized jewelry design allows me to tell stories through my work.

Can you tell us more about your company / design studio?

My design studio focuses on creating meaningful, story-driven jewelry pieces. Each design reflects themes like love, nature, and resilience, blending artistry with emotion to craft unique and timeless creations.

What is "design" for you?

Design, for me, is storytelling through form and function. It’s about turning emotions, ideas, and experiences into tangible creations that connect with people on a deeper level.

What kinds of works do you like designing most?

I love designing pieces that tell a story, especially those inspired by love, nature, and human connections. Brooches and necklaces with symbolic elements are among my favorites.

What is your most favorite design, could you please tell more about it?

My favorite design is “Hope Garden.” It represents resilience and beauty through nature, symbolizing growth even in adversity. The intricate details in the piece reflect my belief in finding hope amidst challenges.

What was the first thing you designed for a company?

The first design I created for a company was a custom brooch, where I combined natural elements with abstract shapes. It was a pivotal moment, as it allowed me to translate my personal style into a commercial piece.

What is your favorite material / platform / technology?

I enjoy working with a variety of materials, but aluminum stands out for its versatility and lightness. As for platforms, I find sketching by hand the most inspiring, though I also use digital tools to refine my designs.

When do you feel the most creative?

I feel most creative when I'm immersed in nature or reflecting on personal experiences. The calmness of these moments often sparks new ideas and inspiration for my designs.

Which aspects of a design do you focus more during designing?

I focus on the emotional connection a design creates, along with the balance between form and function. The story behind the piece is just as important as its aesthetic.

What kind of emotions do you feel when you design?

When I design, I feel a mix of excitement and introspection. There’s a deep sense of fulfillment as I translate emotions and ideas into something tangible, connecting personal experiences with artistic expression.

What kind of emotions do you feel when your designs are realized?

When my designs come to life, I feel a sense of accomplishment and joy. There's a deep satisfaction in seeing a piece that started as an idea transform into something meaningful and tangible.

What makes a design successful?

A design is successful when it resonates emotionally, serves its purpose effectively, and has a timeless quality. It should evoke a connection and leave a lasting impact on those who experience it.

When judging a design as good or bad, which aspects do you consider first?

I first consider the emotional impact and functionality of the design. Then, I look at how well the aesthetics align with the concept and whether it tells a compelling story.

From your point of view, what are the responsibilities of a designer for society and environment?

A designer has the responsibility to create with sustainability in mind, considering the environmental impact of materials and production processes. Additionally, designs should reflect social values, promote inclusivity, and positively influence society.

How do you think the "design field" is evolving? What is the future of design?

The design field is increasingly embracing technology, sustainability, and social impact. The future of design will likely be shaped by innovations in materials, digital tools, and a stronger focus on creating inclusive, eco-friendly solutions that address global challenges.

When was your last exhibition and where was it? And when do you want to hold your next exhibition?

My last exhibition was in 2024, where I showcased my design “Hope Garden” at an international jewelry fair. I’m planning my next exhibition for later this year, focusing on new pieces inspired by nature and human connection.

Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

My design inspiration comes from nature, personal experiences, and emotional connections. I feed my creativity through moments of introspection, spending time in nature, and observing the world around me. Literature, art, and relationships also fuel my ideas.

How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?

My design style is a blend of organic forms and symbolic elements, often inspired by nature and human emotions. I’m drawn to this style because it allows me to tell meaningful stories through jewelry. My approach focuses on balance, emotion, and craftsmanship, ensuring each piece is both visually striking and deeply personal.

Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?

I live in Iran and the cultural heritage here deeply influences my designs. Traditional motifs, local craftsmanship, and history often inspire my work. The pros are a rich source of inspiration and connection to heritage, while the cons can include limited access to certain materials or exposure to global design trends.

How do you work with companies?

I collaborate with companies by understanding their vision and needs, then creating custom designs that align with their brand identity. The process involves open communication, careful planning, and ensuring that the final product meets both aesthetic and functional requirements.

What are your suggestions to companies for working with a designer? How can companies select a good designer?

Companies should look for a designer who understands their vision, values creativity, and has a strong portfolio that aligns with their brand. Open communication, mutual respect, and a clear understanding of project goals are key to a successful collaboration.

Can you talk a little about your design process?

My design process begins with research and inspiration, often drawn from nature or personal experiences. I then sketch ideas, refining them through trial and error. Once the concept is clear, I focus on material selection and craftsmanship to bring the design to life, ensuring every detail aligns with the original vision.

What are 5 of your favorite design items at home?

A hand-carved wooden sculpture that represents strength and growth.

A vintage brooch I designed that blends modern and classic elements.

A minimalist vase that reflects my love for simple, elegant forms.

A framed piece of abstract art that inspires my creative flow.

A custom-made chair with intricate patterns, combining comfort and aesthetics.

Can you describe a day in your life?

A typical day for me starts with a quiet morning, reflecting on ideas or sketching new designs. I spend the day working in my studio, refining concepts, choosing materials, and collaborating with clients. Evenings are often for relaxation, where I find inspiration in nature or reading to recharge for the next day.

Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?

My advice to young designers is to stay curious and never stop learning. Embrace your unique perspective and be patient with your growth. Take risks in your work, but always stay true to your vision. Surround yourself with inspiring people, and remember that failure is often a step toward success.

From your perspective, what would you say are some positives and negatives of being a designer?

The positives of being a designer include the ability to express creativity, solve problems through design, and create meaningful work that resonates with others. The negatives can involve long hours, the pressure to meet expectations, and sometimes the challenge of balancing creativity with business needs.

What is your "golden rule" in design?

My golden rule in design is to create with purpose and meaning. Every piece should tell a story, connect emotionally, and serve its function effectively. A design should never be just about aesthetics; it should always evoke something deeper.

What skills are most important for a designer?

The most important skills for a designer include creativity, attention to detail, problem-solving, and strong communication. Technical skills in materials and tools are crucial, as is the ability to adapt and continuously learn from both successes and challenges.

Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?

My toolbox includes a mix of traditional and digital tools. I sketch by hand for initial concepts, then use software like Adobe Illustrator for refinement. I also rely on physical tools for crafting, such as pliers, files, and molds. Books on design and nature serve as constant sources of inspiration, along with online platforms and nature walks.

Designing can sometimes be a really time consuming task, how do you manage your time?

My toolbox includes a mix of traditional and digital tools. I sketch by hand for initial concepts, then use software like Adobe Illustrator for refinement. I also rely on physical tools for crafting, such as pliers, files, and molds. Books on design and nature serve as constant sources of inspiration, along with online platforms and nature walks.

How long does it take to design an object from beginning to end?

The time it takes to design an object varies depending on complexity. For a detailed piece, it can take anywhere from a few weeks to a few months, from initial concept sketches to final production, including refining designs and material selection.

What is the most frequently asked question to you, as a designer?

The most frequently asked question I get is, "Where do you get your inspiration from?" People are often curious about the sources and experiences that influence my designs, whether it's nature, personal stories, or emotions.

What was your most important job experience?

My most important job experience was winning the design award for “Hope Garden.” It not only validated my approach to design but also pushed me to explore deeper emotional connections within my work. It was a turning point in shaping my identity as a designer.

Who are some of your clients?

I’ve worked with a variety of clients, including individuals seeking custom pieces for special occasions and companies looking for unique jewelry designs that align with their brand. While I keep client details private, my work often revolves around creating meaningful, personalized designs.

What type of design work do you enjoy the most and why?

I enjoy designing pieces that have a strong emotional or symbolic connection, like brooches or necklaces. These designs allow me to tell stories and express deeper meanings, blending artistry with personal significance.

What are your future plans? What is next for you?

In the future, I plan to expand my collection and explore more sustainable materials. I also aim to collaborate with international brands, sharing my designs with a broader audience while staying true to my artistic vision.

Do you work as a team, or do you develop your designs yourself?

I mostly develop my designs myself, as I enjoy the personal connection with each piece. However, I collaborate with skilled craftsmen and occasionally work with other designers to refine and bring the designs to life, ensuring the highest quality.

Do you have any works-in-progress being designed that you would like to talk about?

Yes, I’m currently working on a collection inspired by the theme of transformation. It blends delicate elements of nature with abstract shapes to represent growth and change. I’m excited to see how these ideas will evolve into tangible pieces.

How can people contact you?

People can contact me via email at sadeq.harris@gmail.com or connect with me on Instagram at @sadeq_habibzadeh for updates, inquiries, or collaborations.

Any other things you would like to cover that have not been covered in these questions?

One aspect I’d like to mention is my ongoing focus on sustainability in design. I’m constantly exploring eco-friendly materials and processes, ensuring that my work not only connects emotionally but also respects the environment. It's an important part of my design philosophy moving forward.

Stort Interview

Hope Garden Ring · 10 spørgsmål

The design of Hope Garden emerged from my desire to blend two profound yet contrasting philosophies: the structured harmony of Persian gardens and the acceptance of imperfection found in Wabi-sabi.Persian gardens…

Your innovative fusion of Persian garden architecture and Wabi-sabi philosophy in the Hope Garden Ring is captivating - could you elaborate on how these cultural elements influenced your design decisions and material choices?

The design of Hope Garden emerged from my desire to blend two profound yet contrasting philosophies: the structured harmony of Persian gardens and the acceptance of imperfection found in Wabi-sabi.Persian gardens represent a balance between order and nature, with their symmetrical layouts and purposeful use of space symbolizing paradise on Earth. I drew inspiration from this precision to create a structured base, ensuring that the piece feels grounded and timeless.On the other hand, Wabi-sabi celebrates imperfection, transience, and authenticity, which deeply resonates with the themes of hope and resilience. This philosophy inspired me to incorporate subtle irregularities and organic textures, such as asymmetric details or hand-finished elements, that bring life and uniqueness to the design.The interplay of polished and matte surfaces further emphasizes the contrast between the refined geometry of Persian gardens and the raw beauty of Wabi-sabi's imperfection. Together, these cultural elements tell a story of harmony in diversity, which I believe is essential to the concept of hope

The pink mother of pearl at the center of the Hope Garden Ring carries deep symbolic meaning - how does this design element reflect your interpretation of patience and hope in Persian culture?

The pink mother of pearl at the heart of Hope Garden serves as more than a decorative element; it’s a symbolic centerpiece that embodies patience and hope, deeply rooted in Persian cultural values.In Persian culture, patience (sabr) is often likened to the steady process of cultivation, much like a pearl forming over time within a shell. The mother of pearl represents this journey—starting from a grain of sand and, through resilience and time, transforming into something beautiful and luminous. This parallels the idea of hope as a quiet but persistent force that grows even in adversity.The soft pink hue was chosen intentionally, as it evokes gentleness, compassion, and the promise of a brighter future. This color mirrors the subtle hues often found in Persian gardens at dawn, a time symbolizing renewal and the first light of hope after darkness.By placing the pink mother of pearl at the ring's center, I aimed to create a focal point that draws attention to the heart of the design, much like how patience and hope are central to overcoming life's challenges. It’s a reminder that beauty often emerges from enduring life’s trials with grace and faith.

The symmetrical composition of the Hope Garden Ring mirrors traditional Iranian garden architecture - could you share the significance behind incorporating this historical design principle into contemporary jewelry?

The symmetrical composition of the Hope Garden ring draws directly from the traditional principles of Iranian garden architecture, known as Chahar Bagh or "four gardens." These gardens are meticulously structured to create harmony and balance, symbolizing a spiritual and physical representation of paradise.By incorporating this historical design principle into a contemporary piece, I aimed to bridge the past and present, creating a dialogue between heritage and modernity. Symmetry, in this context, reflects the universal human desire for balance—whether in nature, life, or emotions—which is just as relevant today as it was centuries ago.In a jewelry context, symmetry provides a sense of grounding and timeless elegance, making the piece feel both rooted and enduring. It also invites a sense of contemplation, much like walking through a Persian garden, where every detail is intentional and imbued with meaning.Through Hope Garden, I wanted to honor this rich architectural tradition while showcasing its adaptability in modern design. It’s a way to remind us that even in a fast-paced world, there’s value in creating spaces—and objects—that inspire peace, balance, and hope.

Your use of multiple precious materials in the Hope Garden Ring, from diamonds to rose gold, creates a complex interplay - how did you determine the perfect balance to achieve both visual harmony and symbolic meaning?

The choice of multiple precious materials in Hope Garden was guided by both aesthetic considerations and the desire to infuse each element with symbolic meaning. Achieving balance was critical to ensure that the piece feels cohesive and resonates emotionally.Diamonds, with their brilliance and durability, were chosen to represent the enduring nature of hope—unwavering and resilient, even in the face of challenges. Their placement within the design mirrors stars scattered across a night sky, symbolizing guidance and inspiration.Rose gold, with its warm and inviting tone, was selected to evoke a sense of compassion and optimism. It contrasts beautifully with the cool shimmer of the diamonds, creating an interplay of warmth and light that reflects the duality of strength and gentleness inherent in hope.The balance came through meticulous planning and a deep respect for Persian design principles, where every element contributes to the overall harmony. Just as Persian gardens carefully integrate water, flora, and structure, I aimed to ensure that each material in the ring complements the others without overpowering the design. This reflects the unity and balance we seek in life—a core message of Hope Garden.Ultimately, the interplay of materials is a celebration of contrasts coming together to create beauty, much like hope emerging from life’s complexities.

The Hope Garden Ring features an intriguing wooden element within its structure - what inspired you to include this unexpected material choice and how does it contribute to the overall narrative of temporality?

The inclusion of a wooden element in Hope Garden was a deliberate choice to introduce a natural, organic material that symbolizes the passage of time and the transient beauty of life.Wood, with its grain patterns and inherent imperfections, perfectly captures the essence of temporality. It tells a story of growth, change, and resilience, reflecting the cycles of nature and the human journey. In Persian culture, gardens often feature trees as living symbols of patience, shelter, and renewal—values deeply intertwined with the concept of hope.By incorporating wood into the ring, I wanted to create a tactile connection to nature and contrast the permanence of materials like diamonds and gold. This juxtaposition emphasizes the idea that while some aspects of life are enduring, others are fleeting yet equally significant. The wooden element serves as a reminder to cherish the present moment while nurturing hope for the future.In the overall narrative, the wood acts as a bridge between the earthly and the eternal, grounding the design in nature’s impermanence while celebrating the enduring human spirit. It’s an unexpected material in fine jewelry, but one that adds depth and a unique storytelling layer to Hope Garden.

The production process of the Hope Garden Ring involved both CAD technology and traditional craftsmanship - how did this combination of modern and classical techniques influence your creative approach?

The production of Hope Garden combines CAD technology and traditional craftsmanship to achieve both precision and artistry. CAD allowed me to experiment with complex designs and ensure structural integrity, while traditional techniques, like hand-polishing and setting, added warmth and authenticity. This blend of modern and classical methods not only enriched the design but also reflected the essence of Hope Garden: balancing innovation with tradition to create a timeless piece.

In creating the Hope Garden Ring, you faced the challenge of expressing thousand-year-old cultural concepts in a modern way - could you describe your process for bridging this temporal gap while maintaining authenticity?

To bridge the temporal gap, I began by deeply studying Persian garden architecture and its symbolism, extracting timeless elements like balance and harmony. I then translated these into modern forms using CAD, ensuring precision while preserving their essence. Incorporating materials like rose gold and wood added layers of meaning, blending tradition with innovation. Traditional craftsmanship ensured an authentic, human touch that technology alone couldn’t achieve. This process allowed Hope Garden to honor its cultural roots while appealing to contemporary sensibilities.

The dimensions and proportions of the Hope Garden Ring appear carefully calculated - how did you determine these precise measurements to ensure both aesthetic appeal and comfortable wearability?

The dimensions and proportions of Hope Garden were meticulously calculated to balance aesthetics with comfort. I started by studying the ergonomic needs of a wearable ring, ensuring it sits comfortably without feeling bulky. The design draws from Persian garden symmetry, with proportions carefully scaled to maintain harmony and visual balance. CAD technology allowed me to fine-tune every detail, while traditional craftsmanship ensured a seamless fit. This combination created a piece that is both striking and effortlessly wearable.

The Hope Garden Ring incorporates vitreous art on its interior - what motivated this hidden artistic element and how does it contribute to the overall concept of Persian paradise gardens?

The inclusion of vitreous art on the interior of Hope Garden was inspired by the hidden beauty often found in Persian paradise gardens, where private, intimate spaces reveal themselves unexpectedly. This hidden artistic element symbolizes the idea that paradise and beauty are not only visible but also internal, requiring patience and discovery. The vitreous art reflects the garden’s secret depths, encouraging the wearer to find personal connection and meaning within the piece. It adds an intimate layer to the design, enhancing the overall concept of a serene, personal sanctuary, just like the tranquil corners of traditional gardens.

Looking ahead, how do you envision the Hope Garden Ring's innovative fusion of cultural symbolism and contemporary design influencing future directions in jewelry design?

I believe Hope Garden represents a bridge between cultural heritage and modern design, showing that jewelry can carry deep symbolism while embracing innovation. Looking ahead, I envision this fusion inspiring more designers to explore their cultural roots and blend them with contemporary techniques. As the industry moves toward personalization and storytelling, I hope Hope Garden encourages a shift toward more meaningful, thoughtful designs that resonate with the wearer on a deeper level. The future of jewelry, in my view, will continue to embrace this balance of tradition and innovation, offering both aesthetic beauty and personal significance.

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Designinterviewdataene vist på vores designinterviewside med designeren Mohamad Sadeq habibzadeh Harris vedrørende værket Hope Garden Ring kommer fra platformen Design Interviews, hvor førende designere, arkitekter og brands interviewes om deres prisvindende designs, produkter og projekter.