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Hayato Ishii

JapanArkitektur

Interviews med Hayato Ishii

Læs interviewene med Hayato Ishii: forstå deres filosofi, kreative proces og prisvindende arbejde.

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Designerinterview

8 spørgsmål

When I was a child, I loved looking at the floor plans of houses in newspaper advertisements and imagining how I would live there, arranging the furniture, which was my weekly pastime on Sundays.

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

When I was a child, I loved looking at the floor plans of houses in newspaper advertisements and imagining how I would live there, arranging the furniture, which was my weekly pastime on Sundays. My mother saw this and told me that there was a job in architectural design, and I became vaguely aware of architectural design. As a high school student, I was very interested in interior spaces rather than the exterior of buildings. Therefore, I wanted to take a course specialising in interior spaces as my university major. However, in Japan at that time, architecture was for men and interior space design was for women, and the course I wanted to take was for women only, so I remember feeling disappointed that I could not go on to higher education. Even now that I am an architect, I still attach great importance to the interior spaces where people actually live.

Can you tell us more about your company / design studio?

After working for three years in the design office of Daniela Puppa in Milan, I opened the studio acca first-class architectural office in Tokyo in 2004. In 2017, the firm was incorporated as studio acca Inc. The firm has been designing, supervising and designing many detached houses, villas and condominiums, etc. With the increase in the number of people seeking a new lifestyle, the number of projects at Lake Kawaguchi and Lake Biwa has increased, and we are working through trial and error with the builders to create a place that is more personal to them. We place the greatest importance on designing through dialogue with the builders, rather than creating a building as a work of art. What do they value when building a building, and what do they want to do there? By discussing these issues at length, we come up with more enjoyable ideas and propose designs and designs that we think are best for the builder.

What is "design" for you?

I believe that design is not only about design. In my opinion, a good design is not only beautiful in terms of design, but also well-balanced in terms of productivity, cost, and functionality. I believe that design is an essential and important thing for human beings to lead a rich life. At least, for me, it is.

What kinds of works do you like designing most?

I am attracted to designing spaces where people live. These include houses, holiday homes and hotels. I like to imagine people's lives. I am also attracted to designing spaces that the client can discuss with me. Of course, I am confident in my own design, but after all, I am creating a space for the client, so I want to communicate as closely as possible and get as excited as possible with each other as I design.

What is your most favorite design, could you please tell more about it?

What I would like to design someday is a building like the Farnsworth House designed by Mies van der Rohe. It may be a little inconvenient for living, but the stable horizontal lines and the way it brings the outside environment into the interior are very interesting. However, if I were to design this building, I would think about whether it could be made of wood and glass instead of steel and glass. I would like to have a slightly more human-friendly texture. Also very interesting is the Schrader house designed by Rietveld. The idea of using partitions to identify rooms is something that only Rietveld, who also designs furniture, could come up with. This is very helpful when designing a small house in Japan.

What was the first thing you designed for a company?

The first building we designed was a corporate office building for a computer software company. The client had three main requirements: perfect security, consideration for the physically challenged, and visibility from the highway. In terms of security, we not only blocked material intrusion with a security system, but also blocked sight lines by using glass blocks on the walls that allow light to pass through but block sight lines. In addition, a ramp for wheelchair access was installed. The ramp, which tends to be in the shadows because of its functional priority, is placed in parallel with the stairs, which signify the connection to the next step, and was purposely adopted as the main façade. The facade of the building can be seen clearly from the highway running in front of the site, creating an outstanding advertising effect.

What is your favorite material / platform / technology?

I like matte colored materials. And I also like materials with a textured surface rather than smooth mirrored surfaces. This is because a material with a textured surface expresses the shadows in the room very beautifully.

When do you feel the most creative?

I think I am most creative in the moment when I make a plan for a large empty lot, imagining the surrounding environment and the client's life. Everything is a hypothetical plan based on my own imagination and assumptions, and I am always nervous when I present it to the client. Through dialogue with the client, I brush up that hypothesis and evolve it into a fixed theory that the client is really looking for.

Stort Interview

Norm Air Hotel · 10 spørgsmål

The project was originally inspired by the street art that dotted the streets of New York City, where the client spent time as a student.We thought that art should not be something you go all the way to museums to see…

Your innovative concept of blending art with hospitality at Norm Air Hotel responds to pandemic-era isolation - how did this vision evolve to create meaningful connections between artists and guests?

The project was originally inspired by the street art that dotted the streets of New York City, where the client spent time as a student.We thought that art should not be something you go all the way to museums to see, but something that exists in our daily lives and should be more familiar to us.The client wanted to create a place where people could feel close to art, like the streets of New York.We also thought it would be meaningful if we could provide a place for young artists who have not yet been able to showcase their work to the world.

The striking black exterior of Norm Air Hotel creates an intriguing contrast with its natural surroundings - what inspired your decision to design this dramatic interplay between architecture and environment?

Before designing hotel norm. air, we designed a related lodging facility called hotel norm. fuji.I synchronized the shape of the accommodation with that of the hotel.I also wanted people to focus their attention on the view of Lake Kawaguchi in front of the building, so I erected walls on both sides of the building, with openings only in the front.The exterior walls are finished with a traditional Japanese thatched roof with a single letter to express stillness in contrast to the movement of the surrounding environment.

How does Norm Air Hotel's floating aesthetic, particularly through its roofed balcony overlooking Lake Kawaguchi, enhance the guest experience and fulfill your concept of luxury through simplicity?

Kawaguchiko is a very cold area.Even if you come to visit this place, you can enjoy this hotel regardless of the weather so that you will not be unable to do all the things you want to do because of cold or rain.Also, the balcony is higher than the surrounding buildings, so you can see a nice view of Kawaguchi Lake without having to put in extra buildings.

The interior spaces of Norm Air Hotel showcase furniture and tools created by artists - could you elaborate on the curation process and how these pieces contribute to the overall narrative of chill and art?

Basically, artworks selected by norm. members are exhibited on a monthly basis. For the artists, it is a great opportunity to catch the attention of many guests, and for the guests, they are greeted by a different presentation each time they come to the same building.The hotel is constantly evolving.

Your Silver A' Design Award-winning Norm Air Hotel demonstrates exceptional sensitivity to weather conditions - how did this influence your architectural choices and interior programming?

As mentioned above, it is very cold in the winter at Lake Kawaguchi, and it is not possible to stay outside for long periods of time.However, in winter, when the air is clearer, you can see the beauty of Lake Kawaguchi.We would like our guests to see such beautiful scenery and experience the smell of the forest in the morning.For this reason, we have created a large balcony as a space where guests can escape from the rain and cold as much as possible.

The research phase for Norm Air Hotel involved extensive discussions about sensibility, nostalgia, and minimalism - how did these three concepts shape the final design solutions?

While actively using modern materials and techniques, we tried to create a relaxing space, a landscape that we have seen in the distant past.We also tried to choose materials within the color scheme we had initially decided upon, rather than using a large number of materials and colors.

Given the strict environmental preservation laws in the area, how did you balance Norm Air Hotel's modern architectural expression with the need to harmonize with the natural landscape?

Yes, the overall shape of the building may seem avant-garde and eccentric, but it was designed in accordance with the standards of the Natural Parks Law.I also think that the fact that the exterior of the building is all black is a major factor in its ability to blend in with the natural surroundings.We created an exciting feeling that the building could be seen from a distance, just a little bit.

The concept of "luxury chill" is central to Norm Air Hotel's identity - could you explain how this philosophy manifested in specific design decisions throughout the property?

I think the best expression of The concept of “luxury chill” is the large inner balcony.I think that just sitting there in a daze is the meaning of coming to this hotel.Even if I don't do anything myself, the surrounding environment changes little by little as time goes by, and I think it has the effect of relaxing my mind and body tired from the hustle and bustle of the city.

How does Norm Air Hotel's approach to incorporating art installations and creative spaces address the challenge of providing artists with new platforms for expression?

hotel norm. air is not only a place to stay, but also a place for communication. In addition to accommodations, the hotel can be used for magazine and video shoots, weddings, parties, and other events.By increasing opportunities for many people to gather, the artwork displayed there will be seen by many people.

Looking at Norm Air Hotel's success and its Silver A' Design Award recognition, how do you envision this project influencing future hospitality design in post-pandemic Japan?

It is no exaggeration to say that after the pandemic, not only in this area but also in many other areas, single-building rental accommodations have become rampant.In this situation, the hotel management of hotel norm. air, which is constantly changing, has a solid concept that does not allow others to follow.I believe that the secret of success lies not only in creating a well-designed building, but also in creating a hotel with a solid concept.

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Designinterviewdataene vist på vores designinterviewside med designeren Hayato Ishii vedrørende værket Norm Air Hotel kommer fra platformen Design Interviews, hvor førende designere, arkitekter og brands interviewes om deres prisvindende designs, produkter og projekter.