Interviews med Chien-Cheng, Liu

I graduated from Cornish College of the Arts in Seattle with a degree in design, and later pursued studies in brand strategy and sustainable design in the U.S. After returning to Taiwan, I founded Chihe Design, focusing on branding and packaging that integrates cultural depth and ESG values. I am also a certified ESG sustainability consultant, seeing design as a lever for societal transformation.

I believe design is more than aesthetics—it’s a language that challenges the status quo. Every brand, product, and package contains a story. My role is to make that story seen, understood, and respected.

It was a calling, not a decision. I’ve always been sensitive to visual language—design feels as natural to me as breathing.

Currently, I focus on branding, packaging, and sustainable strategy integration. In the future, I hope to engage more in the intersection of design and social innovation—such as regenerative agriculture and circular food design.

Don’t rush to be heard—learn to listen deeply first. Great design arises from being attuned and responsive to the world.

A good designer solves problems. A great designer defines them. The former completes tasks; the latter creates culture.

Good design is effective—it resonates emotionally, functions practically, sustains commercially, and minimizes environmental impact. True excellence lies in balancing all four.

Design is an invisible investment—it determines whether a brand is remembered, a message is conveyed, and trust is built.

I would love to design for marginalized farmers, craftsmen, and local brands—so their value can be seen and respected globally.

To create a Taiwan-based curation platform rooted in ESG, showcasing sustainable Chinese design to the world.

Not style, not technique, but genuine empathy—for people and the planet. Design is not a show of skill, but a response to unspoken human needs.

Bruce Mau’s conviction that “design is the biggest tool for change.”

I admire Sou Fujimoto’s architecture and Nendo’s spatial designs—they allow us to re-see the ordinary with a sense of air, time, and philosophy.

The “Golden Horse 60 Egg Gift Box” is one I’m most proud of—it blends eggshell pulp trays, a philosophical 9-grid layout, and ESG storytelling into a sustainable dialogue.

Step outside the design circle and into the real world. I immersed myself in rural communities, climate forums, and ESG projects to root my design in people and place.

I would probably be a writer or filmmaker—design is just one of the many ways I tell storiesDesign is the bridge between intention and reality—it transforms ideals into forms that can be seen, used, and felt.

Design is the bridge between intention and reality—it transforms ideals into forms that can be seen, used, and felt.

My family gave me unwavering support, and my team and clients turned Chihe into a thriving platform for meaningful design.

Reading widely, observing society, and engaging with issues shaped me into a designer who not only seeks beauty but bears responsibility.

The biggest challenge was convincing the market that design can drive change—not just look good. It took time, proof, and a bit of stubborn belief.

Designers shouldn’t just show the final result—they should reveal their decisions, trade-offs, and values. A great presentation isn’t just a portfolio; it’s a philosophical discourse.

I’m leading a “Carbon Label Packaging Program” to help SMEs quantify their carbon reductions through design, integrating ESG and SDGs directly into their products.

To position design as a tool for transformation, not decoration. My ultimate goal is for design to be regarded as seriously as sustainability itself.

People expect me to create not only beautiful designs, but also works that help them “see the future.” It’s both a responsibility and an honor.

Design makes complex issues understandable, inspires behavioral change, and normalizes sustainable actions—that’s its power to build a better society.

I’m excited about our “Byproduct Rebranding” project—transforming discarded soy pulp into new product lines for a traditional soy milk brand. It’s sustainability with soul.

Our “JC Spotlight ESG Transition” project was deeply fulfilling—we quantified carbon reduction from packaging to ink. Design here made commitments visible.

I hope designers are seen less as “executors” and more as “value creators.” We should be involved earlier in strategic decisions and design with influence.

Cross-disciplinarity and co-creation will define the future. Design won’t be about individual genius but about orchestrating complex systems.

It depends on complexity, but I prefer to spend more time on research and dialogue upfront. Design is a thoughtful conversation, not a rushed output.

I always begin by asking the right questions. Understanding the client's core challenges and deeper brand motivations is the key before any strategy or visual thinking starts.

Design is not to make the world more beautiful, but to make it better.

Good design both responds to trends and shapes them. It’s a dynamic relationship of influence and creation.

Technology is the bridge—it brings imagination to life, enhances workflow transparency, and supports sustainable outcomes.

I mainly use Adobe Suite, Figma, Notion, and AI tools for visual-strategic integration, with Mac and tablet-based drawing tools as my hardware.

They are the medium of emotion and memory—a pathway for brands to transition from the visual into the sensory and emotional.

I hope they ask, “Why is it like this?” It means they’re interested in the thinking behind the visuals, not just the aesthetics.

I ask myself, “What did it change?” Truly great design has an impact.

My ideal partner is someone strategic and curious. I absolutely believe in co-design—it’s essential for solving complex problems with diverse perspectives.

Those without design backgrounds but with deep passion for their brand—entrepreneurs. They taught me how to “design trust.”

“Designing Design” by Kenya Hara and “Massive Change” by Bruce Mau. One taught me the power of simplicity, the other the power of impact.

Beyond practice and repetition, I invest in learning from non-design fields so my thinking isn’t trapped by visual constraints.

Awards are milestones—not shackles. Staying pure in your intent is harder and more important than being famous.

Color: Midnight blue.

Place: Sewei beach in Penghu.

Food: Michelin tofu pudding.

Season: Autumn.

Object: Black fountain pen.

Brand: MUJI.

Once a client insisted we make the “black slightly greener.” We spent a week tweaking five black variations—turned out it was his monitor color shift (laughs).

Knowing that today’s design helped a brand be better understood or a value be communicated—that’s what makes my day meaningful.

I loved dismantling packaging, analyzing signs, and sketching letterforms as a child. Design had always been in me, just waiting to be found.

If we don’t change, design may be fully automated by AI. But if we stay human-centered, design will become our language to converse with the universe.

Thank you for helping me believe that design is not just a career, but a way of living. May we use it to make the world softer, stronger, and more loving.

I’ve always had a strong sensitivity to visuals, order, and spatial composition since I was a child. This passion naturally led me into the field of design, where I eventually founded CHIHO Design, a studio dedicated to branding, packaging, and integrating sustainable values. Becoming a designer was never just a choice for me—it felt like a calling.

CHIHE Design is an interdisciplinary design studio that combines brand strategy, visual identity, and ESG sustainability consulting. We believe that design is not merely about appearance—it is a catalyst for culture and value. Our work empowers industries to elevate their brands while transforming packaging into a vehicle for sustainable innovation.

For me, design is both a responsibility and a language. It has the power to shift perspectives, generate value, evoke emotion, and carry the potential of culture and the future.

I’m most passionate about packaging design—especially projects that integrate material innovation and sustainability strategies. Designing the "first impression" of a product offers a powerful opportunity to influence consumer perception and values.

One of my favorite works is the “Win the Future” free-range egg gift box. It transforms recycled eggshell pulp into a structured eco-packaging design that’s playful and visually appealing. It fully embodies the ESG values of the brand and has been recognized with an A’ Design Award and selected as the Golden Horse 60th Anniversary Gift.

The first thing I designed for a company was a complete brand identity and packaging system for an agricultural brand. From logo to packaging structure, it was a ground-up process that made me realize the commercial and social impact of design.

I’m passionate about exploring renewable materials—especially agricultural waste like bagasse paper and recycled eggshell pulp. I also enjoy working with AI-powered tools and platforms that support sustainability data integration in design.

I feel most creative when I dive deep into a brand’s core identity or when I interact with materials, scents, and environments in everyday life. These moments awaken new connections and design possibilities.

I focus primarily on user experience, brand storytelling, and the sustainability of materials and processes. All three are essential for a holistic design outcome.

Designing feels like a journey in pursuit of order and meaning. Sometimes it’s meditative, sometimes experimental and exhilarating. I enjoy shifting between these states and savoring the breakthrough moments.

When a design is brought to life, I feel a sense of fulfillment and balance. It’s not just about "completion"—it’s about "realization." Especially when users are moved and the brand is recognized, it reaffirms the meaningfulness of this profession.

A successful design strikes a balance between aesthetics, function, culture, and sustainability. Most importantly, it resonates with users and inspires them to share it.

I evaluate a design based on whether it solves a core problem, reflects cultural depth, and incorporates sustainable thinking. I also consider the kind of emotional connection it creates with people.

Designers are not just creators of form—they are instigators of value. We have a responsibility to drive energy-efficient production, environmentally responsible material choices, and meaningful communication. Design is a catalyst for social progress.

Design is evolving to become more interdisciplinary, data-driven, and sustainability-focused. Future designers must be tech-savvy, ESG-conscious, and culturally articulate—acting as a bridge between strategy and humanity.

My latest exhibition was at the Taiwan Design Expo, showcasing CHIHO Design’s sustainable packaging made from recycled eggshell materials. In the future, I hope to hold a solo exhibition in Milan or London themed “Circular Design and Asian Culture.”

Inspiration comes from the subtle details of life, natural textures, linguistic structures, and the tension between Eastern and Western cultures. I read, travel, daydream, and converse with farmers, craftsmen, and engineers to keep my creativity flowing.

I describe my style as “Emotive Depth Design,” blending minimal forms with cultural storytelling, with a strong emphasis on perception and sustainable materials. Each project is an attempt to deconstruct convention and reconstruct value.

I live in Taiwan, a culturally diverse island rich in Eastern spirit. The local craftsmanship, folk symbols, and subtropical climate deeply influence my creations. However, limited industrial resources and a still-developing design appreciation present challenges.

I work with companies by starting with brand diagnosis—identifying their unique value proposition and translating it into design language. We emphasize co-creation, treating clients as partners to redefine products and culture from the consumer’s perspective.

When selecting a designer, companies should look beyond aesthetics and focus on the designer’s ability to understand the brand’s core. A good designer asks the right questions, listens carefully, and provides strategic input. Building mutual trust and transparent collaboration is key to a successful partnership.

My design process involves five steps: Insight, Translation, Co-creation, Prototyping, and Validation. It starts with deep brand and industry insights, which are translated into strategic and creative directions. Then, I co-create with clients, prototype the ideas, and refine them through testing to ensure impact and sustainability.

Alessi’s bin – witty yet functional

Dyson bladeless fan – a perfect blend of tech and form

Handmade scissors from a Kyoto craftsman – sheer artisanal elegance

CHIHE Design’s recycled eggshell box prototype – one of our icons

Indigenous Taiwanese textile mat – a dialogue between culture and design

My day starts at 6:30 AM with black coffee and morning reading. I spend my mornings in internal meetings or focused design work, followed by a workout before lunch. Afternoons are for client visits or new project development. In the evenings, I journal, distill ideas—or sometimes liquor—and walk the dog. It’s a blend of creativity and discipline.

Never stop questioning, observing, or being curious. Design is not about pleasing—it’s about proposing better possibilities. Don’t rush to be famous. First, become someone who truly understands the world.

The positive side is turning abstract ideas into tangible emotions, influencing choices and behaviors. The downside is the emotional and time investment—it’s easy for designers to overextend themselves and fall into self-doubt.

My golden rule: Purpose over form, value before style.

Beyond technical skills, observation, empathy, systems thinking, and strategic dialogue are crucial for a designer.

My toolbox includes Adobe Creative Suite, Notion, Procreate, and AI tools like Midjourney and ChatGPT. I frequently revisit books like Emotional Design, The Brand Gap, and Designing Design. I also keep material samples and a scent diary for sensory inspiration.

I manage time through time-blocking—clearly dividing creative hours from administrative ones. I also set aside one evening each week for “no meetings, no output,” dedicated solely to reflection and inspiration.

It depends on the project scale. A basic identity system may take 3–4 weeks, while sustainable packaging often takes over 3 months. If material experimentation or supply chain integration is involved, it could extend to over 6 months. The duration reflects how deeply we choose to address the core of the problem.

The most frequently asked question is, “Do you think this design will sell?” I usually reply, “Who do you want to sell it to, and why would they choose you?” Design is not separate from business, but value must come before conversion.

Designing the “Free-Range Egg Sustainable Gift Box” for the Golden Horse 60th Anniversary was one of my most significant experiences. It wasn’t just about a product—it was about crafting a design-led solution to a societal issue.

Our clients include Chinyi Eggs, Wang De Chuan Tea House, JC Spotlight, The O group,. They span agriculture, F&B, aesthetics, and hospitality—brands seeking cultural depth and sustainable transformation.

I enjoy full-scope projects that go from brand strategy to packaging design—especially when the process triggers users to re-examine culture and sustainability. These projects transform not just the brand but also the consumers.

We're developing a modular packaging SaaS platform to make sustainable design more replicable and actionable.

I work with an interdisciplinary team of strategists, visual designers, material consultants, and data analysts. While I lead the strategy and creative direction, every great work is the result of collective intelligence.

We’re currently working with “Weiding Culinary” to develop an ESG sub-brand based on okara, a soy milk byproduct. It includes low-carbon gifts like okara scones and cookies, along with a sustainable visual upgrade for their stores.

Feel free to contact us through our website or Instagram:

website:www.chihedesign.com

IG:@chihe_branding_consultancy

The future of design lies not only in creation, but in connection. Through the work of CHIHE Design, I aim to make design a translator between culture and sustainability—one that is seen, respected, and remembered.

We recognize that sustainability is a future trend. To help our clients succeed in this trend, we prioritized sustainability in both design and materials. In the design, we reduced unnecessary post-processing, such as hot stamping or selective varnishing, and used environmentally friendly plant-based ink. This approach makes the packaging easier to recycle and increases the potential for reuse. In material research, we considered types of paper containing calcium carbonate, which is the main component of eggshells. Chinyi Eggs Technology, a major egg supplier in Taiwan, produces kilotons of waste eggshells annually. This inspired the idea of using waste eggshells to make paper, transforming waste into packaging material in line with the cradle-to-cradle sustainability concept. Through repeated testing with suppliers, we ultimately succeeded.

According to data from suppliers and public sources, producing one ton of paper requires approximately 20 trees. From the Ninth National Forest Resources Inventory Report, we know there are 994 trees per hectare of plantation forest, with an average annual growth of 6.15 cubic meters. Dividing these figures gives an annual growth of 0.00619 cubic meters per tree, leading to a carbon sequestration rate of 11.32 kilograms per tree per year. Therefore, producing one ton of paper corresponds to 226.4 kilograms of carbon emissions. Using these calculations, we determined the carbon reduction achieved by this packaging design.

The core values of Chinyi Eggs Technology are freedom, functionality, and sustainability. Freedom represents free-range eggs, functionality refers to eggs enriched with health-beneficial elements, and sustainability is the vision for the future. The Golden Horse 60’s core value is also the future. Combining these values, the central theme of this packaging is “sustainability is the future.” The design concept, inspired by Tic-Tac-Toe, features three free-range eggs arranged diagonally and six conventionally farmed eggs, symbolizing “freedom winning the future.” The choice of sustainable materials conveys the message that freedom and sustainability are the future.

Conventional inks are complex and may contain heavy metals and harmful substances. Sustainability requires every decision, big or small, to be environmentally friendly. We chose earth-friendly soy-based ink and avoided post-processing like hot stamping or lamination. This ensures the packaging can be directly recycled, significantly increasing its chances of being reused.

The Golden Horse gift boxes are distributed at the award ceremony and must be elegant without inconveniencing the guests. Inspired by the clutch bags of actresses, the design is compact and refined, complementing various styles and encouraging stars to share photos with the product. Structurally, the egg box has a buffer space at the bottom for impact absorption and reinforced support at the top to ensure safety. The square box allows for stackable transportation, and by design, each shipping box can accommodate four more units than traditional designs, reducing carbon emissions during transport.

We are grateful for Chinyi Eggs Technology’s trust, which allowed us creative freedom. Together, we developed this groundbreaking design. Following the success of the Golden Horse egg packaging, we are now implementing a full-scale packaging redesign to extend this concept across all channels, amplifying the impact of carbon reduction efforts

SDG 12 - Ensuring sustainable consumption and production patterns: This collaboration achieved circular economy principles, enhanced Chinyi’s eco-friendly image, and increased consumer recognition of its sustainable products. The innovative design fundamentally changes resource utilization by transforming waste eggshells into paper trays and mixing PP and RE-PP materials for circular use. This reduces waste, carbon emissions, and resource demand while improving resource efficiency.SDG 9 - Promoting industry, innovation, and infrastructure development: This project showcases Chinyi’s R&D strengths and creates new market demand, paving the way for Chinyi to enter emerging sustainable markets. The innovative use of eggshell powder in eco-friendly materials highlights Chinyi’s technical expertise and opens opportunities for new product development and expanded market influence.

I believe that sustainability is integral to life’s future. Chihe solved the client’s challenges with design, finding practical, quantifiable ESG solutions while balancing design and sustainability.

We are grateful for the client’s trust, which expedited decision-making. Additionally, the suppliers’ full cooperation ensured successful outcomes.

The Win the Future Free-Range Egg Gift Box is just the beginning. Sustainability is a continuous effort. Following this success, we are planning a comprehensive redesign for all packaging using eggshell paper trays. With Chinyi Eggs Technology producing kilotons of eggshell waste annually, there is vast potential for broader application. We hope this successful case inspires more designers to integrate sustainability into industrial designs and show consumers that recycled products can be stylish, attractive, and eco-friendly.