Interviews med Nobuaki Miyashita

I have dedicated nearly 30 years to architectural design in Japan. During this time, I've worked on a diverse array of projects ranging from residential to large-scale urban developments. I established MR STUDIO Co., Ltd. in 2017, focusing on innovative concept creation and design development.

My interest in architecture was sparked by my uncle, a respected architect. From a young age, he introduced me to the powerful impact of well-designed spaces. This inspiration led me to pursue a career where I could contribute positively to the environment through thoughtful design.

My design process emphasizes sustainability, context sensitivity, and innovative use of space. I integrate these elements consistently across projects, utilizing both digital tools for precision and hands-on methods for conceptualizing. Each new project begins with a thorough site analysis and client consultation to ensure the design is tailored to its specific context.

Designing brings me a profound sense of fulfillment and excitement, especially during the conceptual phase where possibilities seem limitless. The journey from initial concept to realization is deeply satisfying, providing a creative outlet and immense joy.

My background in exploring varied scales of architectural work has instilled a flexibility and depth in my approach. Key non-design skills like strategic thinking and empathy have been crucial in understanding client needs and environmental impact, significantly shaping my success as a designer.

Looking ahead, I aim to further incorporate sustainable practices and innovative technologies in my designs. My dream project would involve designing a fully sustainable city that integrates green technologies and promotes community well-being.

I advise new designers to remain curious, embrace challenges as opportunities, and continuously seek learning. Understanding the cultural and social implications of your designs is as important as mastering technical skills.

To my fellow designers, prioritize sustainability, maintain a strong ethical foundation, and continuously innovate. Avoid becoming complacent; always strive to push the boundaries of what is possible in design.

My day typically starts with reviewing the progress of current projects and meeting with my team. I keep updated with the latest design trends and technologies, which informs our ongoing work. Finding joy in the small successes each day keeps me motivated.

While I am aware of current trends, I prioritize creating timeless designs that reflect the unique needs and contexts of each project. Inspiration comes from a deep understanding of the project's environmental and cultural setting.

A good design effectively balances functionality, aesthetic appeal, and sustainability. I evaluate designs based on their ability to meet these criteria while also enhancing the user's experience and respecting the local context.

A design is ready when it meets all the intended functional requirements and aligns with the client's vision, without further need for major adjustments. However, I remain open to iterative improvements even after project completion.

One of my most significant projects is the "Hotel Marina Gold" in Vietnam. It challenged conventional design norms and allowed me to explore innovative structural solutions while incorporating elements inspired by luxury and technology.

I admire architects like Tadao Ando, who blends simplicity with natural elements, creating spaces that are both minimalistic and profound. His work has deeply influenced my approach to design.

I am based in Tokyo, a city that perfectly blends tradition with modernity. This cultural backdrop significantly influences my designs, encouraging a balance of innovation with respect to tradition.

At MR STUDIO, we foster a collaborative environment where creativity and innovation are at the forefront. We value diversity in ideas and solutions, ensuring that our designs are both practical and visionary.

I engage in projects that contribute to societal well-being, including pro bono work for community spaces. We believe in the power of design to improve lives and actively seek opportunities to make a meaningful impact.

Participating in the A' Design Award provided significant recognition and opened up international opportunities. It underscored the importance of innovation, excellence, and global engagement in design.

My design was primarily driven by the need to modernize an outdated facility while infusing it with Orico’s strong corporate identity. I drew inspiration from the concept of flexibility and privacy, aiming to revitalize the space to foster both collaborative and private work environments.

My main focus was to create a multifunctional space that caters to modern training methods and informal interactions, enhancing the overall learning experience and employee satisfaction. I aimed to achieve a design that is both functional and symbolic of Orico's values.

I plan to monitor the effectiveness of the current design and make iterative improvements to ensure it continues to meet the needs of Orico’s evolving training programs and corporate strategies.

It took me about a year and a half to fully develop and refine the concept for the Orico Training Center.

This particular concept was commissioned by Orient Corporation to address specific challenges in their existing facility, which no longer aligned with their operational and cultural needs.

The design is currently being implemented by Orico in their training center. There are no plans to sell or lease the production rights, as it was custom-tailored for Orico’s specific needs.

I was motivated by the challenge of transforming an existing structure into a vibrant, modern space that aligns with the client’s identity and functional requirements.

While my design is original, I was inspired by current trends in corporate architecture and interior design that emphasize flexible workspaces and technology integration.

The direct beneficiaries of this design are the employees and trainees of Orico who use the facility for various training and development programs.

What sets this design apart is the incorporation of customized elements, like the credit card-themed rooms and the strategic use of Orico’s brand colors, creating a unique and memorable space.

The name ‘Orico Training Center’ directly reflects its purpose and affiliation, emphasizing its role as a central facility for training within the Orico corporation.

I used a range of design tools including CAD software for architectural design, 3D modeling tools for visualization, and project management software to oversee the execution.

The integration of capsule bed units designed as both sleeping and office pods, tailored to reflect the various credit card themes issued by Orico, stands out as the most unique feature.

I collaborated with a team of interior designers, IT infrastructure specialists, construction professionals, signage designers, and lighting designers to ensure the design was both feasible and innovative. The involvement of signage designers helped integrate Orico's branding seamlessly throughout the facility, while lighting designers played a crucial role in creating ambient and functional lighting that complements the architectural features and enhances the usability of each space. This interdisciplinary approach was key to achieving a holistic and effective design.

Technology is integral to my design, facilitating flexible and dynamic training environments through state-of-the-art IT solutions.

The design was heavily influenced by data from employee feedback and space utilization studies, which helped tailor the space to actual user needs and preferences.

Some of the main challenges included integrating modern technology into an older building and designing versatile spaces that could adapt to both current and future training needs.

I decided to submit this design to an international design competition to showcase how architectural innovation can effectively embody and enhance corporate identity and functionality.

Through this project, I learned the importance of deeply understanding client needs and the impact of a well-thought-out design on user engagement and satisfaction.

Additionally, this project exemplifies how thoughtful design can contribute to a company’s ethos and employee morale, which are critical components of corporate success in the modern era.

The primary principle behind my design for the AIDA Precut Division was to architecturalize the timber processing itself. The inspiration came from the desire to visualize the simple yet precise process of cutting high-quality laminated wood collected from around the world, embodying the quality of housing through the design of the factory.

My main focus while designing this work was to ensure that the precision of the precut technology translated into the overall aesthetic and functionality of the space. I aimed to create a design that not only facilitates efficient production but also symbolizes the quality of AIDA Design’s housing.

For this award-winning design, my future plans include continuing to refine and adapt the functional aspects of the facility to accommodate advancements in precut technology and sustainable building practices.

The design process for this particular concept took approximately eight months, from initial concept to final plans.

This design was commissioned by AIDA Design as they sought a new factory that would be at the core of their housing quality. I decided to pursue a concept that would reflect the integral nature of their work in timber precutting.

The design is currently being realized by AIDA Design itself. There are no plans to sell or lease the production rights as it is bespoke to their specific operational needs.

I designed this particular type of work to embody the integration of industrial functionality with architectural aesthetics, aiming to create a space that reflects the precision and quality of AIDA Design’s work.

While the concept was primarily my own innovation, I did draw general inspiration from traditional Japanese timber architecture to inform some of the structural decisions.

The target customer for this design is not a consumer in the traditional sense but serves the operational needs of AIDA Design’s precut division and indirectly serves their housing customers by ensuring high-quality building components.

What sets this design apart is its integration of the operational pathways and structural elements into a coherent architectural statement that not only serves practical purposes but also communicates the identity and future vision of AIDA Design.

The name for this design, "AIDA Precut Division," is straightforward—it directly describes its function within the company but also underscores its foundational role in the quality of the housing produced.

I used a variety of design tools, including CAD software for precise architectural planning and 3D modeling tools to visualize and refine the spatial arrangements and structural elements.

The most unique aspect of my design is the method of extracting necessary functional volumes from a massive block, which symbolizes the precision and minimal waste in AIDA Design’s production process.

I collaborated with engineers specializing in wood construction and precut technology to ensure that every aspect of the design was both feasible and functional.

Technology played a critical role in this design, particularly through the use of advanced CAD and simulation tools to optimize the layout and structural integrity of the factory.

Yes, my design was influenced by analytical research, particularly in optimizing the flow of materials and ensuring minimal waste. This involved studying various production processes and layouts that maximize efficiency.

One of the main challenges was integrating the functional requirements of a precut factory with a high aesthetic value that reflects the company’s identity, requiring a balance between form and function.

I decided to submit this design to an international competition to showcase how industrial facilities can be designed with high architectural standards and to bring recognition to the innovations AIDA Design is implementing in the housing industry.

During the design process, I learned to better integrate aesthetic considerations with industrial functionality, which improved my ability to create designs that are both practical and visually compelling.

I believe this interview covers the essential aspects of the design, but I would add that this project represents a significant step in how architectural practices can directly enhance industrial efficiency and environmental sustainability.

I was inspired by the challenge of maximizing dynamic living space on a narrow, flagpole-shaped lot in Tokyo. My aim was to transform these constraints into a sculptural and functional design element.

My focus was on creating a seamless integration of architectural elements like stairs and lighting into the boundary wall, enhancing the functionality and aesthetic of the space while adhering to strict building regulations.

I plan to refine this concept further in my future projects, adapting it to different site conditions and exploring new materials and technologies.

It took me about eight months from the initial concept to the final plans to design this project.

This design was commissioned to meet the specific needs of a parent and their child, with an emphasis on privacy, functionality, and aesthetic integration with the site’s unique characteristics.

The design is currently being implemented for the client's residential use. There are no plans to sell or lease the production rights as it is a custom solution.

I chose to develop a monolithic boundary wall to maximize space and functionality in a constrained environment, providing an innovative solution to the site’s narrow access.

My approach was influenced by modern minimalist architecture and traditional Japanese elements, such as the tsubo-niwa, allowing for a blend of privacy, natural light, and spatial continuity.

The target customers for this design are individuals or small families seeking a unique, custom-designed home in densely populated urban areas.

Unlike conventional residential designs, my project uses a boundary wall to cleverly incorporate multiple functional elements within a single architectural feature, setting it apart from other narrow lot solutions.

“Black Monolithic Wall” reflects the design’s dominant feature—a single, powerful element that defines the property and structures the entire living space, while its color emphasizes solidity and depth.

I utilized 3D modeling software and physical models to visualize and refine the spatial arrangement and integration of architectural elements.

The integration of the boundary wall with essential features like stairs and mailboxes, transforming a typically mundane element into the centerpiece of the design, is the most unique aspect.

I collaborated with landscape architects for the tsubo-niwa and structural engineers to ensure that the complex forms and integrated elements were feasible and compliant with local codes.

Technology was crucial in accurately modeling the space and predicting structural challenges, especially in maximizing the use of the underground area and integrating lighting and other utilities.

My research into local building codes and studies on light and wind circulation patterns influenced the design, ensuring it was both compliant and comfortable.

The main challenges were the site’s narrow access and strict height regulations, which required innovative design solutions to utilize every possible space efficiently.

I decided to submit this design to the competition to showcase how architectural creativity can overcome physical constraints and regulatory challenges, potentially setting a precedent for similar urban projects.

Through this project, I learned more about the possibilities of integrating architecture with landscape elements and the importance of detailed modeling in constrained environments.

This project is a testament to the potential of architecture to transform limited spaces into expansive, multi-functional homes. I hope it inspires both clients and architects to think creatively about the use of space in urban settings.

With nearly 30 years of experience in architectural design, I have had the privilege to shape diverse spaces that define urban landscapes. My education in architecture provided a strong foundation in both technical skills and creative development, fueling my passion for blending functionality with aesthetic innovation.

I am driven by the potential to create spaces that enhance human interactions and contribute positively to communities. The dynamic process of bringing conceptual ideas into tangible realities that improve daily life continues to inspire me to push the boundaries of traditional architecture.

I chose to become an architect driven by a deep fascination with the impact of structured environments on society and personal experiences. It was a conscious decision to pursue a path where I could express my creativity and respond to the evolving needs of modern living.

I specialize in a wide range of architectural designs, from residential and commercial buildings to cultural and educational facilities. I aspire to design more eco-friendly and technologically integrated buildings that address the challenges of sustainable development.

To become a design legend, one must remain perpetually curious, open to learning, and resilient in the face of challenges. Embrace every project as an opportunity to innovate and refine your approach, always aiming to leave a positive impact through your designs.

The distinction lies in the ability to not only solve problems aesthetically but to do so in ways that advance functionality, enhance user experience, and contribute to environmental sustainability. A great designer also anticipates future needs and creates adaptable solutions.

A really good design effectively balances form and function. It meets the needs of its users, respects the environmental context, and remains aesthetically compelling. Good design stands the test of time and continues to offer value and relevance.

Good design is an investment in quality of life and sustainability. It enhances the functionality of spaces, reduces environmental impact, and elevates the aesthetic landscape, ultimately contributing to the overall well-being of its users and the community.

If time were no object, I would love to design a comprehensive urban development project that integrates green spaces, renewable energy, and community living spaces to foster a sustainable and interconnected community.

My dream project involves creating a fully sustainable city from the ground up, incorporating the latest in green technologies and smart infrastructure to create a blueprint for future urban living.

My success can be attributed to a relentless pursuit of innovation and a deep commitment to understanding and integrating the cultural, historical, and environmental contexts of each project.

I draw inspiration from architects like Kenzo Tange and Tadao Ando, whose works beautifully articulate the harmony between modernity and tradition, each building telling a story of cultural reverence and forward-thinking design.

I admire the Sydney Opera House by Jørn Utzon for its iconic expressionist design that harmoniously blends with its environment, proving that great architecture is both an art and a science.

One of my greatest designs is the "Hotel Marina Gold" in Vietnam, where the challenge of integrating luxury with sustainability was met with innovative architectural solutions, creating a landmark that respects its cultural and environmental setting.

Continuous learning, experimentation, and feedback have been crucial in refining my skills. Engaging with diverse projects and challenges sharpens one’s ability to innovate and adapt, which are key to becoming a better designer.

Had I not become an architect, I would have pursued a career in environmental science, focusing on sustainable development and conservation, areas that are deeply intertwined with the principles of thoughtful architectural design.

For me, design is the art of problem-solving and innovation within the constraints of functionality, aesthetics, and sustainability. It's about creating environments that enhance the quality of life for individuals and communities.

My uncle, also an architect, provided not just inspiration but also guidance and support throughout my career. His mentorship was instrumental in shaping my approach to design and my understanding of its impact.

A relentless pursuit of excellence, continuous learning, and a commitment to understanding user needs and environmental impacts have been the pillars of my growth as a designer.

Early in my career, balancing the aesthetic aspects with functional and sustainable solutions was a significant challenge, particularly within the constraints of tight budgets and traditional expectations.

Designers should present their work as a narrative that tells the story of the project, highlighting the challenges, the innovative approaches taken, and the impact of the final design on users and the environment.

We are currently planning an eco-friendly mixed-use development that aims to integrate renewable energy sources, green building materials, and smart technologies to create a model for sustainable urban living.

My ultimate goal is to leave a legacy of sustainable, functional, and aesthetically pleasing buildings that serve their communities well into the future, inspiring others to prioritize sustainability and innovation in design.

People expect visionary designs that push the envelope in terms of aesthetics, functionality, and sustainability. They look to esteemed designers to set trends and standards in the industry that lead to better living environments.

Good design plays a crucial role in creating better societies by improving the functionality of spaces, enhancing the well-being of its users, and promoting environmental sustainability.

I am particularly excited about a project that involves the revitalization of a historic urban district, integrating modern design elements with traditional architecture to revitalize the community and promote cultural heritage.

Projects that have allowed me to seamlessly integrate new technologies with environmentally friendly practices while maintaining aesthetic integrity have given me the most satisfaction.

I would like to see more emphasis on sustainable and socially responsible designs in the industry, with increased use of renewable materials and technologies that minimize environmental impact.

The design field is moving towards a more integrated approach that considers environmental sustainability, technological integration, and user-centric designs as fundamental elements of all projects.

The time to finalize a design project varies depending on its complexity, but it typically involves several phases of ideation, feedback, and revision that can last from a few months to several years.

Each new project begins with a thorough analysis of the site and its context, followed by brainstorming sessions to identify key challenges and opportunities, setting the stage for innovative solutions.

"Design with purpose, innovate with care, and always consider the broader impact of your work."

While trends can influence design, truly great design sets the trends by introducing innovative solutions that resonate widely and endure over time.

Technology plays a crucial role in modern design, enabling precision, efficiency, and the ability to create complex forms and integrate advanced functionalities into our projects.

I use a range of software including AutoCAD, Revit, and SketchUp for architectural design and modeling, complemented by physical modeling tools for tactile exploration of designs.

The choice of color, materials, and the creation of ambiance are essential in defining the character and functionality of a space, affecting how it is perceived and used by its inhabitants.

I wish people would ask more about the environmental and social implications of my designs, as these aspects are central to my approach and philosophy.

When I encounter a great new design, I am inspired to think about how the principles applied can be adapted or expanded upon in my own work, pushing me to think outside the box.

I believe in the power of co-design and collaboration. My ideal design partner is someone who shares my commitment to sustainability and innovation, and who brings complementary skills to the table.

Collaborations with international designers and clients have greatly influenced my design thinking, exposing me to new ideas and approaches that have enriched my own work.

Several books have shaped my approach to design, notably "Architecture: Form, Space, & Order" by Francis D.K. Ching and "Thinking Architecture" by Peter Zumthor. These works deepen my understanding of space and form, emphasizing the philosophical and practical aspects of architecture.

My skills as a designer have been honed through continuous learning, practical experience, and constant exploration of new technologies and materials. Collaborating with diverse teams and engaging with international design communities have also played a significant role in my development.

If not bound by time, I would want to meet Frank Lloyd Wright. His innovative approach and philosophy toward organic architecture have always inspired me. Discussing his integration of humanistic values into architectural design would be enlightening.

While recognition and awards are affirming, they also bring a sense of responsibility to continue pushing the boundaries of architectural design. Fame is not a goal but a byproduct of striving for excellence and innovation in my work.

Color: Deep indigo, for its calmness and depth

Place: The Japanese countryside, especially during cherry blossom season

Food: Sushi, for its simplicity and refinement

Season: Spring, a time of renewal and inspiration

Thing: My sketchbook, a constant companion in my creative process

Brand: Muji, for its emphasis on minimalism and functionality

Early in my career, during a project presentation, I accidentally projected some of my holiday photos instead of the design slides. It broke the ice and showed my human side to a room full of serious investors.

A great day begins with a breakthrough in a challenging project. Staying motivated involves setting daily goals, seeking feedback, and taking time to find inspiration outside of work, often through nature walks or visiting new cities.

As a child, I was always rearranging furniture and drawing imaginary cities, which perhaps hinted at my future in architecture. My family often joked that I would become either an architect or a city planner.

In a thousand years, I envision a world where architecture fully integrates with nature, contributing to ecosystems rather than depleting them. Buildings will likely be self-sustaining, adapting to environmental changes autonomously.

I want my fans to know that each of my designs starts with a commitment to enhance human well-being and respect for the environment. My goal is to create spaces that are not only functional and beautiful but also harmonious with their surroundings. I hope my work inspires others to consider how architecture can positively impact society and our planet.

I've been immersed in architectural design for nearly three decades, having been inspired by my uncle, a distinguished architect. From a young age, I was fascinated by the impact of spaces on human experiences, which led me to pursue architecture as a profession.

MR STUDIO Co., Ltd., established in 2017, focuses on diverse architectural projects—from residential to large urban developments. Our approach emphasizes innovative concept creation and detailed design development.

For me, design is the art of crafting spaces that not only fulfill functional needs but also enhance human interaction and well-being. It involves a balance of aesthetics, functionality, and sustainability.

I am most passionate about designing buildings that become iconic landmarks. These projects challenge us to innovate and often become symbols of their locales, influencing the architectural narrative of entire cities.

One of my favorite projects is the "Hotel Marina Gold" in Vietnam. Its design, inspired by luxury cruise ships and spacecraft, represents a confluence of innovation and luxury, making it a landmark project in our portfolio.

The first major project I designed was a commercial facility in Tokyo. It was a challenging yet exhilarating experience that set the tone for my focus on impactful architectural solutions.

I favor using sustainable materials and advanced technologies that enhance the efficiency and aesthetic value of our designs. Innovations in green building materials and smart technologies are particularly intriguing.

My creativity peaks during the early conceptual stages of a project, where possibilities are endless and we can dream big before grounding our ideas in reality.

I focus on ensuring that every design is contextually appropriate, sustainable, and visually compelling. The interplay between form and function is critical in my design process.

Designing is profoundly exhilarating; it’s a process filled with anticipation and creativity, as we translate abstract concepts into tangible realities.

Seeing a completed project is immensely fulfilling and joyful. It represents the culmination of hard work and creative vision, especially when the design resonates well with its users and the community.

A design is successful when it achieves a harmonious balance between aesthetic appeal, functional efficiency, and environmental sustainability.

The first aspects I consider are the design’s functionality, the innovation it brings, and its environmental impact. These elements are crucial for determining the value of a design.

Designers hold the responsibility to create ethically and sustainably, considering the socio-economic and environmental impacts of their creations.

The design field is rapidly evolving with a stronger emphasis on sustainability and technology. I foresee a future where design and technology seamlessly integrate to create smarter, more sustainable environments.

Our last exhibition was in Tokyo, showcasing sustainable urban development projects. I am looking forward to our next exhibition, planned in Europe, focusing on innovative architectural designs that integrate cultural elements.

Inspiration often comes from nature, technology, and historical contexts. I nurture my creativity through travel, reading, and engaging with other forms of art and science.

My style emphasizes minimalism, functionality, and integration with the environment. I explore this style because it aligns with both modern needs and the traditional Japanese aesthetic of simplicity and harmony.

Living in Japan, with its rich cultural heritage and attention to detail, greatly influences my designs. The challenge is to blend this meticulous craftsmanship with modern design demands.

I collaborate closely with companies to ensure that the architectural solutions we provide align perfectly with their identity and strategic objectives. It’s about creating a synergy between architectural innovation and business goals.

Companies should look for designers who not only have a compelling portfolio but also demonstrate a deep understanding of the company’s mission and the specific challenges it faces.

Our design process is iterative and collaborative, involving extensive research and stakeholder engagement to ensure that each design is innovative, practical, and contextually appropriate.

My home features a carefully curated collection of Japanese ceramics, minimalist furniture, and an array of architectural books that inspire and ground my design philosophy.

My day usually begins with a team meeting to discuss ongoing projects, followed by design reviews and client consultations. I also dedicate time to researching new materials and technologies.

Remain curious and open to learning. Embrace challenges as opportunities to innovate and always strive to understand the broader impact of your designs on society and the environment.

The positive aspects include the ability to create and innovate, while the challenges often lie in meeting the diverse expectations of clients and stakeholders.

Always design with the end-user in mind—functionality and aesthetics should enhance the lives of those who interact with your creations.

Critical thinking, creativity, technical proficiency, and an understanding of sustainable practices are essential for any designer today.

My toolbox includes architectural software like AutoCAD and SketchUp, a sketchbook for initial concepts, and an array of design journals and sustainability guides.

I prioritize tasks based on urgency and complexity, delegate effectively, and use technology to streamline the design process.

The time it takes to design an object can vary greatly, depending on the scale and complexity, but we always aim to optimize our timelines without compromising quality.

The most frequent question I get is about the inspiration behind my designs, particularly how we incorporate cultural elements so seamlessly.

Leading the design of a multi-functional urban development in Tokyo was a pivotal experience, teaching me the intricacies of large-scale sustainable architecture.

Our clients range from private sector investors to public institutions, all seeking innovative and sustainable architectural solutions.

I particularly enjoy designing cultural facilities because they allow for expressive architectural solutions that reflect and enhance community identity.

I am looking forward to expanding our firm's international presence, bringing our unique blend of traditional Japanese aesthetics and modern design to a global clientele.

We operate as a team, but I am deeply involved in all major projects, ensuring that each design reflects our firm’s highest standards.

We are currently working on a sustainable residential development in Tokyo, aiming to integrate advanced eco-friendly technologies and traditional Japanese design elements.

I can be reached through our company's website, where potential clients and collaborators can also view our portfolio and learn more about our services.

I would like to emphasize the importance of cultural and environmental considerations in modern architecture, which not only respect but also enhance the sites where we build.

The public passage was conceived as a modern reinterpretation of Urawa’s historical street grids. By embedding a pedestrian route through the site, the building reconnects fragmented urban layers—linking the past of the old Nakaginza Seven street with the city’s new commercial axis. This architectural gesture embodies my belief that office buildings should not isolate themselves, but rather contribute to the rhythm of public life and collective movement.

The floating glass cubes express openness and lightness within an urban context dominated by dense structures. The varying transparency was inspired by the gradation of reflection found in water surfaces—sometimes revealing, sometimes concealing. This controlled transparency allows the building to act as both mirror and lantern, symbolizing the balance between visibility and quiet presence in the cityscape.

The Edo-period layout of narrow alleys and sequential courtyards deeply informed the project’s spatial rhythm. The through passage inherits that intimate scale, creating a layered urban experience that unfolds gradually. The design reflects how the cultural DNA of Urawa—its modesty and rhythm—can be reinterpreted within contemporary architecture.

We selected materials that evoke calm and continuity—white aluminum panels, glass, and living green walls. The integration of greenery is not decorative but conceptual: it symbolizes regeneration and the continuity between architecture and life. The resulting atmosphere blurs the boundary between work and relaxation, embodying the “symbiosis with greenery” that defines the project.

The main challenge was realizing the floating glass cubes within a lightweight yet rigid frame. We developed a hybrid structure combining steel and aluminum mullions with high-performance seals to ensure precision and durability. The process required millimeter-level coordination, but the result was a facade that appears weightless—an architectural expression of gravity suspended.

The through passage evolved from a functional shortcut to a symbolic public connector. During the design process, it transformed into a space that absorbs urban movement while offering a sense of calm. The continuous ceiling lighting guides pedestrians like a thread of light, creating an experience of transition—between exterior and interior, city and office.

Art plays a crucial role in shaping the building’s emotional identity. We curated works by internationally acclaimed artists such as Lee Ufan and Jim Dine to create a dialogue between art and architecture. Their presence transforms the workplace into a contemplative environment, aligning with the client’s “Vision Cycle” philosophy of continuous creativity.

We combined passive design strategies—daylight optimization, natural ventilation, and deep eaves—with energy-efficient LED lighting and smart controls. The building achieves significant energy reduction without sacrificing brightness or comfort. Sustainability here is not a technical requirement but a design ethic embedded in every spatial decision.

The project reaffirmed that future offices must go beyond efficiency—they must become urban ecosystems. By allowing permeability between workspaces and public life, architecture can foster creativity, empathy, and civic engagement. The URAWA GARDEN BLDG. Office demonstrates how an office can act as both workplace and public infrastructure.

Since its completion in 2024, the building has revitalized the surrounding district, attracting pedestrian flow and redefining the area’s visual identity. It has become a symbolic threshold where work, culture, and greenery intersect. This success reinforced my conviction that architecture should serve as a living interface between people and the evolving city.

The strict urban zoning and setback restrictions initially seemed like obstacles, but they became the foundation of the design concept. The slanted walls and stacked volumes were generated directly from the legal height envelope, creating a sculptural form that captures light differently throughout the day. These constraints inspired a rhythm of light and shadow, transforming what could have been a limitation into the most defining aesthetic of the house.

The fusion of traditional Japanese sensibility and modern minimalism stems from the idea of “Ma” — the poetic interval between forms. While the exterior is defined by a bold geometric silhouette, the interior reveals a calm spatial flow reminiscent of tatami rooms and engawa terraces. This duality brings a spiritual balance to urban life, connecting residents to both the serenity of tradition and the clarity of contemporary design.

The design explores transitions rather than boundaries. Layered walls, courtyards, and narrow apertures create moments where the inside and outside blur. The courtyard acts as a visual buffer, filtering sunlight and air while protecting privacy. These gradations of openness cultivate a subtle dialogue between seclusion and exposure, allowing the inhabitants to experience changing atmospheres throughout the day.

Fiber cement panels were selected for their durability and texture, giving the facade a refined shadow expression under changing daylight. Paired with high-performance glazing, the materials enhance both thermal efficiency and visual comfort. This combination minimizes maintenance while providing a tactile contrast between the matte white exterior wall and the deep charcoal cladding.

The courtyard emerged as a response to the site’s density. Instead of opening toward the street, the house opens inward to a protected void. It extends the living area into the open sky, offering both daylight and a sense of retreat. Over time, this inner garden became a central breathing space—where the boundaries between architecture, light, and everyday life dissolve.

Lighting design was treated as architecture. The upward lights illuminating the black bamboo create a serene yet dramatic entrance sequence. Inside, indirect light gently reveals the texture of materials and emphasizes spatial depth. The balance between natural and artificial light was fine-tuned to shift the mood from day to night, enhancing the sense of calm and privacy.

Urban Prism House demonstrates how thoughtful composition can create livable spaces even under strict constraints. By reinterpreting setbacks, privacy needs, and light control as design opportunities, it suggests a new model for dense urban housing — one that values serenity, spatial richness, and individuality within compactness.

The 127.82㎡ floor area was organized vertically, with circulation designed as a continuous ascent. Each level offers a distinct function—living, sleeping, and contemplative zones—linked by light shafts that create a sense of movement. This layering of spaces ensures fluidity without sacrificing privacy, transforming compactness into a vertical landscape of experiences.

Through the experimentation with adjustable louvers and staggered wall planes, I learned that urban privacy is not about complete isolation but about layered perception. By filtering views and modulating transparency, residents gain control over how they are seen and how they see the world—a form of spatial empowerment in dense living environments.

The atrium acts as the home’s environmental lung. Its vertical void channels sunlight deep into the core while enabling natural ventilation through the stack effect. Seasonal changes alter the quality of light—soft in winter, sharp in summer—making the interior subtly responsive to climate, enhancing comfort, and reducing mechanical energy use.

The journey began with a desire to reinterpret Kanazawa’s UNESCO-listed gold leaf craftsmanship beyond ornamentation. We sought to express its spiritual luminosity in a minimal, contemporary architectural language. By integrating over 3,000 hand-applied gold leaf tiles, the space becomes a dialogue between the past and present—honoring Kaga’s heritage while reimagining it through light, proportion, and silence.

We conducted detailed experiments analyzing the reflectivity and diffusion of light on gold surfaces at varying angles. The goal was not brightness, but depth. By adjusting the lighting to 35°–40°, we achieved an ever-shifting glow that reveals the gold’s micro-texture and subtle shadow gradients. The resulting atmosphere changes like a living organism as one moves through the space.

Public restrooms are often treated as purely functional spaces, but I wanted to redefine them as places of aesthetic and cultural reflection. Tokumitsu Taanto is not a restroom—it is a micro-architecture that celebrates Kaga’s artisanal pride. The golden enclosure creates a sanctuary-like experience, transforming a mundane routine into a contemplative encounter with Japanese craftsmanship.

This project demonstrates how traditional techniques can redefine everyday typologies. The recognition from the A’ Design Award affirms that even a small public facility can embody cultural value and artistic dignity. I hope this inspires architects to view traditional crafts not as nostalgic, but as living mediums that enrich daily life.

Applying gold leaf to 200mm porcelain tiles presented numerous challenges: surface tension, adhesive absorption, and static charge interference. Collaborating with Kanazawa artisans, we developed a special undercoat and micro-suction process to stabilize adhesion. These technical experiments ultimately led to a new hybrid method—where tradition meets precision engineering.

The key principle was “compressing infinity.” Within 25 square meters, we used light, reflection, and proportion to evoke boundless depth. The corridor’s perspective alignment and the continuous gold surfaces dissolve spatial boundaries, making the visitor feel enveloped by radiance rather than confined by walls.

Our studio philosophy is to uncover the latent identity of each project. Here, that identity lay in the spirit of Kaga craftsmanship—refinement born from repetition. By interpreting that precision and devotion through minimal geometry and light, we preserved tradition while revealing its modern resonance.

We discovered that gold leaf behaves almost like a living membrane—its tone changes with humidity, temperature, and even the viewer’s distance. This sensitivity became the core of the design. Rather than control it, we embraced its variability, allowing the space to breathe with natural fluctuations of light and air.

The initial concept was to create “a chamber of light detached from gravity.” Through controlled geometry, hidden fixtures, and perfectly balanced luminance, the gold walls seem to hover, making the visitor feel suspended within light. It is both tangible and immaterial—a poetic expression of Japanese transience and serenity.

Tokumitsu Taanto suggests a path where traditional crafts become catalysts for architectural innovation. As we move toward a sustainable future, I believe the reinterpretation of heritage through material intelligence and light will play a crucial role. The project is a statement that craftsmanship, when reimagined, can illuminate the architecture of tomorrow.

The billet-shaped LED fixtures express the transformation of recycled steel into new architectural value. Each linear luminaire symbolizes the rebirth of steel billets, representing Kyoei Steel’s philosophy of circulation and sustainability. By using energy-efficient LEDs and recycled steel components, we turned industrial materials into a poetic expression of light—bridging production and design in a sustainable narrative.

The barcode and QR code motifs visualize Kyoei Steel’s evolution from analog industry to digital innovation. These patterns metaphorically encode the company’s identity, linking material authenticity with information technology. The rhythmic black-and-white lighting composition embodies data flow and production rhythm, transforming industrial heritage into a language of digital modernity.

Maintaining the raw expression of steel while integrating sophisticated lighting required precision. We avoided decorative finishes, instead embedding linear luminaires into structural elements. Each fixture was designed to reveal the steel’s texture, oxidation tone, and depth, ensuring that technology amplifies, not hides, material honesty. This balance was achieved through meticulous mockups and reflectivity studies.

We designed the lighting to act as a continuum of the daylight entering through vertical slits. During the day, sunlight accentuates the metallic reflections; at night, embedded LEDs extend this rhythm into an artificial glow. The two light sources merge to create an ever-changing spatial atmosphere that mirrors the passage of time and the lifecycle of steel.

The project spans various functional zones—office, gallery, and production spaces—yet all are unified through a consistent linear motif. We applied a modular grid system based on billet proportions, ensuring visual harmony while allowing flexibility. The lighting intensity and color temperature subtly shift according to function, maintaining continuity without monotony.

Recycled steel was treated as a reflective medium rather than a mere structure. By precisely controlling light angles and distances, we revealed its layered surface tones—from cold matte gray to warm highlights. This transformation turns an industrial byproduct into an elegant architectural element, giving new dignity to recycled materials.

Our research focused on how light interacts with micro-textures of recycled steel. We discovered that diffuse reflection enhances both depth and warmth, allowing lower light levels with higher perceived brightness. This insight redefined our approach to sustainable lighting—achieving visual richness with reduced energy use.

The alternating rhythm of steel louvers and vertical lighting leads visitors intuitively through the space. The design simulates motion—light guiding flow, steel providing pause. This sequence creates a sensory navigation experience that reflects the continuous cycle of steel production and enhances both spatial legibility and workplace vitality.

This project demonstrates that sustainability can be expressed emotionally, not just technically. By fusing recycled materials with digital aesthetics, it suggests a new corporate architectural language—where light and material co-author the story of regeneration. I believe this approach will inspire future workplaces to embody circular values in expressive ways.

I believe the jury recognized the project’s ability to merge industrial authenticity with architectural poetry. The lighting transformed recycled steel into a medium of expression, not simply a function. Its spatial rhythm, sustainable message, and visual innovation collectively conveyed how architecture can narrate corporate philosophy through light.

The barcode and QR code motifs symbolize Kyoei Steel’s evolution from traditional manufacturing to a digitally integrated enterprise. By translating industrial identity into a visual system, we expressed the company’s philosophy of “recycling with intelligence.” The black-and-white stripes are not decorative—they represent material data, process rhythm, and the circulation of resources, forming a new architectural language of industrial transparency.

The decision to expose rebar, steel plates, and structural components arose from a desire to reveal the beauty of manufacturing itself. Rather than concealing the structure, we transformed it into a spatial narrative about the cycle of creation. Each element retains its raw industrial character, yet collectively they create an atmosphere of precision and dignity—embodying the poetry of steel.

We conducted extensive experiments on how light interacts with recycled steel surfaces—testing gloss levels, oxide layers, and reflection angles. The interplay between matte and mirror finishes generated a dynamic rhythm under linear LED illumination. The final lighting composition allows steel to appear alternately solid and fluid, evoking both material strength and atmospheric delicacy.

The design process was guided by duality—roughness and refinement, industry and intellect. We balanced exposed structural elements with minimalist geometry and controlled lighting. The juxtaposition created a disciplined aesthetic: raw materials expressed honestly, yet organized with architectural precision. It’s a space where the industrial becomes sublime.

Consistency was achieved through a modular system based on the proportions of steel billets. Each spatial element—walls, ceilings, lighting—follows this invisible order. The repetition of linear forms unifies the diverse functions while subtle variations in scale and lighting intensity keep the experience dynamic and immersive throughout the vast area.

This project redefines sustainability not merely as resource reduction, but as “corporate circular identity.” By using recycled steel from Kyoei’s own production and designing for disassembly, we created an office that embodies the full lifecycle of materials. It positions architecture as a message: sustainability is achieved through continuity between industry, material, and design.

The billet-shaped seamless LEDs required precise fabrication to achieve both linear continuity and uniform brightness. We developed custom aluminum housings that integrate structural and lighting functions, reducing visible joints. This technical refinement reinforced the concept—light as material, structure as rhythm—merging engineering with poetic spatiality.

This project demonstrates that industrial materials can transcend utility and become cultural statements. I believe future corporate spaces will increasingly embrace this synthesis—where manufacturing identity informs spatial character. The Embraced in Recycled Steel Office repositions industry as design inspiration, not limitation.

Circulation spaces incorporate barcode-inspired lighting to subtly guide movement. The alternating rhythm of black steel and white light creates a cognitive flow—employees naturally navigate through contrast and repetition. This dynamic environment stimulates awareness and connects the act of movement to the company’s continuous production cycle.

Receiving the Silver A’ Design Award validated our exploration of industrial expression as architectural art. It encourages us to continue pushing boundaries between engineering and aesthetics. For me, the recognition signifies a growing global appreciation for sustainability not only as performance, but as cultural and emotional resonance.

The concept was inspired by the image of a luxury cruise ship moored permanently along Mui Ne Beach. The diagonal rise from the 7th to 20th floor expresses the vessel’s bow cutting through the horizon, symbolizing forward movement and freedom. This maritime narrative guided the entire massing composition—the layering of decks, horizontal rhythm, and the floating effect—all designed to evoke the sensation of a ship gently gliding on the sea.

The glass-bottom infinity pool extending 12 meters beyond the facade required advanced structural and safety engineering. We developed a hybrid system combining post-tensioned concrete with laminated glass panels supported by titanium frames. Continuous vibration and water pressure simulations ensured guest safety and visual serenity, allowing the pool to appear as a seamless extension of the sea.

The golden cladding is composed of anodized aluminum panels with varying reflectance levels to respond to Vietnam’s tropical sunlight. During sunset, the facade transforms into a luminous gradient—reflecting the sky’s transition from blue to amber. The material selection was guided by the desire to create a living surface that interacts poetically with natural light.

While the form is futuristic, its relationship with Mui Ne’s landscape is rooted in sensitivity to scale and environmental harmony. The building’s base aligns with existing dune contours, and vegetation buffers were introduced to minimize coastal impact. We also collaborated with local consultants to ensure compliance with coastal preservation and cultural respect for the Cham heritage.

Positioning the restaurant and bar adjacent to the cantilevered pool allows guests to experience the horizon from multiple sensory levels—sight, sound, and touch. The transparent pool edge becomes a theatrical element, merging water, light, and human activity. This spatial choreography transforms relaxation into an immersive spectacle suspended above the sea.

The 9m × 9m structural grid provided both spatial flexibility and engineering efficiency. It allowed for open-plan suites, panoramic lounges, and adaptable event spaces without excessive column intrusion. The module also standardized mechanical layouts, streamlining construction while preserving luxury proportions throughout the building.

Extensive environmental simulations were conducted to optimize wind flow, solar exposure, and reflection intensity. The stepped terraces naturally break sea breezes, while diagonal shading devices minimize glare. The aerodynamic form reduces turbulence, ensuring comfort even in high coastal winds—an essential factor for Vietnam’s monsoon climate.

The project promotes sustainable tourism by integrating renewable materials, passive design, and on-site energy management. It demonstrates that luxury and responsibility can coexist. I believe future resorts will adopt similar hybrid approaches—where environmental respect enhances the emotional richness of the guest experience.

Anticipating the 2030 opening, we incorporated adaptive technologies such as AI-based energy management, modular smart rooms, and AR-assisted guest services. These systems are designed to evolve with user behavior, ensuring the resort remains technologically relevant and experientially timeless.

The Silver A’ Design Award affirmed the project’s balance between visionary form and environmental empathy. It strengthened my belief that architectural innovation must merge imagination with responsibility. This recognition inspires me to continue designing future resorts that embody both spectacle and sustainability in perfect harmony.

The lighting design was directly inspired by the precision angles of quartz crystal cuts—AT (35.15°), CT (38°), and DT (52°)—which determine the vibration frequency of each oscillator. By translating these exact angles into the ceiling lighting geometry, we created a rhythm of light that visually embodies Daishinku’s core technology. The intersection of light lines replicates the wave propagation inside a crystal, producing a luminous environment that resonates with scientific precision.

The atrium functions as a vertical communication hub connecting all departments. Its openness encourages visual interaction and cross-disciplinary dialogue, reflecting Daishinku’s philosophy of “synchronization.” The crystalline void serves not only as a source of daylight but as a metaphor for transparency and unity within a company that values precision and collaboration.

We studied the layered structure of quartz chips and translated their stacked precision into architectural volumes. Each layer represents a “chip,” slightly offset to evoke growth and frequency modulation. The varying thicknesses correspond to product diversity, creating a sculptural massing that mirrors microscopic precision on an urban scale.

The staggered volumes cast shifting shadows that change throughout the day, echoing how crystals deform microscopically under frequency load. This dynamic facade symbolizes Daishinku’s continuous evolution—an architecture that breathes with light, much like the vibration of a quartz oscillator.

The design integrates IoT-based production lines and data visualization systems within a spatially open layout. Transparency between work zones and research areas promotes innovation and efficient feedback loops. This coexistence of precision engineering and human creativity reflects the future of smart manufacturing environments.

The lighting follows circadian rhythm principles—color temperature shifts from 3000K in the morning to 5000K during active hours, returning to warmer tones toward evening. This gradual modulation supports biological alignment, enhances concentration, and reduces fatigue. The system merges biophilic design with scientific precision, fostering both health and productivity.

Located adjacent to the existing Central Laboratory, the new headquarters establishes a seamless operational flow. The alignment of circulation and logistics routes allows research outcomes to be directly applied to production. This physical proximity reinforces intellectual synergy—transforming two facilities into a single, integrated innovation ecosystem.

Exterior materials were selected to manipulate light reflection similar to the refractive behavior of quartz. The use of finely ridged aluminum panels and matte glass diffuses light gently, creating layered luminosity. This interplay of reflection and diffusion reinforces the architectural metaphor of a crystal structure at macro scale.

As both headquarters and production facility, the building required a single identity. The stacked crystal form became the unifying language—expressing corporate solidity while maintaining lightness. Office transparency and factory precision coexist under one geometric order, symbolizing the alignment of creativity and technology.

Receiving the Gold A’ Design Award validated the project’s ambition to merge science and architecture. It reaffirmed that industrial facilities can transcend functionality to express corporate philosophy. This recognition motivates me to continue designing architecture that translates invisible technologies into spatial and emotional experiences.

The idea originated from observing Kyoei Steel’s recycled billets—solid, weighty, and full of narrative. I wanted to reinterpret these industrial forms not as raw materials but as architectural expressions of renewal. Through the stacking and layering of billet-inspired volumes, the building symbolizes the cyclical rebirth of steel. It transforms industrial matter into a spatial metaphor of sustainability, where strength and refinement coexist.

The barcode and QR code motifs evolved from the idea of connecting the analog materiality of steel with the digital future of manufacturing. The vertical rhythm represents data flow and production traceability. Technically, integrating LEDs into these narrow vertical slots was challenging; we developed custom aluminum channels to achieve precise light diffusion without visible fixtures, transforming digital code into architectural light.

Consistency across the vast area was achieved through a modular rhythm derived from billet proportions. Every element—facade panels, ceiling grids, lighting strips—follows this proportional rule. By repeating and scaling this module, the design maintains harmony while adapting to each functional zone. The sustainable concept thus becomes not only material-based but also systemic, embedded in the architectural logic itself.

The stairwell serves as the building’s symbolic core. Here, recycled steel bars and billet-shaped LEDs intertwine vertically, representing Kyoei Steel’s philosophy of “steel connecting people.” The light travels along these rods like flowing energy, guiding users upward. Functionally, it ensures safety and openness; symbolically, it embodies the company’s technological elevation and collective growth.

We developed a multi-layer coating system combining zinc primer, black epoxy, and metallic silica particles. This method creates a nuanced surface that changes from matte gray to deep metallic tones depending on sunlight. It visually narrates the recycling process—the transformation of steel from raw to refined—turning the facade into a living skin that reflects both time and craftsmanship.

These components are usually hidden within structures, but here they take center stage. By exposing them, we wanted to reveal the unseen artistry of manufacturing. Each material retains its industrial texture—scratches, weld marks, oxidation—becoming a trace of human craftsmanship. The design redefines steel not as a cold material but as a carrier of memory and human touch.

While meeting the practical demands of an office—efficiency, comfort, and workflow—we also sought to create an emotional narrative of sustainability. Spatial planning follows rational logic, while lighting and material choices evoke emotional resonance. This balance allows the workplace to become both a functional infrastructure and a symbolic statement of corporate values.

The billet-shaped LEDs were conceived as architectural metaphors for steel rebirth. Their linear continuity mirrors the extrusion process of steel billets, while the seamless junctions eliminate visual interruption. Custom diffusers and heat-dissipating channels ensure durability and clarity. The light itself becomes a sculptural element—symbolizing both structure and illumination as one.

The design allows visitors to “read” Kyoei Steel’s identity through space itself. From the recycled materials to the lighting choreography, every element tells a story of regeneration. For employees, the building becomes a daily reminder of their contribution to a sustainable cycle—transforming work into participation in a shared vision.

The A’ Design Award acknowledged not only the project’s aesthetic innovation but its ethical vision. It proves that industrial architecture can transcend its utilitarian nature to embody corporate philosophy and environmental responsibility. This recognition motivates us to keep exploring how recycled materials can narrate the beauty of transformation in future corporate architecture.

The semi-buried first floor in the Black Monolithic Wall Residential House was a deliberate architectural response to Tokyo’s stringent building regulations and limited site dimensions. By partially sinking the first floor, we maximized the interior volume while complying with height restrictions. This approach created a private, secluded living area, sheltered from neighboring buildings and street noise. The underground design also contributes to thermal stability, keeping the living space naturally cooler during summer and warmer in winter. This arrangement elevates the living experience by providing a peaceful, private environment that remains closely connected to the exterior through the tsubo-niwa, which brings natural light and ventilation into the semi-buried floor.

The monolithic black wall that defines this residence serves both an aesthetic and functional purpose. Integrating elements like the stairs, meter box, and lighting into this singular architectural feature was inspired by the idea of creating a seamless, sculptural entry sequence. I wanted the wall to act as more than just a boundary—it’s an invitation and a guide, leading residents and visitors up to the elevated entrance while unifying the space’s various functional needs into one cohesive element. This approach reinforces the home's minimalist, monolithic theme, creating a powerful visual statement that blends functionality with architectural expression.

Designing a journey from the narrow entrance to the interior spaces in the Black Monolithic Wall Residential House was an opportunity to create an immersive, sequential experience. Given the flag-shaped lot with limited front width, we envisioned the approach as a processional path, using the monolithic wall as both a boundary and a guide. Visitors are drawn in through the narrow entryway, their anticipation heightened as they move along the elongated passage that gradually opens up into the main living spaces. This spatial composition turns a challenging lot into an engaging, layered experience, giving the narrow site depth and a sense of discovery as one moves through the home.

The tsubo-niwa courtyard garden in the Black Monolithic Wall Residential House plays a crucial role in balancing privacy and natural light. Inspired by traditional Japanese design, the courtyard brings light and air into the interior without sacrificing seclusion, allowing each space to feel open while preserving intimacy. My philosophy behind this integration is rooted in the concept of “borrowed scenery,” where external elements, like sunlight and greenery, become part of the home’s internal atmosphere. This blend of privacy and connection to nature enhances the living experience, bringing a calming, organic presence to a modern architectural context.

The vertical arrangement in this house—starting with the semi-basement private areas and ascending to the open dining space on the third floor—was carefully planned to create a clear spatial hierarchy that enhances daily life. This layout allowed for a gradual transition from private to public spaces, with each floor dedicated to specific functions. The semi-buried floor serves as a quiet, secluded retreat, ideal for bedrooms and a studio, while the third-floor dining area provides a more open, social setting with abundant light and views. This vertical zoning promotes a natural flow through the home, giving each space a distinct atmosphere.

The Black Monolithic Wall Residential House, recognized with a Silver A’ Design Award, illustrates a unique approach to urban residential design on challenging sites. I believe this project could serve as a model for future urban housing, particularly in dense metropolitan areas. The use of vertical space, the integration of outdoor elements like the tsubo-niwa, and the focus on maximizing interior volume within strict regulatory constraints offer practical strategies for building in confined urban environments. This design approach opens new possibilities for achieving both privacy and spaciousness in compact urban plots, setting a precedent for innovative, adaptable housing solutions.

The jetted bathtub facing the tsubo-niwa in the Black Monolithic Wall Residential House creates a unique sensory experience, blending relaxation with a visual connection to nature. This intimate space was designed to enhance the bathing experience by offering a view of the courtyard garden, which brings natural light and a calming green backdrop into the room. This design also follows the Japanese tradition of harmonizing with nature, using water and greenery to promote relaxation and mindfulness. By carefully positioning the bathtub and integrating natural elements, we crafted a sanctuary that provides both physical and mental respite within the home.

The cantilevered stairs leading to the entrance of this residence create a visually striking element that complements the monolithic black wall. This bold design decision was influenced by both technical and aesthetic considerations. Structurally, the stairs needed to be robust yet visually light to enhance the floating effect. A reinforced steel framework allowed us to achieve the desired strength and stability while maintaining an elegant, airy appearance. Aesthetically, the cantilevered stairs offer a sense of levity against the solid, grounded presence of the black wall, drawing visitors’ attention and adding to the home’s overall sculptural quality.

Creating a dynamic living space within Tokyo’s regulatory constraints required a deep dive into underground construction methods and waterproofing. For the semi-buried first floor, we used a reinforced concrete structure combined with advanced waterproofing techniques to ensure durability and moisture resistance. This research enabled us to optimize the interior volume while meeting safety standards. The waterproofing methods used were essential not only for functionality but also for creating a comfortable, dry environment in the semi-buried areas, allowing us to incorporate natural elements like the tsubo-niwa that further enhance the living experience.

The central void running through the Black Monolithic Wall Residential House connects multiple floors and is a vital feature for facilitating daily interactions and natural light flow. This vertical connection brings light deep into the house, creating a sense of openness even in confined spaces. Socially, the void allows visual and acoustic connectivity between floors, enhancing family interactions and creating a unified living experience. By serving as a conduit for light, air, and social interaction, the void becomes the heart of the home, bridging the vertical arrangement and enriching the daily life patterns within the space.

The concept of using credit card motifs for the Orico Training Center Corporate Office emerged from a desire to create an environment that reflects Orico’s core identity in an engaging, visually impactful way. Credit cards are fascinating objects—they offer a gateway to various lifestyles and privileges, from travel rewards to exclusive experiences. We wanted to capture this by giving each training room a unique personality aligned with the card’s traits, like Gold or Platinum, allowing users to feel like they’re stepping into a distinct world. The spatial design evolved through meticulous detailing, from shaping partitions that echo the precise radius and thickness of actual cards to incorporating materials that would enhance each room’s thematic resonance. This approach emphasizes Orico’s identity while creating an engaging and dynamic training environment.

In the partition design for Orico Training Center, I incorporated traditional Japanese architectural techniques such as Fusuma and Shoji. These elements add cultural richness and are designed to respect the concept of privacy without completely closing off spaces, which is essential for a corporate setting. The partitions are crafted to offer separation yet allow a sense of connectivity, reflecting Japanese design principles of balance and subtlety. Adapting these techniques required precise calibration to meet the functional requirements of a modern office while enhancing the overall aesthetics. By fusing traditional techniques with contemporary needs, we created a workspace that honors cultural heritage while catering to the fast-paced demands of a corporate training facility.

Each of the eight training rooms in the Orico Training Center embodies the unique qualities of different credit card types, such as Gold, Platinum, and Black cards, through distinct design elements. For instance, the Gold Card room emphasizes luxury with warm lighting and elegant materials, creating an inviting yet upscale atmosphere. The Black Card room, by contrast, exudes sophistication with a minimalist aesthetic and darker tones, projecting a sense of exclusivity. These elements allow each room to capture the essence of the card it represents while maintaining harmony across the spaces. This thematic approach provides a unique experience for trainees, reinforcing Orico’s brand and fostering an environment that is both functional and immersive.

The floating cantilevered partition walls at the Orico Training Center posed a fascinating technical challenge. We aimed for a design that would give the partitions a light, floating appearance, embodying a dynamic spatial flow reminiscent of moving credit cards. Achieving this effect required a cantilevered structure that meets building codes while providing stability. To maintain safety and stability, the partitions were structurally reinforced yet subtly detached from the ceiling and floor, creating an open space compliant with smoke extraction regulations. This allowed the partitions to appear weightless while still functioning within a strict regulatory framework, enhancing the room’s visual depth and modern aesthetic.

The Orico Training Center’s design needed to serve as both a training facility and a satellite office, especially in response to COVID-19, which influenced our approach to space planning and furniture selection. We expanded individual desk spaces and included task lighting to accommodate the needs of remote work, transforming each workstation into a flexible, comfortable environment. The furniture, including caster-equipped chairs, was selected to provide ergonomic support for extended work hours. This adaptability supports Orico’s dynamic workplace strategy, allowing the center to function as both a collaborative training area and a flexible office space, meeting evolving corporate needs.

Using the Farrington 7B font, a credit card-specific international standard font, in the signage for Orico Training Center was a deliberate choice to reinforce corporate identity subtly. This font, typically used for card numbers, establishes a direct connection to the credit card theme in the space. Other subtle elements include the precise replication of card corner radii and the multi-layered partitions that mimic the thickness of a card. These details are not only visually engaging but also embody the Orico brand, making each room a distinct yet cohesive part of the training center’s overall aesthetic, enhancing the brand experience in an understated yet impactful way.

Renovating the 30-year-old Orico facility into a modern training center presented unique challenges, particularly given the existing RC (reinforced concrete) structure and facility layout. Our approach was to work within these constraints while introducing contemporary design elements that would transform the space. We retained the original structural integrity but redesigned interior spaces with light, modern partitions and updated the furniture to improve functionality. By maximizing existing elements and incorporating cost-effective updates, we created a fresh, inviting environment that serves as a symbol of Orico’s forward-thinking approach, blending old and new seamlessly.

The Silver A’ Design Award for Orico Training Center Corporate Office is a testament to our efforts in creating an innovative corporate interior that goes beyond conventional training spaces. I envision this project as a model for future workplace design trends that emphasize branding, functionality, and flexibility. The integration of brand-specific design details within a multifunctional space demonstrates how training centers can become immersive brand experiences. I believe this project could inspire a new approach to corporate interiors where identity, purpose, and user experience are woven together, setting a precedent for thoughtful, brand-driven design.

One of the most intriguing aspects of the Orico Training Center’s design was replicating credit card dimensions, including the exact corner radius and thickness, for partitions. This required extensive research to ensure precise measurements that match the real credit cards, providing a sense of authenticity. We collaborated with structural engineers to create partitions that retain their visual lightness while maintaining durability and compliance. By capturing these details, we emphasized Orico’s brand identity in a manner that is both subtle and impactful, allowing users to experience the corporate culture through design elements that are familiar yet transformed.

The Orico Training Center is located in a serene residential area, surrounded by parks and university campuses. This tranquil setting influenced the interior design significantly, encouraging us to create a harmonious environment that respects the surrounding landscape. We used materials and colors that evoke a calm, natural feel, helping the center integrate seamlessly with its peaceful surroundings. This approach aligns with Orico’s vision of providing a refreshing and inspiring workspace for trainees, fostering focus and creativity while maintaining a connection to the tranquil environment outside.

The 100-meter-long glass-enclosed walkway at Aida Sekkei Precut Factory was designed to offer visitors a transparent view into the precision and care involved in timber processing. By showcasing the entire manufacturing process, we aimed to convey Aida Sekkei’s commitment to quality and craftsmanship, aligning with the Japanese tradition of transparency in architecture. Japanese architecture often emphasizes openness, and this walkway allows visitors to see each step of the timber’s transformation without barriers. It was essential for us to honor the heritage of Japanese architecture by making the manufacturing process both visible and immersive, reflecting a philosophy of open communication and pride in the work.

The use of small-section studs (30×120mm) to span 12 meters at Aida Sekkei Precut Factory was inspired by the need for a cost-effective yet structurally robust solution for large wooden constructions. Leveraging the strength and versatility of smaller studs allowed us to reduce costs significantly while maintaining the structural integrity required for an industrial setting. This approach not only highlights innovation in timber engineering but also sets a precedent for future projects. By rethinking the role of smaller components, we opened up possibilities for large-scale wooden structures, demonstrating that traditional materials can be adapted to meet modern architectural and environmental needs.

The bold, protruding massive timber façade of Aida Sekkei Precut Factory was directly influenced by our initial site visits and observations of the timber-processing speed and precision. By creating a dynamic design that suggests movement, we sought to embody the energy and efficiency of modern timber processing. This architectural statement aims to convey a message about the power of timber as both a traditional material and a symbol of modern manufacturing. We wanted visitors and workers alike to feel the innovation and speed of the process, creating an impactful visual that reflects Aida Sekkei’s drive toward future advancements.

Balancing the technical demands of a high-volume production facility with aesthetic elements was key in designing Aida Sekkei Precut Factory, a 15,000-square-meter space. By using a modular and functional layout, we addressed production needs while also integrating visual harmony through timber structures and natural materials. The design showcases timber as both a structural and decorative element, allowing the factory to serve as a functional workspace and a testament to the beauty of timber construction. This harmony between form and function exemplifies our commitment to merging industrial needs with architectural aesthetics.

The floating effect of the cantilevered viewing aisle with its random stripe wooden shell was an engineering challenge that required innovative structural solutions. The wooden shell was designed to appear light and airy, giving the impression of suspension in mid-air, which involved precise calculations to ensure safety and durability. Achieving this visual effect meant incorporating advanced engineering techniques, while the choice of random stripe wood added texture and rhythm, reinforcing a sense of lightness and movement. This element speaks to the evolution of timber construction, merging aesthetics with technical complexity.

In designing Aida Sekkei Precut Factory, we combined traditional Japanese timber joinery techniques with modern pre-cutting technology to create a space that celebrates both heritage and innovation. This integration is reflected in the exposed timber trusses and joinery throughout the facility, showcasing the skill and craftsmanship associated with traditional methods. By using pre-cut techniques, we ensured efficiency and precision, bridging the gap between artisanal practices and industrial scalability. This blend of old and new defines the space, making it both a functional factory and a living tribute to Japanese craftsmanship.

The innovative use of feather-edge materials in the trusses of Aida Sekkei Precut Factory’s office building was inspired by residential construction practices. By adapting these materials for a commercial setting, we aimed to challenge conventional boundaries and demonstrate the versatility of traditional materials in modern architecture. This application reflects my design philosophy of utilizing familiar materials in unexpected ways, adding a touch of craftsmanship to an industrial space. It’s a reminder that even in large-scale construction, there’s value in incorporating details that reflect residential warmth and human touch.

The Aida Sekkei Precut Factory’s location, near Tokyo in a forest-rich area, heavily influenced our design decisions. We prioritized the sustainable use of local resources and aimed to harmonize the factory with its natural surroundings. Timber was sourced responsibly, and the architecture was designed to blend into the landscape rather than dominate it. Being near a logistics hub also guided the layout, ensuring efficiency in material transport and workflow. The proximity to natural resources reinforced our commitment to sustainability, creating a factory that respects and utilizes its environment.

The scissor truss design in the office space of Aida Sekkei Precut Factory was chosen to create an open, airy environment that enhances employee well-being. By using this structural approach, we were able to maximize the space’s height and openness, making it both functional and aesthetically pleasing. The trusses not only serve a practical purpose but also showcase Aida Sekkei’s expertise in timber construction. This design enhances the workplace experience by fostering a sense of openness, symbolizing the company’s commitment to transparency and collaboration.

Receiving the Gold A’ Design Award for Aida Sekkei Precut Factory underscored the project’s impact on industrial architecture and sustainable practices. I envision this factory influencing future designs by setting a standard for transparency, visitor engagement, and the responsible use of materials. The building’s transparent walkway, open layout, and environmental considerations demonstrate how industrial spaces can also be welcoming, educational, and eco-friendly. It’s a model that highlights the potential of sustainable architecture to engage the community and showcase the innovation in manufacturing spaces.