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Johnny Jiasheng Chen

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Interviews med Johnny Jiasheng Chen

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Designlegende Interview

48 spørgsmål

A Taiwan-born, Los Angeles-based industrial / product designer. I trained as an industrial and graphic designer, earning a BFA in Product Design from Ming Chuan University (2017), gaining Master’s-level research…

Could you please tell us a bit about your design background and education?

A Taiwan-born, Los Angeles-based industrial / product designer. I trained as an industrial and graphic designer, earning a BFA in Product Design from Ming Chuan University (2017), gaining Master’s-level research experience in Industrial Design from Taiwan Tech (2018), and completing a Master of Design degree from The School of the Art Institute of Chicago (2022).

What motivates you to design in general, why did you become a designer?

My goal is to dedicate my creations to society, nature, the environment, and human interactions, providing an innovative and alternative perspective on our current stage. The designs/ arts can remind us that there are always different alternatives, solutions, and perspectives when navigating the constantly changing world. For me, designers are “Dreammakers” who reflect on the past, comprehend the present, and envision the future, those who balance dreams and reality. Be able to create things that are beautiful, innovative, and benefit humanity. It is like a superpower that motivates me.

Did you choose to become a designer, or you were forced to become one?

I believe that only when you genuinely enjoy something can you excel at it. Being a designer is one of the best choices I made, and I am really good at it.

What do you design, what type of designs do you wish to design more of?

Speculative design and conceptual design are my favorites. The works that no one had previously imagined or created. Currently, in lighting design, I focus on creating designs that incorporate technology.

What should young designers do to become a design legend like you?

Understand and learn what kind of design skills you excel at, focus on them, expand your expertise, be active, and put them into practice.

What distinguishes between a good designer and a great designer?

The willingness to do extra work outside of your career, do you care about the design community? Are you willing to put yourself out there, showcasing new designs or new ideas?

What makes a good design a really good design, how do you evaluate good design?

Creativity, Usability, Aesthetic Quality, Innovation, Execution, etc.

What is the value of good design? Why should everyone invest in good design?

A good design is a good system. It benefits everything, from appearance and user experience to materials, sustainability, and business model, among others. Good design is what everyone wants.

What would you design and who would you design for if you had the time?

Innovative design or speculative design, for companies or concept design competitions.

What is the dream project you haven't yet had time to realize?

A design that reflects a social issue, which can turn into a whole interactive exhibition.

Who are some other design masters and legends you get inspired from?

Frank Lloyd Wright, Louis Sullivan

What are your favorite designs by other designers, why do you like them?

Charles and Ray Eames’ Eames Molded Plywood Chairs, it was an excellent example of how new technology meets aesthetics. It is how design should work.

What is your greatest design, which aspects of that design makes you think it is great?

“Plan B” it is a design system across digital and physical products that can track different environmental elements to help people understand their surroundings. It is a project that addresses environmental issues in an innovative and alternative approach.

How could people improve themselves to be better designers, what did you do?

Research, reach out, and be active.

If you hadn't become a designer, what would you have done?

I will be a biologist.

How do you define design, what is design for you?

It is a tool and method that improves things in all aspects. Design is in everything for me.

Who helped you to reach these heights, who was your biggest supporter?

My family inspired me when I was young and supported me in exploring my career internationally.

What helped you to become a great designer?

Seeking the essence of design

What were the obstacles you faced before becoming a design master?

Figuring out the goals to move forward, balancing between the practical and artistic aspects of oneself, and understanding how the design industry operates.

How do you think designers should present their work?

With thorough research, a well-crafted presentation, stunning images, detailed prototypes, and good language skills.

What's your next design project, what should we expect from you in future?

Forenext Design Studio will remain focused on objects with unique insights, providing a refreshing alternative to existing items or brand-new products.

What's your ultimate goal as a designer?

Develop a design philosophy and create meaningful designs that benefit humanity and promote sustainability.

What people expect from an esteemed designer such as yourself?

From my point of view, keep generating new designs and make more noise.

How does design help create a better society?

Design is an element that can be applied to every aspect of life, from the materials used for daily objects to the services we receive from digital devices, and even the architectural structures. It is everywhere; it just depends on how people integrate it.

What are you currently working on that you are especially excited about?

Conducting innovation research while figuring out an idea can be effective.

Which design projects gave you the most satisfaction, why?

Project “Wooden Glass” was a project with a large amount of research and experimentation, and the outcome was great. It won awards, and people recognized the piece.

What would you like to see changed in design industry in the coming years?

Looking forward to the AI industry bringing back a new wave of physical product design boom.

Where do you think the design field is headed next?

It is awaiting the development of the AI industry and looks forward to a new era.

How long does it take you to finalize a design project?

The duration of the project depends on its depth and required development stage, ranging from one to six months.

What is your life motto as a designer?

Every designed object is a convex ideological mirror, amplifying the minds and practices of its creators.

Do you think design sets the trends or trends set the designs?

It works both ways. However, this is an era of individuality, and trends and designs may not be easy to predict.

What is the role of technology when you design?

Technology is a fundamental element in all my designs.

What kind of design software and equipment do you use in your work?

Industrial design software, such as Rhino, SolidWorks, and Creo, as well as 2D design tools, are essential, along with sketching and digital ideation.

What is the role of the color, materials and ambient in design?

With my experience as a graphic designer, commercial product designer, and lighting designer, these elements, along with many others, are fundamental. They are necessary considerations for every design.

What do you wish people to ask about your design?

I want them to ask why it is so unique and discuss its meaning and purpose.

When you see a new great design or product what comes into your mind?

Why the form factors? Why the materials? What’s the technology? What’s the purpose?

Who is your ideal design partner? Do you believe in co-design?

I have a great team of people, each with a different background. I am 100% a teamworker. I believe that working with a team can take you to a higher level.

Which people you interacted had the most influence on your design?

My professor is at my grad school and university.

Which books you read had the most effect on your design?

“Design for A Better World” by Don Norman. It provides various points on how we should rethink the existing system.

How did you develop your skills as a master designer?

I have taught myself various skills in multiple design fields and engaged in numerous design-related projects, both at work and outside of work. Design is not only about acquiring a wide range of skills, but also about applying them in the real world.

Irrelative of time and space, who you would want to meet, talk and discuss with?

I would like to discuss humanity and human nature with great philosophers from history.

How do you feel about all the awards and recognition you had, is it hard to be famous?

Yes, it is hard. However, the reason I received achievements is solely based on the process, goals, and effort I put into creating a design that I think is suitable for humans. It is not the other way around; I suppose getting famous does not guarantee you can make good designs. The more you want something, the harder it becomes.

What is your favorite color, place, food, season, thing and brand?

Silver, lakes in the mountains, Asian food, Fall, sculpture, and Apple.

Please tell us a little memoir, a funny thing you had experienced as a designer?

There were always times when we spent a lot of time elevating unnecessary objects, making them polished, high-tech, and luxurious. But in the end, we realized it was totally not going to work, such as a high-tech toilet that can collect poop samples and analyze them.

What makes your day great as a designer, how do you motivate yourself?

When I encounter a project that I enjoy and focus on intensely, I often lose track of time. I set up goals and push myself to finish them.

When you were a little child, was it obvious that you would become a great designer?

Yes, it was. From my father, my growing environment, and my interest in art and design. I made up my mind clearly to be an industrial designer in high school.

What do you think about future; what do you see will happen in thousand years from now?

Hope is what I think about the future. I believe our society will continue to grow and become increasingly advanced. Like those sci-fi movies but better, because humans are good at solving problems, and we will eventually create an equal and sustainable world.

Please tell us anything you wish your fans to know about you, your design and anything else?

Keep moving forward, try to do something innovative every day, and stay hybrid.

Designerinterview

38 spørgsmål

I am Johnny Jiasheng Chen, a Taiwan-born, Los Angeles-based industrial / product designer. I trained as an industrial and graphic designer with a BFA in Product Design from Ming Chuan University (2017), Master’s level…

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

I am Johnny Jiasheng Chen, a Taiwan-born, Los Angeles-based industrial / product designer. I trained as an industrial and graphic designer with a BFA in Product Design from Ming Chuan University (2017), Master’s level research experience in Industrial Design from Taiwan Tech (2018), and a Master of Design degree from The School of the Art Institute of Chicago (2022). As a designer with a diverse background working in a foreign country, it fostered my unique insight. The cultural differences and my experience growing up in a rural area enrich the design influences during my career, such as tackling a problem in a specific community or understanding the relationship between different species. These experiences have given me the passion to find the essence of everything we have created.

My goal is to dedicate my creations to society, nature, the environment, human interactions, etc, providing an innovative and alternative point of view when reflecting on our present stage. The designs/ arts that can remind us that there are always different alternatives, solutions, and perspectives when navigating the constantly changing world.

Can you tell us more about your company / design studio?

Forenext is an innovative design studio focusing on creating new experiences and providing creative solutions via different design media. We conduct projects from cultural & creative design to visionary avant-garde design. Generating new perspectives and thinking of unique alternatives are our design goals.

What is "design" for you?

“For me, every designed object is a convex ideological mirror, amplifying its creators’ minds and practices.” I believe every man-made object that exists in the world has its purpose, and it reflects the intention of its creator. And only by identifying the intention of a design can one truly understand the value of an object. For me, design is a form of lifestyle an individual chooses, which interweaves into every part of our lives. It is more than just an object or medium. Eventually, it becomes our way of thinking and how we view the surroundings.

What kinds of works do you like designing most?

Speculative design and conceptual design are my favorites. The works that no one had previously imagined or created.

What is your most favorite design, could you please tell more about it?

I like our previous project Plan B. Plan B. is a design system concept across digital and physical products that track different environmental elements to help people understand their surroundings. The design itself reflects the current difficulties humankind is facing, while offering an alternative perspective on how we should review and respond to the climate change challenge.

What was the first thing you designed for a company?

An innovative folding laptop

What is your favorite material / platform / technology?

3D printing, CNC machining, wood working…

When do you feel the most creative?

When I gather enough data and focus on solving problems.

Which aspects of a design do you focus more during designing?

If it is reasonable, achievable, practical, or not

What kind of emotions do you feel when you design?

Calm, focus, consistent.

What kind of emotions do you feel when your designs are realized?

Happy, a sense of achievement, exciting

What makes a design successful?

There are too many variations and factors to consider. It is case-by-case.

When judging a design as good or bad, which aspects do you consider first?

The approach people took, the research they conducted, and the results they created.

From your point of view, what are the responsibilities of a designer for society and environment?

Being innovative and visionary. Develop better products or alternatives that address current social or environmental issues.

How do you think the "design field" is evolving? What is the future of design?

Design field is at a turning point, which is developing faster toward the digital aspect and application, while the physical aspect is growing more slowly in recent years.

From my perspective, the Future of design depends on the balance of digital and physical technology breakthroughs, such as new materials, manufacturing methods, and global supply chain management, as well as their integration with AI technology.

When was your last exhibition and where was it? And when do you want to hold your next exhibition?

05/2024 ARCOLisboa Art Fair with Al-Tiba9. We are still planning for the year 2026

Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

Everyday objects, art and history museums, and architecture.

My inspirations always come from the background research and the question that I want to solve.

How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?

Modern and transitional

Modern and minimal design can be timeless and celebrate the pure form, but I also appreciate decorative designs, as their intricate forms provide a sense of disclosure, much like a story.

The approach will depend on the project's content.

Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?

Los Angeles, CA, USA

Cultural heritage has a significant impact on me. Due to my different background, I am more aware of cultural differences and have had opportunities to explore them further. Design is vital for its image and semantics, and it varies in multiple cultures. Sometimes it will be limited while considering too much.

How do you work with companies?

I own a design studio while working in a company.

What are your suggestions to companies for working with a designer? How can companies select a good designer?

Carefully identify what kind of designer you need. Understand what both sides can offer to each other.

Good portfolio, good reputation, willingness to learn

Can you talk a little about your design process?

Research

Define

Ideate

Protoype

Fine model

Test

Production

What are 5 of your favorite design items at home?

Wallet

Phone stand

Light

Water bottle

Breakfast cooker

Can you describe a day in your life?

Sleep, breakfast, work, lunch, work, exercise, dinner, relax, sleep

Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?

Be smart, make good decisions, and don’t give up

From your perspective, what would you say are some positives and negatives of being a designer?

Positives:

Being able to create innovative and pretty objects is satisfying, and it is a rare and unique skill. Should feel proud and achieve.

Negatives:

It is a dark time for designers. Have to work smart instead of mindlessly working hard.

What is your "golden rule" in design?

Make sure to understand the background before forming any judgments.

Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?

Ipad pro. Rhino, Solidwork, Illustrator, C4D, Keyshot

Designing can sometimes be a really time consuming task, how do you manage your time?

Multitasking, stop and work on something else when you feel stuck.

How long does it take to design an object from beginning to end?

It depends on whether the research results are clear and easy to tackle or not. It can take anywhere from one to three months to have a physical prototype.

What is the most frequently asked question to you, as a designer?

Do you like what you design?

What was your most important job experience?

Compal Electronics, industrial designer

Who are some of your clients?

ASUS, DELL, HP, APPLE, SAMSUNG, ACER

What type of design work do you enjoy the most and why?

Creative, decorative, and home-related.

I enjoy thinking about conceptual objects and creating items that no one has imagined before.

What are your future plans? What is next for you?

Accumulate more experience, attend more competitions, and exhibitions.

Apply for a design competition judge.

Do you work as a team, or do you develop your designs yourself?

I do both settings as a team and individually.

Do you have any works-in-progress being designed that you would like to talk about?

We are developing a home-related project that can add a better accent to the home, while also being practical.

How can people contact you?

designfornext@gmail.com

Stort Interview

Syn Universal Kalender · 10 spørgsmål

The most common time management tools are either two-dimensional or digital applications. I honor that the approaches we currently use, such as paper calendars and digital planners, etc, are adequate and sufficient for…

Your innovative approach to the Syn Universal Calendar, transitioning from digital to mechanical interaction, represents a fascinating return to tactile experiences - could you elaborate on how the Lo-Tek design philosophy influenced this three-dimensional interpretation of time management?

The most common time management tools are either two-dimensional or digital applications. I honor that the approaches we currently use, such as paper calendars and digital planners, etc, are adequate and sufficient for modern applications. However, this also inspired me to consider alternatives to the one we do not have. Time management tools are essential for the development of human civilization. This is the key point I question for this project: What can we learn from the past? The form factors, usages, scenarios, limits, and materials. Many ancient time management tools have existed across different cultures throughout history, each representing its rich origin and profound impact. It is a tool forged by time and generations of usage. They are unique, intriguing, and represent a different way of thinking. However, many interesting elements seem to have been lost in time. Therefore, this is the reason I developed the project, which utilizes Lo-Tek philosophy to create a new calendar that celebrates the past while looking to the present.

The Syn Universal Calendar features a unique clock-like structure with adjustable pointers - what inspired you to reimagine the traditional calendar format into this dynamic, interactive mechanical system?

Its form is inspired by the “Quipu” an ancient Andean South American linguistic system using knots tied in wool or ropes to record important events. Calendars should provide sufficient information that people would want to know. The adjustable pointers and details can maximize the space for information while keeping the sleek shape. The semantics of the object should be straightforward, and a clock-like appearance fits perfectly to tell its purpose.

Your Silver A' Design Award-winning Syn Universal Calendar addresses our increasing reliance on digital tools - how does this analog solution enhance the user experience of time planning and event organization?

Reflecting on the amount of time people spend on screen usage, planning an event, or scheduling a meeting is usually between typing and clicking. Based on the broad scope of this single approach, it is efficient, accessible, and effective for all people. However, this format also narrows the images of how modern people view time management and limits the possibility of developing innovative things. The solution is to increase the interaction between the user and the object, making people more engaged rather than just clicking on the screen. The clock-like time chart can give you an overall idea of your time planning, and also provide enough details to allow you to know when and what to do. It is an aesthetic and practical combination.

The integration of pin placement and multiple-color design elements in the Syn Universal Calendar creates an innovative visual language - could you walk us through how these features help users identify and track different events?

I want the calendar to provide adequate information without being overwhelming. The pin can serve as a reminder for a significant period or represent a consistent schedule, allowing the user to define and adjust it as needed. It can be a personal calendar that only you understand.

The aluminum frame of the Syn Universal Calendar incorporates engraved markings for daily hours - what considerations guided your decision-making process when designing these temporal indicators?

Providing sufficient information is one of the primary considerations when I design the object. I want to maximize the usage, being more than just a monthly or weekly planner. And the unique structure layout can perfectly achieve my goal.

The Syn Universal Calendar's ability to adapt to any month and date through its innovative structure design is remarkable - could you explain the technical challenges you encountered when developing this universal flexibility?

The adaptable structure is the main challenge for this project. The machinic details drive the form. We consider more than five formations and develop over ten prototypes. Especially when developing the information-like chart for the dates, and being able to make it universal and adjustable. It is challenging to finalize the final form because there are numerous approaches to combine the elements. However, we all agreed that the current shape is the best option to achieve both aesthetic and functional appeal.

The dimensional specifications of the Syn Universal Calendar (300mm x 130mm x 418mm) suggest careful consideration of space and proportion - how did these measurements contribute to the overall functionality and aesthetic appeal?

It is designed to be placed on a desktop. So the dimension is carefully considered for reading and adjusting the structure. Additionally, the manufacturable size for the pointer arms is limited, as it is the thinnest part of all. Overall, the dimensions are comfortable for viewing and allow the machine's structure to work.

The combination of laser-cut acrylic, aluminum CNC frame, and other materials in the Syn Universal Calendar creates an intriguing material palette - what drove your selection of these specific materials?

We aim to design for modern people's usage, and a simple, pure material with a sleek appearance is preferable. The clear acrylic pointer creates a floating effect, and the clean, matte aluminum body adds a stylish and timeless feel to the design.

As founder of Forenext Design Studio, how does the Syn Universal Calendar reflect your broader vision of creating new experiences and providing creative solutions through different design media?

We are always careful to pick and develop every project. Because we believe it is essential to design based on research and create meaningful designs. Projects that prompt people to consider different alternatives. Objects that inspire creativity and innovation. Syn Universal Calendar is definitely one of our featured projects. It provides practical usage, creates a unique form factor, and generates a discourse about humanity.

Looking ahead, how do you envision the Syn Universal Calendar influencing future approaches to physical time management tools, particularly in our increasingly digital world?

Syn Universal Calendar is an option, an opportunity, a dialogue for people to see that there are more interesting potentials that simple physical objects can achieve. But also showcasing that there are more time-managing formats, instead of just boring boxes and charts, we currently use. The world is driving fast into the digital era, which is a matter of fact; however, I would like to envision that our project can inspire people to think innovatively and recognize the valuable elements in our everyday objects.

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Designinterviewdataene vist på vores designinterviewside med designeren Johnny Jiasheng Chen vedrørende værket Syn Universal Kalender kommer fra platformen Design Interviews, hvor førende designere, arkitekter og brands interviewes om deres prisvindende designs, produkter og projekter.