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Maria Kotsoni

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Smiley Spiked Fleksibelt Manchetarmbånd · 18 spørgsmål

The design for the Smiley Spiked, flexible cuff, evolved from an on going collection which I started in 2017. The collection ‘Spiked’ draws inspiration from the element of the Spike, an ancestral element in nature for…

What is the main principle, idea and inspiration behind your design?

The design for the Smiley Spiked, flexible cuff, evolved from an on going collection which I started in 2017. The collection ‘Spiked’ draws inspiration from the element of the Spike, an ancestral element in nature for the protection of the delicate essence of life.

What has been your main focus in designing this work? Especially what did you want to achieve?

The main focus in designing this work was to create an innovative type of bracelet for everyday wea, especially for the lower part of the wrist.

What are your future plans for this award winning design?

The future plans for this, as with all my designs, is to be used as leverage for the generation of new ideas and a fresh perspective in contemporary fine jewelry.

How long did it take you to design this particular concept?

For this actual piece, it didn’t take longer than two weeks, though the idea of the Spike was already something that I had been working on since 2017.

Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?

This design came as a personal initiative through the pursuit of inspiration by the Spike.

Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?

At the moment the design is being produced exclusively by my company and is part of my latest line which can be found in selected stores in the U.S. and E.U.

What made you design this particular type of work?

I was driven by my fascination for the Spike of course but I wanted to create an innovative type of bracelet with emphasis on the adornment of the lower part of the wrist, visible under a sleeve in a relaxed position.

Where there any other designs and/or designers that helped the influence the design of your work?

My inspiration comes from my cultural background and from my fascination with nature.

Who is the target customer for his design?

Any woman or man with a strong, independent personality and a keen eye on innovation.

What sets this design apart from other similar or resembling concepts?

It’s shape and function.

How did you come up with the name for this design? What does it mean?

The Smiley Spiked, flexible cuff is ‘smiling’ when on , due to is articulated U shaped formation of seven spikes in the center.

Which design tools did you use when you were working on this project?

My mechanical pencil and a ruler for measurements.

Who did you collaborate with for this design? Did you work with people with technical / specialized skills?

The design was the result of a collective effort from my team of specialised technicians and bench jewellers.

What is the role of technology in this particular design?

The articulated Spiked part of the bracelet was digitally designed.

Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?

The research on the Spike and its role in the protection of sensitive life forms was a pre-existing fascination of mine.

What are some of the challenges you faced during the design/realization of your concept?

The mechanics. It took a few months of testing to resolve.

How did you decide to submit your design to an international design competition?

I believe the concept of the Smiley, flexible cuff bracelet is unique and I wanted to present it to the world through an international competition, connected to my name before being copied.

What did you learn or how did you improve yourself during the designing of this work?

I believe, with every truly innovative design, the designer seeks the reaction of the public to it which fuels their creativity.

Designerinterview

30 spørgsmål

I was born into an artistic family and had a carefree childhood, close to nature, by the sea and amongst the antiquities in Paphos, Cyprus. I guess all that nursed my artistic nature.

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

I was born into an artistic family and had a carefree childhood, close to nature, by the sea and amongst the antiquities in Paphos, Cyprus. I guess all that nursed my artistic nature. Since childhood, I was drawn into small three dimensional shapes like pebbles, fragments of ancient ruins and natural forms like shells and insects or plants. I became familiar with all these stimuli by collecting and studying them. By the age of seventeen, I was certain I wanted to become a jewellery designer.

Can you tell us more about your company / design studio?

My company was founded in 2005 when I decided to settle in Cyprus after my studies in London and after living and working as a free lance designer and an independent Artist in Athens, Greece.

My design studio and Showroom is situated in the historic center of the Cyprus capital, Nicosia.

What is "design" for you?

Design for me is my form of expression.

What kinds of works do you like designing most?

I am a jewellery designe, so that would be jewellery

What is your most favorite design, could you please tell more about it?

I cannot speak of a most favorite; all my designs are expressions of ideas and carry on messages, perceived by those who are sensitive enough to appreciate them. I guess I feel more connected to some pieces than others but the connection is unique with each different piece as it expresses a different idea.

What is your favorite material / platform / technology?

My favorite media is gold which I love it’s authentic yellow color, reminiscent of the ancient masterpieces that inspired me.

When do you feel the most creative?

Usually early in the morning or in the evening when I’m in a relaxed mood and in a quiet environment.

Which aspects of a design do you focus more during designing?

The aesthetics, the originality and the ergonomics.

What makes a design successful?

Its appeal to the public and the positive effect it generates.

When judging a design as good or bad, which aspects do you consider first?

The aesthetics, the originality and the ergonomics or the way it harmonizes with its surroundings.

From your point of view, what are the responsibilities of a designer for society and environment?

To have a positive impact on both. To generate positive feelings and actions.

How do you think the "design field" is evolving? What is the future of design?

Design is a form of expression for the designer and as long as people are sensitive in perceiving the positive effect it has on them it will always serve a higher purpose.

When was your last exhibition and where was it? And when do you want to hold your next exhibition?

I have just showcased at the Couture 2025, Las Vegas, U.S.A.

Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

Everything around us can become a source of inspiration, visually, emotionally and mentally. I am very much inspired by the great ancient Civilizations that have left their mark on my homeland, but I am always trying to communicate with people in my time and pass on a message that will be perceived as positive or empowering for generation.

Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?

I live in Cyprus and the cultural heritage of my country has inspired me to become a designer and continues to feed my creativity.

The pros are mostly the quality of life for me and my family, a safe environment to raise my children, close to nature and the Mediterranean Sea, small distances and the multicultural environment.

The con is the small population with limited exposure of my work to the public.

What are your suggestions to companies for working with a designer? How can companies select a good designer?

A designer can be the soul of your company’s product. A successful product is one people can relate to and for that the designers skill to communicate with the public through their work is key in its success.

Can you talk a little about your design process?

The idea is captured on paper by a quick sketch and then development begins.

Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?

To be original and innovative as well as aesthetically appealing through time.

From your perspective, what would you say are some positives and negatives of being a designer?

Being creative is a need that must be fulfilled often by making sacrifices.

What is your "golden rule" in design?

Originality and innovation, a sense of identity or philosophy behind the idea, aesthetics and ergonomics.

What skills are most important for a designer?

Problem solving and originality

Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?

My little notebook and mechanical pencil, always in my bag to put down any idea that comes into my head where ever I may be.

Designing can sometimes be a really time consuming task, how do you manage your time?

With difficulty and by sleeping less.

How long does it take to design an object from beginning to end?

That is relevant, depending on the complexity of the piece

What was your most important job experience?

Every experience is important because there is always something to learn

Who are some of your clients?

People who appreciate my work of course

What are your future plans? What is next for you?

To create something new by following my intuition and leave a positive impact to future generations,

Do you work as a team, or do you develop your designs yourself?

I develop my designs myself but always seek technical advice from associates that I assign with specific tasks.

Do you have any works-in-progress being designed that you would like to talk about?

I would rather not talk about my new projects until they are ready to be presented to the public.

How can people contact you?

By email, a message or a call.

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Designinterviewdataene vist på vores designinterviewside med designeren Maria Kotsoni vedrørende værket Smiley Spiked Fleksibelt Manchetarmbånd kommer fra platformen Design Interviews, hvor førende designere, arkitekter og brands interviewes om deres prisvindende designs, produkter og projekter.