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Jung-Mei Wou

Taiwan (China)Bildende Kunst

Interviews mit Jung-Mei Wou

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Designer des Tages Interview

18 Fragen

I've dedicated over a decade to the realm of artistry, specialising in sculpture and installation art. I pursued my passion for art by completing my undergraduate degree in Taiwan and then furthering my education by…

Could you please tell us about your experience as a designer, artist, architect or creator?

I've dedicated over a decade to the realm of artistry, specialising in sculpture and installation art. I pursued my passion for art by completing my undergraduate degree in Taiwan and then furthering my education by obtaining graduate degrees in the UK. My formal education, combined with relentless exploration and experimentation, has sculpted my craft. I've had the privilege of showcasing my work at exhibitions and galleries, delving into themes that range from the introspective to the interactive. My works are primarily sought after by private collectors, and I have had the privilege of undertaking public art commissions from national institutions as well.

How did you become a designer?

Art became the language through which I could convey the intricacies of my emotions, thoughts, and perceptions. It was a means to connect with others on a profound, soul-stirring level. Life, as it often does, unfolded in a series of serendipitous moments and deliberate choices. While my artistic inclinations were evident from an early age, the realisation of my passion for design gradually revealed itself. It was an evolution, a natural progression that allowed me to explore the interplay between aesthetics and functionality, expanding the boundaries of my creative pursuits.

What are your priorities, technique and style when designing?

As an artist, my foremost priorities in design are storytelling, emotion, and immersion. I believe that every piece should convey a narrative, evoke emotions, and provide a deeply immersive experience. I transform concepts into artworks predominantly through hand sketching and creating physical models, a process I consider essential as a professionally trained artist. While digital tools and new technologies play a significant role in later stages, they serve to amplify and realise the vision that begins with the tactile, hands-on approach. This fusion of traditional craftsmanship and cutting-edge technology ensures that my ideas are not only envisioned but also crafted with precision and depth. My approach is a fusion of meticulous planning, experimentation, and a touch of serendipity to create unique, meaningful art experiences.

Which emotions do you feel when designing?

The initial idea phase is thrilling, sparking the imagination. Yet, it's the journey of design that truly invigorates me – the iterative process of shaping an abstract concept into a tangible creation. The ultimate joy lies in seeing the final product, witnessing the idea materialise into a work of art. Designing fulfils me by allowing me to express my innermost thoughts and emotions, creating a profound sense of happiness and the gratification that comes from turning ideas into tangible, meaningful realities.

What particular aspects of your background shaped you as a designer?

My deep passion for travel and a profound fascination with diverse world cultures have profoundly enriched my life, offering invaluable contributions to my creative pursuits. By traveling and studying art and design in different countries, my horizons have expanded significantly. This experience has instilled in me adaptability, cross-cultural awareness, and a distinctive tapestry of design influences. These facets of my background empower me with a multifaceted approach to design, allowing me to craft solutions that seamlessly merge aesthetic allure with functionality and cultural resonance.

What is your growth path? What are your future plans? What is your dream design project?

My artistic journey is a continuous evolution, with a commitment to pushing creative boundaries. In the future, I aspire to embark on ambitious, large-scale public art installations that engage communities. My dream project involves integrating technology and sustainability into monumental, interactive sculptures. My path is marked by a desire to create more immersive experiences and break new ground in the intersection of art, design, and technology. There are many ideas waiting to be brought to life, but I envision myself designing spaces and structures that foster connections and leave lasting impacts.

What are your advices to designers who are at the beginning of their career?

Never lose sight of your initial vision. Stay ravenously ambitious and let your fervour for art and design burn brightly.

You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?

For aspiring designers, artists, and architects, my advice is to stay true to your passion and vision. Embrace challenges as opportunities for growth, and remain open to learning and diverse influences. Success often comes through resilience and dedication.

What is your day to day look like?

Balancing the roles of an artist and university teacher, my days are dynamic. The day involves studio work and enriching discussions. Design news and artistic exploration are interwoven throughout, infusing my routine with fresh perspectives. The joy lies in the small things - a student's 'aha' moment, sculpting a particularly evocative form, or uncovering inspiration in the mundane. The magic is in the daily pursuit of igniting creative sparks and imparting knowledge.

How do you keep up with latest design trends? To what extent do design trends matter?

1. My creative process is deeply rooted in personal expression and storytelling. While I'm aware of design trends, my primary focus is on staying true to my unique style and artistic vision. I believe that design trends can be influential but should not dictate the core of one's work. My inspiration comes from diverse sources, ranging from nature to human experiences, rather than fleeting trends. I value the enduring impact of timeless design over fleeting trends, and my goal is to create pieces that resonate with emotions and stand the test of time.

How do you know if a product or project is well designed? How do you define good design?

Good design, for me, encapsulates a harmonious blend of form and function. A well-designed product or project often evokes a sense of clarity and elegance – you know it when you see it. Common mistakes to avoid include sacrificing aesthetics for functionality or vice versa, neglecting user experience, and disregarding sustainability. A design is considered good when it not only solves a problem but also conveys a narrative, resonates emotionally, and stands the test of time. It's that 'aha' moment when everything aligns to create something exceptional.

How do you decide if your design is ready?

The readiness of a design is a delicate balance. I believe that, in many ways, a design can be a work in progress. There's always room for improvement, and as artists and designers, we tend to revisit our work with fresh perspectives. However, there comes a point when a design reaches a state of equilibrium, where it fulfils its intended purpose, resonates with its audience, and aligns with the initial vision. At that moment, it's ready for its intended context, but the journey of improvement and exploration continues in the creative mind.

What is your biggest design work?

It's difficult for me to choose a single favourite design, as each project holds its significance and meaning to me. However, I can certainly share an example of a design that has had a profound impact on me. One of my designs is a large-scale public sculpture “Pride of the City” that I had the opportunity to create for Taichung city park in Taiwan. The inspiration for this sculpture is derived from the ecological park within the urban landscape, highlighting the importance of environmental sustainability and the interconnectedness of ecological diversity. It aims to celebrate the harmonious relationship between the environment and the preservation of nature. The design featured a series of intertwining metal structures, representing the image of four birds flying upward, and it presents multiple images similar to trees, flowers, and birds from different angles to show the cycle of four seasons and the harmonious coexistence of all living things. What made this design particularly special to me was the collaborative process involved. I worked closely with the community members, city officials, and cultural representatives, to gather their insights and perspectives. The fabrication process was another memorable aspect of this project. I worked alongside skilled craftsmen and engineers to bring the design to life. Witnessing the transformation of raw materials into a tangible, three-dimensional sculpture was an incredibly rewarding experience. It was a testament to the power of art and design to create something that not only visually captivates but also has a meaningful impact on its surroundings. Once the sculpture was installed in the park, it became a focal point for the community. This design of mine encapsulates the essence of my artistic approach—creating visually striking works that evoke emotions, inspire dialogue, and bring people together. It serves as a reminder of the transformative power of design and the ability of art to enrich lives and create lasting connections within a community.

Who is your favourite designer?

One of the designers I deeply admire is the Spanish architect Antoni Gaudí. His extraordinary work, particularly the Sagrada Família , Krypta Colònia Güell, Casa Batlló, Casa Milà and Park Güell in Barcelona, is a testament to his visionary approach to architecture and design. Gaudí's unique blend of art and functionality, as well as his innovative use of organic forms, has left an indelible mark on the world of design and architecture.

I have visited Gaudí's architectural wonders on multiple occasions and have been deeply moved. His innovative structural designs and visionary approach to sustainability have not only set him ahead of his time but continue to inspire us to this day. The ongoing construction of the Sagrada Família, guided by Gaudí's principles, involves architects, artists, and engineers who are pioneering new techniques to complete his monumental, unfinished work. It has been a truly magnificent creative journey for everyone involved.

Would you tell us a bit about your lifestyle and culture?

Living in Taipei, my lifestyle and culture have a significant influence on my work. This vibrant city provides a constant source of inspiration with its rich history, bustling street life, and the fusion of traditional and modern elements. Music is an integral part of my creative process, often setting the mood for my work. My cultural background underscores the importance of sustainability and harmonious coexistence, which I reflect in my design projects.

Would you tell us more about your work culture and business philosophy?

My work culture values both independent creation and collaborative efforts. Small-scale sculptures often involve individual craftsmanship, while large-scale projects require diverse teams. Collaboration is central to my process, and I seek partners who share my passion for creativity, precision, and storytelling. In my profession, challenges range from material limitations to expressing intricate concepts. My responsibilities encompass concept development, design, and overseeing fabrication. Essential traits for artists include imagination, attention to detail, and adaptability, as well as a deep understanding of the human experience and a commitment to translating emotions into tangible creations.

What are your philanthropic contributions to society as a designer, artist and architect?

I strive to give back to society through my art and teaching. As a university teacher, I mentor the next generation of artists and designers, empowering them with knowledge and inspiration. I am committed to philanthropy through teaching and design services, engaging in charitable fundraisers. I believe in giving back to the community that nurtured my creativity. I consider and actively participate in pro bono design work that aligns with meaningful causes.

What positive experiences you had when you attend the A' Design Award?

Attending the A’ Design Award brought me valuable recognition and exposure. The three main benefits of participating in design awards are recognition, networking, and feedback, which contribute significantly to one's career and design skills. Design competitions are important for showcasing creativity and innovation. Being Designer of the Day is a true honour, recognising the dedication and passion I pour into my work.

Design-Interview

Pride Of The City Öffentliche Kunst · 20 Fragen

The main inspiration behind this design is the beauty of nature within an urban setting. It's inspired by the idea that cities need to have their own oasis, allowing people to connect with nature and find spiritual…

What is the main principle, idea and inspiration behind your design?

The main inspiration behind this design is the beauty of nature within an urban setting. It's inspired by the idea that cities need to have their own oasis, allowing people to connect with nature and find spiritual prosperity amidst urban life

What has been your main focus in designing this work? Especially what did you want to achieve?

The main focus was to create a sculpture that symbolizes the beauty of Maple Garden, enriching the culture, art, and life in Taichung City.

What are your future plans for this award winning design?

The future plans for this design involve preserving it as a permanent piece of public art in Taichung City.

How long did it take you to design this particular concept?

The design concept took half a year from the initial model to the finished work.

Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?

This design was created to enhance the urban environment, commissioned, and also inspired by the need to bring the beauty of nature into the city.

Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?

It's a permanent public art piece.

What made you design this particular type of work?

The desire to create an artwork that harmonizes urban life with nature inspired this design.

Where there any other designs and/or designers that helped the influence the design of your work?

The design is a unique artistic creation.

Who is the target customer for his design?

The target customer is the general public who visits Maple Garden.

What sets this design apart from other similar or resembling concepts?

What sets this design apart is its focus on integrating nature into the urban environment and providing a sense of spiritual prosperity.

How did you come up with the name for this design? What does it mean?

The name "Pride of the City" suggests the sculpture's role as a symbol of the city's beauty and culture.

Which design tools did you use when you were working on this project?

The design involved software for modeling and planning. Design tools used may include 3D modeling software, welding equipment, and aerodynamic analysis tools.

What is the most unique aspect of your design?

The most unique aspect is its representation of nature within the urban landscape.

Who did you collaborate with for this design? Did you work with people with technical / specialized skills?

This artwork is an original design created by me. It involved collaboration with skilled metal craftsmen for the construction of the large sculpture. Collaborators include experts in stainless steel forging technology.

What is the role of technology in this particular design?

Technology plays a role in the production process, especially in working with stainless steel forging.

Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?

The design is influenced by aerodynamic shape optimization, which helped achieve the desired aesthetics while considering wind load.

What are some of the challenges you faced during the design/realization of your concept?

Challenges included creating a stainless steel sculpture that remains stable and lightweight.

How did you decide to submit your design to an international design competition?

The decision to submit it to an international design competition aimed to gain recognition and showcase the design's uniqueness.

What did you learn or how did you improve yourself during the designing of this work?

The designer improved their skills in creating art installations within urban environments.

Any other things you would like to cover that have not been covered in these questions?

Art and design have the power to inspire, connect, and heal the human spirit. It's a privilege to be able to create pieces that can evoke emotions, provoke thoughts, and provide solace.

Design-Interview

Soar Die Skulptureninstallation · 20 Fragen

The inspiration behind "Soar" is the concept of a healing soul's Garden of Eden within everyone's heart. It aims to evoke the code of freedom in the human spirit by depicting the instantaneous soaring of a bird, the…

What is the main principle, idea and inspiration behind your design?

The inspiration behind "Soar" is the concept of a healing soul's Garden of Eden within everyone's heart. It aims to evoke the code of freedom in the human spirit by depicting the instantaneous soaring of a bird, the sense of speed in flight, and constant change.

What has been your main focus in designing this work? Especially what did you want to achieve?

The main focus was to recreate the dynamic form of flying birds, the sense of speed, and the constantly changing nature of flight, challenging the lightness and graceful curvature of metal sculpture.

What are your future plans for this award winning design?

Future plans for this design might involve further exhibitions and potentially offering it for purchase or display.

How long did it take you to design this particular concept?

The prototype was exhibited in 2016, but the large-scale sculpture was finished in 2022, so it took several years for the concept to be realized.

Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?

This design was not commissioned; it was a pursuit of artistic inspiration rooted in the symbolism of freedom and the healing qualities of a garden.

Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?

The design is not being mass-produced but could be made available for exhibition and art installations or available for purchase.

What made you design this particular type of work?

The design aimed to convey the sensory experience of a garden, capturing the soaring of birds and the concept of freedom.

Where there any other designs and/or designers that helped the influence the design of your work?

The design draws its primary inspiration from nature and is an original creation by the artist.

Who is the target customer for his design?

The target customers would likely be art collectors, galleries, or art enthusiasts.

What sets this design apart from other similar or resembling concepts?

What sets this design apart is its focus on the sensory experience of flight and freedom, challenging traditional metal sculpture conventions.

How did you come up with the name for this design? What does it mean?

The name "Soar" reflects the instantaneous soaring depicted in the sculpture, symbolizing freedom and the healing power of a garden.

Which design tools did you use when you were working on this project?

Design tools may have included 3D modeling software for visualization and possibly aerodynamic analysis tools.

What is the most unique aspect of your design?

The most unique aspect of this design is its challenging portrayal of flight dynamics and lightness in metal sculpture.

Who did you collaborate with for this design? Did you work with people with technical / specialized skills?

This artwork is an original design created by me. It involved collaboration with skilled metal craftsmen for the construction of the large sculpture.

What is the role of technology in this particular design?

Technology plays a role in the design by potentially using aerodynamic shape optimization to achieve the desired aesthetics while considering wind load.

Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?

The design may have been influenced by aerodynamic research and shape optimization to reduce wind load.

What are some of the challenges you faced during the design/realization of your concept?

The main challenge was achieving the appearance of floating lightness in the sculpture while dealing with shifted centers of gravity and maintaining structural balance.

How did you decide to submit your design to an international design competition?

The decision to submit to an international design competition aimed to gain recognition and exposure for the artwork.

What did you learn or how did you improve yourself during the designing of this work?

The design process involved gaining a deeper understanding of structural mechanics and artistic expression.

Any other things you would like to cover that have not been covered in these questions?

Art and design have the power to inspire, connect, and heal the human spirit. It's a privilege to be able to create pieces that can evoke emotions, provoke thoughts, and provide solace.

Design-Interview

Aeon Die Skulptureninstallation · 20 Fragen

The main inspiration behind the design of "Aeon" is Zhuangzi's philosophy, specifically the fable "A Happy Excursion" from the first chapter.

What is the main principle, idea and inspiration behind your design?

The main inspiration behind the design of "Aeon" is Zhuangzi's philosophy, specifically the fable "A Happy Excursion" from the first chapter. The design aims to explore the interdependence of seemingly opposing phenomena.

What has been your main focus in designing this work? Especially what did you want to achieve?

The primary focus was to convey the relationship between duality and interdependence through the fusion of large and small elements. It aimed to create an illusion of personal subconsciousness when viewed up close.

What are your future plans for this award winning design?

Future plans involve further exhibitions and potentially making the work available for purchase.

How long did it take you to design this particular concept?

The design concept took one year from the initial model to the finished work.

Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?

The design concept was inspired by Zhuangzi's philosophy and was not commissioned but pursued as an artistic exploration.

Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?

The design is not being mass-produced but could be made available for exhibition and art installations or available for purchase.

What made you design this particular type of work?

The inspiration from Zhuangzi's philosophy and the desire to convey the relationship between contrasting elements motivated the design.

Where there any other designs and/or designers that helped the influence the design of your work?

The design takes its primary inspiration from the philosophical work of Zhuangzi and is an original creation by the artist.

Who is the target customer for his design?

The target audience for this design would likely be art enthusiasts and those interested in philosophical concepts.

What sets this design apart from other similar or resembling concepts?

What sets this design apart is its exploration of interdependence and illusion, making it a unique sculptural work.

How did you come up with the name for this design? What does it mean?

The name "Aeon" suggests the idea of eternity, reflecting the concept of time and space explored in the design.

Which design tools did you use when you were working on this project?

Design tools used may include 3D modeling software, welding equipment, and aerodynamic analysis tools.

What is the most unique aspect of your design?

The most unique aspect is the interplay of abstract shapes, light, and shadow to create an illusion of personal subconsciousness.

Who did you collaborate with for this design? Did you work with people with technical / specialized skills?

This artwork is an original design created by me. It involved collaboration with skilled metal craftsmen for the construction of the large sculpture.

What is the role of technology in this particular design?

Technology plays a role in the design, particularly in shaping the sculpture to withstand wind load.

Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?

The design is influenced by aerodynamic shape optimization, which helped achieve the desired aesthetics while considering wind load.

What are some of the challenges you faced during the design/realization of your concept?

Challenges included achieving a sense of lightness with the double curved surface for the support points. Multiple models were created to test the circular holes' impact on the sculpture's center of gravity.

How did you decide to submit your design to an international design competition?

The decision to submit to an international design competition aimed to gain recognition and exposure for the artwork.

What did you learn or how did you improve yourself during the designing of this work?

The design process involved gaining a deeper understanding of structural mechanics and artistic expression.

Any other things you would like to cover that have not been covered in these questions?

Art and design have the power to inspire, connect, and heal the human spirit. It's a privilege to be able to create pieces that can evoke emotions, provoke thoughts, and provide solace.

Design-Legende Interview

50 Fragen

Certainly! From a young age, I was immersed in the world of creativity, passionately exploring various artistic mediums.

Could you please tell us a bit about your design background and education?

Certainly! From a young age, I was immersed in the world of creativity, passionately exploring various artistic mediums. My innate fascination with visual expression and the power of aesthetics propelled me toward the realm of art. I pursued my passion for art by completing my undergraduate and graduate degrees in an art program at the university. During my time there, I immersed myself in various artistic disciplines, including painting, sculpture, and mixed media.

What motivates you to design in general, why did you become a designer?

Art became the language through which I could convey the intricacies of my emotions, thoughts, and perceptions. It was a means to connect with others on a profound, soul-stirring level.

Did you choose to become a designer, or you were forced to become one?

Life, as it often does, unfolded in a series of serendipitous moments and deliberate choices. While my artistic inclinations were evident from an early age, the realisation of my passion for design gradually revealed itself. It was an evolution, a natural progression that allowed me to explore the interplay between aesthetics and functionality, expanding the boundaries of my creative pursuits.

What do you design, what type of designs do you wish to design more of?

I find the most enjoyment in creating art installations and public art. This type of design work allows me to explore and convey emotions, concepts, and narratives through visual language. The freedom to experiment with forms, colours, and textures, and to challenge traditional boundaries, ignites my creativity and fuels my passion. Public art invites viewers to interpret and engage with the artwork on a personal and emotional level, fostering a deeper connection and sparking dialogue.

What should young designers do to become a design legend like you?

Never lose sight of your initial vision. Stay ravenously ambitious and let your fervour for art and design burn brightly.

What distinguishes between a good designer and a great designer?

A good designer can create something aesthetically pleasing and functional, while a great designer has the power to evoke profound emotions, provoke thoughts, and tell compelling stories through their creations. It's about going beyond the surface and delving deep into the human experience, leaving a lasting impact that resonates with people long after they've encountered the work.

What makes a good design a really good design, how do you evaluate good design?

Good design, for me, encapsulates a harmonious blend of form and function. A well-designed product or project often evokes a sense of clarity and elegance – you know it when you see it. Common mistakes to avoid include sacrificing aesthetics for functionality or vice versa, neglecting user experience, and disregarding sustainability. A design is considered good when it not only solves a problem but also conveys a narrative, resonates emotionally, and stands the test of time. It's that 'aha' moment when everything aligns to create something exceptional.

What is the value of good design? Why should everyone invest in good design?

Good design carries significant worth, as it elevates functionality, aesthetics, and our daily experiences. Everyone should prioritise good design because it enriches products, spaces, and life itself. Investing in good design means investing in a world that is not only more efficient and visually pleasing but also more enjoyable.

What would you design and who would you design for if you had the time?

What would you design and who would you design for if you had the time? If time allowed, I'd design a series of interactive public art installations, aimed at bringing communities together. These works would blend art and technology to create immersive, dynamic experiences.

What is the dream project you haven't yet had time to realize?

My dream project, is establishing a private art gallery that showcases contemporary artists and fosters a community of art enthusiasts. This space would celebrate diverse art forms, nurture emerging talents, and serve as a cultural hub, promoting the appreciation of art in all its forms.

What is your secret recipe of success in design, what is your secret ingredient?

Apart from maintaining a passion for creativity, it's essential to remain endlessly curious and committed to continuous learning. The ability to combine these elements with an ever-evolving creative approach, translating emotions into tangible art that resonates with people on a profound level.

Who are some other design masters and legends you get inspired from?

One of the designers I deeply admire is the Spanish architect Antoni Gaudí. Gaudí's unique blend of art and functionality, as well as his innovative use of organic forms, has left an indelible mark on the world of design and architecture. His innovative structural designs and visionary approach to sustainability have not only set him ahead of his time but continue to inspire us to this day.

What are your favorite designs by other designers, why do you like them?

I have visited Gaudí's architectural wonders on multiple occasions and have been deeply moved. His extraordinary work, particularly the Sagrada Família , Krypta Colonia Güell, Casa Batlló, Casa Milà and Park Güell in Barcelona, is a testament to his visionary approach to architecture and design. The ongoing construction of the Sagrada Família, guided by Gaudí's principles, involves architects, artists, and engineers who are pioneering new techniques to complete his monumental, unfinished work. It has been a truly magnificent creative journey for everyone involved.

What is your greatest design, which aspects of that design makes you think it is great?

It's difficult for me to choose a single favourite design, as each project holds its significance and meaning to me. However, I can certainly share an example of a design that has had a profound impact on me. One of my designs is a large-scale public sculpture “Pride of the City” that I had the opportunity to create for Taichung city park in Taiwan. The inspiration for this sculpture is derived from the ecological park within the urban landscape, highlighting the importance of environmental sustainability and the interconnectedness of ecological diversity. It aims to celebrate the harmonious relationship between the environment and the preservation of nature. The design featured a series of intertwining metal structures, representing the image of four birds flying upward, and it presents multiple images similar to trees, flowers, and birds from different angles to show the cycle of four seasons and the harmonious coexistence of all living things. What made this design particularly special to me was the collaborative process involved. I worked closely with the community members, city officials, and cultural representatives, to gather their insights and perspectives. The fabrication process was another memorable aspect of this project. I worked alongside skilled craftsmen and engineers to bring the design to life. Witnessing the transformation of raw materials into a tangible, three-dimensional sculpture was an incredibly rewarding experience. It was a testament to the power of art and design to create something that not only visually captivates but also has a meaningful impact on its surroundings. Once the sculpture was installed in the park, it became a focal point for the community. This design of mine encapsulates the essence of my artistic approach—creating visually striking works that evoke emotions, inspire dialogue, and bring people together. It serves as a reminder of the transformative power of design and the ability of art to enrich lives and create lasting connections within a community.

How could people improve themselves to be better designers, what did you do?

It's crucial to engage in continuous learning, attend design events, and embrace challenges as opportunities for growth.

If you hadn't become a designer, what would you have done?

I have a deep appreciation for the beauty of nature, and besides studying it, I never forget to capture it with my paintbrush.

How do you define design, what is design for you?

“Design" is an exquisite interplay of aesthetics, functionality, and intentionality. It embodies the harmonious fusion of visual elements, thoughtfully organized to communicate a concept, evoke emotions, or solve a problem. For me, design is a creative journey that involves meticulous exploration, experimentation, and iteration. It is the process of translating abstract ideas into tangible forms, whether it be through traditional mediums like painting and sculpture or contemporary digital platforms. Design is about crafting a unique narrative, telling stories through visual compositions that captivate and inspire. Ultimately, design is a manifestation of the artist's perspective, values, and imagination. It is a means of self-expression and a catalyst for dialogue, inviting viewers to engage, interpret, and derive meaning.

Who helped you to reach these heights, who was your biggest supporter?

Throughout my journey as a designer, artist, and teacher, I've been fortunate to have the unwavering support of my family and mentors. My parents, in particular, have been my biggest supporters, encouraging my artistic endeavours from a young age and fostering my creativity. They instilled in me a strong work ethic, a thirst for knowledge, and the belief that I could achieve my dreams. Additionally, I've had inspiring colleagues who have shared their expertise, offered guidance, and collaborated with me, contributing significantly to my growth and success in the world of art and design.

What helped you to become a great designer?

Maintain my passion and vision, embracing challenges as growth opportunities while remaining open to diverse influences and continuous learning.

What were the obstacles you faced before becoming a design master?

Overcoming self-doubt was significant hurdle. Establishing a reputation and clientele in the competitive design world required perseverance. However, each obstacle served as a stepping stone for growth.

How do you think designers should present their work?

Designers should present their work through clear and engaging visual presentations, complemented by well-documented design processes. The ability to articulate the rationale behind design decisions is essential.

What's your next design project, what should we expect from you in future?

I'm currently working on a public sculpture project that aims to blend art, technology, and sustainability. The sculpture will be interactive and convey a powerful message about our relationship with the environment. I'm excited to push the boundaries of art and design further and continue creating pieces that inspire and connect with people on a deep level. Expect to see more innovative and meaningful projects from me in the future.

What's your ultimate goal as a designer?

My ultimate goal as a designer is to create art and design that not only captivates aesthetically but also has a profound impact on individuals and communities.

What people expect from an esteemed designer such as yourself?

An esteemed designer is expected to create timeless, meaningful, and influential work.

How does design help create a better society?

Design plays a pivotal role in creating solutions that improve people's lives and make the world a more inclusive, aesthetically pleasing, and harmonious place.

What are you currently working on that you are especially excited about?

Balancing the roles of an artist and university teacher, my days are dynamic. Design news and artistic exploration are interwoven throughout, infusing my routine with fresh perspectives. The magic is in the daily pursuit of igniting creative sparks and imparting knowledge.

Which design projects gave you the most satisfaction, why?

I find the most enjoyment in creating art installations and public art. This type of design work allows me to explore and convey emotions, concepts, and narratives through visual language. The freedom to experiment with forms, colors, and textures, and to challenge traditional boundaries, ignites my creativity and fuels my passion. Public art invites viewers to interpret and engage with the artwork on a personal and emotional level, fostering a deeper connection and sparking dialogue.

What would you like to see changed in design industry in the coming years?

I'd like to see the design industry continue to emphasise sustainability, inclusivity, and accessibility. In the coming years, it's crucial for designers to prioritise eco-friendly materials and production methods, ensuring that their creations have a minimal impact on the environment. Furthermore, I hope to see a greater recognition of the importance of art and design education, fostering creativity and critical thinking in future generations of designers.

Where do you think the design field is headed next?

The design field is heading towards a more sustainable, technologically integrated, and human-centred future. With growing environmental concerns, designers are increasingly focusing on eco-friendly solutions and materials. Technology will continue to play a significant role as well.

How long does it take you to finalize a design project?

The time it takes to design an object from beginning to end can vary greatly depending on several factors. The complexity of the project, the scope of the design, and the level of detail required all influence the timeline. Simple designs with fewer elements may take a shorter time, perhaps a few hours or days, while more intricate and involved designs can take weeks or even months to complete.

When you have a new design project, where do you start?

Design should evoke emotions, resonate with the audience, and create a lasting impact. By prioritizing the emotional aspect, I believe that design becomes more powerful and meaningful. It combines aesthetics and becomes a vessel for storytelling, self-expression, and human connection.

What is your life motto as a designer?

Though life may not be dependent on Art, it finds its true radiance in its presence!

Do you think design sets the trends or trends set the designs?

It's often a dynamic interplay between the two. Designers often navigate this relationship by drawing inspiration from existing trends while introducing new elements to set the direction for the future.

What is the role of technology when you design?

As a professionally trained artist. While digital tools and new technologies play a significant role in later stages, they serve to amplify and realize the vision that begins with the tactile, hands-on approach. This fusion of traditional craftsmanship and cutting-edge technology ensures that my ideas are not only envisioned but also crafted with precision and depth.

What kind of design software and equipment do you use in your work?

I use traditional art mediums in my process. These tactile materials allow for a hands-on approach and bring a unique texture and depth to my creations. I also utilize design software such as Adobe Creative Suite (Photoshop, Illustrator, InDesign) to create digital artwork, manipulate images, and design graphics.

What is the role of the color, materials and ambient in design?

They can evoke emotions, set the tone, and enhance functionality. The selection of colors and materials can impact aesthetics and durability. The ambient environment, including lighting and spatial arrangement, greatly influences the overall experience.

What do you wish people to ask about your design?

I appreciate when people ask about the inspiration and thought process behind my designs. It provides an opportunity to share the deeper meaning and stories that often lie beneath the surface.

When you see a new great design or product what comes into your mind?

When I encounter a new and great design or product, it sparks a sense of admiration and curiosity. I can't help but analyze and appreciate the aesthetics, functionality, and innovative aspects of the design.

Who is your ideal design partner? Do you believe in co-design?

An ideal design partner is someone who shares a deep passion for creativity, a commitment to excellence, and a collaborative spirit. Collaborative design can spark more creativity when working with individuals from different fields.

Which people you interacted had the most influence on your design?

Besides the valuable guidance from my teachers during my learning years, I've drawn significant inspiration from the exceptional artists and designers I greatly admire.

Which books you read had the most effect on your design?

Several books have had a profound impact on my artistic journey, including John Berger's "About Looking" and "Ways of Seeing," as well as the literary works of my favourite author, Jorge Luis Borges. These texts have enriched my creative perspective and enhanced my ability to perceive and interpret art.

How did you develop your skills as a master designer?

I developed my skills through relentless practice, continuous learning, and a commitment to pushing my creative boundaries.

Irrelative of time and space, who you would want to meet, talk and discuss with?

Meeting both Leonardo da Vinci and Antoni Gaudí would be a remarkable privilege. I'd love to converse with da Vinci, discussing his innovative ideas and exploring his thoughts on bridging art and science. In the case of Antoni Gaudí, I'd like to ask Gaudí if he believes that our generation's efforts to continue building his masterpiece, the Sagrada Família, align with his original vision and expectations.

How do you feel about all the awards and recognition you had, is it hard to be famous?

Receiving awards and recognition is undoubtedly gratifying, as it acknowledges one's dedication and creative contributions. While fame may come with such achievements, it's essential to stay grounded and focused on the art and design itself.

What is your favorite color, place, food, season, thing and brand?

As life evolves over time, so do our preferences. Currently, I'm into white, orange, and silver colors, enjoy various fruits, prefer the autumn and winter seasons, and have a passion for traveling.

Please tell us a little memoir, a funny thing you had experienced as a designer?

A year after my artwork "Inseparable" was featured in the Hrd Design Awards' world tour, I arranged a trip to retrieve it personally from Antwerp, Belgium. Originally, I had planned to collect the award-winning piece the day before my flight back to Taipei. However, due to a train mix-up, I missed my appointment. On the day of my flight, I had less than 5 hours to make a round trip from Amsterdam to Antwerp to collect my artwork. It felt like the movie, mission impossible, incredibly nerve-wracking. Miraculously, everything went smoothly, and on that day, I traversed through Amsterdam, Antwerp, and Taipei, visiting three cities in one day.

What makes your day great as a designer, how do you motivate yourself?

My day revolves around the dual roles of creating and teaching. I spend a lots of time in my studio, ready to embark on a creative journey. When teaching, I share my artistic knowledge and skills with my students. In this way, my days as an artist are a harmonious blend of personal creation and the sharing of knowledge.

When you were a little child, was it obvious that you would become a great designer?

From a young age, I was immersed in the world of creativity, passionately exploring various artistic mediums. My innate fascination with visual expression and the power of aesthetics propelled me toward the realm of art. I pursued my passion for art by completing my undergraduate and graduate degrees in an art program at the university. While my artistic inclinations were evident from an early age, the realization of my passion for design gradually revealed itself. It was an evolution, a natural progression that allowed me to explore the interplay between aesthetics and functionality, expanding the boundaries of my creative pursuits.

What do you think about future; what do you see will happen in thousand years from now?

Predicting the distant future is a challenge, but I believe that space exploration could redefine our existence.

Please tell us anything you wish your fans to know about you, your design and anything else?

I'd like my fans to know that my work is fuelled by a profound passion for art, design, and innovation. I firmly believe that design holds the potential to enhance lives, foster connections, and bring positive change to society. Your support and participation in my creative journey are deeply appreciated. Be sure to stay updated with my latest creations on my social media channels! Your support means the world to me!

Designer-Interview

40 Fragen

Certainly! From a young age, I was immersed in the world of creativity, passionately exploring various artistic mediums.

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

Certainly! From a young age, I was immersed in the world of creativity, passionately exploring various artistic mediums. My innate fascination with visual expression and the power of aesthetics propelled me toward the realm of art. I pursued my passion for art by completing my undergraduate and graduate degrees in an art program at the university. During my time there, I immersed myself in various artistic disciplines, including painting, sculpture, and mixed media.

What sparked the flame that made me become an artist/designer, you ask? Art became the language through which I could convey the intricacies of my emotions, thoughts, and perceptions. It was a means to connect with others on a profound, soul-stirring level.

The path to becoming a designer wasn't always clear-cut. Life, as it often does, unfolded in a series of serendipitous moments and deliberate choices. While my artistic inclinations were evident from an early age, the realization of my passion for design gradually revealed itself. It was an evolution, a natural progression that allowed me to explore the interplay between aesthetics and functionality, expanding the boundaries of my creative pursuits.

As for my aspirations as a designer, they were borne out of a desire to merge artistic sensibilities with functional innovation. The design presented a realm where I could bring my artistic vision to life in tangible and purposeful ways. It offered an avenue to shape the world around me, and to create experiences that blend beauty, utility, and meaningful impact.

Can you tell us more about your company / design studio?

With every project, we strive to create experiences that transcend the ordinary. We delve deep into the core of storytelling, crafting narratives that resonate with authenticity and emotional depth. Our creations transcend mere aesthetics, seeking to evoke profound emotions, challenge preconceptions, and ignite meaningful connections with our audience. Whether it's a public installation, a commissioned artwork, or a collaborative venture, our studio pours its heart and soul into every endeavor, striving to leave a lasting impact on the world.

What is "design" for you?

“Design" is an exquisite interplay of aesthetics, functionality, and intentionality. It embodies the harmonious fusion of visual elements, thoughtfully organized to communicate a concept, evoke emotions, or solve a problem. For me, design is a creative journey that involves meticulous exploration, experimentation, and iteration. It is the process of translating abstract ideas into tangible forms, whether it be through traditional mediums like painting and sculpture or contemporary digital platforms. Design is about crafting a unique narrative, telling stories through visual compositions that captivate and inspire. Ultimately, design is a manifestation of the artist's perspective, values, and imagination. It is a means of self-expression and a catalyst for dialogue, inviting viewers to engage, interpret, and derive meaning.

What kinds of works do you like designing most?

As an artist, I find joy and fulfillment in exploring various forms of design. However, there are certain types of works that resonate with me on a deeper level and ignite my passion. Public art installations captivate me as they engaging with the public directly. Their scale and location offer boundless possibilities for artistic expression. Through immersive installations, I can ignite conversations, challenge norms, and evoke emotions within the community.

What is your most favorite design, could you please tell more about it?

It's difficult for me to choose a single favorite design, as each project holds its significance and meaning to me. However, I can certainly share an example of a design that has had a profound impact on me. One of my designs is a large-scale public sculpture “Pride of the City” that I had the opportunity to create for Taichung city park in Taiwan. The inspiration for this sculpture is derived from the ecological park within the urban landscape, highlighting the importance of environmental sustainability and the interconnectedness of ecological diversity. It aims to celebrate the harmonious relationship between the environment and the preservation of nature.

The design featured a series of intertwining metal structures, representing the image of four birds flying upward, and it presents multiple images similar to trees, flowers, and birds from different angles to show the cycle of four seasons and the harmonious coexistence of all living things.

What made this design particularly special to me was the collaborative process involved. I worked closely with the community members, city officials, and cultural representatives, to gather their insights and perspectives. The fabrication process was another memorable aspect of this project. I worked alongside skilled craftsmen and engineers to bring the design to life. Witnessing the transformation of raw materials into a tangible, three-dimensional sculpture was an incredibly rewarding experience. It was a testament to the power of art and design to create something that not only visually captivates but also has a meaningful impact on its surroundings.

Once the sculpture was installed in the park, it became a focal point for the community.

This design of mine encapsulates the essence of my artistic approach—creating visually striking works that evoke emotions, inspire dialogue, and bring people together. It serves as a reminder of the transformative power of design and the ability of art to enrich lives and create lasting connections within a community.

What was the first thing you designed for a company?

The first thing I designed for a company was a logo and branding identity. It was an exciting opportunity for me as an artist to collaborate with a local startup and help shape their visual identity.

What is your favorite material / platform / technology?

As a sculptor, my favorite material is undoubtedly metal itself. I am drawn to the rawness, strength, and versatility that metal offers as a medium for artistic expression. Working with metal allows me to create sculptures that embody both grace and solidity, capturing the beauty of the material.

My favorite materials are bronze and stainless steel, especially silver, for their inherent qualities and historical significance. I appreciate the balance between traditional craftsmanship and modern technology, as both play an important role in shaping my artistic process. The combination of traditional metalworking techniques and contemporary tools enables me to bring my artistic vision to life and create metal sculptures that resonate with the viewer on a profound level.

When do you feel the most creative?

I find that my creativity is not confined to a specific time or place but rather to the currents of inspiration. However, some moments and conditions tend to ignite my creativity. when I am in nature, when I embrace solitude and introspection, when I engage in collaborative exchanges, and when I approach my work with a sense of playfulness and experimentation. These moments and conditions provide fertile ground for my creativity to flourish, allowing me to channel my artistic vision and bring forth unique and meaningful creations.

Which aspects of a design do you focus more during designing?

During the design process, I focus on the concept and narrative, aesthetic appeal, functionality, details, and emotional impact. These aspects guide my artistic choices and allow me to create designs that are not only visually captivating but also convey a powerful message and engage the viewer on a deeper level.

What kind of emotions do you feel when you design?

The process of designing evokes a range of emotions, including excitement, contemplation, frustration, satisfaction, and a bittersweet sense of completion. These emotions intertwine and shape the creative journey, infusing my artwork with depth, meaning, and a personal connection that resonates with both myself and the viewers.

What kind of emotions do you feel when your designs are realized?

One of the most prominent emotions I feel is a sense of fulfillment and satisfaction. Witnessing my designs come to life in tangible form, crafted meticulously with my hands, evokes a deep sense of accomplishment. There is a gratifying joy in seeing the transformation from concept to reality, knowing that I have brought forth a creation that originated in my imagination. This sense of fulfillment validates the countless hours of dedication and effort invested in the artistic process.

What makes a design successful?

A successful design is one that effectively communicates its intended message or purpose while evoking a strong emotional response from its audience. It is a harmonious integration of form, function, and aesthetic appeal. A successful design captures attention, engages the viewer, and leaves a lasting impression.

When judging a design as good or bad, which aspects do you consider first?

When judging a design as good or bad, I consider the overall concept, composition and balance, craftsmanship, emotional impact, originality, and the fulfillment of its intended purpose or context. These aspects collectively contribute to the evaluation of a design's quality and its effectiveness in engaging and resonating with the audience.

From your point of view, what are the responsibilities of a designer for society and environment?

The responsibilities of a designer for society and the environment include creating designs that enhance well-being, considering social equity, adopting sustainable practices, promoting ethical and responsible behavior, and fostering creativity and cultural appreciation. By fulfilling these responsibilities, designers can make a positive impact on both society and the environment.

How do you think the "design field" is evolving? What is the future of design?

The design field is continuously evolving and adapting to the changing needs and advancements of society. The future of design holds exciting possibilities and transformative shifts that will shape the way we live, interact, and experience the world.

When was your last exhibition and where was it? And when do you want to hold your next exhibition?

I had an exhibition at the Taipei World Trade Center Art Fair in 2016, which provided me with the opportunity to showcase multiple pieces of artwork, including large-scale sculptures, metalwork, silver carving, and photography. Last year, I participated in the A'design Awards exhibition in China with an award-winning prototype of a public art sculpture. Currently, I am indeed planning for a solo exhibition, hoping to have the chance next year to present a culmination of my creative reflections from these past few years.

Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

Inspiration for my works can come from a multitude of sources. I believe that creativity is a dynamic process fueled by curiosity, exploration, and openness to the world around us. By cultivating an inquisitive mindset, staying open to new experiences, and finding beauty in the world around me, especially from Nature. I continuously feed my creativity and find inspiration for my work.

How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?

My design style can be described as a blend of semi-representational and abstract elements, infused with a philosophical mindset. This style has evolved through my deep exploration of the interplay between form and concept, allowing me to delve into the realms of abstraction while retaining a hint of recognizable elements.

The exploration of this style was born out of a desire to convey complex ideas and emotions that transcend the limitations of literal representation. By embracing abstraction, I am able to tap into the universal and transcendental aspects of human existence. This approach allows me to communicate on a more profound and intuitive level, inviting viewers to engage in a dialogue between their own experiences and the essence of my creations.

Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?

I currently reside in Taiwan, a country deeply influenced by Chinese culture. The rich and diverse cultural traditions of Taiwan, rooted in Chinese heritage, provide me with a vast source of inspiration. From ancient philosophies, such as Confucianism and Taoism, to traditional arts and crafts, such as calligraphy, porcelain, and temple architecture, these influences infuse my designs with a sense of history, symbolism, and aesthetics.

The pros of living in Taiwan as an artist are the abundance of cultural resources and the opportunity to immerse myself in a vibrant arts scene. Taiwan's cultural heritage, along with its contemporary art scene, fosters an environment that encourages artistic exploration, innovation, and dialogue. I have access to museums, galleries, art communities, and events that enable me to connect with fellow artists, showcase my work, and engage with a diverse audience.

How do you work with companies?

Working with companies involves a collaborative process where I bring my artistic expertise and creative vision to contribute to their projects or initiatives. The nature of collaboration can vary depending on the specific context and goals of the company.

What are your suggestions to companies for working with a designer? How can companies select a good designer?

The key to the successful collaboration with a designer is establishing clear communication channels. When the designer presents initial drafts or concepts, providing clear and specific feedback is crucial. Maintain flexibility and be willing to work cooperatively with the designer to ensure the final design meets your needs.

A good designer should possess a strong design background and skill set, be open to collaboration and find someone who understands your vision and can bring it to life through their artistic expertise.

Can you talk a little about your design process?

Certainly! My design process revolves around thorough research, creative exploration, iteration, collaboration, and attention to detail. It is a fluid and iterative approach that allows me to create designs that effectively convey the desired message and resonate with the intended audience.

What are 5 of your favorite design items at home?

An abstract painting I created, which embodies my emotions and thoughts through vibrant colors and expressive brushstrokes. A metal sculpture I crafted, showcasing my passion for manipulating and shaping metal into intricate forms that convey a sense of strength and elegance. The iconic Egg Chair was designed by Arne Jacobsen, with its timeless and sculptural appeal, providing both comfort and aesthetic pleasure. A table lamp designed by Paul Henningsen, known for its innovative lighting concept and beautifully diffused glow, adding a warm and inviting ambiance to my space. A series of handcrafted silver jewelry pieces that I meticulously created, reflecting my dedication to craftsmanship and my personal aesthetic, each piece telling a unique story and adorning the wearer with elegance and individuality.

Can you describe a day in your life?

My day revolves around the dual roles of creating and teaching. I spend a lots of time in my studio, ready to embark on a creative journey. When teaching, I share my artistic knowledge and skills with my students. In this way, my days as an artist are a harmonious blend of personal creation and the sharing of knowledge.

Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?

Stay curious and continuously seek knowledge. Don't be afraid to push boundaries and explore new ideas. Passion and perseverance will fuel your progress. Stay true to yourself and never stop. Embrace your individuality, trust your instincts, and let your creativity flourish.

From your perspective, what would you say are some positives and negatives of being a designer?

Design allows for limitless creative expression, enabling designers to bring their unique visions to life through various mediums. Designers can use their skills to make a positive impact on individuals and society. Design projects often come with tight deadlines and high expectations. The positives often outweigh the negatives for those passionate about design and its potential to make a difference.

What is your "golden rule" in design?

Design should evoke emotions, resonate with the audience, and create a lasting impact. By prioritizing the emotional aspect, I believe that design becomes more powerful and meaningful. It combines aesthetics and becomes a vessel for storytelling, self-expression, and human connection.

What skills are most important for a designer?

The ability to think outside the box, generate unique ideas, and approach problems from fresh angles is essential for a designer. Creativity and imagination fuel innovation and enables designers to bring originality to their work.

Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?

I always carry a sketchbook to jot down ideas, sketch rough concepts, and experiment with different compositions. Sketching allows me to quickly capture thoughts and visually explore various design possibilities. I also use traditional art mediums in my process. These tactile materials allow for a hands-on approach and bring a unique texture and depth to my creations. I utilize design software such as Adobe Creative Suite (Photoshop, Illustrator, InDesign) to create digital artwork, manipulate images, and design graphics. Books and reference materials are also indispensable.

Designing can sometimes be a really time consuming task, how do you manage your time?

To be honest, sometimes I spend too much time thinking about how to make changes to achieve perfection during the creative process. I'm still learning how to manage time better!

How long does it take to design an object from beginning to end?

The time it takes to design an object from beginning to end can vary greatly depending on several factors. The complexity of the project, the scope of the design, and the level of detail required all influence the timeline. Simple designs with fewer elements may take a shorter time, perhaps a few hours or days, while more intricate and involved designs can take weeks or even months to complete.

What is the most frequently asked question to you, as a designer?

As an artist and designer, the most frequently asked question I receive is, "What was your inspiration for this design?" People are often curious about the underlying motivations and sources of creativity behind my artwork. They want to understand the thought process, ideas, and influences that contributed to the final design. Exploring inspiration allows me to share the stories, emotions, and concepts that shaped my work, deepening the connection between the audience and the design itself. It provides an opportunity to discuss the symbolism, personal experiences, or broader cultural references that inspired and infused meaning into the design.

What was your most important job experience?

Every job experience holds significance in its own way, but one that stands out as particularly important for me was working on a collaborative public art project. It allowed me to engage with a diverse team of architects, and community members, coming together to transform a public space. It reinforced my belief in the power of art as a catalyst for social transformation and further fueled my passion for creating meaningful and accessible art experiences for all.

Who are some of your clients?

My clients vary and include individuals, art collectors, and sometimes even corporate organizations seeking commissioned artwork. Additionally, I have worked with interior designers and architects to create custom art pieces for residential and commercial spaces. Each client brings a new and exciting opportunity to create unique pieces that resonate with their specific needs and visions.

What type of design work do you enjoy the most and why?

I find the most enjoyment in creating art installations and public art. This type of design work allows me to explore and convey emotions, concepts, and narratives through visual language. The freedom to experiment with forms, colors, and textures, and to challenge traditional boundaries, ignites my creativity and fuels my passion. Public art invites viewers to interpret and engage with the artwork on a personal and emotional level, fostering a deeper connection and sparking dialogue.

What are your future plans? What is next for you?

I aim to expand my artistic horizons by experimenting with new mediums, techniques, and concepts. I plan to participate in more exhibitions, both locally and internationally, to share my artwork with a broader audience.

Do you work as a team, or do you develop your designs yourself?

As an artist, I primarily develop my designs independently. I value the creative freedom and personal expression that comes with working solo. However, I also have experience working with other professionals, am open to collaborations, and enjoy the opportunity to work with others on specific projects.

Do you have any works-in-progress being designed that you would like to talk about?

Currently, I am exploring a series of mixed-media paintings and sculptures inspired by nature creatures. I'm experimenting with different techniques and materials to capture the organic beauty of flora and fauna. Through these works, I aim to evoke a sense of awe and connection with the natural world.

How can people contact you?

Please contact me by email

Any other things you would like to cover that have not been covered in these questions?

Though life may not be dependent on Art, it finds its true radiance in its presence!

Großes Interview

Pride Of The City Öffentliche Kunst · 10 Fragen

During the creative process, I was deeply inspired by the cyclical beauty of nature and its harmonious diversity.

Your innovative approach to integrating four birds in Pride Of The City Public Art creates multiple perspectives and seasonal interpretations - could you elaborate on how this dynamic symbolism emerged during your creative process?

During the creative process, I was deeply inspired by the cyclical beauty of nature and its harmonious diversity. The four birds not only symbolize the upward motion and freedom but also embody the coexistence of all living things throughout the changing seasons. This symbolism emerged as I observed how urban parks, like Maple Garden, transform with the seasons—from blossoming spring flowers and vibrant summer greenery to autumnal hues and tranquil winter stillness. By blending these ideas, the sculpture invites viewers to perceive different forms—such as trees, flowers, or birds—depending on their angle of observation, reinforcing the notion that nature’s beauty is multifaceted and ever-changing.

The structural mechanics of Pride Of The City Public Art presented unique challenges with wind load optimization - what specific engineering solutions did you develop to maintain the sculpture's delicate appearance while ensuring its stability?

Wind load was a significant challenge, particularly given the sculpture’s intricate and open design. To address this, we worked closely with structural experts to analyze the pressure caused by airflow on the engineering structure. We optimized the sculpture’s angles and curves to reduce resistance while preserving its artistic integrity. The structural frame was meticulously designed with lightweight yet durable materials to ensure stability without compromising its visual brightness. By collaborating with stainless steel forging specialists and conducting rigorous structural analysis, we achieved an ideal balance between aesthetics and functionality, ensuring the sculpture’s durability under varying weather conditions.

As Pride Of The City Public Art serves as a landmark at the intersection of three movement paths in Maple Garden, how did this strategic location influence your design decisions regarding scale, orientation, and visual flow?

The sculpture’s location at the convergence of three pathways heavily influenced its design. I envisioned it as both a visual anchor and a welcoming gesture. The scale was carefully calibrated to stand out amidst the garden’s natural surroundings without overpowering them. The upward motion of the design mirrors the act of entering and exploring the park, naturally guiding visitors toward the center. The orientation ensures that, from any approach, the sculpture offers a dynamic and engaging view, fostering curiosity and inviting deeper connections. The visual flow emphasizes harmony, leading visitors seamlessly into the lush greenery of Maple Garden.

The harmonious coexistence theme in Pride Of The City Public Art reflects deeper environmental messages - could you share how your vision of urban oases shaped the ecological narrative of this installation?

Urban oases are essential for reconnecting city dwellers with nature. My vision was to create a work that not only celebrates this connection but also highlights the delicate balance required for coexistence. The sculpture’s design reflects this balance through its layered imagery of birds, trees, and flowers, symbolizing the interdependence of all living things. By situating the sculpture in Maple Garden—a space where urban and natural elements blend seamlessly—it underscores the importance of preserving ecological harmony. The installation serves as both a metaphor for sustainability and an inspiration for viewers to cherish and protect these vital green sanctuaries.

Your use of stainless steel forging technology in Pride Of The City Public Art achieves remarkable visual lightness - what inspired your material choice, and how does it enhance the sculpture's interaction with natural light throughout the day?

Stainless steel was chosen for its strength, versatility, and reflective properties. This material allows the sculpture to maintain a sense of lightness while ensuring structural robustness. Its reflective surface dances with sunlight, creating dynamic visual effects that change with the time of day. In the morning, the sculpture glows with soft, warm tones, while midday light accentuates its contours and casts intricate shadows. At night, artificial lighting transforms it into a luminous beacon. This material not only reinforces the sculpture’s ethereal quality but also ties it to its environment, making it a living, ever-changing part of the garden.

Pride Of The City Public Art has earned recognition including the Bronze A' Design Award - how has this international acclaim influenced your approach to creating public art that bridges cultural and environmental consciousness?

The recognition has reaffirmed my belief in the transformative power of public art. It has encouraged me to explore how art can simultaneously highlight cultural identity and environmental awareness. Public art, particularly in urban settings, has the potential to inspire dialogue about sustainability and heritage. Winning the award has provided a platform to share my vision with a broader audience, motivating me to create works that resonate universally while staying deeply connected to their local contexts. It serves as a reminder that art can be both a cultural emblem and a call to action for ecological stewardship.

The transformation of Pride Of The City Public Art's appearance from different viewing angles creates an evolving experience - could you discuss how you engineered these multiple interpretations to enhance visitor engagement?

The sculpture’s layered imagery was achieved by carefully calibrating the angles, curves, and spacing of each component. The interplay of positive and negative spaces allows viewers to discover new forms—such as birds, flowers, or trees—depending on their perspective. This design encourages exploration, with each step revealing a new dimension of the artwork. I sought to create an interactive experience where the sculpture becomes a visual puzzle, inviting visitors to pause, reflect, and engage with their surroundings. This evolving interpretation mirrors the dynamic relationship between people and nature, deepening the sculpture’s narrative of harmony and discovery.

In designing Pride Of The City Public Art as both a daytime sculpture and nighttime illuminated feature, what considerations guided your approach to creating this dual aesthetic presence?

Creating a dual aesthetic presence required meticulous planning. During the day, the reflective stainless steel interacts with natural light, allowing the sculpture to blend seamlessly with its environment while standing out as a radiant centerpiece. For nighttime, I integrated subtle, strategically placed lighting to emphasize its contours and evoke an ethereal presence. The lighting design enhances the sculpture’s form without overpowering its natural elegance, ensuring it remains a harmonious part of the garden’s ambiance. This duality ensures that the sculpture continues to engage visitors, whether bathed in sunlight or colorful illuminated in the evening.

The integration of Pride Of The City Public Art within Maple Garden's ecosystem reflects a deep understanding of environmental design - how did Taiwan's natural heritage influence your artistic decisions?

Taiwan’s rich natural heritage, characterized by its diverse ecosystems and seasonal beauty, profoundly influenced the design. Maple Garden, with its ecological significance, offered an ideal stage to pay homage to these elements. I drew inspiration from Taiwan’s native flora and fauna, reflecting their forms in the sculpture’s design. The upward motion of the birds symbolizes Taiwan’s resilience and aspirations, while the representation of seasonal cycles mirrors the island’s dynamic landscapes. This homage to nature within an urban setting underscores the importance of preserving and celebrating Taiwan’s environmental legacy.

Looking at the future impact of Pride Of The City Public Art, how do you envision this installation continuing to evolve in its role as a symbol of urban ecological harmony and cultural identity?

As a permanent installation, Pride of the City will continue to serve as a cultural and ecological symbol for Taichung City. Over time, its role may expand into a hub for community gatherings, educational initiatives, or artistic events that promote sustainability and cultural appreciation. Its integration into Maple Garden’s ecosystem ensures its ongoing relevance, inspiring future generations to value urban oases. I envision it becoming a model for other cities, fostering a global dialogue on how art can bridge human life with nature while preserving and celebrating cultural identity.

Großes Interview

Aeon Die Skulptureninstallation · 10 Fragen

Translating Zhuangzi’s philosophy into a contemporary sculptural language was an exploration of duality as a fundamental principle of existence.

Your innovative interpretation of Zhuangzi's philosophy in Aeon Sculpture Installation beautifully explores duality - could you elaborate on how you translated this ancient wisdom into contemporary sculptural form?

Translating Zhuangzi’s philosophy into a contemporary sculptural language was an exploration of duality as a fundamental principle of existence. Inspired by the fable A Happy Excursion, I sought to embody Zhuangzi’s vision of transformation and interconnectedness through a form that balances opposites—light and shadow, presence and absence, motion and stillness. The circular voids symbolize the infinite intersecting with the finite, creating spaces where perception and imagination converge. Reflective stainless steel amplifies this concept by making the sculpture a dynamic participant in its environment, constantly interacting with light, weather, and the observer’s perspective. This interplay of ancient wisdom and modern materiality invites viewers to reflect on balance and impermanence, transcending temporal and cultural boundaries.

The forged stainless steel and grid-shaped skeleton of Aeon Sculpture Installation create an intriguing interplay of light and shadow - what inspired your technical approach to achieving this delicate balance between structure and visual lightness?

The technical approach was inspired by natural forms, such as tree canopies filtering light, as well as Zhuangzi’s philosophy of harmony between opposites. The grid-shaped internal skeleton was meticulously engineered to provide structural integrity while minimizing material weight. Stainless steel was selected for its dual qualities of strength and reflectivity, enabling the sculpture to appear ethereal despite its solid construction. Achieving this balance required close collaboration with metal craftsmen to refine forging techniques and optimize the curvature of the steel plates. The result is a form that embodies both visual lightness and philosophical depth, with shifting patterns of light and shadow symbolizing the transient and ever-changing nature of existence.

How did the process of creating six different models to perfect Aeon Sculpture Installation's distinctive double-curved support points influence your final artistic and engineering decisions?

The iterative process of developing six models was pivotal in harmonizing aesthetic vision with structural feasibility. Each prototype revealed new insights, particularly in optimizing the placement and size of the circular voids to maintain stability while preserving the fluidity of the design. The distinctive double-curved support points posed unique engineering challenges, requiring precise adjustments to achieve equilibrium. This iterative refinement also allowed me to explore how the sculpture’s elevation and contours interact with natural light and the surrounding space. Ultimately, this process not only ensured structural soundness but also heightened the poetic qualities of the final work, capturing both the elegance of Zhuangzi’s philosophy and the resilience of contemporary engineering.

The round holes in Aeon Sculpture Installation seem to challenge our perception of space and reality - could you share your artistic vision behind incorporating these void elements to explore the relationship between instant and eternity?

The round voids are central to the sculpture’s narrative, functioning both as literal absences and profound metaphors. They symbolize the fleeting nature of the instant and the boundless continuum of eternity, inviting viewers to reflect on the spaces between presence and absence. As light passes through these voids, it creates dynamic patterns that shift with time and perspective, mirroring the impermanence celebrated in Zhuangzi’s philosophy. Artistically, these voids disrupt the solidity of the form, transforming it into a living, breathing entity that interacts with its environment. Philosophically, they embody the concept of wu (emptiness), where transformation occurs, bridging the tangible and the intangible. This design encourages viewers to peer through and beyond the voids, fostering introspection and a deeper appreciation of life’s dualities.

Given that Aeon Sculpture Installation took a full year to complete from concept to realization, what were the most pivotal moments or discoveries during this extended creative journey?

One pivotal moment was recognizing the profound synergy between structural mechanics and philosophical intent. This insight shaped every aspect of the design, ensuring that the sculpture’s form aligned with its deeper narrative. Refining the circular voids was another transformative step; each adjustment not only enhanced the piece’s stability but also enriched its symbolic resonance. The journey from concept to realization underscored the importance of adaptability and collaboration, as challenges often revealed unexpected opportunities to elevate the work. Witnessing abstract ideas materialize into a tangible form was deeply rewarding, reaffirming my belief in the power of perseverance to bring a vision to life.

Your integration of aerodynamic principles in Aeon Sculpture Installation is fascinating - how did wind load considerations shape your artistic decisions while maintaining the philosophical essence of the work?

Wind load analysis was a critical factor in shaping Aeon’s design, especially given its open, lightweight structure. Extensive testing revealed how subtle adjustments to the curvature and angle of the voids could reduce wind resistance while enhancing stability. This optimization allowed the sculpture to coexist with natural forces rather than oppose them, embodying Zhuangzi’s philosophy of harmony with the environment. The resulting form, with its flowing lines and seamless contours, preserves the work’s aesthetic elegance and symbolic essence, reflecting the dynamic interplay between resilience and adaptability.

The way Aeon Sculpture Installation merges the imagery of whales and fish eggs creates a powerful metaphor - could you elaborate on how this specific symbolism emerged and evolved during your creative process?

The juxtaposition of whales and fish eggs stems directly from Zhuangzi’s analogy of the vast and the minute as interconnected facets of existence. Whales symbolize grandeur and vastness, while fish eggs represent minuteness and potentiality. By integrating these symbols into the design, I sought to visualize the idea that the small and the great are intrinsically linked, each containing the essence of the other. The circular voids evoke fish eggs, while the sculpture’s overall presence suggests the grandeur of a whale. This interplay creates a narrative of unity within diversity, inviting viewers to explore the infinite within the finite and the boundless within the specific.

As an educator and artist, how do you envision Aeon Sculpture Installation contributing to broader discussions about the intersection of Eastern philosophy and contemporary sculptural practices?

Aeon serves as a conduit for dialogue, bridging ancient Eastern philosophical thought with modern sculptural innovation. As an educator, I see it as an opportunity to inspire students and viewers to explore how abstract ideas can be embodied in physical forms. The work challenges conventional boundaries, encouraging an interdisciplinary approach that blends cultural heritage with contemporary creativity. By addressing universal themes of duality, transformation, and interdependence, Aeon fosters deeper engagement with both philosophy and art, highlighting their relevance in navigating the complexities of modern life.

The Bronze A' Design Award recognition highlights Aeon Sculpture Installation's innovative approach - how has this international acknowledgment influenced your perspective on creating public art that bridges cultural boundaries?

This recognition affirmed the universality of art as a medium for cross-cultural connection. It inspired me to continue exploring how deeply rooted philosophical traditions can inform contemporary public art, resonating with global audiences. This acknowledgment reinforces the importance of creating works that reflect cultural identity while transcending geographical and temporal boundaries. By bridging Eastern philosophy with modern aesthetics, Aeon exemplifies how public art can serve as a platform for shared understanding and dialogue.

Looking at Aeon Sculpture Installation's impact on viewers, how do you hope this work transforms people's understanding of the relationship between physical form and philosophical concepts in contemporary sculpture?

I hope Aeon invites viewers to engage with both its tangible and intangible dimensions, fostering a deeper connection between physical form and philosophical ideas. Through its interplay of light, shadow, and void, the sculpture encourages contemplation of duality, transformation, and interconnectedness. By challenging conventional perceptions, Aeon demonstrates how contemporary sculpture can transcend aesthetics to become a medium for profound philosophical exploration, enriching the viewer’s experience and understanding of the world.

Großes Interview

Soar Die Skulptureninstallation · 10 Fragen

Achieving the floating lightness in Soar was an intricate process that demanded a balance between artistic ambition and engineering precision.

Your innovative approach to capturing the dynamic essence of flight in Soar Sculpture Installation through forged stainless steel is remarkable - could you walk us through the technical challenges of achieving that floating lightness while maintaining structural integrity?

Achieving the floating lightness in Soar was an intricate process that demanded a balance between artistic ambition and engineering precision. A major challenge was designing the sculpture to convey motion and levity visually, while ensuring its structural stability. The unique form, with its deliberately shifted center of gravity, required extensive experimentation with structural mechanics. The internal stainless steel framework was meticulously engineered to distribute weight evenly, while supporting the forged outer layers. Each curve and angle was refined to sustain a sense of dynamic flow, evoking the graceful movement of a bird in flight. Lightweight materials and precision welding techniques were crucial to minimizing bulk and maintaining stability, all while achieving the sculpture’s ethereal and fluid aesthetic.

The mirror-polished surface of Soar Sculpture Installation creates fascinating interactions with its environment - what inspired your decision to incorporate these reflective elements, and how do they enhance the sculpture's message about freedom and spiritual healing?

The mirror-polished surface was inspired by the transformative nature of freedom and the interplay between self and environment. By reflecting the sky and surroundings, the sculpture becomes a seamless part of its environment, continuously evolving with changes in light, weather, and time of day. This reflective quality symbolizes the fluidity of the human spirit, evoking a profound sense of connection. It also invites viewers to see themselves and their environment within the artwork, fostering a deeply personal interaction. This reflection serves as a metaphor for spiritual healing—a reminder that freedom and inner peace originate from within but are influenced by external forces. The surface’s ability to capture and transform light enhances the sculpture’s uplifting quality, reinforcing its themes of transcendence and harmony.

In developing Soar Sculpture Installation, how did your research into aerodynamic shape optimization and wind load influences shape the final form, particularly in achieving that precarious balance with minimal support?

Wind load considerations were pivotal in shaping Soar’s design, as the open and airy form had to withstand significant environmental forces. The minimal support point posed a unique challenge, requiring optimal stress distribution across the sculpture. Research into structural mechanics and wind resistance informed the precise curvature and angles of the design, ensuring the sculpture could endure external pressures without compromising its visual lightness. The internal grid structure provides stability, while the smooth, external curves efficiently channel airflow to reduce wind resistance. These insights allowed for a harmonious balance between aesthetic appeal and structural resilience, capturing both the physical dynamics of flight and the metaphorical balance of freedom.

The journey from prototype to final installation of Soar Sculpture Installation spanned several years - could you share the evolution of your vision during this period and how the scale transition from 480mm to 1280mm influenced your artistic decisions?

The evolution of Soar was a journey of refinement and adaptation. The original prototype exhibited in 2016, served as a conceptual exploration of flight’s essence on a smaller scale. Scaling up to 1280mm introduced challenges in preserving the visual delicacy of the design while addressing structural demands. The larger scale necessitated a rethinking of proportions, ensuring that the curves retained their elegance without appearing heavy. Additionally, the amplified size enhanced the sculpture’s reflective interactions with its environment, making the mirrored surface more impactful. This transition deepened my understanding of how scale affects perception—what feels intimate at a smaller size becomes monumental and immersive when expanded. The process reinforced the need to balance artistic vision with technical feasibility, ultimately elevating the sculpture’s emotional resonance.

Your description of Soar Sculpture Installation as capturing "the sensory experience of the journey into the garden" is intriguing - how does this installation transform different viewing angles into distinct emotional experiences for observers?

Soar was designed to offer a dynamic visual and emotional experience, mirroring the fluidity of flight and the serenity of a garden. From different angles, the sculpture reveals new forms and interpretations. Head-on, its sweeping curves evoke momentum and energy, while a side view emphasizes grace and equilibrium. The mirrored surface amplifies this variability, reflecting unique fragments of the environment and creating an interplay of light and shadow that shifts throughout the day. This evolving perspective invites active engagement, allowing viewers to discover new meanings and sensations each time. The emotional depth is further enriched by the symbolism of the Garden of Eden, offering a universal narrative of healing and freedom while inviting personal connections to the sculpture.

The structural engineering of Soar Sculpture Installation, particularly its shifted center of gravity, creates a compelling sense of movement - could you elaborate on the process of achieving this delicate balance between artistic vision and mechanical stability?

The shifted center of gravity in Soar was essential to its design, reinforcing the visual metaphor of a bird in mid-flight. Achieving this required precise calculations and iterative testing. The internal grid structure was meticulously engineered to counterbalance the sculpture’s asymmetry, ensuring stability despite its dynamic, off-center form. Collaborating closely with metal craftsmen, we fine-tuned the weight distribution to align perfectly with the support point. This process involved continuous adjustments and physical modeling to refine the equilibrium between strength and elegance. The result is a sculpture that not only captures the motion of soaring but also demonstrates the seamless integration of artistic freedom and structural ingenuity.

Having won the A' Design Award for Soar Sculpture Installation, how do you see this recognition influencing the future direction of your public art installations and your exploration of nature-inspired themes?

Winning the A' Design Award for Soar has been a profound affirmation of my artistic vision, inspiring me to further explore the intersection of nature and contemporary sculpture. It underscores the importance of creating works that resonate with universal themes like freedom, transformation, and harmony. Looking ahead, I plan to deepen my exploration of dynamic forms and reflective surfaces, incorporating new materials and technologies to expand the possibilities of public art. This recognition also encourages collaboration with communities and institutions to create site-specific installations that engage audiences on both personal and collective levels. Ultimately, it motivates me to craft sculptures that evoke emotion while addressing broader environmental and philosophical narratives.

The grid-shaped stainless steel skeleton within Soar Sculpture Installation is fascinating - could you detail how this internal structure contributes to both the sculpture's stability and its artistic expression of freedom?

The internal grid-shaped skeleton serves as the unseen backbone of Soar, enabling its daring form while maintaining stability. Structurally, the grid distributes weight evenly and provides a secure foundation for the forged stainless steel surface. This framework also complements the sculpture’s artistic expression, symbolizing the interplay between freedom and restraint. Just as a bird’s flight is guided by unseen forces like wind and gravity, the internal grid represents the structural underpinnings that allow freedom to flourish. The precision of this framework ensures that the sculpture maintains its shifted center of gravity and minimal support point, reinforcing the contrast between its solid construction and the ethereal lightness it conveys.

Your concept of the "healing soul Garden of Eden" manifested in Soar Sculpture Installation speaks to universal human experiences - how does this installation facilitate connections between personal spirituality and public space?

Soar acts as a bridge between personal introspection and communal experience, embodying the concept of a "healing soul Garden of Eden." By reflecting its surroundings and inviting exploration from multiple angles, the sculpture fosters a sense of unity between individuals and their environment. The mirrored surface encourages self-reflection, allowing viewers to see themselves within the artwork, while the dynamic form evokes the universal yearning for freedom and transcendence. In public spaces, the sculpture transforms its setting into a place for quiet contemplation and shared wonder, connecting personal spirituality with the collective human experience.

The technical innovation of split forging and welding techniques in Soar Sculpture Installation creates an impressive lightweight structure - could you share specific challenges you encountered during the fabrication process and how these influenced your artistic decisions?

Fabricating Soar required overcoming significant challenges to achieve its lightweight yet structurally sound design. The split forging process demanded exceptional precision to shape the stainless steel plates into smooth, curved forms without compromising strength. Welding these sections seamlessly was equally complex, as even minor imperfections could disrupt the sculpture’s visual continuity and structural integrity. Collaborating closely with skilled craftsmen, we developed innovative techniques to address these demands while maintaining the sculpture’s elegance. These challenges reaffirmed my dedication to pushing the boundaries of metal sculpture, shaping my artistic decisions to prioritize both beauty and resilience in the final work.

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