Design Legend Interview
29 questions
I completed my four-year degree in Architecture at the Faculty of Architecture, Dokuz Eylül University, in 1997. I have worked in architecture since 1993.
Could you please tell us a bit about your design background and education?
I completed my four-year degree in Architecture at the Faculty of Architecture, Dokuz Eylül University, in 1997. I have worked in architecture since 1993. Throughout my professional practice, I have worked on architectural and interior projects as well as furniture and bespoke design details. My approach brings together users’ needs, comfort, function and aesthetics. Creating distinctive, understated spaces enriched by detail remains central to my work.
What motivates you to design in general, why did you become a designer?
One of the things that motivates me most to design is understanding users’ needs and creating spaces that make a meaningful contribution to their lives. Bringing function and aesthetics together to create comfortable, understated spaces enriched by detail is at the heart of my design approach.
Art, architecture, different design disciplines, and material research continually nourish this process. Finding solutions that respond to each project’s particular needs and conditions while maintaining the integrity of my architectural approach is another aspect of the profession that motivates me.
What do you design, what type of designs do you wish to design more of?
I work primarily in architecture and interior design, across residential, hospitality, commercial and other projects of varying scales. Furniture and bespoke design details are also part of my practice.
For me, understanding users’ needs and bringing function and aesthetics together matters more than the type or scale of a project. I approach each one according to its own conditions and identity.
What should young designers do to become a design legend like you?
I believe young designers should support their creativity with technical knowledge and practical experience. Understanding materials, studying details and experiencing a design from its initial idea through to implementation are important parts of professional development.
A good designer should also be a good observer. Following different disciplines, researching, asking questions and remaining open to learning are invaluable. Developing one’s own architectural approach takes time, experience and a deeper understanding of the thinking behind the work.
What distinguishes between a good designer and a great designer?
A good designer can create successful aesthetic and functional solutions. What distinguishes a great designer is the ability to go further: to understand the user and the needs of the space, and to preserve the integrity of a design down to its smallest detail.
I believe a successful design is not only impressive at first sight; its value becomes apparent through use, and it maintains its quality over time.
What makes a good design a really good design, how do you evaluate good design?
For me, good design begins with a proper understanding of users’ needs. Function, aesthetics, and comfort should be considered together, so that a space is strong not only visually but also in use.
Every decision, from the choice of materials to the smallest detail, should work in harmony. I believe good design should retain its value and identity over time, beyond passing trends.
What is the value of good design? Why should everyone invest in good design?
I do not assess the value of good design through aesthetics alone. Responding to users’ needs, improving quality of life and retaining functionality over many years are just as important as appearance.
Investing in good design is an investment in everyday comfort, the quality of a space in use and its long-term value. To me, successful design brings aesthetics and function together and establishes a meaningful relationship with its users.
What is your secret recipe of success in design, what is your secret ingredient?
I place importance on understanding users and their needs, and on treating function and aesthetics as inseparable. Every project has its own conditions and identity, and I aim to develop solutions accordingly.
I believe the care given to everything from material selection to implementation details determines the integrity and quality of a design. What matters to me is creating distinctive, understated spaces enriched by detail.
What is your greatest design, which aspects of that design makes you think it is great?
I believe every project has its own value and design process, so I prefer not to single out one work as my greatest achievement.
Among our successes on international platforms, I could mention Port House receiving an A’ Design Award and İnci Nefes Shopping Center being recognised at the Wonder Global Design Awards 2026. Such achievements are valuable as recognition of the work behind our projects and our architectural approach across different audiences.
How could people improve themselves to be better designers, what did you do?
Professional experience across different projects, alongside material research and attention to implementation, has contributed to the development of my approach.
How do you define design, what is design for you?
Design brings function and aesthetics together in response to the user and the space. I value restrained spaces that are simple in expression yet rich in detail.
What helped you to become a great designer?
Art, architecture, and different design disciplines have always been important sources of inspiration for me. Travel and design books, discovering new materials, and researching different production techniques also feed this process.
Working on projects of different scales and functions over the years has also played an important role in developing my professional perspective. The particular conditions and needs of each project have enriched my experience and design approach over time.
What's your next design project, what should we expect from you in future?
At BODA, we continue to work on architectural and interior projects of different scales and functions.
Our current work includes Yahşi Suites in Bodrum and İnci Nefes Shopping Center, alongside new projects that have recently joined our portfolio. We approach each project in line with its particular needs, conditions, and identity, considering function, aesthetics, and user experience as a whole.
What's your ultimate goal as a designer?
At BODA, we continue to develop projects of different scales and functions. I believe each new project should be approached in line with its particular needs and conditions.
My design approach is based on considering users’ needs, comfort, function, and aesthetics as a whole. While the design process may take different directions according to a project’s requirements, I take care to maintain the integrity of my architectural approach. Creating distinctive, understated spaces enriched by detail, which retain their value over time, remains central to BODA’s architectural philosophy
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How does design help create a better society?
Design influences everyday comfort, resource use and our relationship with the environment. Considering sustainability and people’s needs from the beginning is an important part of responsible architecture.
What would you like to see changed in design industry in the coming years?
In the coming years, I would like to see sustainability and advances in material and building technologies gain greater prominence in design processes.
I believe design decisions, from material selection and energy use to functionality and longevity, should be considered as a whole. I also value the contribution technological developments can make to creating more considered, high-quality spaces that respond to users’ needs and demonstrate environmental responsibility.
Where do you think the design field is headed next?
I believe technology and artificial intelligence will play an increasingly important role in architecture and design. Digital tools and new material technologies offer opportunities at many stages, from design development to implementation.
However, I see technology not as design itself but as a tool that supports and advances the design process. People, users’ needs, and the relationship between space and everyday life should remain at the centre of architecture.
How long does it take you to finalize a design project?
The time needed to complete a project varies according to its scale, scope, technical requirements, and implementation conditions. It would therefore be misleading to give a standard timeframe for every project.
We allow for the time required at each stage, from initial design to detailing and implementation. For me, what matters is not simply completing the process quickly, but doing so without compromising the integrity of the design or the quality of its execution.
When you have a new design project, where do you start?
I begin each project by seeking to understand the user, their needs, and the particular conditions of the space. Its location, surroundings, function, and user expectations form the starting points of the design process.
Once these factors are considered together, the architectural approach begins to take shape. What matters to me is that design decisions emerge from the project’s real needs rather than aesthetic preferences alone.
Do you think design sets the trends or trends set the designs?
I value following developments, new approaches, and trends in the design world. Different perspectives and evolving material and construction possibilities are important sources of inspiration.
However, I believe every project has its own needs and identity. I therefore evaluate contemporary approaches in relation to the project’s requirements and my architectural philosophy. What matters to me is creating spaces that retain their function and aesthetic value over time.
What is the role of technology when you design?
I see technology as an important tool that supports and advances the design process. Digital design and visualisation tools help at different stages, from developing ideas to evaluating details.
At the same time, I believe technological tools should not take precedence over architectural thinking. What matters is making use of these possibilities while preserving design integrity, users’ needs and the distinctive character of a space.
What kind of design software and equipment do you use in your work?
We use digital drawing and modelling tools, three-dimensional visualisation techniques and material research throughout the design process. These help develop ideas, assess alternatives, and make design decisions more tangible.
Material samples and construction details are equally integral to the process. It is important to me that designs developed digitally remain consistent with real materials and production conditions.
What is the role of the color, materials and ambient in design?
I consider colour and material choices fundamental to a space’s identity, rather than decorative decisions made at the final stage of design.
The relationship between textures, colours, light and materials directly shapes a space’s atmosphere. What matters to me is considering all these elements within an architectural whole, offering users a balanced experience in terms of both aesthetics and comfort.
Who is your ideal design partner? Do you believe in co-design?
I value preserving the integrity of the architectural approach and the design. At the same time, bringing a project to life requires different areas of expertise to work in harmony.
The care, knowledge, and support of the people I work with are valuable to me. I believe this mutual understanding is the foundation of successful collaboration.
How did you develop your skills as a master designer?
Working on projects of different scales and functions over the years has played an important role in my professional development. Each project’s particular needs, material choices, and implementation processes have helped shape my perspective on design.
I continue to follow art, architecture and different design disciplines, and to research new materials and developing technologies. I believe professional experience and contemporary developments should inform one another.
How do you feel about all the awards and recognition you had, is it hard to be famous?
Having a project recognised on international platforms is certainly valuable. For me, however, awards are not an objective that design sets out to achieve, but a recognition of the thought and effort behind the work.
What matters most is creating spaces that touch their users’ lives, are strong in function and aesthetics, and retain their value over time. Seeing a project resonate with different audiences is another rewarding part of that process.
What makes your day great as a designer, how do you motivate yourself?
A new design day begins by revisiting ongoing projects, considering details and setting priorities for the day.
Different design disciplines, new materials, and the details encountered along the way feed the creative process. Developing solutions to each project’s particular needs and seeing ideas gradually take shape as real spaces are also important sources of motivation.
What do you think about future; what do you see will happen in thousand years from now?
I believe technology, artificial intelligence, new material technologies and sustainability will play an increasingly significant role in the future of architecture.
As these developments open up new possibilities for design and production, I believe people’s needs, ways of life, and relationship with their environment will retain their central importance in architecture. Technology, rather than becoming design itself, will play an important role in enabling more considered and higher-quality spaces.
Please tell us anything you wish your fans to know about you, your design and anything else?
Architecture is not simply about producing an aesthetic result; it is about understanding the user, interpreting their needs and considering function and aesthetics as a whole.
I believe every project has its own conditions and identity. Drawing on my years of professional experience, creating distinctive, comfortable, and understated spaces enriched by detail remains at the heart of my design approach.