Design-Legende Interview
49 Fragen
We answer as a team. Geuder AG has developed and manufactured exclusively for ophthalmic surgery in Heidelberg since 1951.
Could you please tell us a bit about your design background and education?
We answer as a team. Geuder AG has developed and manufactured exclusively for ophthalmic surgery in Heidelberg since 1951. VIVOS was created by Geuder's engineers in fluidics, mechanics, electronics and software together with product management, in continuous exchange with ophthalmic surgeons, and with Eckstein Design in Munich for industrial design and user interface. The entry is registered to Olcayto Gülec, Chief Sales Officer, who studied medical engineering in Ulm, and David Geuder, Chief Executive Officer and third generation of the founding family.
What motivates you to design in general, why did you become a designer?
The scale. The eye is around 24 millimetres across and the surgical working space is a fraction of that. At that scale, every design decision is immediately either help or hindrance. Few fields give such direct feedback on whether a decision was right.
Did you choose to become a designer, or you were forced to become one?
Chosen. Nobody arrives in ophthalmic device design by accident.
What do you design, what type of designs do you wish to design more of?
Surgical platforms, handpieces, instruments and the control interfaces between them. We would like to spend more time on the invisible layers: fluidic behaviour, control response and the ergonomics of foot operation, because that is where the perceived quality of a device is actually decided.
What should young designers do to become a design legend like you?
Choose a field and stay in it long enough to understand it. Our company has done one thing for 75 years, and the depth that comes from not diversifying is the single biggest advantage we have.
What distinguishes between a good designer and a great designer?
A good designer solves the brief. A great designer notices when the brief describes the wrong problem and says so early, when it is still inexpensive to change course.
What makes a good design a really good design, how do you evaluate good design?
It holds up on a bad day. Anything can be evaluated in a showroom. We evaluate on the fourth procedure of a long list, with an unfamiliar team, under time pressure. If it is still calm and predictable then, it is good.
What is the value of good design? Why should everyone invest in good design?
In surgery the value is measurable in attention, time and risk. A device that is understood without instruction frees the surgeon to look at the eye instead of at a menu. In the independent usability evaluation of VIVOS, first time users without prior training on the system reported 91.7 percent overall satisfaction. That is the return on design investment expressed as a number.
What would you design and who would you design for if you had the time?
Training and simulation tools for surgical education. The transfer of skill between generations of surgeons is still remarkably analogue, and it is a genuine design problem
What is the dream project you haven't yet had time to realize?
A surgical environment designed as one system rather than as a collection of devices from different manufacturers. VIVOS consolidates two disciplines into one platform, which is a first step in that direction.
What is your secret recipe of success in design, what is your secret ingredient?
Proximity. Our development area, our assembly floor and the surgeons who criticise our work are all within a short distance of each other. Most design failures we have seen elsewhere are distance problems.
Who are some other design masters and legends you get inspired from?
We feel closest to the functionalist German design tradition, from the Ulm school to the work of Dieter Rams: reduction, clarity and the idea that a product should explain itself. In medical technology that tradition is not a style choice, it is a safety principle.
What are your favorite designs by other designers, why do you like them?
We tend to admire objects that explain themselves without decoration: mechanical instruments, laboratory equipment, aircraft controls. What they share is that the interface follows the task rather than the feature list.
What is your greatest design, which aspects of that design makes you think it is great?
The dual peristaltic fluidic architecture behind VIVOS, protected by patent WO2019020150A1, together with VIVOS Balance. It measures irrigation and aspiration simultaneously and compensates in real time for pressure fluctuations caused by position changes, tubing latency and incision size. What makes it a design achievement rather than only an engineering one is the shift in responsibility: keeping the eye stable becomes a task of the machine rather than a continuous manual concern of the surgeon.
How could people improve themselves to be better designers, what did you do?
Test with people who have never seen your product and resist the urge to help them. We built that into our process formally, and it changed the interface more than any internal review ever did.
If you hadn't become a designer, what would you have done?
Something else built in a workshop. The instinct in this company has always been to make the thing rather than to describe it.
How do you define design, what is design for you?
Design is the decision about how much of a user's attention the product will consume. Everything else follows from that.
Who helped you to reach these heights, who was your biggest supporter?
The surgeons who let us watch them work and then told us plainly what was wrong, and the research institutions that verified our claims independently, in Heidelberg and in Aachen.
What helped you to become a great designer?
Continuity. The electromagnetically driven vitrectomy in VIVOS descends from a line we began ourselves in 1987 with the MAGNETRON and continued through the MEGA VIT. Several generations of engineers have refined the same principle. That kind of accumulated understanding cannot be bought in.
What were the obstacles you faced before becoming a design master?
The central technical obstacle was combining two disciplines with opposing fluidic requirements into one architecture without weakening either. The central organisational obstacle was patience: in a regulated field the proof arrives at the end, and everything before it has to be built on discipline rather than on confirmation.
How do you think designers should present their work?
In use, not in renderings. A photograph of a console tells you nothing about whether it is good. Ten minutes of watching an unfamiliar user operate it tells you everything.
What's your next design project, what should we expect from you in future?
The international rollout of VIVOS following its presentation at ESCRS in London, and the continued development of the platform across its three configurations, Core, Nova and Nova+. Beyond that we talk about products once they exist.
What's your ultimate goal as a designer?
That the device stops being a topic in the operating room. Complete success in our field looks like absence.
What people expect from an esteemed designer such as yourself?
Consistency. In medical technology, trust is built over decades and spent in a single bad experience.
How does design help create a better society?
Cataract surgery is one of the most frequently performed surgical procedures in the world, and the demand is growing as populations age. Anything that makes such a procedure faster to set up, more predictable and less dependent on individual routine has an effect far beyond the individual operating room. Design in our field is a question of capacity as well as of quality.
What are you currently working on that you are especially excited about?
The first months of VIVOS in daily clinical use. A platform reveals its character in routine, and what we learn there feeds directly back into the platform.
Which design projects gave you the most satisfaction, why?
The wireless combined foot control with individually adjustable pressure point. It removes a second pedal from the floor, offers up to 14 assignable functions on two axes, and adapts to the surgeon rather than the other way round. It is a small object that changes the feel of an entire procedure.
What would you like to see changed in design industry in the coming years?
Less accumulation. Devices in our segment tend to grow features because features are easy to list and hard to argue against. Very few products are improved by addition once the workflow is clear.
Where do you think the design field is headed next?
Towards integration and towards evidence. Separate machines are becoming platforms, behaviour is increasingly defined in software, and usability is increasingly proven rather than asserted. All three shift design closer to engineering and further from styling.
How long does it take you to finalize a design project?
2023 and received its CE mark in the second quarter of 2026. Verification and the regulatory pathway sit at the end of that path and cannot be shortened.
When you have a new design project, where do you start?
With the procedure, not with the product. We map what the surgeon actually does, in what order and under what pressure, and only then ask what the device has to become.
What is your life motto as a designer?
If it needs explaining, it is not finished.
Do you think design sets the trends or trends set the designs?
In our field neither. The procedure sets the design. Surgical technique evolves, and the equipment either follows it intelligently or gets in the way.
What is the role of technology when you design?
Technology is our material. Fluidics, ultrasound, light and control software are to us what wood and steel are to a furniture designer. The design work is deciding how that material behaves in someone's hands.
What kind of design software and equipment do you use in your work?
3D CAD for mechanics and housing, simulation for fluidics and thermal behaviour, electronics and embedded software toolchains, and, at least as important, physical test rigs for pressure and flow, test eyes and wet lab set ups that can be rebuilt the same day.
What is the role of the color, materials and ambient in design?
Colour in an operating room has to earn its place. In VIVOS it is used for orientation rather than decoration: the UNO Colorline coding identifies the gauges unambiguously, 20G red, 23G green, 25G blue, 27G yellow, so the correct instrument is recognised at a glance. The device itself stays deliberately quiet, because the surroundings are already visually busy.
The one place where colour becomes a precision instrument is inside the eye. Two independent LED sources with a steplessly adjustable spectrum let the surgeon set contrast for the tissue in front of them, and retinaProtect to ISO 15004-2 removes the blue component at the press of a button. The housing itself is medical grade polycarbonate with a surface finish designed for repeated disinfection.
What do you wish people to ask about your design?
What happens when something goes wrong. It is the question that separates a specification from a design, and it is the one we spent the most time on.
When you see a new great design or product what comes into your mind?
We ask who it was made for, and whether that person was in the room while it was being made. It is usually possible to tell.
Who is your ideal design partner? Do you believe in co-design?
The surgeon, and yes, without reservation. Every meaningful decision in VIVOS came out of a conversation with someone who operates for a living. Co design in medical technology is not a philosophy, it is a regulatory expectation and a practical necessity.
Which people you interacted had the most influence on your design?
Ophthalmic surgeons and operating room teams, and the researchers who tested our assumptions independently.
Which books you read had the most effect on your design?
Standards more than books. IEC 62366-1 on usability engineering and ISO 14971 on risk management have shaped our work more than any design monograph, because they are the written record of how devices have failed before. Beyond that, the reading that stays with us is the surgical literature on the procedures our devices serve.
How did you develop your skills as a master designer?
Generationally. The drive technology in VIVOS traces back to 1987, and the operating logic of its interface descends from our megaTRON series. Each generation inherited a working system and had to justify every change to it. That is a demanding school.
Irrelative of time and space, who you would want to meet, talk and discuss with?
The pioneers who created the two disciplines VIVOS brings together: Charles Kelman, who introduced phacoemulsification, and Robert Machemer, who established pars plana vitrectomy. We would like to show them one machine doing both and hear what they would criticise.
How do you feel about all the awards and recognition you had, is it hard to be famous?
Gratefully, and with some distance. In 2026 VIVOS received the Golden A' Design Award in the category Medical Devices and Medical Equipment Design and was nominated for the German Medical Award. We read both as confirmation for the surgeons who trusted a new platform early, rather than as a statement about us. Being known is not the goal in our field. Being trusted is.
What is your favorite color, place, food, season, thing and brand?
We can't answer this for the whole team. But we are a German Company, so imagine some special german stuff.
Please tell us a little memoir, a funny thing you had experienced as a designer?
At the beginning of the project, the project manager consistently followed a “function before design” approach, with the primary focus being on technical feasibility and functionality. However, once the first design prototype was available as a physical demonstrator, it became apparent that the housing appeared disproportionate and overly box-shaped. As a result, the overall enclosure design underwent a fundamental redesign. Several iterations were carried out to achieve a better balance between aesthetics, and proportions, ultimately leading to the design configuration that we have today.
What makes your day great as a designer, how do you motivate yourself?
A message from an operating room saying that a case went smoothly. That is more motivating than any internal milestone, because it is the only feedback that comes from the actual purpose of the work.
What do you think about future; what do you see will happen in thousand years from now?
We would settle for a shorter horizon. Within the working life of the people designing today, we expect surgical care to be limited less by technique than by capacity, and we would like the equipment to be part of the answer rather than part of the constraint.
Please tell us anything you wish your fans to know about you, your design and anything else?
Every VIVOS carries a small plate reading "Handcrafted with Pride in Heidelberg, Germany", together with the signature of the person who built that individual unit. It is not a marketing device. It is the shortest statement of what 75 years of working exclusively for eye surgery has left us with: the conviction that a device entering a patient's care should have a name attached to it.