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DesignNewswire · COMO, Italy ·

Reborn Wooden Vase by Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching Is Granted the A' Design Award in Fine Arts and Art Installation Design

Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching honored for fine arts and art installation design by the international grand jury of the 2022 - 2023 A' Design Award & Competition

FOR IMMEDIATE RELEASE

COMO, Italy, April 20, 2023 /DesignNewswire/ A' Design Award & Competition has confirmed the A' Design Award in the Fine Arts and Art Installation Design category for Reborn Wooden Vase by Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching, designed for Tainan University of Technology/Product Design Deparment. The award was conferred within the 2022 - 2023 A' Design Award & Competition and was determined through blind peer review by an international grand jury panel of established academics, design professionals and press members, who evaluated anonymized entries against predetermined criteria.

The A' Design Award Explained

The Iron A' Design Award is awarded to good designs that meet the rigorous professional and industrial standards set by the A' Design Awards. This recognition is reserved for works that demonstrate a solid understanding of design principles and show creativity within their execution. Recipients of the Iron A' Design Award are acknowledged for their practical innovations and contributions to their respective fields, providing solutions that improve quality of life and foster positive change. These designs are a testament to the skill and dedication of their creators, showcasing their ability to address real-world challenges through thoughtful design.

Regarding Reborn Wooden Vase

Creating value for the discarded and leftover of wood from furniture industry by using metal inlaying techniques on an organically spherical wood surface. Inspired by life form of growing seeds, brass wire is embedded on the wood grain, and extending out as the shape of the roots grown to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.

About Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Prof. ChungSheng Chen, a self-proclaimed "design missionary," possesses extensive experience in both design practice and education. He frequently expresses his perspectives on society through his work, blending an optimistic outlook, keen observation, and a deep emotional connection to life. His cross-disciplinary approach integrates various processing techniques and material applications, embodying a fundamental design philosophy.

Award Record

With this recognition, Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching is a winner of 23 A' Design Awards. The awards span the editions from 2016 - 2017 to 2022 - 2023 of the A' Design Award & Competition.

About the A' Fine Arts and Art Installation Design Award

The A' Fine-Art Design Award is an international fine-art design competition recognizing best fine-art works by leading fine-art artists and creators worldwide. The competition is organized within the A' Design Award & Competition and is open to artists, painters, sculptors and ceramicists from all countries. Entries typically include sculptures, paintings, installations, photographs, drawings and mixed media works. Awarded art designs are published at https://designers.org/design-category/fine-art

About A' Design Award & Competition

A' Design Award & Competition is an international, juried design accolade organized annually since 2008. The competition is open to entries from all countries. The A' Design Award has a philanthropic mission to advance society through good design by recognizing and promoting superior products, projects and services that benefit society, and by creating a global awareness and appreciation for good design practices and principles. Entries are peer reviewed and anonymously evaluated by an international grand jury panel of established academics, design professionals and press members against predetermined criteria such as functionality, ergonomics, engineering, presentation, innovation, usability, sustainability and technology, with score normalization applied to remove biases. Awards are conferred at Platinum, Gold, Silver, Bronze and Iron levels. The A' Design Prize granted to eligible laureates includes the award trophy, the certificate of design excellence, the hardcover yearbook, a lifetime license to use the A' Design Award winner logo, exhibition of awarded works, an invitation to the gala night and award ceremony in Italy, inclusion in the World Design Rankings and Designer Rankings, and public relations and publicity services. Registration, the upload of a work and the preliminary score are free of charge, and Professional and Digital Edition laureates are not contractually obliged to pay further fees to claim the A' Design Prize. Further information is available at https://competition.adesignaward.com

Press Resources

Media Contact

Giulia Ferrari, Press Office
Designers.Org
Via Leone Leoni 32, 22100 Como, Italy
press@designers.org
+39 031 4491953

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Fact Sheet

The Work

Project
Reborn Wooden Vase
Function
Wooden Vase
Category
Fine Arts and Art Installation Design
Discipline
Communication Design
Industry
Arts
Colors
Silver, Dark Slate Gray, Dark Gray, Dark Olive Green and Gainsboro
Images
5
Client
Tainan University of Technology/Product Design Deparment

The Recognition

Laureate
Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching
Country
Taiwan (China)
Recognition
A' Design Award
Edition
2022 - 2023
Design ID
#150604

Credits

Team
ChungSheng Chen, Designer:ChuJou Chen, YuHsuan Chen, FanXuan Yang, ChingChing Weng and Tainan University of Technology Product Design Dept
Image Credits
Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng

Design Details

Unique Properties
The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
Inspiration
We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
Research
Type of study: technology, art. Goal: Apply planar tessellation techniques to surface tessellation. Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment. Data collection: self-observation experience, books, online work observation. Research tools: metalworking tools, woodworking tools, all kinds of drills, all kinds of grinding tools.
Challenge
To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
Realization and Technology
Material: teak, brass, glass. Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray painting. Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation.
Operation and Interaction
The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
Project Duration and Location
The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
Specifications
Material: teak wood, brass, glass. Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm.
Keywords
Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover

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