Interviews with Hardik Shah

Always been keen to learn and give my best to designing meaningful spaces, has drived my process since the beginning. I feel very fortunate to have worked with Mathew and Ghosh Architects during my internship. The journey there, has formed the base of my practice. It helped me realise how a systematic approach to things can help realize dreams better.

After working at various architectural studios across the country, I was faced with an internal struggle—to work as I was, or to realize my own vision of a well-managed architectural practice. I chose the latter, and Studio Lagom came into being in 2011.

Having made my debut with the Skewed house, it taught me a lot. This house represents the firming up of several convictions: that each building is unique by way of its users, setting, function, and more; that you will deliver quality if you care enough; that there is no substitute for nature; and that architecture can leverage the innate beauty of every material, by creating the right balance between less and more.

Since then , its 9 years now, and we have constantly worked to create meaningful architecture and spaces that are sensitive to its users and nature. Today, our practice is involved in creating beautiful residences, compelling retail spaces, sustainable furniture, experiential restaurants, inspiring institutional spaces, and more. If you have a vision in mind, and would like to discuss about it, please get in touch .

As we struggle through the unknown, we only see the beautiful future that is not less than nature itself, and not more.

I just followed my internal drive while opting for a field after schooling and then everything followed. I feel highly obliged to have opportunity and ability of creating spaces for lifestyles and cultures.

At our studio, caring is the culture. We believe that each building demands care, because each building is unique by way of its users, setting, function, and more. Every process needs to be followed through rigorously, in order to create something that is in harmony with nature. We like to infuse natural elements into spaces.

Our process is rooted in eye for detail. Detailing out each element of the plan first, we move to on-site execution. At times, as the site progresses, new perspectives may demand a further round of detailing, which would lead to new solutions. We believe that without this kind of time spent on detail, we cannot do proper justice to the project at hand.

Talking about the tools and techniques, keeping in pace with the world, of course we use digital tools. However we believe certain things are best understood while you make physical mock models, as you realise the whole process, you get more aware about every junction and how it can be solved. At the same time aesthetics, colour, etc are best tested in computer aided renderings, giving it a real like touch and helping us to visualize better. Our process involves working on different mediums parallely, like sections and model when going side by side, both can be help each other and help us attain a higher level of clarity.

Designing as a process itself is the most pleasurable aspect of my life. However, it is most exciting when the ideas land on site, i.e. the phase when execution starts or is about to start. It is then, when the real feasibility, minute issues, material, etc. is discovered. It gives me immense pleasure in solving those details, as they teach me something new every time.

I feel highly obliged to have opportunity and ability of creating spaces for lifestyles and cultures. Creating something that guides somebody's daily routine, and molding people's life towards natural elements, which are often neglected in our fast-paced modern world, feels like bliss.

My personal nature of trying to be accurate and organized about everything, be it how things are placed around me and being aware about my surroundings, nature, light , food, air, animals, etc. and caring for them has shaped me a lot as a designer.

It helps because when you are fully aware about your surroundings, what amount of water a plant needs, to dust will spoil my appliances ,what brings good vibes and motivation , and what works better for me, you come to know how should a space be designed for somebody. I believe your routine will shape you a lot as a designer. The more you care and become aware, the more you are sensitive as a designer.

As we struggle through the unknown, we only see a beautiful future ahead. As we keep giving our best to projects and any other things that come our way.

Young designers!! I believe i am quite young yet :)

However, for freshers, for those who have just stepped in this world, I would like to say, believe in what you do, because design is not business, that you shut down your pc and it is over. It is a part of your life, it is in harmony with you! What you design will reflect your beliefs and life philosophies. A good training under a mentor that provides a clear perspective of life and design and gives you a kick is a must.

Rest, keep working hard and stay in the field by constantly updating yourself with what's new but in a limit such that it does not repress your original ideas . Here comes the most important point, while in the process of browsing stuffs around you , there's a thin line between inspiration and plagiarism. Find your own technique to ensure you do not cross the line and join the herds.

Being successful is a state of mind and satisfaction that comes from within. Work so hard that you can never be unsuccessful and dissatisfied at heart. I would suggest designers to be more sensitive about nature as well as your client's life and design accordingly. Do not get swayed away by internet images, as each one of us have a different mind.

Also I would suggest designers to stick to the roots of our design process to a certain level, for example - making physical models and hand drawings, because it does greater good and helps attain clarity which does not come from computer graphics. And go in details of every element, it is a must thing that one should do. Because 10mm can change how your furniture looks and 100mm can change how your space feels.

Designing something new feels good, but at the same time being a part of designing fraternity, it feels good to see new works, different ideologies and extra ordinary designs from other designers. I would like to thank all designers working in the direction of trying to make this world beautiful.

Our studio is an ever-evolving space. The seed that was sown in 2011 has now grown from a sapling to a tree. Years of dedicated work, and a nature to curate beautiful art has resulted in a space that is soothing and inspiring at the same time. Ideas can be conceived here easily because the space enables one to think—after all, that is the function.

This is where we start our work day - taking care of our studio. A bit of cleaning, gardening and a good morning coffee. After which I list down my day's task, or see if something is already on the list. Check mails and some articles and you are good to go for the day.

During a boring day, I often do changes to the studio. There are so many plants and artifacts, additions, subtractions or new permutation combinations of the same, makes our space dynamic and stops it from slipping into the boring category.

What makes us happy is the studio itself.

It is always important to be aware about what is going on and at the same time it is also important to be rooted to certain principles. Just like Frank O Gehry says “Architecture should speak of its time and place, but yearn for timelessness.”

We do follow design trends through magazines, sites and competitions, and anything that is different and rooted would inspire a designer. Yet what mainly inspires us is the purity, serenity and respect for nature. We believe in architecture that gives importance to the beauty of each material and is created in harmony with nature, by creating the right balance between less and more.

Functionality and detailing to improve efficiency is something I look forward to in any design.

And the inherent aspect of design - aesthetics, always remains. With any number of complications, or any amount of good vision, it is always important for a designer to maintain proportions and aesthetic value.

A design is never ready, because the moment you are satisfied , you deprive yourself from creating something better. There is always a scope for improvement. As stated " Our process is rooted in eye for detail. Detailing out each element of the plan first, we move to on-site execution. At times, as the site progresses, new perspectives may demand a further round of detailing, which would lead to new solutions. We believe that without this kind of time spent on detail, we cannot do proper justice to the project at hand."

We know a project is a success when we can see that the client is satisfied and smiling.

The Skewed House

There isn't one. Many legends working in the direction of tropical architecture inspire me.

Some of them are - Bedmar & Shi, Geoffrey Bawa, Anjalendran, Hyla Architects,

Anjalendran & Matthew and Gosh.

Undoubtedly, A design is always effected by culture and vice-versa. The g-local culture of today's world has exposed people to various lifestyles, trends, etc in one click. And a good design is necessary for advancement of society, because just the way people look up to internet for trends in clothes and politics, they do the same in terms of designs. So whether or not designers incorporate nature, materials, cultural arts, graphics, comfort , lesiure, etc. in their design will determine how people look at all these aspects and form a culture in long run. And hence a good design is very important.

This exposure to web has made some people from different places approach me for designing their adobes or workplaces. It feels fortunate, as it exposes me to a different culture and lifestyle.

Talking about my personal influence, Being in Surat, Gujarat the hard working nature of people, houses in old city area, and the culture all influence me. At the same time my travel, has exposed me to various cultures and experiences that adds on to who I am. Kochi is a city that I adore. Sri Lanka, Jaipur, Bangalore and Jaisalmer are some other places I love. And of course, music is an all time companion. Jagjit Singh songs are something I can hear all day.

At our studio, caring is the culture. We believe that each building demands care, because each building is unique by way of its users, setting, function, and more. Every process needs to be followed through rigorously, in order to create something that is in harmony with nature. We like to infuse natural elements into spaces.We believe in creating form that not only follows function, but creates spaces for lifestyles and cultures.

It is always easy to work with a person who has a vision in mind, and is willing to learn and explore.

I believe my work is my contribution. Two major elements of my work that make me feel like I am contrubuting to good are as follows:

1. Incorporation of nature : As our globe goes through climate change, an increased sensitivity towards infusing nature in work, and orienting colleagues, clients towards being equally sensitive and caring for plants and animals feels like spreading good.

Needless to mention, this infusion of nature moulds the micro climate of the buildings we design , reducing their dependency on artificial elements.

2. Incorporation of Art : India has survived a turbulent hisory, and yet retains a sense of originality and cultural identity that is enriched by diverse influences that it has absorbed.Similarly, as Indian architecture goes through this phase of mordernism, we are trying both - absorbing the mordernism & attempting to retain our culture through artworks. Because , “Art is not entertainment. Art is not luxury goods. Art is culture. It is you and me.” - Paige Bradley

Also, Lately I have been involved with architecture colleges in Surat as a juror and helping shape the future of design.

Such platforms always opens up an individual to a wider platform, new perspectives, and new people. It is motivating and helps us reach more people with similar inclinations and desires.

Simple aesthetics, a minimal material palette and connections to nature are the main drivers of the design of the Skewed House

The standalone 11,000-square-foot villa seeks to create an oasis of serenity in Surat’s typical urban milieu through a programme that departs from typical planning of this typology. Simply stating, in contrast to the way the urban areas are developing, we wanted to create a space which experiences the bliss of nature and hence aimed at controlling the lavishness of the house and leaving more space for garden.

There are no specific future plans. But, we would never hesitate to register the design to any new award or publication platform that spreads its reach to a wider range of people, as we believe it is a way to come in touch of people with similar inclination and beliefs.

And as far as the future of the building is concerned, we are blessed to see the clients maintaining it with the same amount of care the way we built it.

It took us around 4-5 months

The design is a mix of our inspirations and the client's requirements. The client’s request for connections from top to bottom, skylights, a distinct identity for the worship area, nature, and a play of light and shadow inform the spatial layout.

However the way we achieved the client's desires roots down to our inspirations and beliefs.

Our practice exists to challenge the Indian architectural landscape that is still quite unorganized, where ‘layers of materials’ have ruled over ‘purity of materials’. We believe in architecture that gives importance to the beauty of each material, by creating the right balance between less and more. And hence the use of materials the way they are in the project.

Also, we believe in creating form that not only follows function, but creates spaces for lifestyles and cultures. As modernism and contemporary architecture is on its rise, often the cultural aspects and artistic value is lost. We usually try to blend art with architecture and hence came up ' The Dancing pachydrem' - A kalamkari style artwork at the staircase wall and 'The Krishna Vaas' - an enormous oil painting of Pichwai style in the pooja area.

No we do not intend to sell or lease the design nor do we reproduce our work. However, we have worked with the similar concept, strategy and materials, as new clients are often driven towards the sensitivity and serenity of this design and insist on having a similar approach.

As stated in the question no. 5, the client's guide to the quality of spaces, and our beilefs leaded to the particular type of work - Purity of materials, connection to nature, spaces where lifestyle and cultures house. A form that not only follows functions, but incorporates above all and at the same time speak of its time, i.e. stay modern and contemporary.

Study of works of architects like Geoffrey Bawa, Anjalendran, who work in tropical context and study of Old Indian Art and Architecture influenced the project's design.

Not being a commercial project that seeks customers, the owner of the house is the customer. And the design is customized for their lifestyle.

The incorporation of artwork that speaks of culture, the control on lavish scale and newer ways of bringing in nature like outlining of glass , distincts the design from other modern contemporary residences.

More importantly the relaxed ambience of the Skewed House can be attributed to its substantial greenscape and not technology !!

My deep interest in photography helped me visualize this project as a series of interconnected vistas, and was also responsible for the ‘skewedness’ of Skewed House. Manifested subtly as elements shifted slightly off the straight line, this was an exercise in creating vistas and perspectives, and adding more life to a three-dimensional object.

While designing mainly hand tools like sketching and physical models were used. Softwares like AutoCAD were used during the execution.

The divineness of the pooja space is the most unique expression and is one of thousands of its kind. The family were devoted followers of Krishna — indeed, the spatial programme itself paid special attention to the pooja ghar, creating a soaring double-height volume seated within a waterbody. Rather than take the all-white route that’s currently the flavour for such spaces, we decided to celebrate the joy, vibrancy and romance associated with the Divine Cowherd —and therefore this luscious, pastoral setting created in the pichwai style. The 24’ high life-like scenery- spread on 3 adjacent walls, was first painted with acrylic colours on plywood sheets, which were then affixed to the wall.

The L-shaped glass inset behind the pooja tower invites the surrounding greenery in and connects the interior waterbody with the external lotus pond visually.

Who wouldn't want to pray in this serenity.

Yes, of course. A certain things are best done at the hands of specialists.

1. The substantial greenscape, was developed collaboratively by Roots Designs and Studio Lagom.

2. Kruti Sheta-Patel, Satyadip Vadnere & Hemant Saho(Artitude) and Grishma Verma togather curated and executed the artworks.

3. Home Theater & Acoustic details were provided by Jignesh Khatiwala(Absolute Sound) & Rolins Roy

The building is not one of a very deconstructive, moulded or squeezed form needing extra ordinary technology nor is its function of an exclusive type. It is a simple home build of brick and concrete. However, basic technology in terms of rendering of concrete and quality of workmanship of landscape, stonework, glass fixing, acoustics, artwork, etc helped us create a finely finished home.

As mentioned above, a research on tropical architecture influenced the project in a greater way.

The site being surrounded by high rise buildings was one problem while conceptualizing. And once conceptualized, certain client constraints were there while realizing it.

Being self-satisfied, seeing the client satisfied and having been acknowledged at local and national platforms, our belief in the potential of the project and its philosophy strengthened, motivating us to place it on international platforms to come in touch with people of similar inclination and desires who believes in or wants to create such spaces.

Being the debut project, it is while working on this project i learnt, how important it was to work on site and not just drawings and digital mediums. Coming back on the digital medium after site work, and then work in synchronization was my biggest learning. Also how to deal with people on-site is something I learned then.

Being my debut project, this house to me represents the firming up of several convictions: that each building is unique by way of its users, setting, function, and more; that you will deliver quality if you care enough; that there is no substitute for nature; and that architecture can leverage the innate beauty of every material, by creating the right balance between less and more.

I just followed my internal drive into this after schooling. I have no such design background though. I did my Bachelor's of Architecture from Sarvajanik College of Engineering and Technology(S.C.E.T.), based in Surat itself. With the right atmosphere and my keen interest in designing meaningful spaces, has driven my process since then. I feel very fortunate to have worked with Mathew and Ghosh Architects during my internship. The journey there, has formed the base of my practice. It helped me realize how a systematic approach to things can help realize dreams better.

I feel highly obliged to have opportunity and ability of creating spaces for lifestyles and cultures.

I chose to become one.

Our practice is involved in creating beautiful residences, compelling retail spaces, sustainable furniture, experiential restaurants, inspiring institutional spaces, and more.

I wish to design public spaces like crematoriums or resorts more often.

Young designers!! I believe i am quite young yet :)

However, for freshers, for those who have just stepped in this world, I would like to say, believe in what you do, because design is not business, that you shut down your pc and it is over. It is a part of your life, it is in harmony with you! What you design will reflect your beliefs and life philosophies.

A good designer makes a perfect building in terms of aesthetics, functionality, etc.

But, a great designer goes beyond, something that influences lifestyles and culture.

Detailing is what makes a good design a really good design.

Functionality and detailing to improve efficiency is something I look while evaluating a design. And the inherent aspect of design - aesthetics, always remains. With any number of complications, or any amount of good vision, it is always important for a designer to maintain proportions and aesthetic value.

A good design inspires and influences lifestyles and cultures. The g-local culture of today's world has exposed people to various lifestyles, trends, etc in one click. And a good design is necessary for advancement of society, because just the way people look up to internet for trends in clothes and politics, they do the same in terms of designs. So whether or not designers incorporate nature, materials, cultural arts, graphics, comfort , leisure, etc. in their design will determine how people look at all these aspects. And hence investing in and promoting a good design is very important.

Also, from the view point of laymen, they should invest in good design because it simplifies and improvises their lifestyle and activities.

I would design for public. Public buildings like crematoriums and resorts interest me.

Frankly, there's no such dream project. We design projects as they come to us and strive to make the best out of it.

The most important, not so secret ingredient is nature. Nothing more , nothing less.

To name a few - Bedmar and Shi, Geoffrey Bawa, Anjalendran, Bijoy Jain, Matthew and Ghosh.

There isn't one. Many tropical designs by Bedmar and Shi , Geoffrey Bawa, Anjalendran are my favorites. To specify, The Belmont House, by Bedmar and Shi is one such project.

I admire the skewed house a lot. The incorporation of artwork that speaks of culture, the control on lavish scale and newer ways of bringing in nature like outlining of glass , a more than serene double-heighted pooja space, distinct the design from other modern contemporary residences.

Most importantly the relaxed ambience of the Skewed House can be attributed to its substantial green-scape and not technology !! I think that makes it a good design.

Being my debut project, this house to me represents the firming up of several convictions: that each building is unique by way of its users, setting, function, and more; that you will deliver quality if you care enough; that there is no substitute for nature; and that architecture can leverage the innate beauty of every material, by creating the right balance between less and more.

A caring nature for everything around shaped me to be a better designer. Because the more you care and become aware, the more you become sensitive as a designer.

Second most important thing every designer should learn is management. If you are not good at time management, or are not organized, things can be really messy.

A Lawyer or a psychiatrist

Design for me is a medium to inspire, enhance and create spaces for different lifestyles and cultures. It is an expression, a functional art. An expression that strikes a balance between less and more. And to supplement a living or an activity precisely, every tiniest of the details ranging from door handle, to chair anthropometry, to materials, everything should be thought of. That makes a complete design.

My inner voice gives me constant strength.

Just as I mentioned above, a caring nature , that makes you more aware and being organized are the keys to being sensitive. And once you are sensitive enough, design follows.

I am constantly facing challenges and learning through them to become one.

We are in a creative field and I do not think there are any guidelines to mediums of presentation these days. There are infinite possibilities. But yes, there is an underlined guideline, how-so-ever innovative and beautiful, your presentation should be easy to understand and interpret.

There are various projects going on residences, farm houses, retail outlets, etc. We are exploring many things. As we struggle through the unknown, we only see the beautiful future that is not less than nature itself, and not more.

Making infusion of nature into design , a very basic principle which every designer practices, and every laymen client desires. Making it a way of life. I wish every individual who has worked with me or will work, or has seen my work , takes this with them as a way of life.

Expectations of people differ according to their roles, like co-workers, clients or mentors. However a certain benchmarked quality of spaces and architectural expression previously created is an underlined expectation everybody has. Which can only rise and improve in terms of quality of work. I just hope I am meeting expectations people has.

Just as mentioned above, A good design inspires and influences lifestyles and cultures. The g-local culture of today's world has exposed people to various lifestyles, trends, etc in one click. And a good design is necessary for advancement of society, because just the way people look up to internet for trends in clothes and politics, they do the same in terms of designs. So whether or not designers incorporate nature, materials, cultural arts, graphics, comfort , leisure, etc. in their design will determine how people look at all these aspects.

Being socially and ecologically responsible as designers can help create a better society. What we endorse as designers is adopted as a way of life. It replicates and makes our world a good or bad place to live.

Just like us, our designs should not be in isolation. They should live in harmony with the surroundings. Being environment friendly in terms of material usage, reusing of material, incorporating nature in terms of green-scape, and bringing in ecological harmony by providing niches that invite birds or animals are some of the environmental responsibilities.

Designers produce or reproduce cultures, hence being sensitive to use of artworks and sculptures, establishing appropriate linkages and respecting the context, are some social responsibilities.

Also, when designers work on social cause projects like rural schools, or anything that is in their surrounding , it improvises the quality of life at the lowest level.

Designing then becomes about sensitivity and not affordability.

Everything excites us. Each and every project or task is special, because without our heart into it, we cannot do proper justice.

All my designs constantly evolve when in process, ensuring I have done the best possible I could do on my side, and therefore because of the constant dissatisfaction in the process and an urge to improve, makes me satisfied at the end. And even if something remains, I take it is as a learning.

With each project I have learned something new and am satisfied about the same.

The design field has grown a lot in recent times. A lot of designers, coming up with new concepts and setting benchmarks and I feel quite happy to be a witness and part of this phase of design era.

However, the need of a designer , is not completely understood to every laymen. Around us there are numerous projects I see which are just built by builders or contractors without appropriate knowledge of design. Also designers at times do certain projects for the sake of doing. I just wish to see design being rooted in everything that is created.

I think we are headed to mars and moon.. In fact competitions for that has begun as well. Because that is what remains.

The parameters and scope of designing has widened enormously in the present day.

1. The categories and detail - Design is not just limited to architecture or fashion anymore. Graphics, miniatures, products, sounds, music, everything is designed with a different level of detail today.

Templates have been substituted by newer details and techniques which owes to greater level of customization happening around us. Which means we are becoming highly sensitive towards the uniqueness of individual beings and their aspirations. From furniture, pens, bag to movies and songs, there is stuff available for all kinds of people - modern or traditional, rich or poor, an attempt to cater to everybody is there.

2. Material and technology - With growing concerns towards sustainable aspects, and the advent of technology , people are doing wonders to create newer techniques , reusing materials, modernizing older techniques like ferro-cement, bottle walls, rammed earth respectively.

And there is so much more in terms of forms and spaces, tall buildings to courtyard houses to ocean houses.

It is very subjective and varies as per the specifications of each project.

Site conditions, client requirements and a basic spatial diagram in its accordance. That is how we start.

Our practice exists to challenge the Indian architectural landscape that is still quite unorganized, where ‘layers of materials’ have ruled over ‘purity of materials’. We believe in architecture that gives importance to the beauty of each material, by creating the right balance between less and more.

We believe in creating form that not only follows function, but creates spaces for lifestyles and cultures.

It works both ways. Because what is designed and published is what becomes trending. And then clients come to you with those pictures asking you to design something similar. So, it's like a cycle. Therefore, it is important for good designs to be published and reach wider platforms.

Our aim being creating space or lifestyle and culture, technology in our case follows design. Any new technology is experimented which comes as a medium to achieve a particular idea. Like we explored ferro-cement in a cafe project where achieving a fluid and organic environment in low cost was our aim. But it is not our top most aim to explore a technique and then design accordingly.

Talking about the tools and techniques, we use both softwares and conventional methods. We believe certain things are best understood while you make physical mock models, as you realize the whole process, you get more aware about every junction and how it can be solved. At the same time aesthetics, colour, etc are best tested in computer aided renderings, giving it a real like touch and helping us to visualize better. Our process involves working on different mediums in parallel. To mention the softwares, we use, AutoCad , Google Sketch Up, 3Ds Max, Adobe Photoshop, and any other that comes up as a need for exploration in a project.

Also, we have a huge library, which is referred to every now and then and it inspires us to work in detail for each and every aspect of a design.

Once a structure is built, it is the colour, material and ambience that determine how a space will feel - live, mundane, dark , peaceful, etc. Just how, dimensions affect anthropometric comfort, there are visual ergonomics which are guided by light and colour. Food courts or restaurants usually use red, because red associates to eating. Similarly all colours and textures guide emotions and hence play a very magnificent role in design.

Not just our projects, but for anybody, I wish people to ask about the process behind a beautiful project or product, as that's where they can appreciate the efforts and discover details about how things have been achieved.

"What would be the process that lead to it" is something that always comes to my mind. People are creating wonders, and it feels great to be a part of the design fraternity, come in touch of great minds, learn and share.

All of my designs are co-designs, as they constantly evolve, everybody involved in the process works together to make it better.

Mathew and Ghosh

Romancing the tropics - Bedmar and Shi, The Architectural heritage of Sri Lanka - works of Anjalendran.

I am still developing.

With my staff, it is interactions with them which help us reflect back and grow together.

The awards and recognition brings along a lot of motivation. However, for me it has never been about fame, it is about reaching to wider sections of people with similar inclinations, or people with newer ideas, interact with such people involved in the design fraternity and grow in a symbiotic manner.

Shades of Grey, Himalaya, Thai food, Winter and Spring that follows, and antiques respectively.

Our studio motivates me. It is an ever-evolving space. The seed that was sown in 2011 has now grown from a sapling to a tree. Years of dedicated work, and a nature to curate beautiful art has resulted in a space that is soothing and inspiring at the same time. Ideas can be conceived here easily because the space enables one to think—after all, that is the function.

No , It wasn't that obvious.

To be point- blank, the way we are using resources, I just can't imagine 1000 years from now, only scarcity, and the death of humanity that would follow with the rising quarrels over things is what I see.

Thank you for all the faith you have bestowed in us.

I just followed my internal drive into this after schooling. I have no such background though.

After working at various architectural studios across the country, I was faced with an internal struggle—to work as I was, or to realize my own vision of a well-managed architectural practice. I chose the latter, and Studio Lagom came into being.

Our practice exists to challenge the Indian architectural landscape that is still quite unorganized, where ‘layers of materials’ have ruled over ‘purity of materials’. We believe in architecture that gives importance to the beauty of each material, by creating the right balance between less and more.

We believe in creating form that not only follows function, but creates spaces for lifestyles and cultures.

At our studio, caring is the culture. We believe that each building demands care, because each building is unique by way of its users, setting, function, and more. Every process needs to be followed through rigorously, in order to create something that is in harmony with nature. We like to infuse natural elements into spaces.

Our process is rooted in eye for detail. Detailing out each element of the plan first, we move to on-site execution. At times, as the site progresses, new perspectives may demand a further round of detailing, which would lead to new solutions. We believe that without this kind of time spent on detail, we cannot do proper justice to the project at hand.

Our studio is an ever-evolving space. The seed that was sown in 2011 has now grown from a sapling to a tree. Years of dedicated work, and a nature to curate beautiful art has resulted in a space that is soothing and inspiring at the same time. Ideas can be conceived here easily because the space enables one to think—after all, that is the function.

Today, our practice is involved in creating beautiful residences, compelling retail spaces, sustainable furniture, experiential restaurants, inspiring institutional spaces, and more. If you have a vision in mind, and would like to discuss about it, please get in touch .

As we struggle through the unknown, we only see the beautiful future that is not less than nature itself, and not more.

We are Studio Lagom.

Design for me is a medium to inspire, enhance and create spaces for different lifestyles and cultures. It is an expression, a functional art. An expression that strikes a balance between less and more. And to supplement a living or an activity precisely, every tiniest of the details ranging from door handle, to chair anthropometry, to materials, everything should be thought of. That makes a complete design.

Public buildings like crematoriums or resorts.

The Skewed House, Because making of this house to me represents the firming up of several convictions: that each building is unique by way of its users, setting, function, and more; that you will deliver quality if you care enough; that there is no substitute for nature; and that architecture can leverage the innate beauty of every material, by creating the right balance between less and more.

It is a tropical luxury house, where the relaxed ambiance accrue to nature and not technology.

The Skewed house

We believe in architecture that gives importance to the beauty of each material, by creating the right balance between less and more. Consequently , we use materials in an exposed format and techniques in their pure method, with minimal cladding only if required. However to state, one of our favourite material palette is exposed concrete , and white plastered walls with black stone - granite or limestone flooring, wooden door and windows, overlaid by wooden furniture and bright coloured soft furnishings. However, we like to explore different materials and techniques like ferro-cement walls, ferro-crete roof, exposed local stone walls, etc.

In the night , while I am travelling and while I am driving.

At our studio, caring is the culture. We believe that each building demands care, because each building is unique by way of its users, setting, function, and more. Every process needs to be followed through rigorously, in order to create something that is in harmony with nature. We like to infuse natural elements into spaces. Connection to nature is always the most important aspect, and an inherent focus comes by default.

Our process is rooted in eye for detail. Detailing out each element of the plan first, we move to on-site execution. At times, as the site progresses, new perspectives may demand a further round of detailing, which would lead to new solutions. We believe that without this kind of time spent on detail, we cannot do proper justice to the project at hand.

Designing as a process itself is the most pleasurable aspect of my life. However, it is most exciting when the ideas land on site, i.e. the phase when execution starts or is about to start. It is then, when the real feasibility, minute issues, material, etc. is discovered. It gives me immense pleasure in solving those details, as they teach me something new every time.

I feel highly obliged to have opportunity and ability of creating spaces for lifestyles and cultures. Creating something that guides somebody's daily routine, and molding people's life towards natural elements, which are often neglected in our fast-paced modern world, feels like bliss.

Sense of satisfaction from the client feels like success.

A design can be successful in various aspects. The most important of which is "a satisfied client". As he is the one who is going to use it for life. Along with catering to client's requirements effectively, if a design teaches a client newer perspectives and improvises and simplifies their way of living in terms of use of technology or connections to nature, etc. that marks a project successful.

Other aspects vary as per individual design. Being environmentally responsible in terms of materials, or green-scape, etc. or socially responsible in terms of connectivity to surroundings, etc and innovative approaches to such can mark the success of a project in certain ways.

Functionality and detailing to improve efficiency is something I look forward to in any design.

And the inherent aspect of design - aesthetics, always remains. With any number of complications, or any amount of good vision, it is always important for a designer to maintain proportions and aesthetic value.

Being socially and ecologically responsible is something that should stand at the core of every designer. Designs inspire and influence lifestyles and cultures, and hence, it is highly important to understand the implied responsibility. What we endorse as designers is adpoted as a way of life. It replicates and makes our world a good or bad place to live.

Just like us, our designs should not be in isolation. They should live in harmony with the surroundings. Being environment friendly in terms of material usage, reusing of material, incorporating nature in terms of green scape, and bringing in ecological harmony by providing niches that invite birds or animals are some of the environmental responsibilities.

Designers produce or reprodue cultures, hence being sensitive to use of artworks and sculptures, establishing appropriate linkages and respecting the context, are some social responsibilities. Also, as a designer one should often work on social cause projects like rural schools, or anything that is in your surroundings , with an aim of improving the quality of life at the lowest level.

Design should be determined by sensitivity and not affordability.

The design field is evolving very exponentially. The parameters of designing has widened enormously in the past decade. Design is not just limited to architecture or fashion anymore.

Graphics, miniatures, products, sounds, music, everything is designed with a different level of detail today.

Templates have been substituted by newer details and techniques which owes to greater level of customization happening around us. Which means we are becoming highly sensitive towards the uniqueness of individual beings and their aspirations. From furniture, pens, bag to movies and songs, there is stuff available for all kinds of people - modern or traditional, rich or poor, an attempt to cater to everybody is there.

Future of design is great if people follow their individual imagination and strive to make it happen.

Our last exhibition was at Alliance Francis de Delhi in January 2018. It was the annual exhibition of 20 under 35, Design X Design.

My inspiration is rooted in my beliefs. Being in harmony with nature and surroundings, and creating something which is in harmony with nature is what drives me. Having met certain people with similar perspectives and seeing works of legends like, Bedmar and Shi, Bijoy Jain , Anjaledran, and others inspire me to keep working in this direction.

Our studio feeds our creativity. It is an ever-evolving space. The seed that was sown in 2011 has now grown from a sapling to a tree. Years of dedicated work, and a nature to curate beautiful art has resulted in a space that is soothing and inspiring at the same time. Ideas can be conceived here easily because the space enables one to think—after all, that is the function.

We would never like to be stereotyped into one category.

However, if required we would describe our style as modern tropical minimalism.

The main characteristics of which are

1. A modern form in terms of geometry

2. Connections to nature

3. Purity of materials i.e. more exposed surfaces, and minimal cladding.

4. A touch of bright colours in form of paintings & soft furnishings that enlivens the space.

An essence of life that comes with the presence of nature and colours made us explore this style. And of course Architectue should speak of its time and not be out-dated, therefore being modern is must.

I live in India. India has survived a turbulent history, and yet retains a sense of originality and cultural identity that is enriched by diverse influences that it has absorbed. Similarly, as Indian architecture goes through this phase of modernism, we are trying both - absorbing the modernism & attempting to retain our culture by developing designs that supplements our way of living with elements like otta ,hichko, courtyards, magnificent pooja spaces, etc. Also by incorporating artworks we try to conserve the diverse arts forms our country possess.

Our architectural heritage is rich ranging from courtyard houses of Rajasthan and Kerala, to ornamented wooden houses, ornamented Mughal buildings, and many more. Being in India makes our designs more colourful, detailed and lively.

Companies or clients should select a good designer by considering their creative talent and efforts. Also, a good designer is not always enough. An appropriate choice according to the kind of task or project is necessary. Hence they need to be clear about the type of design like tropical, contemporary, etc., research on the same and then appoint somebody whose work is in alignment with their inclination.

Our process is rooted in eye for detail. Detailing out each element of the plan first, we move to on-site execution. At times, as the site progresses, new perspectives may demand a further round of detailing, which would lead to new solutions. We believe that without this kind of time spent on detail, we cannot do proper justice to the project at hand.

Every process needs to be followed through rigorously, in order to create something that is in harmony with nature. We like to infuse natural elements into spaces. We believe in creating form that not only follows function, but creates spaces for lifestyles and cultures.

Chair , Lamps, Wall paintings and murals, Staircase and Indoor Plants.

Our studio is an ever-evolving space. The seed that was sown in 2011 has now grown from a sapling to a tree. Years of dedicated work, and a nature to curate beautiful art has resulted in a space that is soothing and inspiring at the same time. Ideas can be conceived here easily because the space enables one to think—after all, that is the function.

This is where we start our work day - taking care of our studio. A bit of cleaning, gardening and a good morning coffee. After which I list down my day's task, or see if something is already on the list. Check mails and some articles and you are good to go for the day.

During a boring day, I often do changes to the studio. There are so many plants and artifacts, additions, subtractions or new permutation combinations of the same, makes our space dynamic and stops it from slipping into the boring category. The studio inspires us.

Young designers!! I believe i am quite young yet :)

However, for freshers, for those who have just stepped in this world, I would like to say, believe in what you do, because design is not business, that you shut down your computer and it is over. It is a part of your life, it is in harmony with you! What you design will reflect your beliefs and life philosophies. A good training under a mentor that provides a clear perspective of life and design and gives you a kick is a must.

Rest, keep working hard and stay in the field by constantly updating yourself with what's new but in a limit such that it does not repress your original ideas . Here comes the most important point, while in the process of browsing stuffs around you , there's a thin line between inspiration and plagiarism. Find your own technique to ensure you do not cross the line and join the herds.

Design makes you more sensitive about things around you and that is the biggest benefit that enriches our life in terms of beliefs, responsibilities, social and environmental awareness, and our lifestyle.

Also having opportunity and ability of creating spaces for lifestyles and cultures. Creating something that guides somebody's daily routine, and molding people's life towards natural elements, which are often neglected in our fast-paced modern world, feels like bliss.

Negatives are hard to mention. Just that it consumes a lot of your time :D

Striking a balance between less and more and infusing natural elements into spaces.

Drawings are our tools to convey our thoughts. Hence a basic ability to make and read drawings is a must. Rest, sketching, 3Ds etc if improvised, can act as a boon to a designer.

Second, an ability to visualize things and spaces, is an important skill. It is developed in people with experience.

While designing i usually sketch first. Talking about the tools and techniques throughout the process, we use both softwares and conventional methods. We believe certain things are best understood while you make physical mock models, as you realise the whole process, you get more aware about every junction and how it can be solved. At the same time aesthetics, colour, etc are best tested in computer aided renderings, giving it a real like touch and helping us to visualize better. Our process involves working on different mediums in parallel, like sections and model when going side by side, both can be help each other and help us attain a higher level of clarity.

We have a huge library, which is referred to every now and then and it inspires us to work in detail for each and every aspect of a design.

Management is one thing every designer should grasp and learn, otherwise things can be really messy.

At our office, various systems like - Daily muster filling helps schedule our tasks for a day, and ensures no upcoming task is missed or forgotten , A detailed list of drawings to be produced, and other working systems, keep us organized, and ensures that we deliver on time.

This is a very subjective question and would vary as per the specifications of different objects or projects.

"Is it really possible to make this?" is a question often tossed by my clients and staff members.

I feel very fortunate to have worked with Mathew and Ghosh Architects during my internship. The journey there, has formed the base of my practice. It helped me realise how a systematic approach to things can help realise dreams better.

Our clients are different kind of people - businessmen, builders, IAS officers, CA professionals and others.

Conservation. Because it helps in discovering a lot about the history - past technologies, culture , etc.

As we struggle through the unknown, we only see the beautiful future that is not less than nature itself, and not more. As we keep giving our best to projects and any other things that come our way.

We work as a team. And our designs constantly evolve for better. Therefore everyone involved in its process helps make it better at different stages.

There are various projects going on residences, farm houses, retail outlets, etc. We are exploring many things.

Through mail

hello@studiolagom.in