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Darejan Shatashvili

GeorgiaArchitecture

Interviews with Darejan Shatashvili

Read the interviews with Darejan Shatashvili: understand their philosophy, creative process and award-winning work.

Designer Profile

Designer of the Day Interview

18 questions

I've been engaged in architecture for 24 years, starting as an assistant architect and now leading my own firm. My portfolio includes renowned buildings in Georgia such as government-commissioned houses of justice…

Could you please tell us about your experience as a designer, artist, architect or creator?

I've been engaged in architecture for 24 years, starting as an assistant architect and now leading my own firm. My

portfolio includes renowned buildings in Georgia such as government-commissioned houses of

justice, hotels, and multipurpose complexes, along with many significant reconstruction

projects.

2023-present. Lecturer of the Faculty of Architecture of the Caucasus University. The Caucasus University has been designated as a candidate for membership in the world's most famous and prestigious professional organization, the Royal Institute of British Architects (RIBA)

2014- present "Artytechs" CEO/Founder, Tbilisi, Georgia.

2000-2014, "MAGI STYLE", Chief Architect, Tbilisi, Georgia.

1999-2000 Georgian Railway Head Office, Architect

How did you become a designer?

I've dreamed of becoming an architect since childhood. My journey began when I started

drawing even before I could fully speak. I possess a natural talent for imagination that has been

instrumental to my creative processes throughout my career. Over the years, I've faced and

overcome numerous challenges, continually building on my experience. Initially, I made many

mistakes, especially due to a lack of technical knowledge. However, these errors were pivotal in

learning how to properly design and execute projects. My early work involved small-scale

projects like individual homes. Gradually, as I gained expertise, I moved on to larger

developments such as apartment buildings, hotels, shopping malls, and even government

facilities like justice houses. This progression in project size and complexity taught me that skill

and capability evolve with experience. Becoming a designer has been an intriguing and integral

part of my life, shaping my professional and personal growth.

What are your priorities, technique and style when designing?

My design process is methodical and comprises several stages, beginning with an in-depth

dialogue with the client. Understanding the client's needs accurately is crucial and forms the

foundation of my approach. This initial step ensures that I grasp the client's vision and objectives

thoroughly, which is vital for successful design execution. Next, I conduct a comprehensive study

of the project area, assessing its current development and potential. Following this analysis, I

move on to sketching and creating a preliminary mock-up. These early designs are then refined

using computer software to produce a detailed and scaled version, which I present to the client

for feedback. Once the conceptual phase is approved, we advance to the technical detailing of

the project. This systematic approach allows me to blend functionality with aesthetic appeal,

ensuring that each design not only meets but exceeds the client's expectations.

Which emotions do you feel when designing?

The design process is a deeply exciting and emotional journey for me, with each stage bringing

its own unique set of feelings. From the initial interaction with the client, where I strive to build

a relationship and understand their vision (Stage 1), to the in-depth study of the project area

(Stage 2), every phase is intriguing. Sketching the initial ideas (Stage 3) stirs creativity, while

preparing the technical drawings (Stage 4) focuses on precision and detail. The process of

obtaining a building permit from the city administration (Stage 5) involves anticipation and

often, a bit of anxiety. The construction phase (Stage 6) is particularly poignant, as it involves

overseeing the project come to life through authorial supervision, culminating in the emotional

handover of the completed building.

What particular aspects of your background shaped you as a designer?

My development as an architect has been shaped by a combination of key skills including

principle, strength, motivation, and a vivid imagination. My motivation is fueled by the success

of my projects, which in turn are founded on the principles of resilience and integrity. These

principles guide me to overcome challenges and navigate obstacles effectively.

The ability to make swift and accurate decisions, often relying on intuition, plays a critical role

in my architectural practice. Moreover, an architect's work requires a deep understanding of

human psychology. Successfully interpreting and fulfilling client needs demands a keen ability

to recognize and respond to their desires, which is a skill I have honed over the years. This

blend of technical expertise, psychological insight, and creative imagination has profoundly

shaped my approach to design and continues to drive my success in the field.

What is your growth path? What are your future plans? What is your dream design project?

My architectural career began 24 years ago when I started as an assistant architect. After a

year, seeking greater opportunities for development, I took the significant step of changing

jobs. This move came with a commitment to working 16 hours a day, accelerating my learning

and experience accumulation far beyond the normal pace.

This rigorous dedication paid off as I progressively handled larger and more complex projects,

including significant works for both the private sector and government. Today, I am the proud

owner of my own firm, which has earned 24 international awards. My experiences have not

only enriched my professional life but also allowed me to mentor future architects.

Looking forward, I aim to expand our reach with multiple international projects, developed in

collaboration with my partners. This aligns with my dream design project, which would involve

creating a groundbreaking architectural marvel that harmoniously blends innovative design

with environmental sustainability on a global scale. This project would ideally not only push

the boundaries of conventional architecture but also set new benchmarks for the integration of

technology and natural environments.

What are your advices to designers who are at the beginning of their career?

For new designers, my key advice is to live and breathe architecture. Embrace it as part of

your daily life. Success in this field stems from a deep passion for design, hard work, and the

continuous pursuit of transforming ideas into reality. Always be ready to capture inspiration

when it strikes and commit to refining your ideas into tangible outcomes. Treat every

challenge as a learning opportunity and continuously push your creative and technical limits.

You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?

The adage "profession turned into a life" reflects a profound dedication that transcends the ordinary relationship individuals might have with their work. It speaks to a level of commitment where one's profession does not merely represent a means to earn a living but becomes a central pillar of their identity and existence. This profound integration affects how a person lives, thinks, and interacts with the world, embodying their passion and profession in every aspect of life.

For those who live by this adage, their work often serves a greater purpose. It is their form of expression and their way to impact the world. Architects designing safe and beautiful spaces, doctors saving lives, teachers shaping futures—each finds a deeper meaning in their work, seeing it not just as a job but as a calling. This perspective can be incredibly fulfilling, as their professional achievements directly enhance their personal sense of purpose and identity.

Moreover, "profession turned into a life" suggests a legacy-building process. Individuals who embody their careers in their lifestyle often aim to leave a lasting impact, aspiring to be remembered for their contributions. Their professional identity becomes their legacy, crafted through years of dedication, creativity, and hard work.

What is your day to day look like?

My day begins at 8 AM with a cup of coffee on the veranda, setting a calm start before the

busyness kicks in. I then head to various construction sites to oversee progress and address

any immediate needs. Post-lunch, my afternoons are typically reserved for meetings with

clients in the office. As the evening approaches, I review the day’s work completed by my staff

to ensure everything aligns with our standards. Once the office quiets down and everyone

leaves, I find solitude to be the perfect state for creativity; that's when I start sketching out

new concepts. This quiet, focused work usually extends until about 1 AM, after which I head

home. This routine combines managerial duties with my personal creative process,

encapsulating the life of an active and deeply involved architect.

How do you keep up with latest design trends? To what extent do design trends matter?

While I am aware of the latest design trends, I prioritize creating designs that set their own

trends—distinct, unique, and non-standard. My approach to design is deeply personal,

characterized by a signature style that ensures each project stands out. I ensure that my

projects are diverse, each tailored to meet the specific needs of the client and the

environment through customized approaches. This method allows me to innovate freely while

still responding thoughtfully to each design challenge. In this way, while I recognize the value

of current trends, I focus more on crafting spaces that are meaningful and contextually

relevant rather than conforming strictly to popular styles.

How do you know if a product or project is well designed? How do you define good design?

I assess a well-designed project by envisioning the creative process behind its creation. To

me, good design is characterized by the harmony of architectural forms, aesthetic appeal,

proper planning, and correct technical execution. These elements must seamlessly integrate to

create a coherent and functional design.

How do you decide if your design is ready?

My design process is iterative, moving from one project to the next in a continuous search for

perfection. I consider a design complete when the sketch not only fits harmoniously into its

environment but also meets the developmental needs of the surrounding area and fulfills the

client's requirements. A design is finalized when it effectively addresses the functional purpose

and achieves aesthetic coherence.

What is your biggest design work?

The Monk Andrew’s Rehabilitation Center in the village of Dighomi near Tbilisi, Georgia, has given me immense satisfaction. This project was developed on a 6493 m2 plot of state-owned land, which was allocated to the Monk Andrew’s Foundation by the Georgian Government for charitable purposes. The construction of the 2000 sq.m. rehabilitation center was completed in 2023. It now serves as a healing space for children suffering from cancer. This charity project was deeply gratifying because it allowed me to use architecture as a tool for recovery, creating a nurturing environment where many children have found solace and healing.

Who is your favourite designer?

Frank Gehry is my favorite architect

I would love to have a conversation with Antoni Gaudí

One of my favorite designs is the glass pyramid at the Louvre Museum in Paris, designed by I.M. Pei. This architectural feature marks a significant era, blending the historical significance of the Louvre with modern architectural elements. The pyramid serves as a striking yet harmonious contrast to the classical architecture of the museum, creating a distinct historical narrative without compromising the integrity of the existing structures.

Would you tell us a bit about your lifestyle and culture?

Vienna is my favorite city. Music plays a crucial role in my creative processes, and my cultural background significantly influences my design projects. Design plays a crucial

role in shaping the lifestyles of communities and individuals by dictating the way spaces are

used and interacted with. Sometimes, when I pass by buildings I've designed and seeing them

actively enjoyed and appreciated by people greatly uplifts and motivates me. Often, I find

myself silently observing and interacting with these spaces, drawing inspiration and pride from

the positive impact they have on people's lives. I cherish all my buildings like a mother

cherishes her children. I've nurtured them from concept to construction and continue to

maintain a close connection with them.

Would you tell us more about your work culture and business philosophy?

Our company's approach to development and business has been firmly established since its

inception, largely due to the diverse expertise of our management team. This team includes

four professionals from different backgrounds, enabling rapid company growth. Aleksandre

Burchuladze brings 25 years of experience in business management and consulting within both

private and public sectors. Archil Dzidziguri, our head of marketing, contributes extensive

marketing expertise, alongside another key member Kote Gvinjilia who has significant

experience in public service, particularly as the head of the permit department for historical

areas. Their knowledge is crucial, especially concerning legislative aspects.

Our company does more than create architectural projects; we provide clients with

commercially viable and profitable ventures. The cornerstone of our business success is our

ability to produce successful projects, which are the result of a dedicated, professional, and

motivated team.

When selecting partners, we prioritize commitment, professionalism, and integrity, qualities

that are fundamental to fostering a successful and developed business. In any collaboration,

my primary requirement is a focus on continual development, which is essential for the

success of our projects. Being an architect involves the responsibility of creating world

landmarks, a duty we take seriously and expect every team member to uphold.

What are your philanthropic contributions to society as a designer, artist and architect?

Charitable projects play a crucial role in my professional activities, reflecting my ongoing

commitment as an architect. The expertise I've acquired over the years has not only provided

me with opportunities but has also instilled a sense of social responsibility, compelling me to

apply my skills for charitable purposes. The participation of architects in social and charitable

activities is vital, whether through specific projects like our rehabilitation center or by sharing

professional knowledge.

An essential aspect of my contribution to society is mentoring the next generation of

architects. Currently, our firm actively recruits and trains young architects and interns,

offering them a platform to learn and gain valuable experience.

In 2023, I expanded my role by becoming a lecturer at the Faculty of Architecture at Caucasus

University. The university is on its way to becoming a member of the Royal Institute of British

Architects (RIBA), a prestigious professional organization globally recognized in the field of

architecture. In this position, I am dedicated to educating and shaping future architects,

helping them to understand the nuances of creating, growing, and developing in this field. I

believe that these future professionals will produce innovative projects that will contribute to

the new history of the world. My role in this process is to provide a meaningful social service

by imparting knowledge and fostering development among aspiring architects.

What positive experiences you had when you attend the A' Design Award?

Winning the A Design Award has been a significant milestone in my career as an architect. This

recognition not only enhances my professional stature but also opens up more opportunities for

work, both locally and internationally. It marks a pivotal point in my professional development,

attracting new and exciting projects to our firm. Although I have received several international

awards, the A' Design Award stands out as particularly impactful. It not only affirms my work at

a high level but also motivates me to strive for even greater achievements. I am inspired to

participate in the A' Design Award repeatedly, aiming to showcase increasingly innovative

projects and further my professional growth.

Design Interview

Family Hotel Art · 20 questions

The inspiration for my design originated from the ruins found in the project area, which were only the stone walls of a small building previously used as a cow shed.

What is the main principle, idea and inspiration behind your design?

The inspiration for my design originated from the ruins found in the project area, which were only

the stone walls of a small building previously used as a cow shed. I chose to preserve these stone

ruins to honor the building's antiquity. Motivated by the unique natural surroundings of mountains

and forests, I envisioned transforming these ruins into a boutique hotel. This concept required

integrating modern amenities while respecting and adapting to the natural environment, guiding

the development of the building in a way that seamlessly blends the old with the new.

What has been your main focus in designing this work? Especially what did you want to achieve?

My main focus in designing this work was to create a building that combines elements

of ancient, modern, and traditional architecture. I aimed to design a structure that is not only

aesthetically pleasing but also functional and well-adapted to its natural surroundings, ensuring that

it complements the landscape while meeting contemporary needs.

What are your future plans for this award winning design?

Receiving this award will undoubtedly draw public attention to the design of the building,

potentially increasing its user base. As the designer, my plan is to leverage the award to maximize

exposure for the project, aiming to reach the widest possible audience and highlight the award

How long did it take you to design this particular concept?

It took about a month to develop the concept. Notably, the initial idea that emerged at the

beginning of the process remained unchanged throughout the development phase.

Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?

The concept of transforming the existing ruins into a hotel stemmed from my research of the

project area. The natural beauty of the site, ideal for tourism, inspired the idea. The new parts of

the building, particularly the glass construction, were designed to complement the harsh, snowy

winters typical of the mountainous location. For this reason, the building features a pitched roof.

The hotel lounge area, which offers forest views, includes a stained-glass facade with a glass roof.

To address the snow load, an automatic electric field is activated on the glass to ensure snow

melting. My primary goal was to seamlessly integrate elements of antiquity, modernity, and

traditional architecture in this design.

Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?

This design is unique and exclusive, and I have no plans to create any analogues or reproduce the

exact style for other projects. While I do create buildings with a similar architectural style, each

structure is radically different from the others. I value originality in each project, ensuring that no

two buildings are the same. -

What made you design this particular type of work?

The design of this hotel was inspired by the desire to create a unique and harmonious blend of

historical and modern elements. The hotel features four guest rooms, a lounge with forest-facing

stained glass, and a similarly styled dining room/ cafe extending along the longer part of the

building. Nestled within the ruins, the guest rooms are spread across the first and second floors,

connected by a lounge that ascends to a central fireplace on the upper floor. The integration of a

modern glass structure with the ancient ruins, especially with views of the forest, provides a

compelling solution for the hotel lounge, both functionally and visually. This project emphasizes a

stylistic fusion of forms and materials, focusing on contrasting different styles to enhance the

variety and depth of the architectural expression.

Where there any other designs and/or designers that helped the influence the design of your work?

The glass pyramid at the Louvre, designed by I.M. Pei, significantly influenced my approach to

blending antiquity with modernity. This iconic structure exemplifies how modern architectural

elements can be integrated with historical contexts in a way that both preserves and enhances the

original. Inspired by this, I have focused on reconstruction projects that honor historical integrity

while incorporating contemporary design, driving my development as an architect specializing in

this transformative approach.

Who is the target customer for his design?

The target customers for this hotel design are tourists visiting Abastumani, Georgia, who seek a

unique and picturesque lodging experience. Additionally, this project serves as a compelling case

study for property owners with small, abandoned ruins, demonstrating that transformation into a

boutique hotel is not only feasible but can also preserve and celebrate historical architecture. This

design exemplifies how even challenging, small-scale ruins can be innovatively adapted to meet

modern standards, offering inspiration and practical solutions for similar reconstruction efforts.

What sets this design apart from other similar or resembling concepts?

This design distinguishes itself from similar projects primarily through its innovative stylistic

solutions and the challenge of integrating these within a compact space. Unlike typical modern

boutique hotels that often have the luxury of larger areas, this project successfully employs creative

architectural methods to maximize a smaller footprint, effectively blending functionality with

distinctive style, making it uniquely appealing.

How did you come up with the name for this design? What does it mean?

To me, this hotel is not just a building but a work of art that embodies creativity and comfort in its design and ambiance, making "Art" a fitting name that captures the essence of this unique accommodation.

Which design tools did you use when you were working on this project?

At first I worked on the concept for some time as sketches on paper, then I made a mock-up, then I also began to scale and draw on paper, and when I was sure that it was exactly the concept I had in mind, I began to draw it on the computer

What is the most unique aspect of your design?

The most unique aspect of this design is the seamless integration of ancient ruins with a modern

stained-glass structure, which strikingly contrasts yet complements the historical context.

Additionally, the inclusion of balconies that feature traditional architectural elements adds a

distinctive touch, blending heritage with contemporary design in a visually compelling manner.

Who did you collaborate with for this design? Did you work with people with technical / specialized skills?

For this project, I collaborated with 3D visualization specialists.

What is the role of technology in this particular design?

The technology incorporated into this design serves a crucial role in mitigating the potential damage

caused by heavy snowfall. By integrating a special electric field within the frame of the glass roofing,

activated by sensors or a control panel, the system can generate heat to melt snow accumulation.

This proactive approach not only prevents damage to the glass from the weight of the snow but also

ensures the safety and functionality of the structure. Essentially, technology is utilized here to

enhance the resilience and durability of the design in adverse weather conditions.

Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?

Conducting a survey of the project area provided valuable insights into the environmental

conditions and potential challenges. Subsequently, studying aspects such as snow and wind loads,

and their effects on buildings, especially on glass structures, allowed for a more informed decision-

making process. By utilizing the method of automatic snow melting on the glass, based on this

research, the design is tailored to address specific challenges and optimize the performance of the

structure in the given conditions. This approach ensures that the design is not only aesthetically

pleasing but also practical and resilient.

What are some of the challenges you faced during the design/realization of your concept?

Addressing snow loading was the primary challenge encountered during the design and realization

of the concept. However, with a sound understanding of physics principles and relevant experience,

this challenge was effectively resolved.

How did you decide to submit your design to an international design competition?

I submitted the design to an international competition because I believe it deserves recognition and

public attention. Winning a unique award reinforced my commitment to presenting even better

projects in the future at A' Design Award. This recognition motivates me to push the boundaries of creativity and

excellence in design.

What did you learn or how did you improve yourself during the designing of this work?

I learned how to turn ruins into a modern, artistic hotel, for balance functionality with

aesthetics and find innovative solutions to preserve history while adding modern amenities.

Any other things you would like to cover that have not been covered in these questions?

I'd like to express my gratitude to the A' Design Award for providing the platform to showcase this

project to a global audience. It's been an invaluable opportunity to share our work and receive

recognition for our efforts. Thank you for allowing us to contribute to the design community and

inspire others with our innovative approach.

Design Legend Interview

50 questions

I've been engaged in architecture for 24 years, starting as an assistant architect and now leading my own firm. My portfolio includes renowned buildings in Georgia such as government-commissioned houses of justice…

Could you please tell us a bit about your design background and education?

I've been engaged in architecture for 24 years, starting as an assistant architect and now leading my own firm. My

portfolio includes renowned buildings in Georgia such as government-commissioned houses of

justice, hotels, and multipurpose complexes, along with many significant reconstruction

projects.

What motivates you to design in general, why did you become a designer?

Architecture is an integral part of my life; I am continually inspired to think about and create new forms, spaces, and

buildings.

Did you choose to become a designer, or you were forced to become one?

Becoming an architect was fulfilling a childhood dream.

What do you design, what type of designs do you wish to design more of?

I am drawn to complex and varied architectural projects.

What should young designers do to become a design legend like you?

Aspiring design legends should deeply love their work, see it as an extension of their lives, work tirelessly, and always strive to innovate.

What distinguishes between a good designer and a great designer?

A good designer delivers solid projects, whereas a great designer introduces innovative and unique architectural solutions.

What makes a good design a really good design, how do you evaluate good design?

Great design stands out through its uniqueness, non-conformity, and innovation.

What is the value of good design? Why should everyone invest in good design?

Exceptional design or architecture creates legacies that last for centuries.

What would you design and who would you design for if you had the time?

I would design a vertical city.

What is the dream project you haven't yet had time to realize?

Integrating a forest within a building structure.

What is your secret recipe of success in design, what is your secret ingredient?

Success in design comes from immense hard work, a profound love for architecture, and a relentless

pursuit of turning ideas into reality.

Who are some other design masters and legends you get inspired from?

Frank Gehry

What are your favorite designs by other designers, why do you like them?

One of my favorite designs is the glass pyramid at the Louvre Museum in Paris, designed by I.M. Pei. This architectural feature marks a significant era, blending the historical significance of the Louvre with modern architectural elements. The pyramid serves as a striking yet harmonious contrast to the classical architecture of the museum, creating a distinct historical narrative without compromising the integrity of the existing structures.

What is your greatest design, which aspects of that design makes you think it is great?

The Georgian Alphabet Tourist Center is one of my most esteemed projects. This innovative design uniquely showcases each letter of the Georgian alphabet as a separate room for tourists. The layout is strategically distributed across a simulated area that mirrors the map of Georgia, with pathways that echo the country's geographical contours. The exterior walls of each letter-themed room are adorned with elements from Georgia's rich historical and cultural heritage. This design not only serves as an architectural marvel but also educates and engages tourists, enhancing their understanding of Georgia's profound history.

How could people improve themselves to be better designers, what did you do?

Continuously developing new ideas and approaches is key to improving as a designer.

If you hadn't become a designer, what would you have done?

I cannot imagine having chosen a different path.

How do you define design, what is design for you?

For me, design is the harmonious unity of all forms in the universe.

Who helped you to reach these heights, who was your biggest supporter?

Those who attempted to hinder my progress unwittingly motivated me to excel and strengthen my resolve.

What helped you to become a great designer?

Living with architecture, constantly imagining and sketching new designs whenever inspiration strikes, has been my formula for success.

What were the obstacles you faced before becoming a design master?

In my early years, a significant obstacle was my lack of technical experience on construction sites.

How do you think designers should present their work?

Designers should present their work through comprehensive and well-prepared presentations that include several key components. Firstly, thorough area studies should be conducted to understand and convey the context within which the project is situated. Secondly, projects need to be adapted thoughtfully to existing developments, ensuring that new designs enhance or complement the current environment. Additionally, detailed architectural planning must be clearly elaborated to showcase the project's feasibility and innovation. Finally, the presentation itself should be outstanding, effectively communicating the vision and details of the project to stakeholders and clients.

What's your next design project, what should we expect from you in future?

Innovative tourist centers along the coast, showcasing cutting-edge architectural designs.

What's your ultimate goal as a designer?

To create a multitude of distinct and innovative architectural structures.

What people expect from an esteemed designer such as yourself?

They expect unique and compelling architecture tailored to their desires.

How does design help create a better society?

Design plays a crucial role in shaping the lifestyles of communities and individuals by dictating the way spaces are used and interacted with.

What are you currently working on that you are especially excited about?

I am currently developing a sprawling tourist center that is particularly exciting. This extensive project features a hotel, spa, villas, ethnographic spaces and masterclasses on Georgian culinary arts. Designed to enhance visitor experiences, the center aims to deepen the appreciation for local heritage and culture.

Which design projects gave you the most satisfaction, why?

The Monk Andrew’s Rehabilitation Center in the village of Dighomi near Tbilisi, Georgia, has given me immense satisfaction. This project was developed on a 6493 m2 plot of state-owned land, which was allocated to the Monk Andrew’s Foundation by the Georgian Government for charitable purposes. The construction of the 2000 sq.m. rehabilitation center was completed in 2023. It now serves as a healing space for children suffering from cancer. This charity project was deeply gratifying because it allowed me to use architecture as a tool for recovery, creating a nurturing environment where many children have found solace and healing.

What would you like to see changed in design industry in the coming years?

I hope to see a greater emphasis on environmentally sustainable practices in architecture.

Where do you think the design field is headed next?

Artificial intelligence is poised to significantly accelerate the design process.

How long does it take you to finalize a design project?

It typically takes me two weeks to finalize small projects and up to two months for larger ones.

When you have a new design project, where do you start?

My design process always begins with a thorough analysis of the project site.

What is your life motto as a designer?

"A profession turned into a life."

Do you think design sets the trends or trends set the designs?

Design invariably sets the trends.

What is the role of technology when you design?

Technology greatly speeds up the development and realization of my designs.

What kind of design software and equipment do you use in your work?

In my work, I utilize Revit and Enscape for architectural design and visualization. For hardware, I depend on high-performing computers to handle complex models and calculations. Additionally, I incorporate VR technologies, specifically the Oculus Quest Pro, to provide immersive experiences and detailed previews of projects.

What is the role of the color, materials and ambient in design?

Color influences a person's mood, materials impact health, and ambiance shapes the overall experience. Together, these elements are critical in creating spaces that are not only aesthetically pleasing but also conducive to well-being and comfort.

What do you wish people to ask about your design?

I hope people inquire about how my designs will benefit and enrich their lives.

When you see a new great design or product what comes into your mind?

I often envision the creative process behind its creation.

Who is your ideal design partner? Do you believe in co-design?

I collaborate with a large team; all our successful projects are the fruits of our collective effort. I strongly believe in the effectiveness of teamwork.

Which people you interacted had the most influence on your design?

My clients have had the most significant impact on my designs.

Which books you read had the most effect on your design?

"ARCHITECTURE 101: From Frank Gehry to Ziggurats," an essential guide to building styles and materials.

How did you develop your skills as a master designer?

My skill development as a designer involves immersing myself deeply into each project. When I begin a design, I metaphorically leave the real world and enter an imaginative space where I can freely create and innovate.

Irrelative of time and space, who you would want to meet, talk and discuss with?

I would love to have a conversation with Antoni Gaudí.

How do you feel about all the awards and recognition you had, is it hard to be famous?

Receiving awards and recognition is a profound responsibility. Each project offers a unique experience and adventure, from which we continuously learn and grow. For me, life is an ongoing learning process, each achievement adding to my motivation and driving further development.

What is your favorite color, place, food, season, thing and brand?

My favorite color is turquoise; my favorite place is the forest; my favorite food is cake; my favorite season is

autumn; my favorite thing is a car, and my favorite brand is Lamborghini.

Please tell us a little memoir, a funny thing you had experienced as a designer?

Once, I assigned a student to draw a construction farm, and amusingly, he illustrated a chicken farm instead.

What makes your day great as a designer, how do you motivate yourself?

Sometimes, when I pass by buildings I've designed and seeing them actively enjoyed and appreciated by people greatly uplifts and motivates me. Often, I find myself silently observing and interacting with these spaces, drawing inspiration and pride from the positive impact they have on people's lives.

When you were a little child, was it obvious that you would become a great designer?

Yes, even before I could speak properly, I began expressing myself through drawing.

What do you think about future; what do you see will happen in thousand years from now?

I believe humanity will continue to evolve and expand, possibly developing civilizations on other planets.

Please tell us anything you wish your fans to know about you, your design and anything else?

I cherish all my buildings like a mother cherishes her children. I've nurtured them from concept

to construction and continue to maintain a close connection with them.

Designer Interview

40 questions

More than 25 years ago, I began my architectural journey . For me, architecture is process where functionality meets imagination.

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

More than 25 years ago, I began my architectural journey . For me, architecture is process

where functionality meets imagination. It is about creating spaces that are not only efficient and

sustainable but also inspire and engage humans. My architectural work is an expression of this

belief, striving to bridge the gap between practical needs and aesthetic value. Art, in its essence,

is about expression and connection. As an architect, my perspective on art is integrated into my

designs; I see architecture as a form of art that people inhabit.

My approach is deeply rooted in the belief that buildings should enhance the environment and

enrich lives, merging seamlessly with their cultural and historical context. This fusion of art and

architecture in my works aims not only to satisfy functional needs but also to create enduring

beauty that resonates with individuals and communities, carrying forward my lifelong dedication

to transforming environments through thoughtful, innovative, and aesthetically enriching

designs.

Can you tell us more about your company / design studio?

Artytechs was founded in 2014. Since its establishment, the company has collaborated closely

with both the public and private sectors, resulting in the successful implementation of

numerous projects. The name of Artytechs has become synonymous with international

architectural excellence, as the company has received multiple prestigious awards. Artytechs is

known for its ability to create intricate and imaginative projects that surpass traditional

architectural approaches.

What is "design" for you?

For me, design, specifically in the form of architecture, represents the essence of my life and its

greatest purpose. It is a powerful medium through which history is made and preserved. The

buildings I create are more than just structures; they are my legacy. They will speak for me and

tell my story long after I am gone, embodying the impact and significance of my life’s work.

What kinds of works do you like designing most?

I am most passionate about designing projects that challenge me and require overcoming

significant difficulties. I strive to create unique works that not only claim a special place in their

environment but also contribute to history, leaving a lasting impact.

What is your most favorite design, could you please tell more about it?

The Georgian Alphabet Tourist Center is one of my most esteemed projects. This innovative

design uniquely showcases each letter of the Georgian alphabet as a separate room for tourists.

The layout is strategically distributed across a simulated area that mirrors the map of Georgia,

with pathways that echo the country's geographical contours. The exterior walls of each letter-

themed room are adorned with elements from Georgia's rich historical and cultural heritage.

This design not only serves as an architectural marvel but also educates and engages tourists,

enhancing their understanding of Georgia's profound history.

What was the first thing you designed for a company?

The first project I designed for a company was the "Museum" Hotel. It was a complex

undertaking that involved reconstructing and modernizing an existing building while preserving

most of its original architectural details. The challenge was to adapt it to meet contemporary

needs without losing its historical essence. Successfully, the building retained its authentic

appearance, including the famous balconies, railings, and ornaments, seamlessly blending the

old with the new.

What is your favorite material / platform / technology?

My favorite material to work with is wood, specifically finger joint panels. These panels are

crafted by joining wooden lamellas end to end using a finger joint technique, which is then

laterally glued to create a continuous piece. This method not only enhances the wood's strength

and stability but also makes it a versatile solution suitable for a variety of applications.

When do you feel the most creative?

I feel the most creative when I am working on a sketch. This is the stage where ideas flow freely,

allowing me to explore and visualize new concepts and architectural possibilities.

Which aspects of a design do you focus more during designing?

I focus primarily on innovating the expression of forms. This involves creating unique and

compelling architectural shapes that not only meet functional needs but also enhance the

aesthetic appeal of the structure.

What kind of emotions do you feel when you design?

When I design, I experience a profound sense of creation, akin to shaping a new world. Each

project brings a unique and important opportunity to innovate and express, evoking a deep,

fulfilling emotion as I bring these ideas to life.

What kind of emotions do you feel when your designs are realized?

Sometimes, when I pass by buildings I've designed and seeing them actively enjoyed and appreciated by people greatly uplifts and motivates me. Often, I find myself silently observing and interacting with these spaces, drawing inspiration and pride from the positive impact they have on people's lives.

What makes a design successful?

A successful design stands out through its uniqueness and innovative approach. It is successful

when the vision, first formed in the mind and sketched on paper, is realized exactly as planned

in construction. If the final structure meets its intended purpose and positively impacts users,

then the project is truly successful.

When judging a design as good or bad, which aspects do you consider first?

I first consider the uniqueness and differentiation in the forms.

From your point of view, what are the responsibilities of a designer for society and environment?

Design plays a crucial role in shaping the lifestyles of communities and individuals by dictating

the way spaces are used and interacted with. Design influences a person's mood, materials

impact health, and ambiance shapes the overall experience. Together, these elements are

critical in creating spaces that are not only aesthetically pleasing but also conducive to well-

being and comfort.

How do you think the "design field" is evolving? What is the future of design?

I believe the design field is continuously evolving, with future trends likely expanding into

unprecedented territories, including the development of civilizations on other planets. This

progression underscores design's limitless potential and its role in shaping future societies.

When was your last exhibition and where was it? And when do you want to hold your next exhibition?

I have not participated in physical exhibitions; instead, I primarily engage in international

competitions online. This allows me to showcase my work to a global audience from any

location.

Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

My design inspiration often begins with a thorough study of the location intended for the

project. I develop concepts based on the function of the project and the character of the

surrounding environment, while also considering innovative forms. Inspiration can strike from

any source; for instance, once at a restaurant, a rolled-up napkin on a plate sparked an idea for a

building design, which I sketched immediately. Such moments show how everyday observations

can fuel my creativity and lead to unique architectural ideas.

How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?

My design style is characterized by a blend of innovation and diversity, often incorporating

multiple styles within a single building. I am particularly drawn to projects that involve

redeveloping historic buildings, where I preserve the original elements while integrating modern

aesthetics.

Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?

I live in Georgia, a country rich in ancient history and architectural heritage. This cultural

background deeply influences my designs, especially in my work on reconstruction projects,

such as various hotel renovations including the Hotel Museum, and hotels in Vardzia and

Abastumani. The major advantage is the inspiration I draw from such a rich heritage, which

infuses depth and context into my work. However, a challenge is ensuring modern functionality

while respecting historical accuracy and integrity in these structures.

How do you work with companies?

I collaborate with numerous architectural firms, often working together on joint projects. These

collaborations consistently yield successful and visible outcomes.

What are your suggestions to companies for working with a designer? How can companies select a good designer?

Selecting a good designer requires careful consideration. Companies should first review the

designer's portfolio and evaluate buildings constructed from their designs. It's important that

the designer demonstrates the ability to listen effectively and accurately interpret the client's

wishes. Evaluating a designer's track record of successful projects can also provide insights into

their reliability and skill level. Trust grows with proven success.

Can you talk a little about your design process?

My design process involves a deep immersion into each project. I metaphorically step away from

the real world and enter a realm of imagination, allowing me to freely innovate and create. This

approach enables me to explore and develop unique architectural solutions.

What are 5 of your favorite design items at home?

1. Lighting fixtures that enhance the ambiance.

2. Large stained glass windows for aesthetic appeal and natural light.

3. A connection with nature, such as a porch or garden.

4. Use of wood materials in the interior for warmth and texture.

5. Artistic decorations that personalize the space.

Can you describe a day in your life?

My day begins at 8 AM with a cup of coffee on the veranda, setting a calm start before the

busyness kicks in. I then head to various construction sites to oversee progress and address any

immediate needs. Post-lunch, my afternoons are typically reserved for meetings with clients in

the office. As the evening approaches, I review the day’s work completed by my staff to ensure

everything aligns with our standards. Once the office quiets down and everyone leaves, I find

solitude to be the perfect state for creativity; that's when I start sketching out new concepts.

This quiet, focused work usually extends until about 1 AM, after which I head home. This routine

combines managerial duties with my personal creative process, encapsulating the life of an

active and deeply involved architect.

Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?

Success in design demands immense hard work, a deep passion for architecture, and the

relentless pursuit of turning your ideas into reality. Stay committed, keep learning, and always

push the boundaries of your creativity to achieve your visions.

From your perspective, what would you say are some positives and negatives of being a designer?

Positively, the design process is incredibly exciting; each project is a new adventure that keeps

life engaging. As designers, we not only enhance environments but also create legacies that may

last for centuries or at the very least, significantly impact the present. On the other hand, I

personally see no negatives in being a designer or architect; it is a fulfilling profession that

continuously offers opportunities for creative expression and innovation.

What is your "golden rule" in design?

Living with architecture, constantly imagining and sketching new designs whenever inspiration strikes

What skills are most important for a designer?

For a designer, imagination is the most crucial skill. It enables architects to envision and create

innovative solutions that transform spaces and experiences.

Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?

In my work, I utilize Revit and Enscape for architectural design and visualization. For hardware, I depend on high-performing computers to handle complex models and calculations. Additionally, I incorporate VR technologies, specifically the Oculus Quest Pro, to provide immersive experiences and detailed previews of projects.

Designing can sometimes be a really time consuming task, how do you manage your time?

"A profession turned into a life."

How long does it take to design an object from beginning to end?

It depends on the scope of the project

What is the most frequently asked question to you, as a designer?

The most frequently asked question I receive is, "Can you advise me on how to become a good

architect?"

What was your most important job experience?

Early in my career, I encountered numerous challenges and made several mistakes. However,

learning from these mistakes proved invaluable, providing me with a wealth of experience that I

now share with others. This process of learning and growth has been fundamental to my

development as a designer.

Who are some of your clients?

My clients primarily include hotel owners and property developers.

What type of design work do you enjoy the most and why?

I most enjoy working on hotel projects and reconstructions, particularly those that deviate from

standard architectural norms.

What are your future plans? What is next for you?

As an architect, my future plans involve mentoring and nurturing a new generation of skilled

architects. For the company, we aim to embark on numerous large-scale international projects,

expanding our reach and impact in the architectural field.

Do you work as a team, or do you develop your designs yourself?

I run my own company with my partners, where up to 25 employees currently work. Despite our

size, I personally stay involved in every aspect of each project, ensuring a hands-on approach to

our design and execution processes.

Do you have any works-in-progress being designed that you would like to talk about?

The Georgian Alphabet Tourist Center is one of my most esteemed projects. This innovative design uniquely showcases each letter of the Georgian alphabet as a separate room for tourists. The layout is strategically distributed across a simulated area that mirrors the map of Georgia, with pathways that echo the country's geographical contours. The exterior walls of each letter-themed room are adorned with elements from Georgia's rich historical and cultural heritage. This design not only serves as an architectural marvel but also educates and engages tourists, enhancing their understanding of Georgia's profound history.

How can people contact you?

People can reach me through my social media account, Daduna Shats, visit our company's

website at www.artytechs.ge, or contact me directly via mobile at +995577575612.

Any other things you would like to cover that have not been covered in these questions?

"profession turned into a life" reflects a profound dedication that transcends the ordinary relationship individuals might have with their work. It speaks to a level of commitment where one's profession does not merely represent a means to earn a living but becomes a central pillar of their identity and existence. This profound integration affects how a person lives, thinks, and interacts with the world, embodying their passion and profession in every aspect of life.

For those who live by this adage, their work often serves a greater purpose. It is their form of expression and their way to impact the world. Architects designing safe and beautiful spaces, doctors saving lives, teachers shaping futures—each finds a deeper meaning in their work, seeing it not just as a job but as a calling. This perspective can be incredibly fulfilling, as their professional achievements directly enhance their personal sense of purpose and identity.

Moreover, "profession turned into a life" suggests a legacy-building process. Individuals who embody their careers in their lifestyle often aim to leave a lasting impact, aspiring to be remembered for their contributions. Their professional identity becomes their legacy, crafted through years of dedication, creativity, and hard work.

Grand Interview

Family Hotel Art · 10 questions

Engaging in this type of reconstruction allows for a fascinating exploration of innovative architectural practices, as it blends elements of antiquity with contemporary design.

Your innovative approach to preserving historical ruins while incorporating modern elements in Family Hotel Art has earned recognition through the A' Design Award - could you elaborate on the specific challenges you faced in balancing preservation with contemporary design elements?

Engaging in this type of reconstruction allows for a fascinating exploration of innovative architectural practices, as it blends elements of antiquity with contemporary design. This fusion not only presents an interesting challenge but also contributes to an evolving narrative in architectural history, highlighting the importance of creating spaces that honor the past while embracing modernity. Such epochal architecture serves as a testament to our evolving aesthetic and cultural values.

The integration of stained glass in Family Hotel Art creates a striking dialogue with the Abastumani forest - what inspired this architectural choice, and how does it enhance the guest experience in this balneological resort setting?

The hotel's expansive stained glass windows overlooking the forest beautifully blend the interior with the surrounding natural landscape, enhancing the emotional ambiance for guests and embodying the serene and healing qualities of a balneological resort. This thoughtful design element not only fosters a calming atmosphere but also encourages a deep connection with nature, enriching the overall guest experience.

Family Hotel Art's transformation from a single-story historical structure to a two-floor modern hotel is remarkable - could you walk us through the decision-making process that led to expanding vertically while maintaining the building's historical integrity?

The building's vertical development reflects a thoughtful response to the surrounding landscape, prioritizing the preservation of natural elements while incorporating a diverse architectural language that blends antiquity with modern design, enriched by authentic Georgian features. This stylistic fusion not only respects the site's historical context by integrating existing ruins but also showcases a harmonious coexistence of past and present, ultimately creating a unique and environmentally conscious structure.

The healing climate of Abastumani played a crucial role in Family Hotel Art's design - how did the region's reputation for lung health treatment influence your architectural choices, particularly in terms of ventilation and indoor-outdoor connections?

Abastumani is renowned for its therapeutic climate and sulfuric waters, making it a popular climatic and balneological resort. The active recreation season kicks off in May with the pollination season, where the region's coniferous forests, particularly dense with pines, contribute to the unique air quality; the pine pollen acts as a natural remedy for respiratory ailments. The area's hyperthermal, weakly mineralized springs further enhance its reputation, as the mineral waters are beneficial for treating various diseases, offering both treatment and rehabilitation opportunities for visitors.The hotel's distinctive features, such as its forest-adjacent location and architecturally designed balconies for each room, enhance the guest experience by promoting a strong connection with nature. Additionally, the inclusion of bathrooms equipped for healing treatments within each room, combined with access to therapeutic waters, emphasizes the holistic wellness focus of the establishment, making it a unique retreat for relaxation and rejuvenation.

Family Hotel Art stands on the foundations of the historical fortress-town of Odzrkhe - how did this rich historical context shape your design decisions, especially in terms of materials selection and architectural details?

The resort, built on the historical site of Odzrkhe, showcases its rich heritage dating back to before the 10th century BC, leveraging its famed therapeutic waters. The integration of ancient civilization remnants into the hotel facilities enhances the experience, allowing visitors to appreciate both the historical significance and modern amenities.

The limited land allowance presented unique constraints for Family Hotel Art - could you explain how these spatial limitations influenced your creative solutions for common areas and terraces?

Abastumani, with its tranquil setting amid verdant pine forests and clean air, serves as an ideal getaway for nature lovers and stargazers alike, where guests can immerse themselves in the beauty of the night sky while reconnecting with the natural world.

Family Hotel Art features distinctive Georgian architectural elements, particularly in its balconies - how did you approach the integration of these traditional design elements with modern materials and construction techniques?

The shift from traditional solid wood balconies in ancient Georgia to modern ornamental railings showcases a blend of heritage and innovation, utilizing advanced technologies like laser cutting to create intricate designs in metal that enhance aesthetic appeal while reflecting contemporary artistry.

The transformation of Family Hotel Art took place from February to December 2019 - what were the most significant discoveries or unexpected developments during this renovation period that influenced the final design?

The resort Abastumani, situated in a mountainous region at an altitude of 1250-1450 m, experiences cold winters with stable snow cover from mid-December to mid-March, presenting challenges for glass roofing due to increased snow loads. To mitigate this risk, a technological innovation was developed that incorporates sensor technology into the glass package; this system activates a thermal flow in the aluminum component when snow accumulates, automatically melting it

Family Hotel Art's location, 260 kilometers from Tbilisi, presents unique logistical considerations - how did this distance from the capital influence your material choices and construction methodology?

Having projects located far from the capital can provide unique opportunities, such as tapping into local resources, engaging with regional communities, and fostering economic development in underserved areas. This geographical diversity can also enhance resilience and innovation, as teams adapt to different regional challenges and dynamics.The severe winter weather—characterized by heavy snowfall and frost—poses significant challenges to construction timelines and processes, necessitating strategic planning and possibly innovative construction techniques to mitigate delays caused by the seasonal climate.

The success of Family Hotel Art in merging ancient and modern architecture has been recognized with an A' Design Award - what advice would you offer to architects facing similar challenges in historical renovation projects?

Reconstruction in architecture seeks to blend historical preservation with modern innovation, ensuring that both elements distinctly tell their own stories while coexisting. This approach recognizes the narrative power of different architectural styles, where the authenticity of the old is maintained, and the new introduces contemporary contrasts that contribute to an evolving architectural dialogue. Such contrasts not only celebrate the unique characteristics of each era but also forge a new architectural history that encapsulates the spirit of time, embodying both continuity and change.

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The design interview data shown in our design interview page with Darejan Shatashvili regarding Family Hotel Art comes from the Design Interviews platform, where leading designers, architects and brands are interviewed regarding their award-winning designs, products and projects.