Interviews with Xuechen Chen

What motivates me to design is the deep belief that spaces can profoundly impact people's lives. Growing up in China, I saw firsthand the rapid urban reconstruction and how it affected our cultural and social landscapes. I watched as people were often confined into concrete boxes, losing the comfort and warmth of their original lifestyles. This experience gave me a strong appreciation for the power of design to influence how we interact with our surroundings and with each other.

Becoming an architect and designer felt like the natural path for me since I was young. When I was growing up, I always had deep appreciation for art and witnessing the urban reconstruction process in China has strongly influenced my personal aspiration of becoming an architect. By witnessing the ignorance of the cultural and human aspects of the reconstruction, I recognized the power of creativity to extend beyond purely function or purely aesthetics. It resonates deeply with our human experiences, emotions, and our connection to the urban landscape. Balancing both function and aesthetics in my designs, I aim to blend creativity with practicality, reflecting both the evolving urban relationship and my dedication to purposeful design.

My favorite kind of design revolves around incorporating cultural and social reflections. I am drawn to designs that prioritize people's interactions and experiences, fostering an approachable atmosphere. I admire projects dedicated to enhancing users' needs and interactions while maintaining high aesthetic standards. I especially wish to design more civic and cultural projects, as they have the potential to create meaningful, inclusive spaces that enrich communities and reflect their unique identities.

Embrace every opportunity to learn and explore new ideas. Stay open-minded, seek diverse experiences, and continuously challenge yourself to grow and innovate.

A great designer focuses on human experience and the impact of their design, rather than just its aesthetic appeal. They have a unique vision that pushes boundaries and sets new standards. While good designers meet existing expectations, great designers create something that resonates deeply with people.
Ultimately, a great designer's work goes beyond looking good; it inspires, influences, and leaves a lasting positive impact on the community and the industry. Their designs are about creating meaningful experiences and making a difference in people's lives.

When considering what elevates a good design to a truly exceptional one, I find that it's about seamlessly integrating cultural and social elements. I'm particularly drawn to designs that prioritize human interactions and experiences, creating environments that feel approachable and inviting. For me, a key aspect of evaluating good design is its ability to enhance the needs and interactions of its users while upholding impeccable aesthetic standards. In essence, I admire projects that not only reflect cultural and social reflections but also prioritize the well-being and experiences of those who interact with them.

The value of good design extends far beyond aesthetics; it has the power to profoundly impact individuals, communities, and society as a whole. Investing in good design means prioritizing thoughtful and intentional creations that go beyond mere functionality. It's about transforming how users perceive and experience the world around them, fostering connections, enhancing well-being, and ultimately enriching lives. Good design has the potential to shape behaviors, inspire creativity, and contribute to a more harmonious and inclusive society. Therefore, everyone should invest in good design to create spaces and experiences that elevate the human experience and leave a positive legacy for future generations.

My design style is deeply rooted in cultural and urban considerations, aiming to create spaces that are both visually appealing and functionally efficient. I prioritize a fluid experience within my designs, promoting seamless movement and interaction. Additionally, I integrate elements that reflect the cultural context of each project, whether through materials or spatial arrangements, to honor the heritage and identity of the place. This approach results in thoughtful, culturally sensitive designs that foster community, connection, and a sense of belonging for users.

The dream project I have yet to realize involves architectural designs that explore the intricate relationship between robotics or machines. Given the rapid advancements in technology, I am eager to delve into projects that focus on integrating these innovations into our built environment thoughtfully and purposefully. I believe that designing spaces that effectively utilize technology can greatly enhance functionality, efficiency, and overall user experience.

My design philosophy centers on the exploration of scale, ranging from the human scale to that of the city and culture. I deeply consider the civic experience and functionality of spaces, viewing design as an endless exploration. Architects must respond to these varied elements, and I believe architecture should serve as the intermediary for balancing these scales. Each decision is made with a profound understanding of how it affects the human experience within the context of the broader cityscape and cultural fabric.

In my life, I've been profoundly inspired by various artists and architects, including Chiharu Shiota, Zaha Hadid, Santiago Calatrava, Carlo Scarpa, and many others. They serve as my foundational inspiration, instilling in me the confidence to reimagine architecture, art, and philosophy in a unique and interconnected manner. For me, these realms are never separate topics but deeply connected and intertranslatable, shaping my perspective and approach to creative expression.

I find inspiration in a wide range of designs, but recently, I've been particularly drawn to those that incorporate Chinese elements. These designs beautifully blend traditional Chinese zen culture with modern aesthetics, creating a captivating fusion that resonates with me deeply. I admire how they seamlessly integrate ancient wisdom and symbolism into contemporary living spaces, offering a harmonious balance between tradition and innovation.

One of my most significant designs is "The Museum of Uncertainty," situated in the La Brea Tar Pits of Los Angeles. This project holds special significance to me due to its deep connection to the site's rich history. From the outset, my goal was to honor and elevate this unique location into a dynamic hub for exploration. Crafted from wood and concrete, the museum comprises three distinct structures that seamlessly blend modern architecture with prehistoric elements. It offers visitors a captivating journey through the tar pits' history, with exhibition spaces designed to showcase fossils and excavation findings. What sets this design apart is its ability to provide an immersive experience while reinterpreting the narratives of the tar pits' past.

Another notable project is the multifunctional community center with a college sports field. Inspired by the site's diverse topography, characterized by varying slopes, the design incorporates folding elements to emulate and enhance these natural features. These folded elements not only mirror the site's topography but also contribute to the project's unique aesthetic qualities, creating a harmonious blend of functionality and visual appeal.

Be confident at your work and do not be afraid to reach out to your professors or other mentors for professional advices. And always eager to learn more.

Probably an artist or a painter.

For me, design is about reactivating and discussing the intricate relationships between humans and their urban environments, experiences, and social roles. Through design, we can address and respond to society's evolving needs, creating beautiful and purposeful environments.

My parents have been my biggest supporters, helping me reach where I am today. Ever since I was a kid, they've been there for me, always encouraging and guiding me. Their constant belief in me and my dreams has made all the difference in my journey as a designer.

I owe a lot to the amazing mentors who have guided me along the way, including my professors and mentors at work. Additionally, my friends and family have been incredibly supportive, always cheering me on. Their help and encouragement have been crucial in my journey to becoming a great designer.

For both "The Folding Boat" and "The Museum of Uncertainty," the main challenges revolved around integrating diverse materials and crafts. Balancing modern architectural elements with prehistoric components, like showcasing fossils within the tar, required meticulous planning and collaboration. Ensuring structural integrity while incorporating interactive and educational elements added to the complexity.

To overcome these challenges, I conducted extensive research and consultations. I adopted a multidisciplinary approach, collaborating with experts in materials engineering, preservation, and interactive design in both US and China. This teamwork and dedication were crucial in navigating the obstacles and bringing these projects to life.

It's important to convey your vision and enthusiasm clearly, showing how much you believe in the value and impact of your design. Confidence and passion help engage your audience and demonstrate the thought and effort behind your work.

My next design project focusing on the residential projects, with a special emphasis on integrating Chinese elements. Drawing from my heritage and roots, I aim to infuse cultural richness and symbolism into my designs, creating spaces that resonate deeply with their surroundings. Expect to see a fusion of modern design principles with traditional Chinese aesthetics, as I continue to push boundaries and contribute meaningfully to the built environment.

I want to create spaces that seamlessly blend cultural richness with functional efficiency. I prioritize a fluid experience within my designs, ensuring seamless movement and interaction for users. Each project is imbued with elements that reflect its cultural context, whether through materials or spatial arrangements, honoring the heritage and identity of the place. By fostering community, connection, and a sense of belonging, I aim to create thoughtful, culturally sensitive designs that enrich the lives of those who inhabit them.

Many times, I'm tasked with designing projects that blend innovation with a deep respect for traditional aesthetics. Clients expect designs that break new ground and infuse fresh ideas, all while paying homage to the cultural and historical significance of the space. It's this delicate harmony between innovation and tradition that distinguishes esteemed designers. Their skill lies in crafting spaces that are both forward-thinking and timeless, leaving a lasting impact on those who experience them.

I firmly believe that design possesses the transformative ability to ignite positive change, foster inventive problem-solving, and mold environments that uplift and empower individuals. By crafting spaces and experiences that resonate deeply with people on cultural, social, and emotional levels, designers actively contribute to the overall well-being and advancement of society.

My next design project focusing on furthering my exploration of residential projects, with a special emphasis on integrating Chinese elements. Drawing from my heritage and roots, I aim to infuse cultural richness and symbolism into my designs, creating spaces that resonate deeply with their surroundings. Expect to see a fusion of modern design principles with traditional Chinese aesthetics, as I continue to push boundaries and contribute meaningfully to the built environment.

"The Museum of Uncertainty" stands out as a deeply gratifying project due to its profound connection to the site's rich history. From the project's inception, there was a dedicated commitment to preserving and enhancing this unique location, transforming it into a dynamic center for exploration. Situated amidst the historical significance of the La Brea Tar Pits in Los Angeles, the museum comprises three distinct structures crafted from wood and concrete. This design seamlessly blends modern architectural elements with prehistoric features, providing visitors with profound insights into the tar pits' history within its exhibition spaces. By transforming the tar itself into a space for showcasing fossils and excavation, the design offers a reinterpretation of the potential stories from the tar pits' past, providing an immersive and enlightening experience for visitors.

Similarly, the folding boat project has been deeply satisfying due to its innovative approach and connection to the site's unique topography. Inspired by the diverse slopes of the landscape, the design utilizes folding elements to emulate and enhance the site's features. These folded elements not only mirror the topography but also contribute to the project's distinct aesthetic qualities, creating a harmonious blend of functionality and visual appeal.

I am confident that the burgeoning wave of technology will significantly shift our design approach towards a more technology-oriented direction, emphasizing AI, AR, and VR. There are already numerous tools available to support this transition, and I firmly believe that we are only at the beginning of this transformative journey.

I believe a transformative evolution in the design industry through the integration of advanced technologies like AI, VR, and AR. These innovations will revolutionize decision-making processes, encompassing analysis, research, rendering, and model making. This shift doesn't diminish the significance of traditional craftsmanship; rather, it opens new dimensions for designers to seamlessly blend artistry into the transitions between virtual and physical spaces. As designers take on the role of technology orchestrators, I am consistently eager to expand my knowledge within the creative process.

Months to years.

My design process begins with setting clear goals and conducting thorough research. I then explore initial ideas through sketches and brainstorming sessions. These ideas are refined into coherent concepts during the preconcept and concept phases. From there, I develop detailed designs through schematic and design development, collaborating with consultants and subcontractors as needed. The final stage involves producing comprehensive construction documentation.

from Dieter Rams:
"Less, but better."

I believe design and trends have a mutual influence on each other. Designers often set new trends through innovative ideas and creative solutions, while at the same time, trends can inspire and shape design approaches. This dynamic relationship allows for continuous evolution and adaptation within the design field.

Technology is key in my design process, aiding in visualization and bringing ideas to life efficiently. From software like Rhino and Revit to AR and VR, it enhances creativity and decision-making. It helps me push design boundaries and deliver better results for clients and communities.

In my design toolkit, I use software and applications to bring my ideas to life. Key tools include Rhino, Enscape, AutoCAD, Revit, and the Adobe Suite, which provide the necessary tools for 3D modeling, rendering, drafting, and graphic design. Apart from digital tools, I also draw inspiration from books, architectural publications, and online resources, immersing myself in diverse design perspectives and ideas.

I believe that the mix of colors, materials, and ambient elements is crucial in creating rich and immersive experiences in design. In architectural design, I particularly enjoy the interplay between wood, metal, concrete, and glass. Each material brings its unique qualities to a project, contributing to distinct atmospheres and experiences. By thoughtfully combining these materials, we can enhance the overall impact of the design, making it more dynamic and engaging. This mix not only adds aesthetic value but also helps to create spaces that are functional, comfortable, and reflective of their cultural and environmental context.

I wish people would ask about the stories and cultural inspirations behind my designs. Understanding the narrative and thought process that shaped the project allows for a deeper appreciation of the work. I also hope they inquire about how the design impacts the users' experience and interactions, as this is a key focus in my approach to creating meaningful and functional spaces.

When I see a new great design or product, three things come to mind: aesthetics, functionality, and user-centered approach. I also consider the sustainability of the design, evaluating how well it balances beauty, practicality, and environmental responsibility.

I definitely believe in co-design and value having a design partner. An ideal design partner brings fresh perspectives and innovative ideas, enhancing the creative process and resulting in more comprehensive and well-rounded designs. Working collaboratively allows for a richer exchange of ideas and ultimately leads to more impactful and meaningful outcomes.

I’ve never had the chance to interact with them personally, but certain architects and artists have played significant roles in shaping my design thinking and process. Figures like Chiharu Shiota, Zaha Hadid, Santiago Calatrava, and Carlo Scarpa have profoundly influenced me. They inspire me to see architecture, art, and philosophy as interconnected disciplines rather than separate fields. This perspective has given me the confidence to reimagine and innovate within my work, always striving to create designs that reflect a harmonious blend of these elements.

"Delirious New York" had a significant impact on my design perspective. It offered a fresh look at the interplay between urban planning, architecture, and individual experiences, shaping how I approach and conceptualize my projects.

Working alongside talented colleagues and mentors has been particularly influential, as their guidance and shared experiences have provided invaluable insights and lessons.

Meeting Zaha Hadid, regardless of time and space, would be an incredible opportunity. As a female architect, her groundbreaking achievements in modern architecture history continue to inspire me. I would love to engage in a conversation with her, discussing her innovative design approaches, her challenges and triumphs in a male-dominated industry, and her vision for the future of architecture. Her unique perspective and trailblazing spirit would undoubtedly provide invaluable insights and inspiration for my own design journey.

As I'm still establishing myself as an architectural designer, I don't see myself as famous. However, these acknowledgments validate my commitment to design and motivate me to keep exploring creative possibilities. Each award reminds me of the impact my designs have had and pushes me to aim for excellence in future projects. Professionally, these accolades boost my credibility and could open doors to new opportunities and collaborations. Overall, these achievements fuel my passion for design, and I'm eager to keep contributing positively to the world of architecture and creativity.

In terms of food, I have a penchant for sushi, with its delicate flavors and exquisite presentation. As for my favorite season, I adore the vibrant colors and crisp air of autumn, perfect for cozy evenings and scenic walks.

Well, one time, I was so engrossed in sketching out a design idea that I accidentally used my coffee mug as a makeshift pencil holder. I didn't even realize until I took a sip and got a mouthful of graphite! It was a silly moment, but it reminded me to always double-check before taking a drink at my desk.

A mix of emotions. I feel deeply inspired by the creative possibilities that each project presents, fueling my enthusiasm and driving me to explore innovative solutions. However, there are moments of stress as well, particularly when navigating complex design problems or tight deadlines.

Becoming an architect and designer felt like a natural path for me from a young age. Growing up, I developed a deep appreciation for art, and witnessing the urban reconstruction process in China strongly influenced my personal aspirations. Seeing the neglect of cultural and human aspects in the reconstruction made me realize the power of creativity to extend beyond function or aesthetics alone. It became clear to me that design should resonate with human experiences, emotions, and our connection to the urban landscape.
Inspired by visionaries like Chiharu Shiota and Zaha Hadid, I realized that art requires a spatial quality for maximum impact. For me, art and design intersect deeply, transcending mere functionality or visual aesthetics; they bear deep societal transformation and serve as a medium for conveying cultural narratives. This belief fueled my desire to reshape how I perceived architecture and visual art – not just as visual subjects but as social stories.

robots? cyborgs haha Who knows, maybe we'll be designing alongside cyborgs or even designing for them!

I currently work as an architect designer at Kohn Pedersen Fox (KPF), an architectural firm renowned for its innovative designs. My focus within the firm has expanded on a diverse range of projects, particularly on mixed-use and high-rise developments. Through this experience, I've gained a deep understanding of the intricate relationships between architecture and urban contexts.
In addition to my role at KPF, I've recently started my personal studio, X.C Studio, specializing in civic and cultural projects. This endeavor allows me to apply my passion for architecture in a more personalized and specialized manner, focusing on projects that contribute to our communities' civic and cultural fabric. It represents a significant milestone in my career, enabling me to bring a distinctive vision to the forefront of architectural design.

To me, "design" is a purposeful blend of creativity and functionality aimed at shaping meaningful experiences and environments. It's about solving problems, evoking emotions, and translating cultural narratives into tangible forms. At its core, design is a dynamic language with the power to influence and inspire positive change.

My favorite kind of design incorporates cultural and social reflections. I am drawn to designs that prioritize people's interactions and experiences, fostering an approachable atmosphere. I admire projects that are dedicated to enhancing users' needs and interactions while maintaining high aesthetic standards.

In my life, I've been profoundly inspired by various artists and architects, including Chiharu Shiota, Zaha Hadid, Santiago Calatrava, Carlo Scarpa, and many others. They serve as my foundational inspiration, instilling in me the confidence to reimagine architecture, art, and philosophy uniquely and interconnectedly. These realms are never separate topics but deeply connected and intertranslatable, shaping my perspective and approach to creative expression.

The first project I designed for my own studio, X.C Studio, was the Hexa-Net proposal, a rethinking of the food delivery system and its urban impact. This project reimagines the food delivery system in urban environments, mainly focusing on New York City. It proposes using drone technology to create a comprehensive delivery network, enhancing efficiency and sustainability while fostering communal dining experiences within strategically positioned delivery centers. The Hexa-Net project embodies our studio's commitment to innovative design solutions that address contemporary urban challenges.

I find great inspiration in the diverse palette of materials available for architectural design, particularly enjoying the interplay between wood, metal, concrete, and glass. Each material brings its own unique qualities to a project, allowing for the creation of distinct atmospheres and experiences. In my works, which often focus on civic design, I prioritize materials that provide comfort and warmth and offer flexibility for various programming and events. This approach ensures that my designs are visually appealing, functional, and adaptable to the evolving needs of the community they serve.

My creativity is most inspired by the rich tapestry of my international background, which instills in me a deep reverence for the history and cultural connections that shape our design. Drawing from my Chinese heritage, emphasizing harmony with nature and the pursuit of balance, I find myself guided by philosophies that promote designs rooted in functionality and cultural resonance. This perspective enriches my approach, ensuring that my designs meet practical needs and harmonize seamlessly with their cultural and environmental context.

In my design process, I emphasize seamlessly integrating cultural and urban elements to create visually captivating and functionally efficient spaces. I prioritize facilitating fluid movement and interaction within my designs to enhance user experience. Furthermore, I meticulously incorporate materials and spatial arrangements that reflect the cultural context of each project, thereby honoring the heritage and identity of the locale. This holistic approach results in thoughtful, culturally sensitive designs that foster community, connection, and a profound sense of belonging for users.

A mix of emotions. I feel deeply inspired by the creative possibilities that each project presents, fueling my enthusiasm and driving me to explore innovative solutions. However, there are moments of stress as well, particularly when navigating complex design problems or tight deadlines.

When my designs are realized, I feel a profound sense of fulfillment. Witnessing concepts transformed into tangible spaces or structures brings a deep satisfaction, knowing that my vision has been actualized and will positively impact those who interact with it. This culmination of creativity, effort, and collaboration reinforces my passion for design and motivates me to continue pushing boundaries in my work.

I believe that good design prompts reflection on the intricate relationships between people and products, products and space, and space and the city. This interconnected chain forms a continuous influence, profoundly shaping various aspects of our lives. It should demonstrate a profound understanding of cultural and social nuances, fostering inclusivity and connection. Additionally, I believe a successful design is measured by its capacity to evoke emotions, inspire contemplation, and positively shape how people interact with and perceive the world around them.

When assessing a design, my initial focus lies on two fundamental aspects: aesthetics and its capacity for social or public interaction. Aesthetics encompass the visual appeal and harmony of the design elements, while the potential for social interaction evaluates how effectively the design fosters engagement, connectivity, and inclusivity within its intended context.

Designers are profoundly responsible for society and the environment, as their work directly influences how spaces are perceived, experienced, and utilized. This influence carries considerable power, capable of impacting both environmental sustainability and social dynamics. Therefore, designers must approach their craft with mindfulness and consideration, striving to create designs that not only fulfill functional needs but also contribute positively to the well-being of communities and the preservation of our natural resources.

I believe a transformative evolution in the design industry through the integration of advanced technologies like AI, VR, and AR. These innovations will revolutionize decision-making processes, encompassing analysis, research, rendering, and model-making. This shift doesn't diminish the significance of traditional craftsmanship; instead, it opens new dimensions for designers to seamlessly blend artistry into the transitions between virtual and physical spaces. As designers take on the role of technology orchestrators, I am consistently eager to expand my knowledge within the creative process.

My art installation, "refacade," was recently selected for display at the Le Carrousel du Louvre Contemporary Art Exhibition 2024 in February. This project reimagines 18th-century church facades as modern sculptures, blending digital elements and aesthetics to sculpt timeless tales into tangible beauty. It offers viewers a visual journey through history, transforming tradition into a poetic fusion of design and craftsmanship.

As for future exhibitions, I continue seeking opportunities to showcase my work refacade and some of my other visual art pieces.

My design inspiration stems from the dynamic interplay and diverse interactions between various scales, from the individual human experience to the broader urban context. Creativity is sparked by exploring the intersections and combinations of different materials, experiences, and cultural influences. By immersing myself in diverse environments, observing everyday interactions, and engaging with various artistic and architectural expressions, I continually feed my creativity and draw inspiration for my works.

My design style is deeply rooted in cultural and urban considerations. I aim to create spaces that are both visually appealing and functionally efficient. I prioritize a fluid experience within my designs, promoting seamless movement and interaction. Additionally, I integrate elements that reflect the cultural context of each project, whether through materials or spatial arrangements, to honor the place's heritage and identity. This approach results in thoughtful, culturally sensitive designs that foster community, connection, and a sense of belonging for users.

As a designer based in New York and born in China, my international background profoundly shapes my design process. I deeply appreciate the history and cultural connections that shape our world, instilled by both my Chinese heritage and my experiences living in diverse urban environments. Drawing from philosophies that emphasize harmony with nature and the pursuit of balance, rooted in my Chinese upbringing, I approach design with a focus on creating spaces that fulfill functional needs and harmonize with cultural and environmental contexts. While this perspective enriches my designs, allowing me to create meaningful and culturally resonant spaces, it also challenges the complexities of blending different cultural influences and addressing diverse user needs.

In my work with X.C Studio, I primarily focus on developing proposals and projects that are still in progress. However, collaborating with different consultants and subcontractors has been instrumental in bridging the gap between conceptualization and realization. Working closely with these partners has provided invaluable expertise and resources, allowing me to leverage their specialized knowledge in engineering, construction, and materials. This collaborative approach ensures that my designs are not only imaginative and innovative but also practical and feasible for implementation in the real world.

When working with a designer, I believe companies should prioritize effective communication, transparency, and goal alignment. Establishing clear objectives and expectations from the outset is essential, ensuring that both parties are working towards the same goals. Transparent discussions about budget constraints and project scope can help prevent misunderstandings and ensure that the final product meets functional and aesthetic requirements. Additionally, selecting a good designer involves considering their portfolio, expertise, and track record of delivering successful projects. Companies should seek designers who possess the creative talent and demonstrate a deep understanding of their industry, target audience, and project constraints.

My design process begins with setting clear goals and conducting thorough research. I then explore initial ideas through sketches and brainstorming sessions. These ideas are refined into coherent concepts during the preconcept and concept phases. From there, I develop detailed designs through schematic and design development, collaborating with consultants and subcontractors as needed. The final stage involves producing comprehensive construction documentation.

Choosing just five favorite design items from my home is a challenge, especially with the wealth of intricate designs found in Chinese culture. I welcome you to explore my website to experience the beauty and diversity of Chinese design firsthand. From delicate porcelain vases to intricate silk brocade pillows, each item tells a story and reflects the rich cultural heritage of China. I believe experiencing these designs in person is the best way to appreciate their craftsmanship and beauty.

My day starts with planning. I then head to work, balancing creative tasks with designs and project meetings. Throughout the day, I take short breaks to recharge. If I get off work early in the evenings, I unwind with family, hobbies, or relaxation activities, hopefully prioritizing a healthy work-life balance. Yet, as an architect designer, deadlines are always the top priority.

in the design industry, practical experience is crucial; therefore, I recommend actively working on real projects to gain hands-on knowledge and hone architectural and design expertise. Studying influential design books and participating in design communities for networking and feedback can provide valuable insights and continuous learning opportunities.

One of the greatest positives of being a designer is the constant inspiration that surrounds us, fueling our creativity and pushing us to innovate. However, this abundance of ideas can also lead to stress as we navigate the overwhelming array of possibilities. It's a delicate balance, but ultimately, the opportunity to turn inspiration into tangible creations makes the journey worthwhile.

Always seeking for innovative solutions.

Be creative and be curious.

I use software and applications to bring my ideas to life. Key tools include Rhino, Enscape, AutoCAD, Revit, and the Adobe Suite, which provide the necessary tools for 3D modeling, rendering, drafting, and graphic design. Apart from digital tools, I also draw inspiration from books, architectural publications, and online resources, immersing myself in diverse design perspectives and ideas.

I prioritize tasks, set realistic deadlines, and break down larger projects into smaller, manageable tasks to manage my time effectively. Additionally, I sometimes take breaks to recharge and prevent burnout. Taking short vacations or breaks allows me to step away from work, clear my mind, and return refreshed and rejuvenated, ready to tackle challenges with renewed energy and focus.

Server months to years usually

Where does the innovation come from?

Every job experience is essential to me. I have worked in different companies on different scales, ranging from small-scale firms to international corporations, and my projects have spanned diverse areas, from residential developments to high-rise towers. Each experience has enriched my skillset, broadened my perspective, and reinforced my passion for design. As a result, I value the lessons learned and insights gained from every job, recognizing their collective contribution to my journey as a designer.

I find great fulfillment in civic design, as it allows me to create spaces that directly benefit and enrich the lives of the broader community. Whether designing public parks, cultural centers, or urban infrastructure, civic design allows me to contribute to society's collective well-being and vitality.

I’m currently working on a residential project in China and am looking forward to this project.

Here’s my working email: xchenc.studio@gmail.com and my personal email: xchenc016@gmail.com

The folded metal roof of The Folding Boat Community Center was inspired by both the fluid dynamics of the Harlem River and the cultural significance of origami-like forms in design. This feature reflects a commitment to material innovation and environmental responsibility, which aligns with the project’s broader goals. Aesthetically, the angular folds mimic the rippling surface of the river, creating a harmonious connection between the built environment and its natural surroundings. The roof's bold geometry also frames interior spaces dynamically, echoing the transformative nature of the activities hosted within the center, from exhibitions to rowing practices.

The Folding Boat Community Center was designed with a deep respect for the duality of its surroundings. The historical elements of the district inspired a commitment to preserving the area’s cultural identity, while the modern aspects encouraged us to push the boundaries of innovative design. This balance was achieved by using materials and forms that resonate with both eras: for example, the choice of weathered steel nods to industrial history, while the sleek, angular geometry reflects contemporary architectural trends. Additionally, the integration of public spaces fosters a sense of continuity, allowing visitors to experience the area’s heritage in a dynamic, forward-looking context.

The seamless integration of walls and ceilings in The Folding Boat Community Center was born from a desire to create a flowing, uninterrupted spatial experience that mimics the movement of water, a key element of the project’s inspiration.The interplay of light and shadow along these surfaces was designed to evoke the rippling effect of the Harlem River, fostering a sense of immersion and harmony with the site’s natural surroundings.

The material palette for The Folding Boat Community Center was carefully chosen to balance durability with aesthetic harmony, especially given its proximity to the waterfront. Metal was selected for its resilience against moisture and corrosion, ensuring longevity in a challenging environment. Glass was incorporated to foster transparency and connectivity, blurring the line between the interior spaces and the surrounding river landscape. Wood panels, meanwhile, added warmth and a tactile quality that resonates with the community’s human scale. Together, these materials create a dynamic yet cohesive visual language that complements the natural and urban elements of the site.

Optimizing the spatial layout of The Folding Boat Community Center required a strategic approach to zoning and circulation. The rowing facility, library, and museum were positioned to capitalize on their unique functional requirements while fostering interconnectivity. The rowing facility occupies the lower level, providing direct access to the waterfront and minimizing disruption to quieter activities. The library, situated centrally, acts as a bridge, offering serene reading areas with views of the river. The museum occupies the main entrance, where its exhibits can benefit from natural light and panoramic perspectives. Shared spaces like the lobby and atrium create a unifying core that encourages interaction and exploration between the three functions.

Project like this emphasizes the function and aesthetics of materials, which guided my choice to use locally sourced, environmentally responsive elements. Meanwhile, my experience in the digital realm allowed me to experiment with parametric design tools to simulate and optimize the folding geometry of the roof and walls. This process ensured the project’s technical feasibility while achieving a sculptural, deconstructed aesthetic. The combination of these influences allowed for a design that respects the complexity of the site while embracing innovation.

The site’s topography played a pivotal role in shaping The Folding Boat Community Center’s design. The varying slopes informed the building’s tiered structure, allowing for natural integration with the landscape and minimizing excavation. This approach not only reduced environmental impact but also enhanced the connection between the building and its surroundings. The stepped design creates terraces that serve as outdoor gathering spaces, while the sloping roof mirrors the gradient of the terrain. Internally, the levels create distinct zones for the rowing facility, library, and museum, further emphasizing their unique functions while maintaining spatial fluidity.

The Folding Boat Community Center is designed as a cultural nexus where athletic, literary, and historical programs converge to foster community connections and lifelong learning. By hosting rowing events and workshops, the facility celebrates the community’s aquatic heritage and encourages physical activity. The library provides a quiet retreat for intellectual growth, while the museum offers curated exhibits that explore local history and broader cultural narratives. This blend of programs ensures that the center serves as a platform for interaction across generations and interests, creating a vibrant hub where residents and visitors alike can engage, learn, and connect.

Sustainability was a core consideration in the design of The Folding Boat Community Center. Material choices prioritized durability and low environmental impact, including recycled metal panels and sustainably sourced wood. The building’s orientation maximizes natural light and ventilation, reducing energy consumption. Additionally, green roofs and rainwater harvesting systems were designed to be integrated to manage stormwater runoff and promote biodiversity. The proximity to the waterfront also inspired passive cooling strategies, leveraging the site’s natural breezes. Collectively, these measures ensure that the center not only serves its community but also respects and preserves its delicate ecological context.

The sequence that simulates submersion was inspired by the tar itself and its role in preserving history. This entry experience creates a sense of being drawn into the site’s layered past. By experiencing the feeling of descending beneath the tar, visitors are set up for a closer look at the preservation and discovery processes that define the La Brea Tar Pits. This journey helps to frame the historical context and encourages a deeper engagement with the site's story.

The concrete cantilevers required careful planning to balance structural integrity with the desired visual effect. Detailed simulations were conducted to ensure proper load distribution and safety. We used advanced reinforcement techniques and modular design to allow the cantilevers to extend while remaining stable. These elements support the museum’s idea of linking preserved history with ongoing discovery, using the structure itself to mirror that balance.

The research building’s layout is designed as a network of interconnected paths that lead visitors through active research areas. This arrangement makes it possible for the public to observe the excavation process up close. By integrating educational displays and direct views of research activities along these paths, the design creates a setting where learning and science work side by side. The circulation encourages visitors to move freely between information areas and live research spaces.

The design process started with a thorough study of the site’s history and paleontology. I aimed to use modern forms to support and highlight the evidence of the past. This was done by pairing clean, modern structures with materials and details that reference the site's natural history. Iterative design sessions helped refine the balance so that contemporary construction methods complemented the story of the La Brea Tar Pits without overwhelming it.

My work in materialist architecture emphasizes a clear look at the materials and how they function in space. For this project, I focused on breaking down traditional forms and reassembling them in a way that exposed the materials’ true nature. This method allowed the building to reflect the site’s process of discovery, where fragments of history are carefully extracted and then reinterpreted. The approach supports a practical understanding of both the construction process and the preservation of history.

The decision to display both stored fossils and hallway exhibits was driven by a desire to show the full process of paleontological work. Stored fossils highlight the careful conservation process, while hallway displays give visitors immediate access to new discoveries. This method creates a narrative that links the work behind the scenes with what is on public view. The approach encourages visitors to understand the complete cycle of excavation, preservation, and display.

The design is intended to serve as a model for future museums by integrating active research areas directly into public spaces. This setup allows visitors to see research in progress, which makes the institution a living archive rather than a static display. By creating flexible spaces that accommodate both study and public engagement, the museum can adapt as new discoveries are made. This approach supports transparency in research and provides a template for institutions that wish to combine education with live scientific work.

My approach comes from a willingness to question the standard museum model. I looked at the museum as a space for ongoing discovery rather than a fixed collection of artifacts. This perspective led me to integrate spaces where visitors can engage directly with the research process. By challenging traditional layouts and using flexible, adaptive designs, the project becomes an environment where history is not just displayed but is continuously explored and updated. This approach reflects a commitment to rethinking how museums serve both the public and the research community.

The design of the institution building supports the idea that learning is most effective when it is connected with real-world observation. By providing views of the excavation sites during lectures, the building creates a link between theoretical knowledge and practical research. This connection reinforces the idea that observing active work enhances understanding and retention of information. The design encourages a learning environment where ideas and evidence are experienced together, promoting a clearer understanding of the research process.