Changes Cycles and Shapes Digitala Arto de Yuko Suzuki

La dizajno Changes Cycles and Shapes Digitala Arto de Yuko Suzuki estas tre estimata gajninto de la prestiĝa 2025 Ora A' Design Award en la Konkursa Kategorio Genera, Algoritma, Parametra kaj AI-Helpata Dezajno.

OroGenera· 2025

Changes Cycles and Shapes Digitala Arto

de Yuko Suzuki

Kliento: Feral File

Gajninto de Ora A' Design Award en la Kategorio Genera

210,079

Kontrolita Premiogajninto

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Viziti Retejon Vidi ĉe A' Design Award Gazetara Komuniko Premia Insigno

Koloroj

La Dezajno

Pri Changes Cycles and Shapes Digitala Arto

Ĉi tiu verko esploras la demandon, Kio estas pentrado? esprimante la cirkuladon de vidaj esprimoj. Inspirita de transiĝoj en la pentraĵoj de Mondrian, ĝi baziĝas sur komponanta diagramo de pentrado, kie formo moviĝas inter figura kaj abstrakta, kaj inter bruo kaj lineeco - ideo aplikita al koloro. La verko elvokigas la ŝanĝiĝantan staton de cifereca materieco, emfazante ke formoj inter ŝanĝoj estas la esenco. Enkorpigante teksturojn presitajn per bareno, ĝi reflektas la identecon de la artisto kiel presgrafikisto en cifereca formo.

La Agnosko

Pri la Ora A' Design Award

Changes Cycles and Shapes Digitala Arto estas gajninto de la Ora A' Design Award, treege prestiĝa rekono donata al unuaklasaj, mirindaj kaj elstaraj dezajnoj. La Oraj gajnintoj estas treege novigaj, viziecaj kaj glamure miregigaj kreaĵoj, kiuj reflektas la talenton, saĝon kaj lertecon de siaj dezajnistoj. Oni atendas, ke Changes Cycles and Shapes Digitala Arto estu tre laŭdata, tendencdifina kaj monumenta inventaĵo, kiu liveras senprecedencan valoron. Ĉi tiu dezajno gajninta la Oran A' Design Award estas spektakla, estimata projekto, kiu tre profitigas kaj antaŭenigas la limojn de arto, scienco, dezajno kaj teknologio. Changes Cycles and Shapes Digitala Arto kreas intensajn dezirsentojn, vekas pasion, kuraĝigas kreemon kaj fascinas nin.

Malantaŭ la Dezajno

Gazetara Dosiero

Kreditoj, teamanoj kaj teknikaj detaloj provizitaj de la dezajnisto.

Unikaj Ecoj: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensioj kaj Pakado: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Etikedoj: Generative Art, Coding
Produkta Teknologio: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Dizajna Defio: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Esplorado: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiro: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Projekta Daŭro: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Funkcia Fluo: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Bildaj Kreditoj: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.