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Shany Abdallah Naji Serie de arte gráfico by Shany Dvora

Shany Abdallah Naji Serie de arte gráfico by Shany Dvora is a highly esteemed winner of the very prestigious 2021 A' Design Award de Plata in Diseño Gráfico, Ilustración y Comunicación Visual Competition Category.


PlataGráfico· 2021

Shany Abdallah Naji Serie de arte gráfico

by Shany Dvora

A' Design Award de Plata Winner in Gráfico Category

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Verified Award Winner

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Colors

The Design

About Shany Abdallah Naji Serie de arte gráfico

Shany Abdallah Naji es una serie de obras gráficas que revive una tradición familiar de nomenclatura. La tradición, que se extinguió cuando la familia emigró de Irak a Israel, consistía en dar al recién nacido un nombre propio seguido de los nombres del padre y del abuelo. La serie surgió tras el hallazgo de antiguos documentos de inmigración de la familia. Cinco obras de técnica mixta, cuatro de 50 por 70 centímetros y una de 75 por 70 centímetros, entretejen imágenes con caligrafía hebrea inspirada en manuscritos hebreos de Irak, Yemen y Marruecos realizados entre los siglos XII y XV.

The Recognition

About the A' Design Award de Plata

Shany Abdallah Naji Serie de arte gráfico ha ganado el A' Design Award de Plata, un reconocimiento extraordinariamente prestigioso concedido a diseños de gama alta, magníficos e impresionantes. Los ganadores de Plata son obras tremendamente brillantes y sumamente creativas que ilustran la destacada experiencia, el talento y la agudeza de sus diseñadores. Se espera que Shany Abdallah Naji Serie de arte gráfico sea una obra maravillosa y emblemática, notablemente profesional y profundamente innovadora. Este diseño ganador del A' Design Award de Plata es una invención muy notable y admirada que beneficia y hace avanzar las fronteras del arte, la ciencia, el diseño y la tecnología. Shany Abdallah Naji Serie de arte gráfico es una creación enormemente envidiada que evoca deseos, aporta sentimientos positivos y despierta asombro y admiración.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Dimensions & Packaging
4 works 50*70 cm
1 work 75*70 cm
Tags
Calligraphy, Typography, Hebrew, Eastern
Production Technology
Mixed Media
Design Challenge
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Research
For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Inspiration
In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Project Duration
2018-2019, Israel
Operation Flow
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Patents
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Team Members
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Image Credits
Shany Dvora

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