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Oscarina Silla by Linda Martins

Oscarina Silla by Linda Martins is a highly esteemed winner of the very prestigious 2021 A' Design Award de Bronce in Diseño de Mobiliario Competition Category.


BronceMobiliario· 2021

Oscarina Silla

by Linda Martins

Client: Studio Linda Martins

A' Design Award de Bronce Winner in Mobiliario Category

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Verified Award Winner

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Colors

The Design

About Oscarina Silla

Oscarina es una silla hecha a mano inspirada en el mobiliario modernista brasileño de la década de 1950. El diseño emplea únicamente dos materiales, madera y palla india tejida, ambos estrechamente vinculados a la tradición artesanal brasileña. Las líneas rectas se combinan con formas torneadas a mano en el torno. Cada pieza se corta, se lija, se tornea y se encola, y luego se barniza; el tejido de caña se fija en canales tallados en la madera. El nombre alude a la Catedral de Brasilia, obra de Oscar Niemeyer, cuyas líneas sirvieron de inspiración. La silla mide 525 por 497 por 858 milímetros y se adapta a numerosos interiores.

The Recognition

About the A' Design Award de Bronce

Oscarina Silla ha ganado el A' Design Award de Bronce, un reconocimiento sumamente prestigioso concedido a diseños sobresalientes que se distinguen por su creatividad, ingenio y astucia. Los ganadores de Bronce son artefactos ampliamente hábiles y sorprendentemente creativos que acreditan la vasta experiencia, imaginación e ingeniosidad de sus diseñadores. Se espera que Oscarina Silla sea un objeto muy apreciado, admirado y querido, notablemente profesional e innovador. Este diseño ganador del A' Design Award de Bronce incorpora las mejores prácticas del arte, la ciencia, el diseño y la tecnología, y es excelente por su atención al detalle. Oscarina Silla satisface espléndidamente las necesidades, toca los deseos, encanta los sentimientos y atrae la curiosidad.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Using modernist lines and inspiration, Oscaria is Made by hand, to translates a Brazilian furniture face in the 50', when the constructive and material quality was the most important in a piece. The idea was use just two special and caracterist materials to compose this chair: wood and woven cane. The precepts of the old carpentry, having its parts glued, made one by one, it fuses the old and the new. Noble wood in its purest form.
Dimensions & Packaging
525mm x 497mm x 858 mm
Tags
chair, wood, modernist, comfort, Brazil, design
Production Technology
It is done manually with the aid of a lathe. It is done one by one to ensure a good finish. The wood is cut and sanded, then turned and the pieces glued together to receive varnish. Finally, the cane fabric is fixed in the wooden channels.
Design Challenge
The challenge was to fix the woven cane in the wooden channels. In an artisanal way, we used a string to fix it. Finally, we had the chair with anatomic design in woven cane with the comfort and safety that we desire.
Research
The research was done on the modernist period (big designers and materials used) and the way of artisanal production and we discovered that the constructive and material quality was the most important for a piece in this time. Than we research about materials, and we decided use just two: Wood and woven cane, so caracteristic of Brazil.
Inspiration
Is inspired by the period modernist and big names in the design of the time, like Lina Bo Bardi and Joaquin Tenreiro. As a basis, it uses lines inspired by the Cathedral of Brasilia, a work by Oscar Niemeyer, for this reason, it was named Oscarina. A combination of straight and hand-turned lines with noble and caracterist Brazilian materials such as wood and woven cane. The idea was to develop a chair with elements that point to a common identity in modernist furniture.
Project Duration
The project started in August 2020 and finished in January 2021 in Brazil.
Operation Flow
A chair with a structure well worked in wood, using simple lines, which can be incorporated in various environments, bringing sophistication and lightness. Materializes the basic act of sitting.
Team Members
Linda Martins
Image Credits
Image #1: Rodrigo Ortega
Image #2: Rodrigo Ortega
Image #3: Rodrigo Ortega
Image #4: Rodrigo Ortega
Image #5: Rodrigo Ortega

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