Looping Flower Espacio Cultural de Ikebana de Ni Jie Guo

El diseño Looping Flower Espacio Cultural de Ikebana de Ni Jie Guo es un ganador altamente estimado del prestigioso 2024 A' Design Award de Bronce en la categoría de competición Diseño de Espacios Interiores y Exposiciones.

BronceInterior· 2024

Looping Flower Espacio Cultural de Ikebana

de Ni Jie Guo

Cliente: Blankspace

Ganador del A' Design Award de Bronce en la Categoría Interior

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El Diseño

Acerca de Looping Flower Espacio Cultural de Ikebana

El arte del ikebana es una meditación sobre la vida en el fluir de las cuatro estaciones, incluyendo la captura definitiva de momentos fugaces en la estética japonesa, la reconstrucción de la vida de flores y ramas, y la colisión innovadora entre estructura y estética. El diseño del espacio completo se basa en el espíritu de Kusatsuki-ryu, extrayendo elementos de la arquitectura tradicional japonesa y transformándolos en un lenguaje arquitectónico moderno, explorando la relación entre la construcción contemporánea y la estética con elementos japoneses abstractos.

El Reconocimiento

Acerca del A' Design Award de Bronce

Looping Flower Espacio Cultural de Ikebana ha ganado el A' Design Award de Bronce, un reconocimiento sumamente prestigioso concedido a diseños sobresalientes que se distinguen por su creatividad, ingenio y astucia. Los ganadores de Bronce son artefactos ampliamente hábiles y sorprendentemente creativos que acreditan la vasta experiencia, imaginación e ingeniosidad de sus diseñadores. Se espera que Looping Flower Espacio Cultural de Ikebana sea un objeto muy apreciado, admirado y querido, notablemente profesional e innovador. Este diseño ganador del A' Design Award de Bronce incorpora las mejores prácticas del arte, la ciencia, el diseño y la tecnología, y es excelente por su atención al detalle. Looping Flower Espacio Cultural de Ikebana satisface espléndidamente las necesidades, toca los deseos, encanta los sentimientos y atrae la curiosidad.

Detrás del Diseño

Kit de Prensa

Créditos, miembros del equipo y detalles técnicos proporcionados por el diseñador.

Propiedades Únicas: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Dimensiones y Embalaje: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Etiquetas: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Tecnología de Producción: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Desafío de Diseño: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Investigación: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Inspiración: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Duración del Proyecto: The project started in August 2022 and finished in December 2022 in China .
Flujo de Operación: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Miembros del Equipo: NI JIE GUO
Créditos de Imagen: BLANKSPACE