Disainilahendus Reborn Puidust Vaas, autor Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Disainilahendus Reborn Puidust Vaas, mille autor on Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching, on kõrgelt hinnatud 2023 auhinna Rauaauhind A' Design Award võitja konkursi kategoorias Kujutava kunsti ja kunstiinstallatsioonide disain.

RaudKunst· 2023

Reborn Puidust Vaas

disainer: Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Klient: Tainan University of Technology/Product Design Deparment

Auhind Rauaauhind A' Design Award kategoorias Kunst

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Värvid

Disain

Teosest Reborn Puidust Vaas

Väärtuse loomine mööblitööstuse kasutuselt kõrvaldatud ja ülejäävale puidule, kasutades metallide inkrusteerimistehnikaid orgaaniliselt sfäärilisele puitpinnale. Seemnete kasvatamise eluvormist inspireerituna on puidusüü külge kinnitatud messingtraat, mis ulatub puidust vaasi toetamiseks kasvatatud juurte kuju järgi. Mustril on funktsionaalne kasutusala, kuna puidujääkidest tehakse istutamiseks anum, mis meenutab tärkavat seemet ja sümboliseerib elutsüklit. Voolav metallist juurekuju annab elujõu tunde, meenutades liikuvat organismi.

Tunnustus

Auhinnast Rauaauhind A' Design Award

Reborn Puidust Vaas on Rauaauhinna A' Design Award võitja, prestiižikas tunnustus, mis antakse headele disainidele, mis vastavad professionaalsetele ja tööstuslikele nõuetele, mida oodatakse hästi disainitud töödelt. Raudvõitjad näitavad oma loojate suurt oskust, kõrget spetsialiseerumist, asjatundlikku mõistmist ja loomingulist võimekust. Reborn Puidust Vaas peaks olema kõrgelt hinnatud, imetletud ja armastatud looming, mis on praktiline ja uuenduslik. See Rauaauhinna A' Design Award võidudisain ühendab tööstuse parimaid tavasid ning tal on pädevad tehnilised omadused, mis on seotud oskusteabe ja andega. Reborn Puidust Vaas on austatud oma põhjalikkuse eest ning on loodud pakkuma elukvaliteedi parandusi, mis aitavad teha maailma paremaks paigaks.

Disaini taustal

Pressimaterjalid

Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.

Unikaalsed omadused: The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
Mõõtmed ja pakend: Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm.
Sildid: Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
Tootmistehnoloogia: Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation.
Disainiülesanne: To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
Uurimistöö: Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools.
Inspiratsioon: We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
Projekti kestus: The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
Tööprotsess: The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
Meeskonnaliikmed: Instructor: ChungSheng Chen
Designer：ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept
Piltide autorid: Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng