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Disainilahendus Looping Flower Ikebana Kultuuriruum, autor Ni Jie Guo

Disainilahendus Looping Flower Ikebana Kultuuriruum, mille autor on Ni Jie Guo, on kõrgelt hinnatud 2024 auhinna Pronksauhind A' Design Award võitja konkursi kategoorias Siseruumide ja näitusedisain.


PronksInterjöör· 2024

Looping Flower Ikebana Kultuuriruum

disainer: Ni Jie Guo

Klient: Blankspace

Auhind Pronksauhind A' Design Award kategoorias Interjöör

10,553

Värvid

Disain

Teosest Looping Flower Ikebana Kultuuriruum

Ikebana kunst on meditatsioon elu üle nelja aastaaja voolus, hõlmates lühikeste hetkede ülimalt tabamist Jaapani esteetikas, lillede ja okste elu rekonstrueerimist ning struktuuri ja esteetika uuenduslikku kokkupõrget. Kogu ruumi disain põhineb Kusatsuki-ryu vaimul, ammutades elemente traditsioonilisest Jaapani arhitektuurist ja teisendades need kaasaegseks arhitektuuriliseks keeleks, uurides kaasaegse konstruktsiooni ja esteetika vahelist seost abstraktsete Jaapani elementide kaudu.

Tunnustus

Auhinnast Pronksauhind A' Design Award

Looping Flower Ikebana Kultuuriruum on Pronksauhinna A' Design Award võitja, väga prestiižikas tunnustus, mis antakse silmapaistvatele disainidele, mida iseloomustavad loovus, leidlikkus ja teravmeelsus. Pronksvõitjad on küllaldaselt osavad ja tabavalt loovad teosed, mis kinnitavad oma disainerite laia kogemust, kujutlusvõimet ja leidlikkust. Looping Flower Ikebana Kultuuriruum peaks olema kõrgelt hinnatud, imetletud ja armastatud objekt, mis on märkimisväärselt professionaalne ja uuenduslik. See Pronksauhinna A' Design Award võidudisain ühendab parimaid tavasid kunstis, teaduses, disainis ja tehnoloogias ning on suurepärane oma detailidele pööratud tähelepanu poolest. Looping Flower Ikebana Kultuuriruum rahuldab suurepäraselt vajadusi, puudutab soove, võlub tundeid ja pakub huvi uudishimule.

Disaini taustal

Pressimaterjalid

Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.

Unikaalsed omadused
This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Mõõtmed ja pakend
Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Sildid
Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Tootmistehnoloogia
In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Disainiülesanne
Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Uurimistöö
The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Inspiratsioon
In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Projekti kestus
The project started in August 2022 and finished in December 2022 in China .
Tööprotsess
To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Meeskonnaliikmed
NI JIE GUO
Piltide autorid
BLANKSPACE

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