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Disainilahendus Rene Final Call Elava kontserdi lavakujundus, autor B'in Live Co., Ltd.

Disainilahendus Rene Final Call Elava kontserdi lavakujundus, mille autor on B'in Live Co., Ltd., on kõrgelt hinnatud 2026 auhinna Hõbeauhind A' Design Award võitja konkursi kategoorias Sündmuste ja ürituste disain.


HõbeSündmus· 2026

Rene Final Call Elava kontserdi lavakujundus

disainer: B'in Live Co., Ltd.

Klient: B’in Live Co., Ltd

Auhind Hõbeauhind A' Design Award kategoorias Sündmus

19,873

Värvid

Disain

Teosest Rene Final Call Elava kontserdi lavakujundus

Rene Final Call on areenipublikule kujundatud kontserditurnee lava. Neljakülgne lava on 28 meetrit lai, 22 meetrit pikk ja 2,2 meetrit kõrge, mistõttu vaatejooned püsivad tasakaalus. Keskne pöördlava tõuseb 3,6 meetri kõrgusele ja töötab koos kümne sõltumatu tõstukiga, moodustades muutuvaid topograafiaid. Kontsert areneb neljas peatükis, liikudes veealusest stseenist muru ja kaktustega terrassikujuliste ringideni. Vertikaalne kolmemõõtmeline LED-maatriks esitab laulusõnade voolavat kuva. Modulaarsed komponendid võimaldavad konstruktsiooni uuesti kokku panna ja taaskasutada.

Tunnustus

Auhinnast Hõbeauhind A' Design Award

Rene Final Call Elava kontserdi lavakujundus on Hõbeauhinna A' Design Award võitja, ülimalt prestiižikas tunnustus, mis antakse tipptasemel, suurepärastele ja muljetavaldavatele disainidele. Hõbevõitjad on ülimalt säravad ja erakordselt loovad tööd, mis illustreerivad oma disainerite silmapaistvat kogemust, annet ja teravmeelsust. Rene Final Call Elava kontserdi lavakujundus peaks olema imeline, eeskujulik töö, mis on märkimisväärselt professionaalne ja sügavalt uuenduslik. See Hõbeauhinna A' Design Award võidudisain on väga tähelepanuväärne, imetletud leiutis, mis toob kasu ning nihutab kunsti, teaduse, disaini ja tehnoloogia piire. Rene Final Call Elava kontserdi lavakujundus on laialdaselt kadestatud looming, mis äratab soove, tekitab positiivseid tundeid ning süütab hämmastust ja imestust.

Disaini taustal

Pressimaterjalid

Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.

Unikaalsed omadused
The four-sided stage ensures balanced sightlines, combining a ten-segment outer lifting system with a central turntable for dynamic formation shifts. The concert unfolds in four chapters. It opens with an oceanic scene as a giant jellyfish descends and Led fish surround the audience. The arena transforms into a landscape as rising platforms form terraced rings of turf and cacti. A vertical 3d Led matrix creates a waterfall of lyrics and memories, with three Led rooms marking emotional chapters.
Mõõtmed ja pakend
The stage measures 28 meters wide, 22 meters long, and 2.2 meters high, with the central turntable capable of elevating to 3.6 meters, synchronizing with ten independent lifts to create varying topographies. The overhead section includes mechanisms for the whale balloon, suspended truss rotation platforms, five 3D Led matrices, two adjustable lighting trusses, and four large jellyfish installations. The musicians' pit adopts a recessed layout for acoustic depth, with Unplugged segments extending onto the main stage for direct interaction.
Sildid
360 Degrees Stage, 3D LED Matrix, Time, Immersive Experience, Modularity, Playfulness, René Liu, Touring Concert, Final Call
Tootmistehnoloogia
The stage structure adopts standard modular components for reassembly and reuse. Mirror-finished lifting platforms extend light refraction, while the 3d Led matrix, composed of pixel-controlled light strips, delivers high transparency and immersive depth. The top dome integrates these Led arrays with dynamic trusses to form a unified light field. The curved floor Led minimizes masking panels to preserve circular continuity. The color strategy transitions from marine blue to grassy green, then narrows into a monochrome emotional palette before returning to pure white.
Disainiülesanne
The key challenge was the four-sided stage, which required precise adjustment of truss heights, lift levels, and sightline clearances at each venue. Transforming underwater scenes into live turf within four minutes demanded exact stagecraft, storage planning, and crew coordination. Under-stage compartments housed ten lifts, inflatable whale and bear props, and modular grass panels, requiring careful zoning and preplanning. The curved Led floor also needed micro-modular calibration to keep the circular imagery seamless while ensuring on-site safety.
Uurimistöö
The 2025 Rene Final Call Live Tour turns themes of time and memory into a spatial narrative of flight. A four-sided stage with a central turntable and ten lifts mirrors life's peaks and valleys. Four chapters, ocean, earth, memory, and Light, move from underwater calm to shared vibrancy, then reflection and illumination. A vertical 3D Led matrix cascades lyrics and visuals, while Led 'rooms' recall past works. Whale and bear props spark childlike wonder, and a paper airplane links performer and audience. Modular hardware enables reuse, reducing energy waste as the artist's 30-year journey becomes a rediscovery of memory.
Inspiratsioon
Rooted in the concept of 'flight,' the concert revisits the artist's lifelong creative journey and emotional memories. Time fragments are transformed into spatial metaphors, as a four-sided stage is deconstructed and reassembled into four narrative chapters, searching, growing, courage, and companionship. The audience travels across time, beginning in a tranquil underwater world and moving through kinetic lighting and shifting scenes. Each chapter reflects life's highs and lows, guiding spectators to rediscover youth, emotion, and innocence in a moving escape from reality.
Projekti kestus
The project finished in 2025 in Taiwan.
Tööprotsess
Audiences were first soothed by the 'underwater silence' of the opening scene before erupting in excitement as the whale appeared. The turf sequence fostered a sense of togetherness-fans sitting and singing along-becoming the most acclaimed segment for its intimacy. The vertical Led lyric waterfall immersed the audience, while the 'room' sequence awakened collective memories among long-time fans. Functionally, the four-sided layout ensured that even the farthest spectators could clearly see the artist's expressions, vastly improving proximity and engagement.
Meeskonnaliikmed
B’IN LIVE CO., LTD.
Producer: Yu-Yang Chou and Wen-Yu Shih
Production Assistant: Pei-Min Yeh, Wen-Chi Chang and Wen-Ying Tseng
Production Manager: Ming-Wen Tan
Stage Manager: Kuo-Hao Chou
Stage Design: Pei-Lun Kuo
Lighting Design: Rokerfly Design - Jen Wei Chan
Lighting Programmer: Ta-Hsiang Hsu
Laser Design: Chieh-Hsiu Li
Visual Design: Phototaxis.tv
Visual Design Coordinator: Nelson Wu
Piltide autorid
B’IN LIVE CO., LTD.

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