Perception of the Eyes Erabil Daitekeen Artea by Karina Frances Edmonds

Perception of the Eyes Erabil Daitekeen Artea by Karina Frances Edmonds is a highly esteemed winner of the very prestigious 2020 Brontzezko Saria A' Design Award in Moda, Jantzi eta Arropa Diseinua Competition Category.

BrontzeModa· 2020

Perception of the Eyes Erabil Daitekeen Artea

by Karina Frances Edmonds

Client: Karina Frances

Brontzezko Saria A' Design Award Winner in Moda Category

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Colors

The Design

About Perception of the Eyes Erabil Daitekeen Artea

Begi guztiek historia eta edertasun sakonera desberdinak partekatzen dituzte. Niretzat, begiak norberaren arimaren ataria dira. Obra hau inspiratu duen ildo sakon eta infinitua da. Labur honetan begiak pieza honetan irudikatzen dira, bularretako ispilu geometriko baten bidez. Ikaslea mamuaren esentzia gordina dela nabarmendu du. Laser linearen ikusmirak elkarrekintzarako puntu kalkulatuetan zeharkatzen dira. Diagrama zientifikoen eta argiaren errefrakzioen ereduak, ikuspegi lausotu baten uhinean erori aurretik eratzen dira. Pieza honek begiez eta duen ahalmen poetikoaz hitz egiten du.

The Recognition

About the Brontzezko Saria A' Design Award

Perception of the Eyes Erabil Daitekeen Artea Brontzezko Saria A' Design Award irabazlea da, sormenak, asmamenak eta zorroztasunak bereizten dituzten diseinu bikainei ematen zaien aitorpen oso prestijiotsua. Brontze-mailako irabazleak trebetasunez beteriko eta nabarmenki sortzaileak diren artefaktuak dira, beren diseinatzaileen esperientzia zabala, irudimena eta ekimena egiaztatzen dutenak. Perception of the Eyes Erabil Daitekeen Artea oso estimatua, miretsia eta maitea den objektua izatea espero da, nabarmenki profesionala eta berritzailea dena. Brontzezko Saria A' Design Award irabazi duen diseinu honek artearen, zientziaren, diseinuaren eta teknologiaren praktika onenak biltzen ditu eta xehetasunei ematen dien arretagatik bikaina da. Perception of the Eyes Erabil Daitekeen Artea beharrak bikain asetzen dituen, desirak ukitzen dituen, sentimenduak xarmatzen dituen eta jakin-mina erakartzen duen lana da.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The uniqueness in my design is born from the empowerment created for one to radiate. Empowerment is also my inspiration. My design mirrors an embodiment of this spirit. This garment speaks about eyes and their poetic power. The design boldly enhances the human body, through the rawness of the breasts, mimicking eyes, to the enhanced hip lines, through sculpture. The leather strips, architecturally strike down from the pupil (nipple) to create an illusion lasering out as a form of vision and structural support. Beauty in design shines when poetry meets function.
Dimensions & Packaging: Size 6
Tags: wearable art, eyes, vision, perception, poetry
Production Technology: The materials used for the geometric elements are particularly effective. By constructing a corsetry bodice from more robust elements with wire and stiffer fabric such as faux leather, the contrasting silhouette strips are enabled to be pulled tight and hold the criss-cross pattern beautifully, before falling into waves. This is reminiscent of scientific diagrams of refraction of light. The production of this design regarded structure, architecture, form and the body. In the making and testing of this design, I thought about physics regarding matters like the laws of gravity and structure in terms of its architecturally inspired form.
This dress has a sense of history in its construction echoing vintage hip lines whilst displaying thoroughly contemporary vision.(regard pdf) for full version of "Production, realization technology and materials)
Design Challenge: Beginning with the research I was challenged with deep inner reflection, about myself, and identity regarding the theme “Who am I”. Especially because I haven't found myself in this stage of my life as a 15 year old. I believe we are always changing and growing as people, and a society. Also, I faced challenges that regarded transferring my ideas from my pen to the needle, as this was the first time I had created a collection.
Research: I looked at many sources that helped me better define my knowledge to create a 5 piece collection that could reflect me as a person and unravel my identity. Second, after building my knowledge to a level at which I was confident, I could begin the artistic journey, I began designing. Even when designing it seems as if research and design overlapped, because I was always learning something new. Everything I learned was applied to enhance my skills and help my ability in creating material that is so new to me in the arts. (regard pdf for full research)
Inspiration: I was inspired by eyes and their magical properties with their ability to connect, reflect, and create visual poetry of the world around us. This poetic and magical ability for an eye to radiate vision is the inspiration for this dress. One can see these definitions through the garments architectural forms and illusions that run from the nipple to the ground.
Project Duration: My fashion journey began with research April 2019, designing in May 2019, and finally completed in the summer of June 2019. The dresses were then showcased on the runway at NewYork FashionWeek Fall season (F/SS NYFW), the 7th of September 2019
Operation Flow: The design has specific details that make the whole difference when looking at its performance as wearable art. While wearable art is very abstract and not the most wearable, I tried to make my designs so that they can still perform with attributes of the body making them more wearable. There are significant details that allow for this to happen, still encouraging the possibility of my design without making any major adjustments. This includes different systems created to convert art into wearable art.
Patents: N/A
Team Members: Tailor 15% work with patterns-( technical element).
Image Credits: Image #1: Bruce Wang, 2019
Optional Image #2: Bruce Wang, 2019
Optional Image #3: Bruce Wang, 2019
Optional Image #4: Bruce Wang, 2019
Optional Image #5: Bruce Wang, 2019