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Gis Aulkia by Sepehr Mehrdadfar

Gis Aulkia by Sepehr Mehrdadfar is a highly esteemed winner of the very prestigious 2022 Zilarrezko Saria A' Design Award in Altzari Diseinua Competition Category.


ZilarAltzariak· 2022

Gis Aulkia

by Sepehr Mehrdadfar

Client: Hamoun

Zilarrezko Saria A' Design Award Winner in Altzariak Category

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Verified Award Winner

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Colors

The Design

About Gis Aulkia

Gis hiru hankako egurrezko aulki bat da brontzezko oinekin, bi intxaur egurrezko enborretatik eskulturatu da eskulan bikainarekin, eskultura bat balitz bezala agertzeko. Egurrezko korapiloak eta markak agerian geratu dira objektuari bereizgarri berezia emateko. Itxura bitxia izan arren, Gis ergonomikoa da kurba eta angeluen diseinu zehatzari esker. Diseinua egur solidoaren aukeren esplorazioa da, eta baita Artearen eta Diseinuaren, Edertasunaren eta Funtzioaren arteko mugan ibiltzea ere.

The Recognition

About the Zilarrezko Saria A' Design Award

Gis Aulkia Zilarrezko Saria A' Design Award irabazlea da, goi-mailako, zoragarriak eta liluragarriak diren diseinuei ematen zaien ezohiko aitorpen prestijiotsua. Zilar-mailako irabazleak lan oso distiratsuak eta sormen biziko lanak dira, beren diseinatzaileen aditutasun, talentu eta zorroztasun nabarmenak erakusten dituztenak. Gis Aulkia erakusleiho-lan zoragarria, nabarmenki profesionala eta sakonki berritzailea izatea espero da. Zilarrezko Saria A' Design Award irabazi duen diseinu hau asmakizun oso nabarmena eta miretsia da, onura ekartzen duena eta artearen, zientziaren, diseinuaren eta teknologiaren mugak zabaltzen dituena. Gis Aulkia jende askok inbidia duen sorkuntza da, desirak pizten dituena, sentimendu positiboak ekartzen dituena eta harridura eta txunditzea pizten dituena.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Gis is a three-legged wooden chair with bronze feet and is carved out from two walnut logs with exquisite craftsmanship to seem as a sculpture. The wood knots and scars are remained exposed to give the objects a special characteristic. Despite its uncanny appearance, Gis is ergonomic due to the careful design of curves and angles. The design is an exploration of solid wood possibilities and also is a walk on the edge of "Art" and "Design", "Beauty" and "Function".
Dimensions & Packaging
width 600mm
depth 1000 mm
height 800 mm
Tags
Design, Chair, Furniture, Art, Persian, Contemporary
Production Technology
Materials: Walnut Solid Wood, Bronze.
Completely Handcrafted.
Design Challenge
The holy grail of this design was to reach a sculptural Persian aesthetic as the sprit for the body of “furniture design”.
Research
This chair is a part of the Konj-e-Hess collection.
This collection is an exploration through which we try to answer a question: “Unrelated to the surrounding space, can we create objects that intrinsically radiate a place of their own, and create a “Konj-e-Hess”.
Konj-e-Hess was after a new measuring unit for aesthetics in design. Quite similar to how Iran and its culture sit in the middle on the world map, Konj-e-Hess tells a centrist narrative too. Somewhere on a sharp blade, it cuts off “tenacious design assumptions”; preconceived notions of the sort that “Media” inundates our minds with.
Inspiration
Gis has odd yet familiar visual qualities. That is why it steals the spotlight and sets its own place. The main leg's dainty form is inspired by a girl's ponytail; the premise from which the chair takes its name from. In Farsi, "Gis" means the tumble of a woman’s hair.
Project Duration
The project started in March 2019 and finished in September 2019 in Tehran, Iran and was exhibited as a part of "Konj-e-Hess" exhibition.
Operation Flow
Gis has sculptural qualities in its presence in the interior space. This chair is designed with an artistic approach in design to be a "good chair" and also an elegence piece of "art".
Image Credits
Main Image: Photo by Kaj Art Group
Image #1: Photo by Kaj Art Group
Image #2: Photo by Sepehr Mehrdadfar, Hamoun
Image #3: Photo by Sepehr Mehrdadfar, Hamoun
Image #4: Photo by Sepehr Mehrdadfar, Hamoun

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