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Sense Ile Apaindegiaren Barnealdea by Xiang Ji

Sense Ile Apaindegiaren Barnealdea by Xiang Ji is a highly esteemed winner of the very prestigious 2021 Burdinazko Saria A' Design Award in Barruko Espazioa eta Erakusketa Diseinua Competition Category.


BurdinaBarrualdea· 2021

Sense Ile Apaindegiaren Barnealdea

by Xiang Ji

Client: Neo Design

Burdinazko Saria A' Design Award Winner in Barrualdea Category

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The Design

About Sense Ile Apaindegiaren Barnealdea

Sense merkataritza-jatorrizko ile-apaindegi estandar bat baino, espazio adierazkor gisa diseinatutako ile-apaindegi baten barnealdea da. Jatorrizko eraikin zaharraren hormigoizko gainazalak mantendu egin dira, eta material berriekin konbinatzen dira, harri zuriko estaldura zabal bat barne. Ehundura zaharraren eta akabera berriaren arteko kontrasteak ematen dio izaera espazioari. Antolamenduak zirkulazio konplexuak saihesten ditu, eta itxaronaldia, arropa-aldaketa, ile-garbiketa eta ile-apainketa sekuentzia zuzen bakar batean lotzen ditu. Argi-itzalek ikusizko konexio garbia ahalbidetzen dute eserleku guztietatik. Asmoa da bisitariei ile-apainketa hutsa baino gehiago eskaintzea.

The Recognition

About the Burdinazko Saria A' Design Award

Sense Ile Apaindegiaren Barnealdea Burdinazko Saria A' Design Award irabazlea da, ondo diseinatutako sorkuntzetatik espero diren eskakizun profesional eta industrialak betetzen dituzten diseinu onei ematen zaien aitorpen prestijiotsua. Burdin-mailako irabazleek beren sortzaileen trebetasun handia, espezializazio handia, adituen ulermena eta sormen-gaitasuna erakusten dituzte. Sense Ile Apaindegiaren Barnealdea oso estimatua, miretsia eta maitea den sorkuntza izatea espero da, praktikoa eta berritzailea dena. Burdinazko Saria A' Design Award irabazi duen diseinu honek sektoreko praktika onenak integratzen ditu eta know-how-ari eta talentuari lotutako ezaugarri tekniko gaituak ditu. Sense Ile Apaindegiaren Barnealdea zehaztasunagatik errespetatua den lana da, eta mundua leku hobea egiten laguntzen duten bizi-kalitatearen hobekuntzak eskaintzeko diseinatua dagoena.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Designers don’t take it as a traditional commercial space designed. Besides the necessary functions, Designers pay more attention to her artful expressiveness and emotional interaction. Designers hope all the people can get more surprises except hairdressing itself.
Dimensions & Packaging
We did not do complicated moving lines in spatial planning. What we want to express are directed interactions, such as waiting, changing clothes, washing head and hairdressing, writing at one's stretch.
Tags
Texture, Light And Shadow, Mottled, Sense Of Ritual, Space
Production Technology
Retaining all the old building's texture and mixing together new materials can produce a different chemical reaction. Maybe she is contradictory, she is opposed, but they are dependent in the end.
Design Challenge
In order to have the same texture as the concrete of the original building, we made a lot of discussions on the shape of the reworked concrete wall, including the proportion of materials and the shade of color. It was found that no matter how we distressed the wall, it was still not comparable to the one polished by the years.
Research
By reorganizing the store's space, the designer creates a space that meets the needs of the target customer group, breaks the boring pattern of traditional beauty stores, and helps the brand to further enhance and expand the business.
Inspiration
The inspiration comes from Istoria hotel in Santorini.
Sometimes, the moment of wonderful things skipping ahead attracts us a lot.
If you can not stand in front of her immediately,
Then you can draw her out.
That's the designer's special insistence for niceness.
Project Duration
The project started in April 2020 in Jiangsu and finished in May 2020 in Jiangsu.
Operation Flow
We pay more attention to let all people that sit at any angle in this space feel the direct visual communication of beautiful things.

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