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The Opposite Puntuzko Jantzien Bilduma by Yishu Yan
The Opposite Puntuzko Jantzien Bilduma by Yishu Yan
The Opposite Puntuzko Jantzien Bilduma by Yishu Yan
The Opposite Puntuzko Jantzien Bilduma by Yishu Yan
The Opposite Puntuzko Jantzien Bilduma by Yishu Yan

Zilar Moda · 2024

The Opposite Puntuzko Jantzien Bilduma

by Yishu Yan

  • Zilarrezko Saria A' Design Award 2024 in Moda
  • Estimated Number of Design Views: 662,508
  • Verification code A18E0A258A · Verify this award
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About The Opposite Puntuzko Jantzien Bilduma

The Opposite modu askotara jantz daitekeen puntuzko jantzien bilduma unisexa da. Bilduma ebaketarik gabeko eta hondakinik gabeko metodoekin egina dago, eta beraz, ez da oihalik baztertzen. Puntu digitala erabiltzen da hiru dimentsioko egitura malguak eta jantzi-eraikuntza aldakorrak sortzeko. Bi jantzi-multzoetako piezak elkarren artean trukatu eta konbinazio desberdinetan uztartu daitezke, eta horrek erabiltzaile bakoitzari estilo pertsonala sortzeko aukera ematen dio. Neurri bakarreko diseinua gorpuzkera ertaineko pertsona gehienei egokitzen zaie. The Opposite bildumak gizonezkoen eta emakumezkoen jantzien inguruko ohiko ideiak zalantzan jartzen ditu.

About the Zilarrezko Saria A' Design Award

The Opposite Puntuzko Jantzien Bilduma Zilarrezko Saria A' Design Award irabazlea da, goi-mailako, zoragarriak eta liluragarriak diren diseinuei ematen zaien ezohiko aitorpen prestijiotsua. Zilar-mailako irabazleak lan oso distiratsuak eta sormen biziko lanak dira, beren diseinatzaileen aditutasun, talentu eta zorroztasun nabarmenak erakusten dituztenak. The Opposite Puntuzko Jantzien Bilduma erakusleiho-lan zoragarria, nabarmenki profesionala eta sakonki berritzailea izatea espero da. Zilarrezko Saria A' Design Award irabazi duen diseinu hau asmakizun oso nabarmena eta miretsia da, onura ekartzen duena eta artearen, zientziaren, diseinuaren eta teknologiaren mugak zabaltzen dituena. The Opposite Puntuzko Jantzien Bilduma jende askok inbidia duen sorkuntza da, desirak pizten dituena, sentimendu positiboak ekartzen dituena eta harridura eta txunditzea pizten dituena.

Press Kit

Unique Properties
"The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Dimensions & Packaging
This garment is an all-size design and will fit most people of average build.
Tags
Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Production Technology
This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Design Challenge
The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Research
This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Inspiration
The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Project Duration
This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Operation Flow
The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Image Credits
Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova

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