Kenichi Mizuno diseinatzailearen Noshudo Zero Lehen Funtzioa: Objektu Kultural Islatzailea

Kenichi Mizuno diseinatzailearen Noshudo Zero Lehen Funtzioa: Objektu Kultural Islatzailea lana 2026 Urrezko Saria A' Design Award sari ospetsuaren irabazle bikaina da Kultur Ondare eta Kultura Industriaren Diseinua Lehiaketa Kategorian.

UrreKultur Ondarea· 2026

Noshudo Zero Lehen Funtzioa: Objektu Kultural Islatzailea

diseinatzailea: Kenichi Mizuno

Urrezko Saria A' Design Award Irabazlea Kultur Ondarea Kategorian

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Noshudo Zero Lehen Funtzioa: Objektu Kultural Islatzailea Diseinuari Buruz

Liburuaren Testua: Noshudo Zero objektu kultural islatzaile bat da, japoniar ezpaten artisautza norberaren gogoetarako eta bakerako bide gisa berrinterpretatzen duena. Teknika tradizionalak eta purutasun handiko tamahagane erabiliz eskuz forjatua, lanak ikuslea islatzen duen eta gogoeta bultzatzen duen ispilu-gainazal jarraitua du amaiera gisa. Forma kultural ezagun bat oreka eta kontzientzia objektu bihurtuz, proiektuak artisautza tradizionala zaindu eta garatzeko aukera berriak arakatzen ditu. Lana etengabe dago erakusgai jendaurrean Seki hirian.

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Urrezko Saria A' Design Award Sariari Buruz

Noshudo Zero Lehen Funtzioa: Objektu Kultural Islatzailea Urrezko Saria A' Design Award irabazlea da, lehen mailako, zoragarriak eta nabarmenak diren diseinuei ematen zaien aitorpen izugarri prestijiotsua. Urre-mailako irabazleak berrikuntzaz beteriko, ikuspegi handiko eta distiraz liluragarriak diren sorkuntzak dira, beren diseinatzaileen genioa, jakituria eta trebetasuna islatzen dutenak. Noshudo Zero Lehen Funtzioa: Objektu Kultural Islatzailea oso goraipatua, joera-markatzailea eta monumentala den asmakizuna izatea espero da, balio aurrekaririk gabea eskaintzen duena. Urrezko Saria A' Design Award irabazi duen diseinu hau proiektu ikusgarri eta errespetatua da, artearen, zientziaren, diseinuaren eta teknologiaren mugak oso onuragarriro zabaltzen dituena. Noshudo Zero Lehen Funtzioa: Objektu Kultural Islatzailea desira-sentimendu biziak sortzen dituen, grina pizten duen, sormena bultzatzen duen eta liluratzen gaituen lana da.

Diseinuaren Atzean

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Diseinatzaileak emandako kredituak, taldekideak eta xehetasun teknikoak.

Propietate Bereziak: Noshudo Zero is a circular Japanese sword reinterpreted as a symbolic blade for self reflection. To the best of our knowledge, it is the first documented circular Japanese blade realized primarily through traditional hand forging. The blade is made from tamahagane and reclaimed historic iron and was intentionally finished without a sharpened cutting edge, emphasizing cultural meaning, reflection, and presence rather than aggression.
Neurriak eta Ontziratzea: The project features a circular Japanese blade with an approximate diameter of 300 millimeters. Primary materials include high purity tamahagane steel and reclaimed historic iron. The hilt and guard incorporate precision machined metal components. Traditional hand polishing and modern surface refinement were combined to achieve precise circular geometry, structural stability, and a uniform mirror like finish suitable for public exhibition.
Etiketak: Japanese sword, circular blade, symbolic blade, self reflection, cultural heritage, Seki City, traditional craft, hand forging, tamahagane, mirror finish
Produkzio Teknologia: Creating the circular blade required controlled forging beyond conventional sword making practice. Under heat, the inner edge had to be contracted while the outer edge expanded in balance. Three forged material sets were lost before the final form of about 300 millimeters was achieved. The blade was then hand polished over several days to secure stable geometry and a uniform mirror surface, while precision machined parts were integrated in limited areas.
Diseinu Erronka: The main challenge was realizing a continuous circular blade through traditional hand forging while maintaining structural stability, material integrity, and visual balance. This geometry is rarely attempted in Japanese sword making because curvature control under heat is extremely difficult. Repeated trials, close coordination among swordsmiths, polishers, and machinists, and refinement of each step were necessary before the final blade could be completed successfully.
Ikerketa: This is practice based design research. The objective was to test whether Japanese sword craft could gain renewed cultural relevance through reinterpretation. Methods included historical review, concept development, prototyping, forged trials, and observation of workshop processes using reference models and process records. Experiments with swordsmiths and machinists produced a circular reflective blade. The result suggests new social and design value for traditional craft.
Inspirazioa: This project reinterprets the Japanese sword as a reflective symbolic blade and a symbol of peace. Inspired by the cultural role of the mirror in Japan as a medium of self reflection, the design transforms the sword from an object associated with direction and confrontation into one of balance and contemplation. Through a continuous circular geometry, the work preserves the craft heritage of Seki while proposing that tradition can evolve through reinterpretation.
Proiektuaren Iraupena: The project began in April 2023 in Seki City, Gifu Prefecture, Japan. Over twelve months, design development and prototyping were carried out between the design studio in Anjo City and traditional swordsmith workshops in Seki. The final prototype was completed in April 2024 and publicly presented as part of a local cultural initiative. Since completion, the work has remained on continuous public display in Seki City.
Eragiketa Fluxua: The object functions as a focal point for quiet contemplation. In a gallery setting, the mirror surface reflects the viewer and encourages a reconsideration of the sword as a symbolic cultural presence rather than an instrument of force. Because the circular form removes the usual directional character of a blade, viewers engage with it less as a weapon and more as a mirror of the self, inviting reflection, balance, and awareness.
Patenteak: Copyrights belong to Kenichi Mizuno, 2024.
Irudi Kredituak: Image #1: Photographer Misaki Manabe, Noshudo Zero, 2024.
Image #2: Photographer Takao Inoue, Noshudo Zero, 2024.
Image #3: Photographer Takao Inoue, Noshudo Zero, 2024.
Image #4: Photographer Takao Inoue, Noshudo Zero, 2024.
Image #5: Photographer Takao Inoue, Noshudo Zero, 2024.