Chengzhe Zhang diseinatzailearen Wonderland Lehen Funtzioa: Erakusketa Zentroaren Barne Diseinua

Chengzhe Zhang diseinatzailearen Wonderland Lehen Funtzioa: Erakusketa Zentroaren Barne Diseinua lana 2020 Zilarrezko Saria A' Design Award sari ospetsuaren irabazle bikaina da Barruko Espazioa eta Erakusketa Diseinua Lehiaketa Kategorian.

ZilarBarrualdea· 2020

Wonderland Lehen Funtzioa: Erakusketa Zentroaren Barne Diseinua

diseinatzailea: Chengzhe Zhang

Bezeroa: Shanghai Hongshida Real Estate Development Co., LTD

Zilarrezko Saria A' Design Award Irabazlea Barrualdea Kategorian

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A' Design Award-en Ikusi Prentsa-oharra Sari-bereizgarria

Koloreak

Diseinua

Wonderland Lehen Funtzioa: Erakusketa Zentroaren Barne Diseinua Diseinuari Buruz

Wonderland Shanghain (Txina) dagoen erakusketa zentro baten barnealdea da. Diseinuaren inspirazioa Taoyuan Wonderland da, Ming dinastiako Qiu Ying margolariaren paisaia margolan bat, eta berde, arrosa eta zuri tonuak aplikatzen ditu espazio lasai batean. Arbel griseko horma batek bista ezkutatzen du hasieran, eta hamar metroko altuerako areto nagusia bidean zehar agertzen da. Erdiko igarobideak hitzaldi eremura, erakusketa eremura eta te gelara garamatza. Lurrean bermatutako liburu apalek eta pantaila geometriko hutsek eremuak banatzen dituzte. 5.000 mertxika petalo baino gehiagoko beira instalazio esekia eskuz jarri zen.

Aintzatespena

Zilarrezko Saria A' Design Award Sariari Buruz

Wonderland Lehen Funtzioa: Erakusketa Zentroaren Barne Diseinua Zilarrezko Saria A' Design Award irabazlea da, goi-mailako, zoragarriak eta liluragarriak diren diseinuei ematen zaien ezohiko aitorpen prestijiotsua. Zilar-mailako irabazleak lan oso distiratsuak eta sormen biziko lanak dira, beren diseinatzaileen aditutasun, talentu eta zorroztasun nabarmenak erakusten dituztenak. Wonderland Lehen Funtzioa: Erakusketa Zentroaren Barne Diseinua erakusleiho-lan zoragarria, nabarmenki profesionala eta sakonki berritzailea izatea espero da. Zilarrezko Saria A' Design Award irabazi duen diseinu hau asmakizun oso nabarmena eta miretsia da, onura ekartzen duena eta artearen, zientziaren, diseinuaren eta teknologiaren mugak zabaltzen dituena. Wonderland Lehen Funtzioa: Erakusketa Zentroaren Barne Diseinua jende askok inbidia duen sorkuntza da, desirak pizten dituena, sentimendu positiboak ekartzen dituena eta harridura eta txunditzea pizten dituena.

Diseinuaren Atzean

Prentsa-kita

Diseinatzaileak emandako kredituak, taldekideak eta xehetasun teknikoak.

Propietate Bereziak: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Neurriak eta Ontziratzea: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Etiketak: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Produkzio Teknologia: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Diseinu Erronka: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Ikerketa: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Inspirazioa: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Proiektuaren Iraupena: The Project started in January 2018 in Shanghai China
Eragiketa Fluxua: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Taldekideak: Mingxin Lu
Yunhui Tang
Irudi Kredituak: Main Image: Photographer Hai Zhu, 2018