Crown of the Sea General Arte Instalazio Publikoa by Yu Liang Chen is a highly esteemed winner of the very prestigious 2020 Brontzezko Saria A' Design Award in Arte Eder eta Arte Instalazio Diseinua Competition Category.
BrontzeArte Ederra· 2020
Crown of the Sea General Arte Instalazio Publikoa
Client: NewLocal Art Studio
Brontzezko Saria A' Design Award Winner in Arte Ederra Category
Verified Award Winner
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About Crown of the Sea General Arte Instalazio Publikoa
Crown of the Sea General Taiwan-eko Yunlin konderriko Kouhu udalerrian kokatutako arte instalazio publiko bat da. Instalazioak 10 metro luze, 3 metro zabal eta 4 metro garai ditu. Altzairu herdoilgaitzezko egiturak eta zementu-mortairuak ematen diote forma, eta gainazala teila beiratu distiratsuz, zeramika zatikatuz, harri koskorrez eta ispilu-kristalez estalita dago. Egituraren barruko bankuek itzala eta atsedena eskaintzen dituzte, eta oinarriaren inguruko harri xehe zuriak haurrak jolasera gonbidatzen ditu. Kultura indigena, han eta japoniarreko motiboak konbinatzen dira. Koroak itsas baliabideekiko errespetua sustatzen du.
The Recognition
About the Brontzezko Saria A' Design Award
Crown of the Sea General Arte Instalazio Publikoa Brontzezko Saria A' Design Award irabazlea da, sormenak, asmamenak eta zorroztasunak bereizten dituzten diseinu bikainei ematen zaien aitorpen oso prestijiotsua. Brontze-mailako irabazleak trebetasunez beteriko eta nabarmenki sortzaileak diren artefaktuak dira, beren diseinatzaileen esperientzia zabala, irudimena eta ekimena egiaztatzen dutenak. Crown of the Sea General Arte Instalazio Publikoa oso estimatua, miretsia eta maitea den objektua izatea espero da, nabarmenki profesionala eta berritzailea dena. Brontzezko Saria A' Design Award irabazi duen diseinu honek artearen, zientziaren, diseinuaren eta teknologiaren praktika onenak biltzen ditu eta xehetasunei ematen dien arretagatik bikaina da. Crown of the Sea General Arte Instalazio Publikoa beharrak bikain asetzen dituen, desirak ukitzen dituen, sentimenduak xarmatzen dituen eta jakin-mina erakartzen duen lana da.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Located in Kouhu Township, Yunlin County, it not only takes on the elements from patterns of various ethnic groups, but is also equipped with practical functions, including benches for resting in the interior of the installation which provide sun-ray-shielding function, and white gravels paved around for children to play with which enhances the chances to interact with people and then to pay attention to issues of environmental protection and the ocean.
- Dimensions & Packaging
- The installation measures 10 meters long, 3 meters wide, and 4 meters tall. We apply the common construction method of Taiwanese modern temple roof, which comes in dragons and phoenixes, and also take the features of materials into consideration. Besides, artisans who are expert on making the exterior of temples such as legendary figures, statue of deities, auspicious animals are invited to work together.
- Tags
- Installation art, Gazebo, Multi-cultural groups, Marine Resources, Environmental protection issue
- Production Technology
- We took stainless steel bar and net as the frame, cement mortar as the molding material. The surfaces were applied with glossy glaze tiles, fragmented ceramics and close-lightly pebbles, and pottery plates as well as pot lids were embedded in as design to increase fun. Then mirror-pane glass formed the exterior, strengthening the perception toward the combination of tradition and modern.
- Design Challenge
- Trying to combine modern art design and traditional craft, the design team especially invited molding masters and fragmented ceramic artisans constructing temples in southern Taiwan. Because of that, the design team spent a great amount of time communicating construction methods and related details, including design proportion, fragmented ceramic coloring, format, construction procedures, etc., which challenged the past designing and constructing experience of the designers and artisans.
- Research
- The figure was set in the elements from mythologies. The crown came from Giant Groupers, which is a part of Taiwanese aquaculture. Indigenous, Han, and Japanese signs are introduced. The theme color is shades of red, which is a symbol of luck and happiness in Taiwan; black, white, and golden frame reveals a sense of exquisiteness from Japanese culture; the Mountain Patterns, which belongs to indigenous tribes in Taiwan, taking blue, green, and orange to represent atmosphere, sea, and land.
- Inspiration
- In order to remind people of the importance of respect while using marine resources, the idea of the Sea General came from the traditional folk religion, the Sea Goddess, Mazu. It symbolizes that to save the environment damaged by human beings, the Sea General sacrifice its own life and leave behind the crown to remind people of the meaning of cherishing the planet, correlating with the issue of marine resources preservation and climate change.
- Project Duration
- The project finished in November, 2019 in Yunlin County, Taiwan.
- Operation Flow
- Crown of the Sea General looks like a character coming out from fantasy novels, deepens the visual perception to reach the goal of warning people that our future environment might face the fightback of nature. As for the colors, the design team chose to use prevailing decoration elements from traditional Taiwanese temples and deity statues and particularly commissioned professional Koji Pottery workmen to produce low temperature glaze kilning fragmented ceramic and tiles.
- Team Members
- Yu-Liang Chen
- Image Credits
- Cheng-Mao Liu
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