Yinyun نصب هنری سرامیکی by Fabcraft Design Lab is a highly esteemed winner of the very prestigious 2020 جایزه برنزی A' Design Award in طراحی فرم‌ها و محصولات چاپ سه‌بعدی Competition Category.
برنزچاپ سه‌بعدی· 2020
Yinyun نصب هنری سرامیکی
Client: Fabcraft Design Lab
جایزه برنزی A' Design Award Winner in چاپ سه‌بعدی Category
Verified Award Winner
Verify Award Status for #101663The Design
About Yinyun نصب هنری سرامیکی
یین‌یون یک نصب هنری سرامیکی متشکل از ۸۵ واحد منحصربه‌فرد چاپ سه‌بعدی است. الگوریتم‌های طراحی مولد برای استخراج داده‌های الکتریکی و تصویرسازی این داده‌ها بر روی هر واحد به‌کار گرفته شدند و در کنار یکدیگر یک اثر گرادیانی را خلق کردند. این واحدها با استفاده از فناوری چاپ سه‌بعدی سرامیکی و ترکیبی از چینی سفید و خاکستر زغال‌سنگ بازیافت‌شده از یک نیروگاه ساخته شده‌اند. فرآیند چاپ همچنین یک برجسته‌کاری سطحی دقیق بر روی هر قطعه ایجاد می‌کند. هیچ دو واحدی مشابه یکدیگر نیستند. این نصب به‌طور دائمی در یک سالن نمایشگاهی در تایپه، تایوان قرار داده شده است.
The Recognition
About the جایزه برنزی A' Design Award
Yinyun نصب هنری سرامیکی برنده جایزه برنزی A' Design Award است، شناختی بسیار معتبر که به طراحی‌های برجسته‌ای اعطا می‌شود که با خلاقیت، نبوغ و زیرکی متمایز می‌شوند. برندگان برنز مصنوعاتی بسیار ماهرانه و چشمگیر خلاق‌اند که تجربه گسترده، تخیل و ابتکار طراحان خود را تأیید می‌کنند. از Yinyun نصب هنری سرامیکی انتظار می‌رود شیئی بسیار ارجمند، ستوده و دوست‌داشتنی باشد که به‌طور چشمگیری حرفه‌ای و نوآورانه است. این طراحی برنده جایزه برنزی A' Design Award بهترین رویه‌ها را در هنر، علم، طراحی و فناوری در خود جمع می‌کند و به سبب توجه به جزئیات برجسته است. Yinyun نصب هنری سرامیکی نیازها را زیبا برآورده می‌کند، به خواسته‌ها دست می‌زند، احساسات را مجذوب می‌سازد و کنجکاوی را برمی‌انگیزد.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
- Dimensions & Packaging
- Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
- Tags
- ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
- Production Technology
- The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
- Design Challenge
- In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
- Research
- The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
- Inspiration
- The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
- Project Duration
- The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
- Operation Flow
- The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
- Team Members
- Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen - Image Credits
- Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab
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