Light Up 13 Layer Remains طراحی نورپردازی معماری by Chou Lien - YI.ng Lighting Design is a highly esteemed winner of the very prestigious 2021 جایزه آهنی A' Design Award in طراحی میراث فرهنگی و صنعت فرهنگ Competition Category.
آهنمیراث فرهنگی· 2021
Light Up 13 Layer Remains طراحی نورپردازی معماری
by Chou Lien - YI.ng Lighting Design
Client: Taiwan Power Company
جایزه آهنی A' Design Award Winner in میراث فرهنگی Category
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The Design
About Light Up 13 Layer Remains طراحی نورپردازی معماری
روشن‌سازی بقایای ۱۳ لایه یک پروژه نورپردازی هنری عمومی برای یک کارخانه ذوب مس متروکه در شمال تایوان است. این محل معدنی در سال ۱۹۷۳ تعطیل شد و ساختار اصلی آن حفظ گردید. دمای رنگ ۲۱۰۰ کلوین برای هماهنگی با پوسته بیرونی سازه انتخاب شد. نور کهربایی در فضای داخلی، آتش مورد استفاده در فرآیند ذوب را در ذهن تداعی می‌کند. شدت روشنایی با هر طبقه افزایش می‌یابد، از یک نیت در پایه تا شش نیت در طبقات بالایی، به‌گونه‌ای که لایه‌ها به‌وضوح قابل تشخیص باشند. پوشش گیاهی اطراف نیز با دمای رنگ ۳۰۰۰ کلوین نورپردازی شده است. در مجموع، ۳۶۵ چراغ با ۱۵ زاویه و توان مصرفی متفاوت نصب شده‌اند.
The Recognition
About the جایزه آهنی A' Design Award
Light Up 13 Layer Remains طراحی نورپردازی معماری برنده جایزه آهنی A' Design Award است، شناختی معتبر که به طراحی‌های خوبی اعطا می‌شود که الزامات حرفه‌ای و صنعتی مورد انتظار از آفرینش‌های خوب طراحی‌شده را برآورده می‌کنند. برندگان آهن مهارت بزرگ، تخصص بالا، درک کارشناسانه و ظرفیت خلاقانه سازندگان خود را نشان می‌دهند. از Light Up 13 Layer Remains طراحی نورپردازی معماری انتظار می‌رود آفرینشی بسیار ارجمند، ستوده و دوست‌داشتنی باشد که کاربردی و نوآورانه است. این طراحی برنده جایزه آهنی A' Design Award بهترین رویه‌های صنعت را یکپارچه می‌کند و ویژگی‌های فنی شایسته‌ای دارد که با دانش عملی و استعداد پیوند خورده است. Light Up 13 Layer Remains طراحی نورپردازی معماری به سبب دقتش محترم است و برای عرضه بهبودهای کیفیت زندگی که به بهتر شدن جهان کمک می‌کنند طراحی شده است.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Taiwan Power Company integrated its arts and cultural assets in the "Shua Jin Jiu" area. Through art, they tried to subvert the "Shau Nan Dong Refinery" , which is classified as a pollution control site. At the same time, combining many good causes with people who care about this land and have aspirations. Also, the company has appointed international lighting masters Lien Chou along with YI.ng Lighting Design Consultants working together to launch the "13 Layer Remains" lighting project.
- Dimensions & Packaging
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits, presenting and highlighting the quality of "layer" . Low color temperature was employed to highlight the architectural landscape while outlining the silhouette of the refinery. We used 3000K burnishing to bring out the strength of the vegetation there. The entire project use of 15 different angles and wattage, with 365 sets of luminaire in total, in accordance with the topological features.
- Tags
- Refinery, Lighting Design, Shau Nan Dong, 13-Layer Remains, Taiwan, Taipei, Chou Lien
- Production Technology
- From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure. Amber light was also adopted as internal lighting for the structure to represent a setting of using fire during the refining process.
- Design Challenge
- At night, the light not only perpetuates the human spirit of the site but also awakens people's understanding of the golden age of Shau Nan Dong area; the light revitalizes the cultural artistry of the area, such as the combination of performing arts and cultural landscapes, the prototype of the 2020 Bright Sea Island Festival...etc.
- Research
- The reuse of historical architectural space is not only a direct way to involve commercial activities, but also a large-scale public art project to revitalize cultural assets and polluted land, which not only attracts people to see the magnificent nighttime beauty of the "13 Layer Remains", but also becomes a venue to nurture arts and cultural activities.
- Inspiration
- The mining site is no longer in use since 1973 due to the exhaustion of copper and gold. The basic structure is retained and it preserves the traces of mining for a hundred years. It had been sealed for over 30 years before the rejuvenation. From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all-encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure.
- Project Duration
- "Light up 13 Layer Remains" Public Art Lighting Project was officially lit on the night of the Moon Festival on September 13, 2019, and 90 seconds of dynamic lighting was planned in response to the lighting ceremony. However, the lighting design team does not want the light movement changes to be meaningless. Even with dynamic lighting, they still want it to be in line with the original design concept, expressing the inclusive power of nature.
- Operation Flow
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits , presenting and highlighting the quality of "layer".
- Patents
- Taiwan Power Company Public Art
- Team Members
- Client: Taiwan Power Company
Lighting Design: Chou Lien, Wen Ying Chu, Ping Yi Liu, Joyce Ho
Manufacturers: Luxmen Technical Lighting
Products: Grand Canyon LED Lighting Systems
Photographer: Yu Chen Cha - Image Credits
- Photographer: Yu Chen Cha
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