Shany Abdallah Naji مجموعه آثار گرافیکی by Shany Dvora is a highly esteemed winner of the very prestigious 2021 جایزه نقره‌ای A' Design Award in طراحی گرافیک، تصویرسازی و ارتباطات بصری Competition Category.
نقرهگرافیک· 2021
Shany Abdallah Naji مجموعه آثار گرافیکی
by Shany Dvora
جایزه نقره‌ای A' Design Award Winner in گرافیک Category
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- Verified Award Winner
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The Design
About Shany Abdallah Naji مجموعه آثار گرافیکی
شانی عبدالله ناجی مجموعه‌ای از آثار گرافیکی است که سنتی خانوادگی در نام‌گذاری را احیا می‌کند. این سنت که با مهاجرت خانواده از عراق به اسرائیل پایان یافت، به نوزاد یک نام کوچک می‌داد که پس از آن نام پدر و پدربزرگ می‌آمد. این مجموعه پس از یافتن اسناد قدیمی مهاجرت خانواده خلق شد. پنج اثر با تکنیک ترکیبی، که چهار اثر با ابعاد ۵۰ در ۷۰ سانتی‌متر و یک اثر با ابعاد ۷۵ در ۷۰ سانتی‌متر است، تصاویر را با خوشنویسی عبری برگرفته از دست‌نوشته‌های عبری عراق، یمن و مراکش که میان قرن دوازدهم تا پانزدهم ساخته شده‌اند، در هم می‌آمیزند.
The Recognition
About the جایزه نقره‌ای A' Design Award
Shany Abdallah Naji مجموعه آثار گرافیکی برنده جایزه نقره‌ای A' Design Award است، شناختی فوق‌العاده معتبر که به طراحی‌های سطح بالای زیبا، والا و تأثیرگذار اعطا می‌شود. برندگان نقره آثاری بسیار درخشان و فوق‌العاده خلاق‌اند که تخصص، استعداد و تیزبینی برجسته طراحان خود را نشان می‌دهند. از Shany Abdallah Naji مجموعه آثار گرافیکی انتظار می‌رود اثری شگفت‌انگیز و نمونه باشد که به‌طور چشمگیری حرفه‌ای و عمیقاً نوآورانه است. این طراحی برنده جایزه نقره‌ای A' Design Award اختراعی بسیار قابل‌توجه و ستوده است که سود می‌رساند و مرزهای هنر، علم، طراحی و فناوری را پیش می‌برد. Shany Abdallah Naji مجموعه آثار گرافیکی آفرینشی است که به آن بسیار رشک برده می‌شود، خواسته‌ها را بیدار می‌کند، احساسات مثبت می‌آورد و حیرت و شگفتی برمی‌انگیزد.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Dimensions & Packaging
- 4 works 50*70 cm
1 work 75*70 cm - Tags
- Calligraphy, Typography, Hebrew, Eastern
- Production Technology
- Mixed Media
- Design Challenge
- -
- Research
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Inspiration
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Project Duration
- 2018-2019, Israel
- Operation Flow
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- Patents
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- Team Members
- -
- Image Credits
- Shany Dvora
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