Craft as Time Capsule کتاب by Hsiao-Wen Hu

Craft as Time Capsule کتاب by Hsiao-Wen Hu is a highly esteemed winner of the very prestigious 2021 جایزه نقره‌ای A' Design Award in طراحی رسانه چاپی و منتشرشده Competition Category.

نقرهچاپ· 2021

Craft as Time Capsule کتاب

by Hsiao-Wen Hu

Client: Pratt Institute

جایزه نقره‌ای A' Design Award Winner in چاپ Category

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Colors

The Design

About Craft as Time Capsule کتاب

این پروژه مستندات نهایی تحقیق پایان نامه Hsiao-Wen در مورد ساخت صنایع دستی به عنوان روش شناسی حفظ در عصر دیجیتال فعلی است. این کتاب از سه بخش تشکیل شده است که به بررسی انتقال بین فیزیکی و مجازی، مواد و داده‌ها، تعامل کاربر و تجربه از منظر ساخت و نگهداری صنایع دستی می‌پردازد. با گذار جهان از فعالیت های فیزیکی به تعاملات مجازی، نیازها و اشکال جدیدی از تعامل با محیط اطراف ما ایجاد شد. چنین تغییری نه تنها از طریق شیء و فناوری، بلکه در کل فرهنگ نیز به نمایش گذاشته می شود.

The Recognition

About the جایزه نقره‌ای A' Design Award

Craft as Time Capsule کتاب برنده جایزه نقره‌ای A' Design Award است، شناختی فوق‌العاده معتبر که به طراحی‌های سطح بالای زیبا، والا و تأثیرگذار اعطا می‌شود. برندگان نقره آثاری بسیار درخشان و فوق‌العاده خلاق‌اند که تخصص، استعداد و تیزبینی برجسته طراحان خود را نشان می‌دهند. از Craft as Time Capsule کتاب انتظار می‌رود اثری شگفت‌انگیز و نمونه باشد که به‌طور چشمگیری حرفه‌ای و عمیقاً نوآورانه است. این طراحی برنده جایزه نقره‌ای A' Design Award اختراعی بسیار قابل‌توجه و ستوده است که سود می‌رساند و مرزهای هنر، علم، طراحی و فناوری را پیش می‌برد. Craft as Time Capsule کتاب آفرینشی است که به آن بسیار رشک برده می‌شود، خواسته‌ها را بیدار می‌کند، احساسات مثبت می‌آورد و حیرت و شگفتی برمی‌انگیزد.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
Dimensions & Packaging: The dimension of the book is in US letter size: 216 mm x 279 mm.
Tags: design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
Production Technology: The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
Research: This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.

As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums.
Inspiration: This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
Project Duration: This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.