Fujifilm Clay Studio2 طراحی داخلی اداری by Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 طراحی داخلی اداری by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 جایزه برنزی A' Design Award in طراحی فضای داخلی و نمایشگاه Competition Category.

برنزداخلی· 2022

Fujifilm Clay Studio2 طراحی داخلی اداری

by Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

جایزه برنزی A' Design Award Winner in داخلی Category

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The Design

About Fujifilm Clay Studio2 طراحی داخلی اداری

کلی استودیو ۲ یک فضای داخلی اداری است که برای انجام کارهای طراحی محصول و طراحی بصری در توکیو طراحی شده است. این فضای ۳۰۰ متر مربعی به‌عنوان محیطی آرام برای تمرکز طراحی شده، برخلاف دفاتری که عمدتاً بر ارتباطات تأکید دارند. بتن، رنگ و صفحات سیمانی چوبی بدون پردازش رها شده‌اند، به‌طوری‌که فضا تنها متشکل از تیرها و ستون‌ها به‌نظر می‌رسد. منظره‌سازی باغ و چشم‌انداز طبیعی، پس‌زمینه فضا را شکل می‌دهند و تغییرات فصلی را به درون آن می‌آورند. میزها رو به بیرون قرار گرفته‌اند و یک میز هفت متری امکان برگزاری جلسات کوتاه را فراهم می‌کند، در حالی‌که فاصله میان افراد حفظ می‌شود.

The Recognition

About the جایزه برنزی A' Design Award

Fujifilm Clay Studio2 طراحی داخلی اداری برنده جایزه برنزی A' Design Award است، شناختی بسیار معتبر که به طراحی‌های برجسته‌ای اعطا می‌شود که با خلاقیت، نبوغ و زیرکی متمایز می‌شوند. برندگان برنز مصنوعاتی بسیار ماهرانه و چشمگیر خلاق‌اند که تجربه گسترده، تخیل و ابتکار طراحان خود را تأیید می‌کنند. از Fujifilm Clay Studio2 طراحی داخلی اداری انتظار می‌رود شیئی بسیار ارجمند، ستوده و دوست‌داشتنی باشد که به‌طور چشمگیری حرفه‌ای و نوآورانه است. این طراحی برنده جایزه برنزی A' Design Award بهترین رویه‌ها را در هنر، علم، طراحی و فناوری در خود جمع می‌کند و به سبب توجه به جزئیات برجسته است. Fujifilm Clay Studio2 طراحی داخلی اداری نیازها را زیبا برآورده می‌کند، به خواسته‌ها دست می‌زند، احساسات را مجذوب می‌سازد و کنجکاوی را برمی‌انگیزد.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensions & Packaging: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Production Technology: concrete, painting, wood cement board
Design Challenge: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Research: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiration: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Project Duration: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Operation Flow: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Team Members: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita