Before the Midnight Hour تصویرسازی مبلمان by Martin Reznik

Before the Midnight Hour تصویرسازی مبلمان by Martin Reznik is a highly esteemed winner of the very prestigious 2022 جایزه طلایی A' Design Award in طراحی گرافیک، تصویرسازی و ارتباطات بصری Competition Category.

طلاگرافیک· 2022

Before the Midnight Hour تصویرسازی مبلمان

by Martin Reznik

Client: Martin Reznik Illustration

جایزه طلایی A' Design Award Winner in گرافیک Category

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Verified Award Winner

Verify Award Status for #133798

اطلاعات بیشتر Visit Site View at A' Design Award Press Release Award Badge

Colors

The Design

About Before the Midnight Hour تصویرسازی مبلمان

مجموعه ای از تصاویر سیاه و سفید به سفارش مارک کروسین و برجسته ترین طرح های مبلمان او برای Knoll و Desalto. این پروژه با الهام از کمیک و سینمای نوآر، قراردادهای تصویرسازی مبلمان را با آوردن روایت به صحنه ها، استفاده از چشم انداز اغراق آمیز و زیبایی شناسی نوآر بداخلاق می شکند. عدم حضور انسان و اشیاء پراکنده عنصری از رمز و راز و تعلیق را به داستان اضافه می کند، در حالی که قهرمان داستان در پایانی غافلگیرکننده آشکار می شود. تمام تصاویر به صورت دیجیتالی در فتوشاپ با استفاده از تبلت Wacom Cintiq کشیده شده اند.

The Recognition

About the جایزه طلایی A' Design Award

Before the Midnight Hour تصویرسازی مبلمان برنده جایزه طلایی A' Design Award است، شناختی بسیار معتبر که به طراحی‌های درجه یک، شگفت‌انگیز و برجسته اعطا می‌شود. برندگان طلا آفرینش‌هایی بسیار نوآورانه، دوراندیش و خیره‌کننده‌اند که نبوغ، خرد و مهارت طراحان خود را بازمی‌تابانند. از Before the Midnight Hour تصویرسازی مبلمان انتظار می‌رود اختراعی بسیار ستوده، روندساز و ماندگار باشد که ارزشی بی‌سابقه عرضه می‌کند. این طراحی برنده جایزه طلایی A' Design Award پروژه‌ای خیره‌کننده و ارجمند است که سود فراوان می‌رساند و مرزهای هنر، علم، طراحی و فناوری را پیش می‌برد. Before the Midnight Hour تصویرسازی مبلمان احساسات شدید میل را پدید می‌آورد، شور را برمی‌انگیزد، خلاقیت را تشویق می‌کند و ما را شیفته می‌سازد.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Series of illustrations commissioned by furniture designer Marc Krusin for the promotional use on his website and across social media channels and featuring his most prominent furniture designs for Knoll and Desalto. The project brakes the conventions of furniture illustration by bringing a narrative to the scenes, use of exaggerated perspective and a film noir aesthetic. The lack of human presence and scattered objects add an element of mystery. The protagonist is revealed in a surprise ending.
Dimensions & Packaging: The illustrations are mainly used in a digital format online, but they were also designed with art print production in mind. Each square illustration is drawn on 500 x 500mm digital canvas.
The images were later combined into a large poster (500 x 700mm) and reproduced as a limited edition screen print.
Tags: illustration, furniture, noir, interior design, comics, digital art, black and white, drawing, architecture, graphic
Production Technology: Each illustration was drawn in pen and ink on paper and once approved by the client it was redrawn digitally. I used Adobe Illustrator to construct the furniture and interiors accurately and then Photoshop to apply textures, light and draw other elements using Wacom Cintiq tablet. The images were rendered using black only to recreate film noir aesthetic.
Design Challenge: The client was against any human figures in the scenes, but I could not help but wonder about the smoker missing from the first image. I felt his appearance was important to the story. His silhouette is revealed in an extended version of the 4th illustration, but only as a scroll option on an Instagram post. The client thought this elegant solution added an element of surprise and closure to the story.
Each image needed different cropping options to accommodate various socials and screen formats.
Research: Since I have never illustrated furniture before I made few initial sketches based on an online research of the industry trends, but these came out quite dull and rigid. I was not happy with them at all. I decided to go a different way and focus on style and narrative instead. From then on the research involved my favourite films and comic books, noir genre in particular. I decided to recreate its moody atmosphere in my series. The style also justifies unconventional framing of the furniture.
Inspiration: Main inspiration for this project were comics and classic French noir cinema. The concept for the first illustration came from a reference photo I received from the client, which was a shot of a chair from behind and at a very low angle. It was very unusual and sparked loads of questions in my head. Being a fan of detective stories I decided to follow this approach in the layout of the image. The first image was crucial in setting the tone for the whole series.
Project Duration: The series was posted on Instagram and LinkedIn starting February 2021 and these posts are still active. The hero banners on client's website run for about 8 months, nearly till the end of 2021.
Operation Flow: The project was initially published on Instagram. The illustrations were posted in regular time intervals. Main interaction with the story comes with the 4th and last illustration, where the viewer is encouraged to reveal the protagonist (the smoker) by using the scroll option on the Instagram post.
The unusual approach to furniture illustration in these series ensures the greater impact on the viewers arousing their curiosity about the products and the brand itself.
Image Credits: All illustrations: Martin Reznik, 2021