Porous Manifold چایخانه ژاپنی by Ryumei Fujiki and Yukiko Sato is a highly esteemed winner of the very prestigious 2019 جایزه نقره‌ای A' Design Award in طراحی هنرهای زیبا و چیدمان هنری Competition Category.
نقرههنرهای زیبا· 2019
Porous Manifold چایخانه ژاپنی
by Ryumei Fujiki and Yukiko Sato
Client: F.A.D.S + Fujiki Studio, KOU::ARC
جایزه نقره‌ای A' Design Award Winner in هنرهای زیبا Category
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The Design
About Porous Manifold چایخانه ژاپنی
این یک چایخانه موقت ژاپنی است که در نمایشگاه هنر Echigo-tsumari 2018 به نمایش گذاشته شده است و دارای ساختاری تو در تو با فضای دو تاتامی است که در مربع ده فوتی تعبیه شده است. در این نمایشگاه از معماران خواسته شد تا به موضوع چگونگی غلبه بر مفهوم فضای همگن که در قرن بیستم غالب بود پاسخ دهند. این اسکلت با استفاده از الگوی تصادفی به نام بخش Voronoi طراحی شد تا فضای همگن را مخدوش کند. و پیشنهاد شد که معماری با تعداد زیادی حفره بتواند در صورت نیاز باز و بسته شود تا مانند یک موجود زنده با بیرون ارتباط برقرار کند.
The Recognition
About the جایزه نقره‌ای A' Design Award
Porous Manifold چایخانه ژاپنی برنده جایزه نقره‌ای A' Design Award است، شناختی فوق‌العاده معتبر که به طراحی‌های سطح بالای زیبا، والا و تأثیرگذار اعطا می‌شود. برندگان نقره آثاری بسیار درخشان و فوق‌العاده خلاق‌اند که تخصص، استعداد و تیزبینی برجسته طراحان خود را نشان می‌دهند. از Porous Manifold چایخانه ژاپنی انتظار می‌رود اثری شگفت‌انگیز و نمونه باشد که به‌طور چشمگیری حرفه‌ای و عمیقاً نوآورانه است. این طراحی برنده جایزه نقره‌ای A' Design Award اختراعی بسیار قابل‌توجه و ستوده است که سود می‌رساند و مرزهای هنر، علم، طراحی و فناوری را پیش می‌برد. Porous Manifold چایخانه ژاپنی آفرینشی است که به آن بسیار رشک برده می‌شود، خواسته‌ها را بیدار می‌کند، احساسات مثبت می‌آورد و حیرت و شگفتی برمی‌انگیزد.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things. - Dimensions & Packaging
- Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan. - Tags
- Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
- Production Technology
- It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
- Design Challenge
- Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture. - Research
- Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION). - Inspiration
- Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. - Project Duration
- This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture. - Operation Flow
- As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people. - Patents
- F.A.D.S + Fujiki Studio, KOU::ARC
- Team Members
- ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto - Image Credits
- Masahiro Hoshida, Fujiki Studio, KOU::ARC
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