Reborn Puinen Maljakko by Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Reborn Puinen Maljakko by Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching is a highly esteemed winner of the very prestigious 2023 Rautapalkinto A' Design Award in Kuvataide Competition Category.

RautaKuvataide· 2023

Reborn Puinen Maljakko

by Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Client: Tainan University of Technology/Product Design Deparment

Rautapalkinto A' Design Award Winner in Kuvataide Category

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Verified Award Winner

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View at A' Design Award Press Release Award Badge

Colors

The Design

About Reborn Puinen Maljakko

Luodaan lisäarvoa huonekaluteollisuuden hylätylle ja ylijäämäpuulle käyttämällä metallipinnoitustekniikoita orgaanisesti pallomaiselle puupinnalle. Kasvavien siementen elämänmuodon innoittamana messinkilanka on upotettu puun syyyn ja ulottuu juurten muotoon tukemaan puumaljakkoa. Kuviolla on toiminnallisia käyttötarkoituksia, sillä puujätteistä tehdään istutusastia, joka muistuttaa itäävää siementä ja symboloi elämän kiertokulkua. Virtaava metallijuuren muoto antaa elinvoiman tunteen, joka muistuttaa liikkuvaa organismia.

The Recognition

About the Rautapalkinto A' Design Award

Reborn Puinen Maljakko on Rautapalkinnon A' Design Award -voittaja, arvostettu tunnustus, joka myönnetään hyville designeille, jotka täyttävät hyvin suunnitelluilta luomuksilta odotetut ammatilliset ja teollisuuden vaatimukset. Rautavoittajat osoittavat tekijöidensä suurta taitoa, korkeaa erikoistumista, asiantuntevaa ymmärrystä ja luovaa kapasiteettia. Reborn Puinen Maljakko:n odotetaan olevan korkeassa arvossa pidetty, ihailtu ja rakastettu luomus, joka on käytännöllinen ja innovatiivinen. Tämä Rautapalkinnon A' Design Award -voittajadesign yhdistää alan parhaita käytäntöjä, ja sillä on pätevät tekniset ominaisuudet, jotka yhdistyvät osaamiseen ja lahjakkuuteen. Reborn Puinen Maljakko:a arvostetaan sen perusteellisuudesta, ja se on suunniteltu tarjoamaan elämänlaadun parannuksia, jotka auttavat tekemään maailmasta paremman paikan.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
Dimensions & Packaging: Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm.
Tags: Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
Production Technology: Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation.
Design Challenge: To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
Research: Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools.
Inspiration: We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
Project Duration: The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
Operation Flow: The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
Team Members: Instructor: ChungSheng Chen
Designer：ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept
Image Credits: Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng