Nippon Shinyaku Koku L’Espace De Bureau par Reiichi Ikeda

Le design Nippon Shinyaku Koku L’Espace De Bureau par Reiichi Ikeda est un lauréat très estimé du prestigieux 2023 A' Design Award de Bronze dans la catégorie Design d'Intérieur.

BronzeIntérieur· 2023

Nippon Shinyaku Koku L’Espace De Bureau

par Reiichi Ikeda

Client : Nippon Shinyaku Koku

Lauréat du A' Design Award de Bronze dans la catégorie Intérieur

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Couleurs

Le Design

À propos de Nippon Shinyaku Koku L’Espace De Bureau

Les concepteurs ont conçu l'espace d'adressage libre à l'intérieur du siège de Nippon Shinyaku, une société pharmaceutique dont le siège est dans la préfecture de Kyoto. Il a été prévu pour un coin d'un vaste site proche de la gare de Nishioji, où plusieurs immeubles de bureaux se côtoient. Pour commémorer le 100e anniversaire de la création de l'entreprise, le projet a débuté fin 2019. Il a cependant dû être temporairement interrompu en raison de la propagation sans précédent du nouveau coronavirus. Il a finalement été achevé à l’été 2021.

La Reconnaissance

À propos du A' Design Award de Bronze

Nippon Shinyaku Koku L’Espace De Bureau est lauréat de l'A' Design Award de Bronze, une reconnaissance hautement prestigieuse décernée à des designs remarquables qui se distinguent par leur créativité, leur ingéniosité et leur sagacité. Les lauréats Bronze sont des artefacts amplement habiles et d'une créativité frappante, qui authentifient la vaste expérience, l'imagination et l'ingéniosité de leurs concepteurs. Nippon Shinyaku Koku L’Espace De Bureau est censé être un objet très estimé, admiré et chéri, remarquablement professionnel et innovant. Ce design lauréat de l'A' Design Award de Bronze intègre les meilleures pratiques de l'art, de la science, du design et de la technologie, et est excellent par son souci du détail. Nippon Shinyaku Koku L’Espace De Bureau satisfait admirablement les besoins, touche les désirs, charme les sentiments et attire la curiosité.

Les coulisses du design

Dossier de presse

Crédits, membres de l'équipe et détails techniques fournis par le designer.

Propriétés Uniques: We designed the free address space inside the headquarters of Nippon Shinyaku, a pharmaceutical company headquartered in Kyoto Prefecture.

It was planned for a corner of a vast site near Nishioji station, where several office buildings stand side by side.
To commemorate the 100th anniversary of the company’s founding, the project began in late 2019. However, it had to be stopped temporarily due to the unprecedented spread of the novel coronavirus. It was finally completed in the summer of 2021.
Dimensions & Emballage: Area：369.8 square meters
Mots-Clés: office, interior, japan, kyoto
Technologie de Production: Main finishing material
Floor: mortar base with magnetic tiles, mortar metal trowel holder
Walls: PB groundwork AEP, round pillars/mortar metal trowel holder, wall frame/ST assembly baking paint, curtain/lace fabric crease processing
Ceiling: Existing slab base AEP
Fixtures: Big table/legs/magashiro wood dyed finish, top plate/melamine veneer pasted (K-6305/Aica Kogyo), counter/exposed concrete finish
Lighting equipment: Brass custom-made pendant lighting (vao place)
Défi de Conception: While capturing the background of Kyoto, we aimed to create a place that is conscious of connecting the left behind interior to the outside, from the environmental conditions that the building does not face the public road as in the past.
Recherche: 1.By inserting the same tiles as the outdoor tiles into the interior, the boundary points between the inside and outside are controlled by the design.
2. Based on the traditional Japanese concept of "continued room", we scattered frames that traced the outline of the fusuma.
3. Since all the buildings on the premises are reddish brown, the interior is also affected and the process of dyeing everywhere is expressed.
Inspiration: Incorporating the idea of “tuzukima” in Japanese architecture, the steel frames that trace the outline of the fusuma are scattered along the span of the frame beam. It is not just a wall that seeks a function, but an open space that controls consciousness and aims to be "something that gently forms individual areas". I want you to spend your time in a place that fits you.
Durée du Projet: Construction began in Kyoto on April 13, 2021 and was completed on July 27, 2021.
Flux Opérationnel: First, we increased the boundary between the inside and outside by incorporating diagonal lines ub the form of a V-shape for the glass walls, which previously ran parallel. Then, we made the boundary area between the inside and outside ambiguous by taking the floor tiles, which had originally been designed for an outside environment, and allowing them to overflow into the inside space, even biting into the V-shaped glass walls.

What’s more, the process of repeated expansion throughout the company’s long history turned the exterior of the building a reddish-brown. This view of the site and its colors express the ongoing process in this change in color, as though it is changing the building’s interior as well.

In order to categorize the scene, we incorporated the idea of the “tsuzukiai” present in the sukiya style of building. Thus, steel frames that trace the outlines of the fusuma (Japanese paper sliding doors) are scattered along the span of the skeleton beams. As such, these walls are not just function, like ensuring privacy or sound insulation. Rather, they aim to create an open space while controlling the consciousness of lookers on to emphasize the gentle form of the individual areas.

It is perfect for spending your time as you see fit.
Membres de l'Équipe: design/REIICHI IKEDA DESIGN Reiichi Ikeda
partner/Aji Architects Tomoko Nagahiro
lighting/Modulex Jun Ikeda
bgm/Espec Junji Ozono
curtain/fabricscape Kiyohiko Yamamoto
green/Bond Satoshi Tanii
art/Tokuhiro Kano
funiture/inter office Akio Hayashi
custom lighting/vaoplace Hirohumi Oba
interactive Satoshi Kamewaka
sign/kantaro Midori Hirota
Constructor/Kanazawa Contruction Hideki Kanazawa
Photographer/Yoshiro Masuda
Photographer：Yoshiro Masuda
Crédits Images: Photographer：Yoshiro Masuda